Bøger udgivet af Seven Stories Press

"Ivana Bodroéziâc's latest award-winning novel tells a story of being locked in: socially, domestically and intimately, told through three different perspectives, all deeply marked and wounded by the patriarchy in their own way. This is a story of hidden gay and trans relationships, the effects of a near-fatal accident, and an oppressed childhood, where Ivana Bodroéziâc tackles the issues addressed in her previous works-issues of otherness, identity and gender, pain and guilt, injustice and violence. A daughter is paralyzed after a car crash, left without the ability to speak, trapped in a hospital bed, unable to move anything but her eyes. Although she is immobilized, her mind reels, moving through time, her memories a salve and a burden. A son is stuck in a body that he doesn't feel is his own. He endures misperceptions and abuse on the way to becoming who he truly is. A mother who grew up being told she was never good enough, in a world with no place for the desires and choices of women. She carries with her the burden of generations. These three stories run parallel and intertwine. Three voices deepen and give perspective to one another's truth, pain, and struggle to survive"--

"The Ukraine is a collection of 26 pieces that deliberately blur the line between nonfiction and fiction, conjuring the essence of a beloved country through its tastes, smells, and sounds, its small towns and big cities, its people and their compassion and indifference, simplicities and complications. In the title story, Chapeye facetiously plays with the English misuse of the article "the" in reference to Ukraine, capturing a country as perceived from the outside, by foreigners. That pseudo-kitsch, often historically shallow, and not-quite-real Ukraine resonates because of its highly engaging and brutally candid snapshots of ordinary lives and typical places. In "One Soul per Home" an elderly woman laments that the men are dying and the young are leaving for the cities, changing the face of her small town. In "The Unscrupulous Spirit of the Provinces," a couple of unspecified gender get stoned and go to church, and in "False Premises," a man romanticizes his younger years working for a Soviet fishing fleet only to reconstruct his nostalgia in the face of Putin's Russia. The Ukraine conveys to readers a place that Chapeye and his countrymen are currently fighting for with their lives. The book will feature a preface by the author, which he is writing on his phone from the front lines"--

""J'âecrirai por venger ma race". It was as a young woman that Annie Ernaux first wrote these words in her diary, giving a name to her purpose in life as a writer. She returns to them in her stirring defense of literature and of political writing in her Nobel Lecture, delivered in Stockholm on December 7, 2022. To write of her own life, she asserts, is to "shatter the loneliness of experiences endured and repressed;" to mine individual experience is to find collective emancipation. Ernaux's speech is a bold assertion of the capacity of writing to give people a sense of their own worth, and of one writer's commitment to bearing witness to life, its joys and its injustices. Includes Annie Ernaux's Nobel lecture, her Nobel banquet speech, a congratulatory speech by Professor Anders Olsson, Chair of the Nobel Committee for Literature, and the Nobel opening address by Professor Carl-Henrik Heldin, Chairman of the board of the Nobel Foundation"--

"With her parents gone in search of work, twelve-year-old Cristina must act as a mother to her two younger brothers. Through her eyes, we roam the streets of a contemporary Moldovan village populated almost entirely with children and old people. Just as most of the inhabitants left their countryside and homes with the desire to earn a better income, their parents also went to the world for money, the mother to Italy, the father to Siberia, and the children were left to fend for themselves. Here the youth must learn to survive on their own; they grow up fast, imitating the gestures of the absent adults, and chasing their fading memories of normal family life. This follow-up to Liliana Corobca's critically-acclaimed novel of censorship in eastern Europe, The Censor's Notebook is a novel that deals with a painful true reality, which has over time grown to become a phenomenon: the lives and struggles of children left home alone by parents who have gone to work abroad"--

