Bøger udgivet af The Library of America

More urgent than ever, two landmark essays by the legendary political theorist on the greatest threat to democracy, gathered with a new introduction by David Bromwich"No one," Hannah Arendt observed, "has ever counted truthfulness as a political virtue." But why do politicians lie? What is the relationship between political lies and self-delusion? And how much organized deceit can a democracy endure before it ceases to function? Fifty years ago, the century's greatest political theorist turned her focus to these essential questions in two seminal essays, brought together here for the first time. Her conclusions, delivered in searching prose that crackles with insight and intelligence, remain powerfully relevant, perhaps more so today than when they were written. In "Truth and Politics," Arendt explores the affinity between lying and politics, and reminds us that the survival of factual truth depends on the testimony of credible witnesses and on an informed citizenry. She shows how our shared sense of reality-the texture of facts in which we wrap our daily lives-can be torn apart by organized lying, replaced with a fantasy world of airbrushed evidence and doctored documents. In "Lying in Politics," written in response to the release of the Pentagon Papers, Arendt applies these insights to an analysis of American policy in Southeast Asia, arguing that the real goal of the Vietnam War-and of the official lies used to justify it by successive administrations-was nothing other than the burnishing of America's image. In his introduction, David Bromwich (American Breakdown: The Trump Years and How They Befell Us) engages with Arendt's essays in the context of her other writings and underscores their clarion call to take seriously the ever-present threat to democracy posed by lying.

A legendary Cuban-American storyteller enters the Library of America series with a volume gathering three seductive and profound novels about family, desire, music, and lossOscar Hijuelos (1951-2013) is one of the most acclaimed Latino writers of the last half century. Here are three classic novels that opened a window on the Cuban-American experience, announcing a major new voice in our literature. Hijuelos launched his career with Our House in the Last World (1983), a resonant and nuanced novel portraying one immigrant's family story in midcentury Manhattan. At its center is Hector Santino, whose family has left the "home province of Fidel Castro, Batista, and Desi Arnaz" to settle in New York City, where their ebullient expectations of the good life in America lead, inevitably, to myriad disappointments and adjustments. In his best-known novel, The Mambo Kings Play Songs of Love (1989)-a book that Gabriel Garcia Marquez said he would have liked to have written-Hijuelos offers an unforgettable tribute to Latin music and its place in American culture around the middle of the twentieth century. Earning Hijuelos the Pulitzer Prize, the first to be awarded a Latino novelist, The Mambo Kings is also about the fleeting nature of fame and celebrity as well as the more profound themes of love, desire, and family. The poignant Mr. Ives' Christmas (1995), which Hijuelos once noted was an attempt to write a Christmas story "without being corny," takes up themes of loss and redemption in a story that poses the age-old question of why bad things happen to good people. This Library of America edition marks the entrance of Hijuelos into the series with a deluxe hardcover edition that includes as well a newly researched chronology of the author's life.

Rediscover Rudolfo Anaya: mythmaker, master storyteller, American original "The godfather and guru of Chicano literature." -Tony HillermanA writer powerfully attuned to the land and history of his native New Mexico, Rudolfo Anaya (1937-2020) is one of the giants of Latino literature. Over the course of a remarkable and acclaimed literary career, Anaya redefined the American experience for generations of readers. Anaya broke new ground with his 1972 novel Bless Me, Ultima, a mythic work that captures the richness and complexity of history, community, and place in the American Southwest. Set just after World War II, Bless Me, Ultima revolves around the young boy Antonio and his quest to understand his identity and the demands of his future. Although his mother's heart is set on his entering the priesthood, Antonio is drawn to the charismatic Ultima, an elderly curandera or healer who embodies the ancient wisdom of the pre-Columbian past. The 1979 novel Tortuga draws on Anaya's experience of suffering and recuperation after a diving accident as a teenager. Its hero, nicknamed "Tortuga" because his body cast encases him like a turtle's shell, grapples with the realities of bodily pain as he discovers that true healing is spiritual as well as physical. The story reverberates with local folklore about a mountain, also called Tortuga, home to a sleeping spirit who will one day awaken and journey onward to the sea. Weaving these threads together, Anaya creates, in the words of editor Luis Alberto Urrea, "a tapestry inside of which he was encoding an entire history of our very souls." In the 1992 novel Alburquerque (restoring the "r" to the city's original name), a young Mexican American boxing champion discovers that his white biological mother had given him up for adoption at birth, and he must now reevaluate everything he thought he was. The winner of a PEN West Fiction Award, the novel brims with emotionally powerful characterizations, political commentary, humor, and lyrical writing that reveals Anaya to be, once again, an indispensable American fabulist.

