Bøger udgivet af Scribner Book Company

A version of Aesop's Fables finds two friends, a grasshopper and an ant, who each spend their time differently preparing for winter in a tale of friendship, betrayal, and survival.

"A new annotated edition of Yeats's indispensable, lifelong work of philosophy--a meditation on the connections between the imagination, history, and the metaphysical--this volume reveals the poet's greatest thoughts on the occult. First published in 1925, and then substantially revised by the author in 1937, A Vision is a unique work of literary modernism, and revelatory guide to Yeats's own poetry and thinking. Indispensable to an understanding of the poet's late work, and entrancing on its own merit, the book presents the "system" of philosophy, psychology, history, and the life of the soul that Yeats and his wife, George, received and created by means of mediumistic experiments from 1917 through the early 1920s. Yeats obsessively revised the original book that he wrote in 1925, and the 1937 version is the definitive version of what Yeats wanted to say. Now, presented in a scholarly edition for the first time by Yeats scholars Catherine E. Paul and Margaret Mills Harper, the 1937 version of A Vision is an important, essential literary resource and a must-have for all serious readers of Yeats"--

For seven months, Manny Howard—a lifelong urbanite—woke up every morning and ventured into his eight-hundred-square-foot backyard to maintain the first farm in Flatbush, Brooklyn, in generations. His goal was simple: to subsist on what he could produce on this farm, and only this farm, for at least a month. The project came at a time in Manny’s life when he most needed it—even if his family, and especially his wife, seemingly did not. But a farmer’s life, he discovered—after a string of catastrophes, including a tornado, countless animal deaths (natural, accidental, and inflicted), and even a severed finger—is not an easy one. And it can be just as hard on those he shares it with. Manny’s James Beard Foundation Award–winning New York magazine cover story—the impetus for this project—began as an assessment of the locavore movement. We now think more about what we eat than ever before, buying organic for our health and local for the environment, often making those decisions into political statements in the process. My Empire of Dirt is a ground-level examination—trenchant, touching, and outrageous—of the cultural reflex to control one of the most elemental aspects of our lives: feeding ourselves. Unlike most foodies with a farm fetish, Manny didn’t put on overalls with much of a philosophy in mind, save a healthy dose of skepticism about some of the more doctrinaire tendencies of locavores. He did not set out to grow all of his own food because he thought it was the right thing to do or because he thought the rest of us should do the same. Rather, he did it because he was just crazy enough to want to find out how hard it would actually be to take on a challenge based on a radical interpretation of a trendy (if well-meaning) idea and see if he could rise to the occasion. A chronicle of the experiment that took slow-food to the extreme, My Empire of Dirt tells the story of one man’s struggle against environmental, familial, and agricultural chaos, and in the process asks us to consider what it really takes (and what it really means) to produce our own food. It’s one thing to know the farmer, it turns out—it’s another thing entirely to be the farmer. For most of us, farming is about food. For the farmer, and his family, it’s about work.

On the heels of his hugely successful "Dreamcatchers" King delivers another classic novel about boys, men, and a terrifying force only they can contain.

From an award-winning sports journalist and college football expert: “A beautifully written mix of memoir and reportage that tracks college ball through fourteen key games, giving depth and meaning to all” (Sports Illustrated), now with a new Afterword about the first ever College Football Playoff.Every Saturday in the fall, it happens: On college campuses, in bars, at gatherings of fervent alumni, millions come together to watch a sport that inspires a uniquely American brand of passion and outrage. This is college football. Since the first contest in 1869, the game has grown from a stratified offshoot of rugby to a ubiquitous part of our national identity. Right now, as college conferences fracture and grow, as amateur athlete status is called into question, as a playoff system threatens to replace big-money bowl games, we’re in the midst of the most dramatic transitional period in the history of the sport. Season of Saturdays examines the evolution of college football, including the stories of iconic coaches like Woody Hayes, Joe Paterno, and Knute Rockne; and programs like the USC Trojans, the Michigan Wolverines, and the Alabama Crimson Tide. Michael Weinreb considers the inherent violence of the game, its early seeds of big-business greed, and its impact on institutions of higher learning. He explains why college football endures, often despite itself. Filtered through journalism and research, as well as the author’s own recollections as a fan, Weinreb celebrates some of the greatest games of all time while revealing their larger significance. “Wry, quirky, fascinating...This surely is one of the most enjoyable books of the college football season...Weinreb wrestles in captivating prose with the violence, hypocrisy, and corruption that are endemic to the sport at its most cutthroat level” (The Plain Dealer, Cleveland).

