Bøger udgivet af Seven Stories Press,U.S.

Trips shows, using color illustrations, the latest research, and bleeding-edge cultural analogies, how the still-mysterious hallucinogens may work in the still-mysterious brain. Written in language a general audience can understand, the book's tone is light and irreverent, yet at the same time deals with the drug culture in a serious way. Trips offers readers a rare look at the social, cultural, historical, and scientific phenomenon of psychedelics-through the eyes of artists who've grown up with them, regulators who control them, federal scientists who approve and fund their research, and scientists who've spent careers studying them—and in the process fills a growing need for truthful information about drugs. For a generation, people have been worried about false horrors attributed to LSD-chromosome damage (LSD doesn't; coffee and aspirin do), suicide, madness, and flashbacks (no such thing). There are, however, real problems associated with hallucinogens, which until now have been unknown, ignored, or untranslated from the scientific literature. Trips separates the facts from the falsehoods and provides, through the combination of Pellerin's text and the artwork of legendary American artist Robert Crumb, a practical, entertaining, and yet rock-solid guide.

Among today's leading filmmakers, none brings to the screen such a deep awareness of how power is channeled from First to Third World societies, or exhibits such great human sensitivity, as Raoul Peck. Collected here for the first time are Peck's three early feature and documentary screenplays as well as his seminal film Lumumba. In this collection of screenplays are Raoul Peck's award-winning pair of films that cemented the director's place in the internationalist cinema canon-the documentary Lumumba: Death of Prophet and the 2000 feature film Lumumba-about the life and assassination of Republic of Congo Prime Minister Patrice Lumumba. Also included are Raoul Peck's first feature, Haitian Corner-set during the last, violent breaths of Haiti's Duvalier regime-which asserted a Haitian Creole identity in Brooklyn in the 1980s, and The Man by the Shore, the first Haitian film ever to be screened in theaters in the United States and the first Caribbean film ever entered into competition at the Cannes Film Festival. Each film presented includes introductions by the author, production stills, storyboards, and poster art.

A brilliant dissection and reconstruction of the three major faith-based systems of belief in the world today, from one of the world's most articulate intellectuals, Slavoj Zizek, in conversation with Croatian philosopher Boris Gunjevic. In six chapters that describe Christianity, Islam, and Judaism in fresh ways using the tools of Hegelian and Lacanian analysis, God in Pain: Inversions of Apocalypse shows how each faith understands humanity and divinity--and how the differences between the faiths may be far stranger than they may at first seem. Chapters include (by Zizek) (1) "Christianity Against Sacred," (2) "Glance into the Archives of Islam," (3) "Only Suffering God Can Save Us," (4) "Animal Gaze," (5) "For the Theologico-Political Suspension of the Ethical," (by Gunjevic) (1) "Mistagogy of Revolution," (2) "Virtues of Empire," (3) "Every Book Is Like Fortress," (4) "Radical Orthodoxy," (5) "Prayer and Wake."

A Kirkus Reviews Best Fiction Title of 2011In Buzz Aldrin, What Happened to You in All the Confusion?, readers follow a man who wishes not to be followed, a man who, after a series of personal and professional disasters, finds himself lying on a rain-soaked road in the desolate, treeless Faroe Islands, population only a few thousand, a wad of bills in his pocket and no memory of how he had come to be there. From there, Brage Award-winning author and playwright Johan Harstad's debut novel--previously published to great success in eleven countries with its first English-language appearance in June 2011--tells the story of Mattias, a thirty-something gardener living in Stavanger, Norway, whose idol is Buzz Aldrin, second man on the moon: the man who was willing to stand in Neil Armstrong's shadow in order to work, diligently and humbly, for the success of the Apollo 11 mission. Through Harstad's "delectably light but nonetheless impactful prose . . . [t]he novel's finest moments wrap you up in communion with Mattias, as if you are spending a quiet afternoon with an old friend, chatting but mostly thinking" (Three Percent). Surrounded by a vivid and memorable cast of characters--aspiring pop musicians, Caribbean-obsessed psychologists, death-haunted photographers, girls who dream of anonymous men falling in love with them on bus trips, and even Buzz Aldrin himself--"Harstad combines formal play and linguistic ferocity with a searing emotional directness" (Dedi Felman, Words Without Borders) to bring Mattias to the realization that he cannot always blend into the background.

