Bøger udgivet af Scarecrow Press

A collection of essays about the portrayals of female vampires through the history of film, beginning with Carl Theodore Dreyer's Vampyre and culminating with the Twilight series. The contributors to these essays will be primarily female writers/scholars on films that focus on the female vampire-very often lesbian and/or bisexual-and the social implications of such films.

Wrestling as a legitimate contest is one of the oldest, if not the oldest form of sport. There are cave drawings depicting memorable matches in France, which are over 15,000 years old. Egyptian and Babylonian reliefs depict wrestling bouts where wrestlers are using most of the holds known to the modern-day sport. Wrestling was also a big part of ancient Greek literature and legend and historical records of sport indicate that wrestling under various sets of rules was contested at the Ancient Olympic Games in Greece. Today's modern wrestling is a form of sports entertainment in which highly skilled athletes enact wrestling matches in such a way so that their opponents do not get hurt and the matches endings are scripted (although the audience is not aware of the script).This Historical Dictionary of Wrestling covers the history of Wrestling through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on important amateur and professional wrestling, wrestling personalities, announcers, managers and promoters from all eras, and wrestling organizations. This book is an excellent access point for students, researchers, and anyone wanting to know more about the sport of Wrestling.

Known as ';the Great War,' the world's first truly global conflict is remarkable in what might now be termed modern espionage. World War I was witness to plenty of 'firsts.' Apart from the contribution made by aerial reconnaissance and the interception of wireless telegraphy, telephone and cable traffic, there was the scientific aspect, with new machines of war, such as the submarine, sea-mine, torpedo, airship, barbed wire, armored tank and mechanized cavalry in a military environment that included mustard gas, static trench warfare, the indiscriminate bombardment of civilian population centers and air-raids. Large-scale sabotage and propaganda, the manipulation of news and of radio broadcasts, and censorship, were all features of a new method of engaging in combat, and some ingenious techniques were developed to exploit the movement of motor and rail transport, and the transmission of wireless signals. The hitherto unknown disciplines of train-watching, bridge-watching, airborne reconnaissance and radio interception would become established as routine collection methods, and their impact on the conflict would prove to be profound. The Historical Dictionary of World War I Intelligence relates this history through a chronology, an introductory essay, an appendix, and an extensive bibliography. The dictionary section has over 400 hundred cross-referenced entries on intelligence organizations, the spies, and the major cases and events of World War I. This book is an excellent access point for students, researchers, and anyone wanting to know more about the world of intelligence in World War I.

This dictionary covers the complex and costly conflict that began when Germany, ruled by Adolf Hitler and the Nazi Party, invaded neighboring Poland on 1 September 1939; and concluded when Germany surrendered on 79 May 1945, leaving much of the European continent in ruins and its population devastated. The war against Germany, Italy, and the other European Axis members was fought primarily in Europe, the Mediterranean, the Middle East, East and North Africa, and the Atlantic Ocean. The Axis powers were defeated by the Allies, led by the ';Grand Alliance' of Great Britain, the United States, and the Union of Soviet Socialist Republics.The Historical Dictionary of World War II: The War against Germany and Italy relates the history of this war through a chronology, an introductory essay, maps and photos, and an extensive bibliography. The dictionary section has more than 300 cross-referenced entries on the countries and geographical areas involved in the war, as well as the nations remaining neutral; wartime alliances and conferences; significant civilian and military leaders; and major ground, naval, and air operations. This book is an excellent access point for students, researchers, and anyone wanting to know more about World War II.

Booktalking Nonfiction: 200 Sure-Fire Winners for Middle and High School Readers will provide an introduction to selecting and writing booktalks for nonfiction books with a focus on unique informational texts and biographies and autobiographies. A booktalk is a summary of a book presented in a way that would interest someone in reading the book described.Why non-fiction? Because the Common Core Standards Initiative, which most states have adopted, requires that 70% of the materials students read be from the category of informational texts it is especially important to focus on nonfiction when sharing books with students. Here's everything you need to do just that.Chapters cover selecting, writing, preparing, and presenting booktalks, special tips for high-interest, low-level books, and using non-fiction in the library and the classroom. Two hundred ready-to-present booktalks arranged by genre are also included. Genres include animals, famous people, sports, crime and serial killers, movies and television, religion, war, history, and the supernatural.

