Bøger udgivet af Tin House Books

For Sarah Krasnostein it begins with a choir on a subway platform, a fleeting moment of witness that sets her on a fascinating journey to find out why people need to believe in absolute truths and what happens when their beliefs crash into her own. Some of the people Krasnostein interviews believe in things many people do not. Ghosts. UFOs. The literal creation of the universe in six days. Some believe in things most people would like to. Dying with dignity and autonomy. Facing up to our transgressions with truthfulness. Living with integrity and compassion.By turns devastating and delighting, and captured in snapshot-vivid detail, these six profiles with a death doula, a geologist who believes the world is six thousand years old, a lecturer in neurobiology who spends his weekends ghost hunting, the fiancé of a disappeared pilot and UFO enthusiasts, a woman incarcerated for killing her husband after suffering years of domestic violence, and Mennonite families in New York will leave you convinced that the most ordinary-seeming people are often the most remarkable and that deep and abiding commonalities can be found within the greatest differences.Vivid, unconventional, entertaining, and full of wonder, Krasnostein interweaves the stories of these believers with compassion and empathy, exploring our universal need for belief to help us attempt to make sense of life, death, and everything in between

Lambda Literary's Most Anticipated September LGBTQIA+ Literature "An intimate, assured debut."--New York Times Book Review

When Mitya was two-and-a-half years old, he swallowed his grandmother's sewing needle. For his family, it marks the beginning of the end, the promise of certain death. For Mitya, it is a small, metal treasure that guides him from within. As he grows, his life mirrors the uncertain future of his country, which is attempting to rebuild itself after the collapse of the Soviet Union, torn between its past and the promise of modern freedom. Mitya finds himself facing a different sort of ambiguity: is he a boy, as everyone keeps telling him, or is he not quite a boy, as he often feels? Many of the men in his working-class home are drunks, and the women are restricted to supporting roles?Mitya wants to be neither.After suffering horrific abuse from his cousin Vovka who has returned battered and broken from war, Mitya embarks on a journey across underground Moscow to find something better, a place to belong. His experiences are interlaced with a retelling of a foundational Russian fairytale, Koschei the Deathless, offering an element of fantasy to the brutal realities of Mitya's everyday life.Told with deep empathy, humor, and a bit of surreality, Little Foxes Took Up Matches is a revelation about the life of one community in a country of turmoil and upheaval, glimpsed through the eyes of a precocious and empathetic child, whose heart and mind understand that there are often more than two choices. An arresting coming of age, an exploration of gender, a reimagining of history, a modern folktale, a comedy about family? Katya Kazbek breaks out as a new voice to watch.

A San Francisco Chronicle and Southwest Review Best Book of the Year and A World Literature Today Notable Translation of the Year "A dreamscape of a book. I adored this compelling, wise, and utterly unique coming-of-age tale." --Tara Conklin

It's the night before the feast in the village of Fu]rstenfelde (population: an odd number). The village is asleep. Except for the ferryman--he's dead. And Mrs. Kranz, the night-blind painter, who wants to depict her village for the first time at night. A bell-ringer and his apprentice want to ring the bells--the only problem is that the bells have gone. A vixen is looking for eggs for her young, and Mr. Schramm is discovering more reasons to quit life than to quit smoking.