In 9-11, published in November 2001 and arguably the single most influential post 9-11 book, internationally renowned thinker Noam Chomsky bridged the information gap around the World Trade Center attacks, cutting through the tangle of political opportunism, expedient patriotism, and general conformity that choked off American discourse in the months immediately following. Chomsky placed the attacks in context, marshaling his deep and nuanced knowledge of American foreign policy to trace the history of American political aggression--in the Middle East and throughout Latin America as well as in Indonesia, in Afghanistan, in India and Pakistan--at the same time warning against America's increasing reliance on military rhetoric and violence in its response to the attacks, and making the critical point that the mainstream media and public intellectuals were failing to make: any escalation of violence as a response to violence will inevitably lead to further, and bloodier, attacks on innocents in America and around the world. This new edition of 9-11, published on the tenth anniversary of the attacks and featuring a new preface by Chomsky, reminds us that today, just as much as ten years ago, information and clarity remain our most valuable tools in the struggle to prevent future violence against the innocent, both at home and abroad.

"I died in Vietnam, but I didn't even know it," said a young Vietnam vet on the Today Show one morning in 1978, shocking viewers across the country. Waiting for an Army to Die: The Tragedy of Agent Orange—the first book ever written on the effects of Agent Orange—tells this young vet's story and that of hundreds of thousands of other former American servicemen. During the war, the US sprayed an estimated 12 million gallons of Agent Orange on Vietnam, in order to defoliate close to 5 million acres of its land. "Had anyone predicted that millions of human beings exposed to Agent Orange/dioxin would get sick and die," scholar Fred A. Wilcox writes in the new introduction to his seminal book, "their warnings would have been dismissed as sci-fi fantasy or apocalyptic nonsense." Told in a gripping and compassionate narrative style that travels from the war in Vietnam to the war at home, and through portraits of many of the affected survivors, their families, and the doctors and scientists whose clinical experience and research gave the lie to the government whitewash, Waiting for an Army to Die tells a story that, thirty years later, continues to create new twists and turns for Americans still waiting for justice and an honest account of what happened to them. Vietnam has chosen August 10—the day that the US began spraying Agent Orange on Vietnam—as Agent Orange Day, to commemorate all its citizens who were affected by the deadly chemical. The new second edition of Waiting for an Army to Die will be released upon the third anniversary of this day, in honor of all those whose families have suffered, and continue to suffer, from this tragedy.

Every year since 1976, Project Censored, our nation's oldest news-monitoring group-a university-wide project at Sonoma State University founded by Carl Jensen, directed for many years by Peter Phillips, and now under the leadership of Mickey Huff-has produced a Top-25 list of underreported news stories and a book, Censored, dedicated to the stories that ought to be top features on the nightly news, but that are missing because of media bias and self-censorship. Seven Stories Press has been publishing this yearbook since 1994, featuring the top stories listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories. Beyond the Top-25 stories, additional chapters delve further into timely media topics: The Censored News and Media Analysis section provides annual updates on Junk Food News and News Abuse, Censored Déjà Vu, signs of hope in the alternative and news media, and the state of media bias and alternative coverage around the world. In the Truth Emergency section, scholars and journalists take a critical look at the US/NATO military-industrial-media empire. And in the Project Censored International section, the meaning of media democracy worldwide is explored in close association with Project Censored affiliates in universities and at media organizations all over the world. A perennial favorite of booksellers, teachers, and readers everywhere, Censored is one of the strongest life signs of our current collective desire to get the news we citizens need-despite what Big Media tells us.