The eloquent and defiant writings of the great American freedom fighter, selected by his Pulitzer Prize-winning biographerFrederick Douglass was one of the greatest orators and essayists in American history. While toiling as an enslaved laborer in the Baltimore shipyards he bought a secondhand copy of The Columbian Orator, a "noble acquisition" that he carried with him on his escape to the North. Douglass began his career as an antislavery lecturer in 1841 and founded his first newspaper, North Star, six years later.For the next five decades he used his voice and wielded his pen in the cause of emancipation, equal rights, and human dignity. Inspired by the Hebrew prophets, Douglass developed a unique oratorical and literary style that combined scriptural cadences with savage irony, moral urgency, and keen insight. In his incandescent jeremiad "What to the Slave is the 4th of July?" Douglass skewered the hypocrisy of the slaveholding republic; and in "The Claims of the Negro Ethnologically Considered" he refuted white supremacist ideology. "Resistance to Blood-Houndism" called for forceful opposition to the Fugitive Slave Act; "Capt. John Brown Not Insane" praised the "self-forgetful heroism" of the abolitionist martyr; and "How to End the War," published in 1861, called for the raising of Black troops and the destruction of slavery. In his oration at the Freedmen's Memorial in 1876, Douglass offered a brilliantly perceptive assessment of Lincoln's role in emancipation; "There Was a Right Side in the Late War" attacked the "Lost Cause" mythology of the Confederacy; and "The Lessons of the Hour" denounced lynching and disenfranchisement in the emerging Jim Crow South.As a special feature the volume also includes Douglass's only foray into fiction, the 1853 novella "The Heroic Slave," about a shipboard insurrection.

Includes Native Son, now an HBO original movie by Rashid Johnson, with a screenplay by Suzan-Lori Parks and starring Ashton Sanders.Native Son exploded on the American literary scene in 1940. The story of Bigger Thomas, a young black man living in the raw, noisy, crowded slums of Chicago's South Side, captured the hopes and yearnings, the pain and rage of black Americans with an unprecedented intensity and vividness. The text printed in this volume restores the changes and cuts-including the replacement of an entire scene-that Wright was forced to make by book club editors who feared offending their readers. The unexpurgated version of Wright's electrifying novel shows his determination to write honestly about his controversial protagonist. As he wrote in the essay "How 'Bigger' Was Born," which accompanies the novel: "I became convinced that if I did not write Bigger as I saw and felt him, I'd be acting out of fear."This volume also contains Wright's first novel, Lawd Today!, published posthumously in 1963, and his collection of stories, Uncle Tom's Children, which appeared in 1938. Lawd Today! interweaves news bulletins, songs, exuberant wordplay, and scenes of confrontation and celebration into a kaleidoscopic chronicle of the events of one day-February 12-in the life of a black Chicago postal worker. The text for this edition reinstates Wright's stylistic experiments, and the novel emerges as a far livelier work of the imagination.Uncle Tom's Children first brought Wright to national attention when it received the Story Prize for the best work submitted to the Federal Writers' Project. The characters in these tales struggle to survive the cruelty of racism in the South, as Wright asks "what quality of will must a Negro possess to live and die with dignity in a country that denied his humanity." All five stories Wright included in the 1940 second edition are published in this volume, along with his sardonic autobiographical essay "The Ethics of Living Jim Crow."Richard Wright was "forged in injustice as a sword is forged," wrote Ernest Hemingway. With passionate honesty and courage, he confronted the terrible effects of prejudice and intolerance and created works that explore the deepest conflicts of the human heart.This Library of America edition presents for the first time Wright's works in the form in which he intended them to be read. The authoritative new texts, based on Wright's original typescripts and proofs, reveal the full range and power of his achievement as an experimental stylist and as a fiery prophet of the tragic consequences of racism in American society. The volume includes notes on significant changes in Wright's text and a detailed chronology of his life.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

