Bøger udgivet af Tankebanen Forlag/Utopos Publishing

Hedgehogs is an extended sequence of poems and verse-essays about Jacques Derrida by a well-known philosopher, literary theorist, and commentator on his writings. Their topics range widely across the full span of Derrida's work, treated here in formal (rhyming and metrical) verse of a variously witty, ironic, reflective, discursive, and narrative character. Norris's aim is partly to provide a way into that work for readers with a chief interest in poetry and partly to offer fresh points of engagement for philosophers and literary critics, including those who have so far been resistant to it. But his object is also to explore the possibility of playing off formal verse structures against Derrida's very different, broadly symbolist-modernist idea of what poetry can and should be in the wake of practitioners like Mallarmé and Paul Celan. By so doing Norris makes a case - contra the advocates of free verse - for the exploratory-creative rather than restrictive or expression-cramping role of rhyme and meter. These serve at best as formal constraints that liberate thought into semantic, conceptual and imaginative regions beyond anything that might be envisaged by writers of straightforward expository prose, or indeed free verse. Thus they are highly suited to philosophical poetry, especially where it intersects with a mode of thought - like Derrida's - that lives very much in and through its singular resources of linguistic inventiveness. Altogether these poems make a notable contribution to the currently fast-growing field of creative criticism.

Hedgehogs is an extended sequence of poems and verse-essays about Jacques Derrida by a well-known philosopher, literary theorist, and commentator on his writings. Their topics range widely across the full span of Derrida's work, treated here in formal (rhyming and metrical) verse of a variously witty, ironic, reflective, discursive, and narrative character. Norris's aim is partly to provide a way into that work for readers with a chief interest in poetry and partly to offer fresh points of engagement for philosophers and literary critics, including those who have so far been resistant to it. But his object is also to explore the possibility of playing off formal verse structures against Derrida's very different, broadly symbolist-modernist idea of what poetry can and should be in the wake of practitioners like Mallarmé and Paul Celan. By so doing Norris makes a case - contra the advocates of free verse - for the exploratory-creative rather than restrictive or expression-cramping role of rhyme and meter. These serve at best as formal constraints that liberate thought into semantic, conceptual and imaginative regions beyond anything that might be envisaged by writers of straightforward expository prose, or indeed free verse. Thus they are highly suited to philosophical poetry, especially where it intersects with a mode of thought - like Derrida's - that lives very much in and through its singular resources of linguistic inventiveness. Altogether these poems make a notable contribution to the currently fast-growing field of creative criticism.

The Time Machine redefined the science fiction genre to include concepts like spacetime, as well as recent innovations in biology and sociology. H.G. Wells' text, first published in serial format, became an instant hit, and has since become the centrepiece of not only numerous films and radio plays, but of our very conceptualisation of the future. As Poul Houe notes in his newly written introduction, "by way of the Time Machine we can travel out of 'Now' into both the distant past and future." Sometimes referred to as having prophetic abilities H.G. Wells' described a future that is credible and characterised by inventions that combine utopian and dystopian sentiments. Coupling Wells' text with Houe's introduction, and a newly written biography of H.G. Wells, this volume makes the classical text available to new generations of readers.