Like Graham Greene and Mary McCarthy before him, MacDonald Harris has written a thriller. And like them, he brings to his story the alchemical talent of a first-class novelist: The Treasure of Sainte Foy is not only gripping, but also transcendent.In the picturesque, isolated French village of Conques stands the Abbey of Sainte Foy. The church houses a priceless medieval treasure whose centerpiece is a magnificent, three-foot-high statue of the holy martyr Sainte Foy, bejeweled and covered with gold, its strange alabaster eyes gazing ahead as if at a nearby invisible world. To a small group of political terrorists in Toulouse, the treasure is an irresistible target. Working with them is Patrick, a disaffected American art historian, who recruits into the band Marie-Ange, the guide to the church. We see their methodical preparations for the robbery, the growing attraction between Patrick and Marie-Ange, the implacable pursuit of the police—all cool, dramatic, and passionate as a Bogart film. But we also sense the mysterious underworld of the Languedoc, a region of heretics and saints, criminals and martyrs; the stakes of the novel subtly change and ramify; we are caught up in a gorgeous and mystical endgame as the forces of retribution close in; we get the uncanny feeling that at play in the novel are forces unseen and unseeable. What is really at play, of course, is the masterful hand of MacDonald Harris. A native Californian, Harris is best known for The Balloonist, nominated for the National Book Award and translated into half a dozen language, and Pandora's Galley, his mesmerizing tale of the last days of the Venetian Republic. In The Treasure of Sainte Foy, Harris has written a novel that is spellbinding in every sense of the world.

An exciting history told with a novelist's eye and filled with intimate details of the longest and largest battle of WWII—the fight for the Atlantic Ocean.Of all the threats that faced his country in World War II, Winston Churchill said, just one really scared him—what he called the "measureless peril" of the German U-boat campaign. In that global conflagration, only one battle—the struggle for the Atlantic—lasted from the very first hours of the conflict to its final day. Hitler knew that victory depended on controlling the sea-lanes where American food and fuel and weapons flowed to the Allies. At the start, U-boats patrolled a few miles off the eastern seaboard, savagely attacking scores of defenseless passenger ships and merchant vessels while hastily converted American cabin cruisers and fishing boats vainly tried to stop them. Before long, though, the United States was ramping up what would be the greatest production of naval vessels the world had ever known. Then the battle became a thrilling cat-and-mouse game between the quickly built U.S. warships and the ever-more cunning and lethal U-boats. The historian Richard Snow captures all the drama of the merciless contest at every level, from the doomed sailors on an American freighter defying a German cruiser, to the amazing Allied attempts to break the German naval codes, to Winston Churchill pressing Franklin Roosevelt to join the war months before Pearl Harbor (and FDR’s shrewd attempts to fight the battle alongside Britain while still appearing to keep out of it). Inspired by the collection of letters that his father sent his mother from the destroyer escort he served aboard, Snow brings to life the longest continuous battle in modern times. With its vibrant prose and fast-paced action, A Measureless Peril is an immensely satisfying account that belongs on the small shelf of the finest histories ever written about World War II.

When playboy Max Jeopard is killed at his own engagement party, Inspector Luke Thanet is called in to investigate and uncovers a host of suspects, including his fiancée, a jealous brother, an ex-girlfriend, and the victim’s future in-laws. “This English village ‘cozy’ goes down well” (Library Journal). “A master at plot manipulation, Ms. Simpson cunningly strews clues right and left…The pleasure here is watching Thanet meticulously pick his way through ‘the complex web of relationships’ to arrive at an understanding of what would make a person kill for love.” —The New York Times Book Review

Serious crime isn't supposed to happen in elegant English country homes, especially not in such families as that of Queen's counsel Ralph Mintar, a prominent barrister who's destined to become a high-court judge. So it's particularly shocking when Mintar's attractive wife, Virginia, goes missing just after a small dinner party. Her disappearance is eerily reminiscent of the day four years before, when the Mintars' adult daughter Caroline left the house, never to return. Caroline seems to have vanished off the face of the earth, but Virginia's body is soon found at the bottom of a garden well, and Inspector Luke Thanet and his partner, Sergeant Mike Lineham, who are called in to investigate, quickly discard any idea of accidental death. Virginia was the perfect murder victim. Her outrageous flirting made her many enemies, several of whom were there on the night of her death. They had both reason and opportunity to kill her, but which one took the final, fatal step? Who wanted Virginia dead and gone? Who was Virginia's latest lover? What does her mother-in-law have to hide? What about Caroline's younger sister and her womanizing fiancé? Thanet and Lineham wonder how they can even begin to unravel the morass of family secrets that complicate this case. Distracted by his own daughter Bridget's dangerous pregnancy and pushed by his boss to find hard evidence in this high-profile homicide, Luke Thanet feels pressured as never before as he probes into the life and death of one of the most poignant and, finally, shocking cases of his career. Always a skilled mistress of the classic British crime novel, award-winning author Dorothy Simpson is at the top of her form in this powerful novel of family love gone tragically wrong.

