Bøger udgivet af Silvana

With this book we invite the reader to discover List's multi-faceted work, by exploring many masterpieces and some lesser known work side by side.

Più che un libro, un diario personale in cui la fotografa raccoglie notazioni, fotografie prese negli studi, nelle case e nei club, lettere, documentazioni di eventi legati alla sua esperienza newyorkese negli anni Ottanta, arricchite da alcune testimonianze di artisti rilasciate oggi sul periodo. Un percorso certamente non filologico ma minimale e intimo, teso a trasmettere il sentimento di un momento a chi non l'ha vissuto.

The sleeping model has inspired visual artists from Bonnard to Balthus, Vuillard, Valloton, Matisse, Picasso, Brancusi, Dalí, Masson and many others, for more than a century. This publication brings together some 50 works by various artists that feature a figure reposed in deep slumber.

David 'Chim' Seymour (1911-1956) was one of the most legendary photojournalists of the 20th century and co-founder of Magnum Photos. Text in English, Italian and French.

Mona Hatoum: Turbulence brings to the forefront the diversity of Mona Hatoum's work over the last 30 years.

Over the past 25 years, the renowned Spanish Catalan artist and sculptor Jaume Plensa (born 1955) has established himself as one of the most ubiquitous exponents of public sculpture. À Bordeaux focuses on 11 monumental new sculptures by the artist installed in Bordeaux, France, seven of which have never before been reproduced. These include "Paula" (2013), a cast-iron sculpture standing over 23 feet tall, and "Marianna & Awilda" (2013), a work in stainless steel composed of figures seated facing one another in a dialogue. In addition to these and other new sculptures, this publication also includes celebrated works by Plensa in Millennium Park, Chicago; the Burj Khalifa, Dubai; the BBC Broadcasting Tower, London; Pearson International Airport, Toronto; Daikanyama, Tokyo; and Raoul Wallenberg Square, Stockholm, among many other sites worldwide.

This volume retraces the work of Elliott Erwitt through 136 black & white photographs he has personally selected.

This important volume is the most thorough portrait yet published of Albers' spiritual convictions.

Biographical information about Jan Vermeer is scarce. This volume traces the profile of this enigmatic and original artist, following his story through the few extant established sources and offering a complete view of his work.

Magnum Photographers on Film Sets takes readers behind the scenes of cinematic masterpieces including Charlie Chaplin's Limelight.

In spring 1624, the Flemish Baroque painter Anthony Van Dyck (1599-1641) traveled from his home base of Genoa to live in Palermo, Sicily. There, Van Dyck found a network of Flemish artists and Genoese merchants that provided him with important connections for his career. Published for an exhibition at London's Dulwich Picture gallery, this volume takes a close look at Van Dyck's late Renaissance Sicilian years. Its first section focuses on the famous portrait of Emanuel Filibert, reuniting the work with the actual armor worn by the Italian viceroy in the painting, and examining other portraits of the Sicilian period, as well as devotional works. Shortly after Van Dyck's arrival in Sicily, the plague struck Palermo, and the second portion of the book addresses its effects on both the city and on motifs in Van Dyck's art, such as his paintings of Saint Rosalia interceding for Palermo's safety.

Il volume presenta opere d'arte africana provenienti da collezioni private italiane, per la maggior parte mai esposte prima, unitamente agli interventi dei più importanti specialisti del settore. Maschere, figure d'altare, feticci, oggetti rituali e di uso quotidiano creano quindi l'occasione per scoprire un patrimonio misconosciuto a partire dall'esperienza di chi ha saputo mettere insieme queste strepitose raccolte. Come avvicinarsi alle opere d'arte africane? Da dove vengono, quale vita hanno alle spalle e come sono arrivate fin qui? Cosa vediamo quando le guardiamo? L'Africa, e in tempi più recenti le arti africane, è stata oggetto della nostra meraviglia, invitandoci al viaggio, reale o immaginario. Per tentare di restituire o evocare l'esperienza estetica, sensoriale e simbolica degli africani che le hanno create e che ne hanno fatto uso, bisogna però farsi carico del fatto, così banale e ovvio da diventare invisibile, che questi oggetti si trovano molto spesso in Occidente e non in Africa. È questa la prima cosa di cui dovremmo meravigliarci. Non partiremo dunque dai villaggi africani, ma dalle case dei collezionisti, luoghi di dimora abituali di molte opere d'arte africane, per cercare così di comprendere come la cultura e il mondo in cui viviamo orientino il nostro sguardo, consentendoci di vedere certe cose e non altre: una certa Africa.

This catalogue is published to accompany an exhibition celebrating fifty years of African photography, illustrating how collective identities of postcolonial Africa were built.

A selection of around fifty paintings traces the evolution of Impressionism and takes us on a journey along the river, from Paris to Le Havre, passing through Argenteuil, Vetheuil and Giverny.