The Historical Dictionary of Slovakia offers in its second edition an up to date series of cross-referenced dictionary entries on Slovak political, social, and economic development since the creation of the second Slovak Republic in 1993 until its admission into the European Union in 2004. It includes all of the political actors: the presidents, prime ministers, and party leaders, and many leading academics and cultural personalities, including those from the national minorities. It also contains entries on the various institutions of the Slovak Republic like the judiciary, the armed forces, the media, and parliamentary committees as well as entries that explain Slovakia's position and role in international organizations like NATO and the European Union. The historical survey explains how Slovakia, in its post-Communist transformation, was almost excluded, but in the end became a full member of these two institutions. To the entries on Slovak history of the first edition, the second edition adds personalities, concepts, and events that marked this nation's struggle for survival over the centuries. The bibliography is expanded and contains the most recent works in Western languages on Slovakia as well as the most recent seminal publications in the Slovak language on various aspects of Slovakia's history. This second edition enables the scholar and the researcher to have easy access to the background and to the role of most of the institutions and personalities of contemporary Slovakia.

After considerable controversy over the bold appraisal of Riefenstahl in his first two editions, Hinton continues to celebrate the life and films of this brilliant woman in the absence of the repetitious cliches that so often accompany a discussion of such a controversial filmmaker. Provided with access to Leni Riefenstahl's personal archives and film collection, the author explores her career. In addition to examining her most famous wartime works, Triumph of the Will and Olympia, the author also investigates her less recognized Tiefland, her unrealized film projects, and her African and underwater films. David B. Hinton drew on recent interviews with the filmmaker to update this edition. (Previous edition is No. 29 in The Scarecrow Filmmakers Series.)Reviews of the Previous Edition:"e;Raises significant issues involving the relationship between art and politics."e; -CHOICE"e;...a solid piece of research....the author is able to illuminate aspects of the production of Triumph of the Will and Olympia previously unknown."e;-FILMS IN REVIEW"e;It's best to read her [Leni Riefenstahl] memoirs, anybody's memoirs in fact, with some independent scholarship at hand, and the best place to start is David B. Hinton's thoroughly researched The Films of Leni Riefenstahl."e;-THE MAGAZINE

This book sheds light on The Nation of Islam and Minister Louis Farrakhan, from the ideological splits in the Nation of Islam during the 1970s, to the growth and expanding influence in the 1990s.

This companion to Undead in the West (Scarecrow 2012) explores the blending of the Western genre with zombies, vampires, mummies, ghosts, and spirits in comics, graphic novels, literature, games, new media, fandom and material culture.

Teaching Information Fluency describes the skills and dispositions of information fluency adept searchers. Readers will receive in-depth information on what it takes to locate, evaluate, and ethically use digital information. The book realistically examines the abilities of Internet searchers today in terms of their efficiency and effectiveness in finding online information, evaluating it and using it ethically. Since the majority of people develop these skills on their own, rather than being taught, the strategies they invent may suffice for simple searches, but for more complex tasks, such as those required by academic and professional work, the average person's performance is adequate only about 50% of the time. The book is laid out in five parts: an introduction to the problem and how search engine improvements are not sufficient to be of real help, speculative searching, investigative searching, ethical use and applications of information fluency. The intent of the book is to provide readers ways to improve their performance as consumers of digital information and to help teachers devise useful ways to integrate information fluency instruction into their teaching, since deliberate instruction is needed to develop fluency. Since it is unlikely that dedicated class time will be available for such instruction, the approach taken embeds information fluency activities into classroom instruction in language arts, history and science.Numerous model lessons and resources are woven into the fabric of the text, including think-alouds, individual and group search challenges, discussions, assessments and curation, all targeted to Common Core State Standards as well as information fluency competencies.

Dave Liebman is one of the leading forces in contemporary jazz. Prominently known for performing with Miles Davis and Elvin Jones, he has exerted considerable influence as a saxophonist, bandleader, composer, author, and educator. In addition to his recent recognition as a National Endowment for the Arts Jazz Master, he has received the Order of Arts and Letters from France and holds an honorary doctorate from the Sibelius Academy in Helsinki, Finland. He has mentored many of todays most notable young jazz musicians worldwide and is a prolific writer on jazz.In What It Is: The Life of a Jazz Artist, friend, pianist, and noted jazz scholar Lewis Porter conducts a series of in-depth interviews with Liebman, who discusses his professional, personal, and musical relationships with Davis and Jones, as well as such notable musicians as Chick Corea, Richie Beirach, Michael and Randy Brecker, and many others. Through the interviews, Liebman discusses such personal matters as contracting polio as a child and the difficulties it caused as an adult during his rise as a jazz musician. He offers insights into the life of jazz performers of his generation, particularly the tumultuous period of the 1960s and 1970s. The book also features rare photos from Liebmans personal collection. A fascinating and witty storyteller, Liebmans stories in What It Is will appeal to jazz fans and scholars by providing a firsthand look into the creative life of one of Americas leading jazz musicians.