"A memoir from a music personality, TV host and MTV and VH1 veejay chronicles the songs and artists that informed and molded his childhood and teenage years to ultimately inspire his career, relationships and life and shares his stories from the front lines of rock and roll,"--NoveList.

An extraordinary historical epic of love and war in ancient Assyria during a time of dreadful omens, tortures, invasions, and a bloody civil war, from the bestselling author of Chain Reaction.

An up-close account of the experience of inner city New York kids—black and Latino, from ghettos and projects—who spent a summer in an Amish and Mennonite farm community in Central Pennsylvania in the late 1970s, sponsored by the Fresh Air Fund. City Chidren, Country Summer follows these children as they navigate two very different worlds, from Lawrence Wright, author of The Looming Tower: Al-Qaeda and the Road to 9/11, winner of the 2007 Pulitzer Prize for General Nonfiction.

"Material in this work was excerpted from: You, on a diet (revised edition)"--T.p. verso.

“A darkly funny memoir about family reckonings” (O, The Oprah Magazine)—the story of a young man who, by handling the dead, makes peace with the living.Andrew Meredith’s father, a literature professor at La Salle University, was fired after unspecified allegations of sexual misconduct. It’s a transgression that resulted in such long-lasting familial despair that Andrew cannot forgive him. In the wake of the scandal, he frantically treads water, stuck in a kind of suspended adolescence—falling in and out of school, moving blindly from one half-hearted relationship to the next. When Andrew is forced to move back home to his childhood neighborhood in Northeast Philadelphia and take a job alongside his father as a “remover,” the name for those unseen, unsung men whose charge it is to take away the dead from their last rooms, he begins to see his father not through the lens of a wronged and resentful child, but through that of a sympathetic, imperfect man. Called “artful” and “compelling” by Thomas Lynch in The Wall Street Journal, Meredith’s poetic voice is as unforgettable as his story, and “he tucks his bittersweet childhood memories between tales of removals as carefully as the death certificates he slips between the bodies he picks up and the stretcher-like contraption that transports each body to the waiting vehicle” (Minneapolis Star-Tribune). “Potent” (Publishers Weekly), and “ultimately rewarding” (The Boston Globe), The Removers is a searing, coming-of-age memoir with “lyrical language and strong sense of place” (The Philadelphia Inquirer).

Chronicles the harrowing forty-day period following the disappearance of the author's mother, an emotional journey of detective interviews and wild hopes before her mother's body was found in the ocean and their family was forced to confront painful truths.

"In the 60,000 years since people began colonizing the continents, a continuous feature of human civilization has been mobility. History is replete with seismic global events-pandemics and plagues, wars and genocides. Each time, after a great catastrophe, our innate impulse toward physical security compels us to move. The map of humanity isn't settled-not now, not ever. The filled-with-crises 21st century promises to contain the most dangerous and extensive experiment humanity has ever run on itself: As climates change, pandemics arrive, and economies rise and fall, which places will people leave and where will they resettle? Which countries will accept or reject them? How will the billions alive today, and the billions coming, paint the next map of human geography? Until now, the study of human geography and migration has been like a weather forecast. Move delivers an authoritative look at the "climate" of migration, the deep trends that will shape the grand economic and security scenarios of the future. For readers, it will be a chance to identify their location on humanity's next map"--

A charming, highly relatable graphic memoir about one woman's coming out and coming of age that "brims with hope, and the joy that arises when one is finally ready to step out into the world" (OprahMag.com).Ellie always had questions about who she was and how she fit in. As a girl, she wore black, obsessed over Willow in Buffy the Vampire Slayer, and found dating boys much more confusing than many of her friends did. As she grew older, so did her fears and a deep sense of unbelonging. From her first communion to her first girlfriend via a swathe of self-denial, awkward encounters, and everyday courage, Ellie offers a fresh and funny self-portrait of a young woman becoming herself. This "heartwarming, delightful memoir of self-discovery" (Kirkus Reviews, starred review) reminds us that people sometimes come out not just once but again and again; that identity is not necessarily about falling in love with others, but about coming to terms with oneself. Full of vitality and humor, The Times I Knew I Was Gay will ring true for anyone who has taken the time to discover who they truly are.