Bøger udgivet af The Lilliput Press Ltd

Days of Old by Maylis Besserie shows us Samuel Beckett at the end of his life in 1989, living in Le Tiers-Temps retirement home.

Tidings is an anthology of freshly commissioned Irish Christmas writing - short stories and essays by some of Ireland's best writers, written on the theme of 'Christmas parties'. This astounding array of writers all also have one thing in common - they have all been published by The Lilliput Press, over our 40 years of publishing.

This edition gathers all the articles and essays that Behan published in newspapers from 1951 to his death in 1964.The articles reveal a serious writer capable of great comic set pieces and amusing yarns as well as thoughtful reflections on cultural and historical issues.

In the final of Maylis Besserie's Irish-French trilogy, her preoccupation with the art and lives of artists who crossed borders between France and Ireland has a fitting climax as Bacon confronts the boundaries between the real and the imagined.

Join Count Camaris and his brave daughters on an exciting Pacific voyage in 1975, along with a daring deckhand and a merciless first mate. After a rite of passage crossing the Atlantic in 1974, as chronicled in Long Lost Log (Lilliput, 2022), Mick jumps ship in the Caribbean to crew on a family yacht.

Inspired by his passionate interest in Ireland‿s architectural heritage and concern for its preservation, The Irish Aesthete culminates the writings and photography of Robert O'Byrne to showcase Ireland‿s historic architecture.

In this volume of documentary photography by William Mundow, more than 50 black-and-white images of the West of Ireland from the 1960s are mirrored by the works of Irish poets chronicling the lost generations of Ireland. Themes of insularity, isolation and old age emerge from this haunting collection. The work follows in the footsteps of the late Bill Doyle, concentrating on the art of portraiture. The images are presented in four categories, from west to east: Inishbofin Island, County Galway; Tory Island, County Donegal; Rural Ireland; and Dublin City. Topographical poems by the living and departed are scattered throughout, from Gerald Dawe to Patrick Kavanagh and Richard Murphy.

This handsome volume presents more than twenty images of book covers, poems and other works that reflect Sligo's presence in the work of W.B. Yeats and his family. Thoughtful reflections accompany the images, many of which are of first editions found in the ' Yeats in Sligo' collection at the Yeats Society. They invite us to experience Yeats's poetry as he wanted contemporary readers to receive it. The beautiful Cuala Press editions in the Sligo collection are themselves works of art created by W.B.'s sister Elizabeth Yeats. Images of such precious artefacts found in this book are part of what Henry James called ' the visitable past' - a realm containing ' the fragrance of ... the poetry of the thing outlived and yet in which the precious element of closeness, telling so of connections but tasting so of differences, remains appreciable' . The title of this book is a composite. The first element is the name of the poem in which Yeats declares that he lies ' Under Ben Bulben' in Drumcliffe churchyard. The second is ' The Metal Man', a figure on a beacon that guides ships to and from Sligo, who came to embody the Yeats siblings' memories of their childhood under his watchful eyes. This small gem of a book will have a reach far beyond Sligo as an illuminating companion and delightful gift to all readers of Irish poetry.

The Ulysses Trials chronicles that progress and adds not only to the understanding of Joyce but also to the history of the laws of obscenity, censorship and freedom of speech. Its appeal is to Joyceans, all those interested in modernism and to the legal community and students of literature and law.

This explosively original debut novel by Estelle Birdy, set in Dublin's Liberties, channels the energies and agonies of young men let loose in the city, navigating between drug-dealers, the Garda Síochana and close-knit family networks.

Habitat follows seven people over the course of a week as their mid-century apartment building in Oslo inexplicably disappears.

Pure Filth, Aidan Mathews' fifth volume of poetry, follows upon Windfalls (Dolmen, 1977), Minding Ruth (Gallery, 1983), According to the Small Hours (Cape, 1998) and Strictly No Poetry (Lilliput, 2017). At its heart, the collection is about reflections on a career and sustained loves for people, God and art, with themes threaded throughout such as the pandemic, suburban Dublin, Irish landscape and history and the Holocaust.

Arnold Marsh, son of Belfast tin-factory owner born in 1890, is best remembered as an educationist and headmaster of Newtown Quaker School in Waterford, Ireland.