"Let your fiction grow out of the land beneath your feet." Willa Cather's remark describes her own reasons for re-creating in her works the Nebraska frontier of her youth. Set on the vast northern Great Plains, where the earth has only recently come beneath the plow, the stories and novels in this Library of America volume partake of an impressive physical space and a uniquely American ethnic. Panoramas of lonely prairie and open sky reflect the heroic aspirations and stoicism of her characters and the rebelliousness of their spirit.The Troll Garden (1905) was Cather's first book of fiction. It contains seven stories, including the justly famous "Paul's Case," a study of a young man who escapes the world of the ordinary and briefly tastes the life of romance. Also included is "The Sculptor's Funeral," about a world-famous young artist who remains without honor in his native town.O Pioneers! (1913) is the story of a young Swedish-American girl, Alexandra Bergson, who is left to manage the homestead farm when her father dies. Although she must contend with the shiftlessness of two brothers and the brutal murder of a third, her instinctive identification with the forces of nature helps bring the land to abundant fruition, and she finds her own happiness in a kindred spirit-an engraver, gold prospector, and fellow dreamer.In her lyrical novel The Song of the Lark (1915), Cather's love of music and theater and her faith in the spiritual influence of the Western landscape find expression in the ardent and talented Thea Kronborg. Moving from Colorado to Chicago to the primitive Southwest, Thea finds her destiny not in romance, but as a great Wagnerian soprano in the Metropolitan Opera. Her success, and that of all Cather's heroines, derives from what the author calls "the naïve, generous country that gave on its joyous force."A masterpiece at once austere and exuberant, historical and mythical, My Ántonia (1918) portrays a family of Bohemian emigrants on the Nebraska frontier. Despite the suicide of her father and the desertion of the father of her child, Ántonia Shimerda retains an unselfish nature that allows her to undergo years of drudgery and still affirm a courageous passion for life and motherhood-a dauntlessness intrinsically rooted in the awesome wonder of the prairie.One of Ours, winner of the Pulitzer Prize in 1922, portrays the blighting effects of twentieth-century progress on a free spirit from the American frontier. Claude Wheeler, its hero, is an imaginative, restless young man who leaves his claustrophobic small town to become a soldier in France during World War I. The Old World shows him culture, art, generosity, and appreciation, and also the horror, waste, and tragedy of war.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A definitive edition of the groundbreaking feminist fiction of a nineteenth century pioneerBest known for her gothic short story "The Yellow Wallpaper," Charlotte Perkins Gilman was a pioneering feminist writer, the author of the utopian novels Herland and With Her in Ourland, about a newly-discovered country in which there have been no men for 2000 years. Both novels are gathered here along with approximately forty of her best stories: "The Yellow Wallpaper," presented in both the published and the almost unknown original manuscript version, which contains a different ending, "The Giant Wistaria" and "The Rocking-Chair," and many others. Also included is an extensive selection of Gilman's poems, many written in support of suffrage and other reforms.

The third volume of Library of America's five-volume edition of Updike's novels features the continuation of the renowned Rabbit saga and two wickedly funny satires set in the charged realms of sex, politics, and family.The third volume in our five-volume selected edition of the novels of John Updike includes three books: The Coup, one of Updike's most outlandish satires, set in a fictional African nation; Rabbit Is Rich, the third, and many say best, novel starring his most famous protagonist; and the wildly popular The Witches of Eastwick, which was memorably adapted in the film starring Cher, Michelle Pfeiffer, Susan Sarandon, and Jack Nicholson. In The Coup, a surprising departure from his prior novels, Updike stages a withering take down of an array of targets, from American materialism and its baleful effects on the developing world to the follies of Cold War geopolitics and the fevered megalomania of the dictatorial mind. In Rabbit Is Rich, the third installment of the Rabbit tetralogy, we meet up with Harry Angstrom, now 46, dealing as best he can with the challenges and cares of midlife, a time when "you are carrying the world in a sense and yet it seems more out of control than ever." In The Witches of Eastwick, Updike imagines a small New England town possessed by magic-at least as practiced by the female trio at its center who, freed from the burdens of their marriages, make common cause and unleash their whimsical witchcraft on Eastwick's narrow-minded townspeople.