"Cubantropâia (Cubanthropy) is a work of cultural criticism whose title is a neologism coined by the author to describe the energy between anthropology and entropy, the space between the street and the library, the island and the world. These collected essays, written in Ivâan de la Nuez's trademark ironic, erudite style, range in subject matter from the Berlin Wall to Havana's Malecâon. This book examines recent clashes between the market and democracy, the digital era and post-colonialism, the centre and the periphery, utopia and tourism, the diaspora and the nation, racism and Big Data, Guantâanamo and Reggaeton, soccer and baseball, Obama and the Rolling Stones, Europe and Donald Trump. It is written between the socialist perspective of the Cold War and the neoliberal perspective of subsequent years, and is equally critical of both and of geopolitics in the age of globalization. The author, Cuban art critic and curator Ivâan de la Nuez does not seek to explain his motherland to the world but uses it as a scaled-down referent in which contemporary socio-political conflicts are intensified. Though Fidel Castro and his death are omnipresent in this collection of essays, the word "Castro" intentionally appears less often than "future," "art," "life," or "journey." In Cubantropâia, Cuba is not a separate, discreet place, but a miniature of the world and its conflicts. Cubantropâia can be read as an intellectual autobiography, a map of itineraries of New Men born out of the revolution, or a bacchanalia of the consequences that arise from a world obsessed with causes and culprits"--

A breathtaking short novel about the complicated feelings of hate and pity in familial love by an acknowledged Latin American master.A brilliant and dark tour de force, Jewish Son presents the delicate archeology of the stubbornness of a boy who demands his parents’ attention. It is a brutal confession of the lies necessary to win a space of approval in a troubled family, a treatise on the excesses of love and the paradoxical lack of affection that is never enough, an accomplished narration of childhood from the point of view of the adult gaze, and a rewriting of Kafka’s Letter to His Father.As his father’s imminent death becomes an ever more concrete reality with surgeries, caregivers, sedatives and his mother grows obsessed with visits to the rabbi and amasses saint cards and Buddhist prayers, the narrator evokes the remnants of the rejection that pervaded his childhood.Without yielding to the idealization of youth or to the delight in pain before physical decay and death, Guebel dissects, beautifully although with discomfort, his very early conversion to the dream of literature as an act of reparation.

"In this extraordinary collection of short fiction, Tova Reich dives deep into the world of Orthodox Jewry--a world that her stories, like the shows "Unorthodox" and "Shtisel," embrace with respect and affection while also poking at the faultlines in its unshakeable traditions."--Provided by publisher.

"Emma-Jade and Louis are born into the havoc of the Vietnam War. Orphaned, saved and cared for by adults coping with the chaos of Saigon in free-fall, they become children of the Vietnamese diaspora. Em is not a romance in any usual sense of the word, but it is a word whose homonym--aimer, to love--resonates on every page, a book powered by love in the larger sense. A portrait of Vietnamese identity emerges that is wholly remarkable, honed in wartime violence that borders on genocide, and then by the ingenuity, sheer grit and intelligence of Vietnamese-Americans, Vietnamese-Canadians and other Vietnamese former refugees who go on to build some of the most powerful small business empires in the world. Em is a poetic story steeped in history, about those most impacted by the violence and their later accomplishments. In many ways, Em is perhaps Kim Thâuy's most personal book, the one in which she trusts her readers enough to share with them not only the pervasive love she feels but also the rage and the horror at what she and so many other children of the Vietnam War had to live through. Written in Kim Thâuy's trademark style, near to prose poetry, Em reveals her fascination with connection. Through the linked destinies of characters connected by birth and destiny, the novel zigzags between the rubber plantations of Indochina; daily life in Saigon during the war as people find ways to survive and help each other; Operation Babylift, which evacuated thousands of biracial orphans from Saigon in April 1975 at the end of the Vietnam War; and today's global nail polish and nail salon industry, largely driven by former Vietnamese refugees--and everything in between. Here are human lives shaped both by unspeakable trauma and also the beautiful sacrifices of those who made sure at least some of these children survived"--

English translation copyright date 2009.