In this reflective and enriching memoir, John Tuomey navigates the places and memories of his life over the scope of twenty-five years. First recognised for the urban regeneration of Dublin's Temple Bar, which included the construction of the Irish Film Institute, the National Photographic Archive and Gallery of Photography, his life in architecture led him to design social and cultural spaces such as the Lyric Theatre in Belfast, the Glucksman Gallery in UCC and the Victoria & Albert East Museum in London. Imbued with many inter-textual references to poetry, drama and literature and written in limpid prose, this memoir is inherently literary in nature. Tuomey looks back to his early life where he was born in Tralee and lived in different counties around Ireland, from small towns to country landscapes, from schooldays in Dundalk to student activism at University College Dublin. He traces the pathways that led to his formation as an architect, reflecting on the many cultural and social influences on his life. He excels in capturing the social landscape of Dublin in the 1980s and pays particular attention to the many buildings and social hubs of the inner city. His transient years of moving from Dublin to London, and subsequently working in places like Nairobi and Milan, chronicle the international influences on his outlook. The key relationships in his life, including meeting his future wife, Sheila - a fellow student of architecture in UCD - and his pivotal employment by James Stirling in 1976, form the backbone of his personal and professional life. Tuomey's expertise in his field is unsurpassed, with meticulous detail given to the finer aspects of design and architecture. His thoughts on the challenges facing the encroaching erasure of city life in Dublin are essential reading for anyone with an interest in the future of building in the city.

In Showbusiness with Blood, Eamon Carr beguiles the reader with an insightful account of the world's greatest boxers, from Steve Collins to Mike Tyson to Tyson Fury and Katie Taylor.

Youth follows four teenagers in Ireland's most diverse town, Balbriggan. Twenty-first century life - hyper-sexualized, social media saturated, anxiety-plagued - is here. Isolated and disorientated by the white noise and seemingly insurmountable expectations of adolescence, our protagonists are desperate to find anything that helps them belong.

Two families inhabit this immersive polyvocal work, an intergenerational saga announced with The Cruelty Men (2018) and continued here as punk rockers and Magdalene laundries spiral into a post-colonial Ireland still haunted by its tribal undertow.

In Maylis Besserie's exciting new novel, she turns her attention from Samuel Beckett to another iconic Irish writer, W. B. Yeats. The connection between France in Ireland is once again explored in the context of art, culture and the days at the end of life.

The Road to Riverdance by Bill Whelan is a skilfully attuned record of one of Ireland's most famous and influential composers.

The State of Dark is a highly original, moving and beautifully written memoir of the so-called Second Generation trauma, which documents how the Holocaust continues to be a living issue in European life and culture, including in Ireland.

Fierce Love, a scholarly work, is sourced from production notebooks and copious correspondence held in NUI Galway, measuring for the first time the achievements of a controversial and resourceful woman swimming against the tide of populism and sectarianism to establish an independent academy for actors and artists in a tireless quest for imaginative freedom and excellence.

Bungalow Bliss, first published in 1971, radically transformed housing in Ireland. Now, for the first time, author and structural engineer Adrian Duncan looks at the cultural impact that Bungalow Bliss and the accessible bungalow design had on the housing market, the Irish landscape, and on the individual families who made these bungalows their homes.

"Road to Repeal: 50 Years of Struggle in Ireland for Contraception and Abortion opens in 1970 when the Irish Women's Liberation Movement burst onto the streets and screens of a society bewildered by women demanding equal status in the home and in the workplace. It tracks the bitter backlash to their successes that culminated in the Eighth Amendment's fixture in the Irish Constitution in 1983. Over five decades, Road to Repeal describes and depicts individual tragedy, referendums, court cases, the actions of a misogynist Church and State. It shines a light on the journey of thousands of women and girls who braved stigma and hardship, often travelling alone and anonymously for medical treatment they were denied in Ireland. Road to Repeal closes with the visually dazzling Together For Yes campaign whose determination and grit finally got rid of the Eighth Amendment, Article 40.3.3 on May 25th, 2018." --

Almost 300 Irish houses were burnt during the War of Independence and Civil War. Left Without A Handkerchief investigates this devastation.