Library of America presents an authoritative new text of Hemingway''s classic novel, correcting errors, restoring key changes made to Hemingway’s original punctuation--including to the novel''s famous last line—and reinstating references to real people removed for fear of libelWith the publication of The Sun Also Rises in 1926, Ernest Hemingway confirmed his reputation as a leader of literary modernism and established himself as the preeminent voice of the Lost Generation. Drawn from the authoritative Library of America volume of Hemingway’s early writings, this deluxe paperback presents a new, corrected text of The Sun Also Rises prepared by a leading Hemingway scholar based on study of manuscripts and typescripts and later printings in Hemingway’s lifetime. Correcting numerous errors, restoring key changes made to his original punctuation—most notably in the novel’s famous final line—and reinstating references to real people removed by his editor Maxwell Perkins for fear of libel or scandal, Library of America’s authoritative text brings us closer to the novel as Hemingway envisioned it. Hemingway''s landmark novel follows two of his most memorable characters—Jake Barnes, an American newspaper correspondent living in Paris, and the impossible object of his affections, Lady Brett Ashley—and a cohort of other young American and British expatriates, amidst their dizzying, alcohol-fueled exploits in interwar France and Spain. Brimming with the headlong vivacity of Parisian nightlife, the manic energy of the running of the bulls in Pamplona, and the rich color of the Spanish countryside, the book is also a poignant portrait of disillusionment and loss, “such a hell of a sad story,” as Hemingway described it in a letter to his friend and rival F. Scott Fitzgerald.  This keepsake edition includes a number of special features: a selection of Hemingway’s vivid journalistic accounts of bullfighting in Spain and the expat community in Paris; letters to Fitzgerald, Perkins, and others that illuminate the process of writing and publishing The Sun Also Rises; a detailed chronology of Hemingway’s life and career; and extensive explanatory and textual notes. 

For the 400th anniversary of Moliere's birth, all of Richard Wilbur's unsurpassed translations of Molière's plays-themselves towering achievements in English verse-are brought together for the first time in this two-volume gift set.One of the most accomplished American poets of his generation, Richard Wilbur (1921-2017) was also a prolific translator of French and Russian literature. His verse translations of Molière's plays are especially admired by readers and are still performed today around the world. "Wilbur," the critic John Simon wrote, "makes Molière into as great an English verse playwright as he was a French one." Now, for the first time, all ten of Wilbur's unsurpassed translations of Molière's plays are brought together in two-volume boxed set, fulfilling the poet's vision for the translations.The first volume comprises Molière's delightful early farces The Bungler, Lovers' Quarrels, and The Imaginary Cuckhold, or Sganarelle; the comedies The School for Husbands and The School for Wives, about the efforts of middle-aged men to control their young wives or fiancés, which so delighted female theater goers in Moliere's seventeenth-century France; and Don Juan, Molière's retelling of the timeless story, performed only briefly in the playwright's lifetime before pious censure forced it to close and not part of the repertoire of the Comédie-Française until 1847.The second volume includes the elusive masterpiece, The Misanthrope, often said to occupy the same space in comedy as Shakespeare's Hamlet does in tragedy; the fantastic farce Amphitryon, about how Jupiter and Mercury commandeer the identities of two mortals ; Tartuffe, Molière's biting satire of religious hypocrisy; and The Learned Ladies, like Tarfuffe, a drama of a household turned suddenly upside down. These volumes include the original introductions by Richard Wilbur and an introduction by Adam Gopnik on the exquisite art of Wilbur's translations.

What kind of choices fatally shape a life? How does the individual withstand the onslaught of circumstance? These are the dark questions that animate Nemeses, the quartet of thematically related short novels that are published here together for the first time in this final volume of The Library of America's definitive edition of Philip Roth's collected works. Everyman (2006) is the sparse and affecting story of one man's lifelong skirmish with mortality. Set against the backdrop of the Korean War, Indignation (2008) is the extraordinary narrative of a young man struggling against the conformity of McCarthy-era America and his father's overwhelming fear. In The Humbling (2009), aging actor Simon Axler embarks on a risky and aberrant affair in a desperate attempt to recoup his lost artistic gifts. And in Nemesis (2010), Roth offers an exacting portrait of the emotions-fear and anger, bewilderment and grief-bred by a polio epidemic in Newark in the summer of 1944.Philip Roth is the only living American novelist to have his work published in a comprehensive, definitive edition by The Library of America. He has received the Pulitzer Prize, the National Book Award and the National Book Critics Circle Award twice, the PEN/Faulkner Award three times, the National Medal of Arts, and the Gold Medal in Fiction, the highest award of the American Academy of Arts and Letters.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A definitive edition of the landmark book that forever changed our understanding of the Civil War’s aftermath and the legacy of racism in America Upon publication in 1935, W.E.B. Du Bois’s now classic Black Reconstruction offered a revelatory new assessment of Reconstruction—and of American democracy itself. One of the towering African American thinkers and activists of the twentieth century, Du Bois brought all his intellectual powers to bear on the nation’s post-Civil War era of political reorganization, a time when African American progress was met with a white supremacist backlash and ultimately yielded to the consolidation of the unjust social order of Jim Crow. Black Reconstruction is a pioneering work of revisionist scholarship that, in the wake of the censorship of Du Bois’s characterization of Reconstruction by the Encyclopedia Britannica, was written to debunk influential historians whose racist ideas and emphases had disfigured the historical record. “The chief witness in Reconstruction, the emancipated slave himself,” Du Bois argued, “has been almost barred from court. His written Reconstruction record has been largely destroyed and nearly always neglected.” In setting the record straight Du Bois produced what co-editor Eric Foner has called an “indispensable book,” a magisterial work of detached scholarship that is also imbued with passionate outrage. Presented in a handsome and authoritative hardcover edition prepared by Foner and co-editor Henry Louis Gates, Jr., Black Reconstruction is joined here for the first time with important writings that trace Du Bois’s thinking throughout his career about Reconstruction and its centrality in understanding the tortured course of democracy in America. 

Bill Littlefield (NPR''s Only a Game) presents the second installment in the Library of America series devoted to classic American sportswriters, a defintive collector’s edition of the pathbreaking writer who invented the long-form sports story. Like his friend and admirer Red Smith, W. C. Heinz (1915–2008) was one of the most distinctive and  influential sportswriters of the last century. Though he began his career as a newspaper reporter, Heinz soon moved beyond the confines of the daily column, turning freelance and becoming the first sportwriter to make his living writing for magazines. In doing so he effectively invented the long-form sports story, perfecting a style that paved the way for the New Journalism of the 1960s. His profiles of the top athletes of his day still feel remarkably current, written with a freshness of perception, a gift for characterization, and a finely tuned ear for dialogue. Jimmy Breslin named Heinz’s “Brownsville Bum”—a brief life of Al “Bummy” Davis, Brooklyn street tough and onetime welterweight champion of the world—“the greatest magazine sports story I’ve ever read, bar none.” His spare and powerful 1949 column, “Death of a Race Horse,” has been called a literary classic, a work of clarity and precision comparable to Hemingway at his best.Now, for this essential writer’s centennial, Bill Littlefield, the host of NPR’s Only A Game, presents the essential Heinz: thirty-eight columns, profiles, and memoirs from the author’s personal archive, including eighteen pieces never collected during his lifetime. Though Heinz’s great passion was boxing—the golden era of Rocky Graziano, Floyd Patterson, and Sugar Ray Robinson—his interests extended to the wide world of sports, with indelible profiles of baseball players (Babe Ruth, Joe DiMaggio), jockeys (George Woolf, Eddie Arcaro), hockey players, football coaches, scouts and trainers and rodeo riders.

Rediscover one of America’s pioneering women crime writers with this classic noir starring a Long Beach private investigator reminiscent of Raymond Chandler’s Philip Marlowe“Are you trying to tell me you don''t want the job, Mr. Sader?” It started as a missing persons case and grew more puzzling with the discovery of another strangely coincidental disappearance. Private eye Jim Sader finds himself deep in a multilayered intrigue revolving around oil and real estate and the sleazy underpinnings of Long Beach, California, in the 1950s. Taut, suspenseful, and gritty, many consider Sleep with Strangers to be Dolores Hitchens’ best novel.

Private eye Jim Sader returns in a hard-hitting thriller set in the dark corners of sunny southern California"You''re playing with a child''s life": The search for a kidnapped boy leads private detective (and ex-alcoholic) Jim Sader through a labyrinth of well-hidden family secrets and into the heart of an elaborate and malevolent deception. With little to go on--a tight-lipped client, an anonymous letter, a mother who is supposed to be dead--Sader must rely on his wits to find the child even as he outraces the demons that dog him. Sleep with a Slander has been called "the best hard-boiled private eye novel written by a woman—and one of the best written by anybody" (1001 Midnights: The Aficionado''s Guide to Mystery and Detective Fiction).

STEPH CURRY''S "UNDERRRATED" BOOK CLUB PICK FOR APRIL 2022NAACP IMAGE AWARD FINALISTNEW YORK TIMES BEST SELLERONE OF TIME''S 100 MUST-READ BOOKS OF 2021ONE OF OPRAH''S 15 FAVORITE BOOKS OF 2021ONE OF THE CHICAGO TRIBUNE''S 10 BEST BOOKS OF 2021A BOSTON GLOBE BEST BOOK OF 2021A major literary event: an explosive, previously unpublished novel about race and police violence by the legendary author of Native Son and Black BoyFred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of this scorching novel, a masterpiece that Richard Wright was unable to publish in his lifetime. Written between his landmark books Native Son (1940) and Black Boy (1945), at the height of his creative powers, it would eventually see publication only in drastically condensed and truncated form in the posthumous collection Eight Men (1961). Now, for the first time, by special arrangement with the author''s estate, the full text of this incendiary novel about race and violence in America, the work that meant more to Wright than any other (“I have never written anything in my life that stemmed more from sheer inspiration”), is published in the form that he intended, complete with his companion essay, “Memories of My Grandmother.” Malcolm Wright, the author’s grandson, contributes an afterword.

From The Federalist to Citizens United, a bestselling historian presents key writings on five crucial questions confronting American democracy today Amid the frenzied overload of 24-hour cable news and incessant social media, at a time when many of us fear for the future of our democracy, it is becoming harder and harder to think clearly about politics. American Democracy: 21 Historic Answers to 5 Urgent Questions provides an alternative for those who want to step back and look to the past for inspiration and guidance.   Edited with perceptive and provocative commentary by bestselling historian and journalist Nicholas Lemann (The Promised Land, Transaction Man), the book presents key writings from the American past that speak to five contemporary flashpoints in our political landscape: race, gender, immigration, and citizenship; opportunity and inequality; the purpose and powers of the federal government; money, special privilege, and corruption; and protest and civil disobedience. Some of the selections are well-known—George Washington’s letter to the Hebrew Congregation at Newport, Frederick Douglass’s “What to the Slave is the 4th of July,” Martin Luther King Jr.’s letter from Birmingham Jail—while others will be new to many readers—Horace Mann’s argument for public schools as a means of fighting inequality, Jane Addams’s perceptive analysis of gender and social class in charity work, Randolph Bourne envisioning a “Trans-National America.”   American Democracy presents a remarkable range of insightful and eloquent American political writing, while serving as an invaluable resource for concerned citizens who wish to become better-informed participants in the ongoing drama of our democracy.

For the 400th anniversary of the Mayflower's arrival, a landmark collection of firsthand accounts charting the history of the English newcomers and their fateful encounters with the region's Native peoplesFor centuries the story of the Pilgrims and the Mayflower has been told and retold--the landing at Plymouth Rock and the first Thanksgiving, and the decades that followed, as the colonists struggled to build an enduring and righteous community in the New World wilderness. But the place where the Plymouth colonists settled was no wilderness: it was Patuxet, in the ancestral homeland of the Wampanoag people, a long-inhabited region of fruitful and sustainable agriculture and well-traveled trade routes, a civilization with deep historical memories and cultural traditions. And while many Americans have sought comfort in the reassuring story of peaceful cross-cultural relations embodied in the myth of the first Thanksgiving, far fewer are aware of the complex history of diplomacy, exchange, and conflict between the Plymouth colonists and Native peoples. Now, published for the 400th anniversary of the arrival of the Mayflower, Plymouth Colony brings together for the first time fascinating first-hand narratives written by English settlers--Mourt's Relation, the classic account of the colony's first year; Governor William Bradford's masterful Of Plimouth Plantation; Edward Winslow's Good News from New England; the heterodox Thomas Morton's irreverent challenge to Puritanism, New English Canaan; and Mary Rowlandson's landmark "captivity narrative" The Sovereignty and Goodness of God--with a selection of carefully chosen documents (deeds, patents, letters, speeches) that illuminate the intricacies of Anglo-Native encounters, the complex role of Christian Indians, and the legacy of Massasoit, Weetamoo, Metacom ("King Philip"), and other Wampanoag leaders who faced the ongoing incursion into their lands of settlers from across the sea. The interactions of Plymouth Colony and the Wampanoag culminated in the horrors of King Philip's War, a conflict that may have killed seven percent of the total population, Anglo and Native, of New England. While the war led to the end of Plymouth's existence as a separate colony in 1692, it did not extinguish the Wampanoag people, who still live in their ancestral homeland in the twenty-first century.

In their own voices, the full story of the women and men who struggled to make American democracy wholeWith a record number of female candidates in the 2020 election and women''s rights an increasingly urgent topic in the news, it''s crucial that we understand the history that got us where we are now. For the first time, here is the full, definitive story of the movement for voting rights for American women, of every race, told through the voices of the women and men who lived it. Here are the most recognizable figures in the campaign for women''s suffrage, like Elizabeth Cady Stanton and Susan B. Anthony, but also the black, Chinese, and American Indian women and men who were not only essential to the movement but expanded its directions and aims. Here, too, are the anti-suffragists who worried about where the country would head if the right to vote were universal. Expertly curated and introduced by scholar Susan Ware, each piece is also introduced by a headnote so that together these 100 selections by over 80 writers tell the full history of the movement--from Abigail Adams to the Declaration of Sentiments to the passage of the Nineteenth Amendment and the limiting of suffrage under Jim Crow. Includes writings by Ida B. Wells, Mabel Lee, Margaret Fuller, Sojourner Truth, Frances Ellen Watkins Harper, Frederick Douglass, presidents Grover Cleveland on the anti-suffrage side and Woodrow Wilson urging passage of the Nineteenth Amendment as a wartime measure, Jane Addams, and Charlotte Perkins Gilman, among many others.

A literary landmark: Kevin Young presents the biggest and best anthology of black poetry ever published, gathering 250 poets from the colonial period to the presentOnly now, in the 21st century, can we fully grasp the breadth and range of African American poetry: a magnificent chorus of many voices, some familiar, others recently rescued from neglect. And only here, in this unprecedented anthology expertly selected by poet and scholar Kevin Young, is this glorious living tradition wholly revealed in all its power, beauty, and multiplicity. Discover, in these pages, how an enslaved person like Phillis Wheatley confronted her legal status in verse and how an antebellum activist like Frances Ellen Watkins Harper voiced her own passionate resistance to slavery. Read nuanced, provocative poetic meditations on identity and self-assertion stretching from Paul Laurence Dunbar to Amiri Baraka to Lucille Clifton and beyond. Experience the transformation of poetic modernism in the works of figures such as Langston Hughes, Fenton Johnson, and Jean Toomer. Understand the threads of poetic history--in movements such as the Harlem and Chicago Renaissances, Black Arts, Cave Canem, Dark Noise Collective--and the complex bonds of solidarity and dialogue among poets across time and place. See how these poets have celebrated their African heritage and have connected with other communities in the African Diaspora. Enjoy the varied but distinctly Black music of a tradition that draws deeply from jazz, hip hop, and the rhythms and cadences of the pulpit, the barbershop, and the street. And appreciate, in the anthology''s concluding sections, why contemporary African American poetry, amply recognized in recent National Book Awards and Poet Laureates, is flourishing as never before. Taking the measure of the tradition in a single indispensable volume, African American Poetry: 250 Years of Struggle and Song sets a new standard for a genuinely deep engagement with Black poetry and its essential expression of American genius.