It is absolutely essential that today's law librarians are digitally literate and possess an understanding and awareness of recent advancements and trends in information technology as they pertain to the library field. Law Librarianship in the Digital Age offers a one-stop, comprehensive guide to achieving both of those goals.

Since the advent of network television, situation comedies have been a staple of prime-time programming. Classics of the genre have emerged in every decade, from The Honeymooners and Make Room for Daddy in the 1950s to 30 Rock, The Office, and Modern Family of the twenty-first century. Other shows that have left enduring impressions are The Andy Griffith Show, Get Smart, The Bob Newhart Show, Barney Miller, Cheers, The Cosby Show, The Golden Girls, Home Improvement, Will & Grace, and Everybody Loves Raymond. All of these shows are assured a place in history and would make almost anyone's list of the most beloved comedies. In The Greatest Sitcoms of All Time, Martin Gitlin has assembled the top seventy sitcoms in television history. The rankings are based on such factors as longevity, ratings, awards, humor, impact, and legacy. Iconic programs such as I Love Lucy, The Dick Van Dyke Show, and Leave It to Beaver join contemporary shows The Simpsons, Arrested Development, and Family Guy on the list. Other programs include perennial favorites like All in the Family, The Mary Tyler Moore Show, and Seinfeld, as well as short-lived treasures that never found the audiences they deserved like Mary Hartman, Mary Hartman. Each entry contains a comprehensive compilation of information, including: Cast membersCharacter listNetworkAir datesRatings historyTime slotsSeries overviewNotable episodesAwardsFun facts and quotesAppendixes list the top male and female sitcom characters of all time, the best sitcom spin-offs, and shows that just missed the cut. By ranking these programs, The Greatest Sitcoms of All Time is sure to inspire debate. Whether you agree with this list or whether your favorite show placed as high as you think it should have, this book will be an entertaining and informative readnot only for students and scholars of television history but for sitcom fans as well.

"For the music historian, such publications (as the Gazzetta di Napoli) often supply precious information. Readers may easily (find) cities or any other category by utilizing the computer disk provided with the book...a valuable collection of references to numerous Italian festivities given during the lifetime of Alessandro Scarlatti."

This collection of articles, essays, interviews, and poems defines urban literature-street lit-and provides valuable insights into a cultural force that is fast becoming as important to the American literary scene as hip-hop has meant to music. Comprised of work by scholars, established authors, and new voices, Street Lit will connect with any reader wanting to grasp the significance of this sometimes controversial but unquestionably popular art form.

For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing's reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title AuthorTheatrePerformersPersonnelOpening and Closing Dates Number of PerformancesOther details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics.A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the materialin particular, information of adaptations and translations, plot sources, and comment informationis new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

This collection of essays examines non-American Westerns and explores their significance, meanings, and reception. These essays also look at how Hollywood sensibilities are reflected, distorted, or challenged by filmmakers of Westerns in Europe, Australia, and other regions outside the U.S.

When Stephenie Meyer's first novel, Twilight, was published in 2005, it received an astounding reception, selling millions of copies. The three sequels that followed-New Moon, Eclipse, and Breaking Dawn-became international bestsellers as well. The worldwide success of the movie adaptations further cemented the series as a cultural force. In The Twilight Saga: Exploring the Global Phenomenon, Claudia Bucciferro has assembled a collection of essays that examine the series from a variety of perspectives. The essays in this volume consider both the books and the movies, emphasizing the relationship between the texts, the audience, the entertainment industry, and other aspects of the multimillion-dollar franchise. Making sense of how the popular franchise fits within larger contexts, this collection addresses Twilight from an interdisciplinary framework, including insights from history, philosophy, literature, sociology, fan studies, intercultural communication, film studies, and more.

Chris Crutcher is a literary icon in the field of young adult literature. With his first book, Running Loose published in 1983, Crutcher established a reputation for giving young adults a voice in realistic fiction. Since then, Crutcher has written a number of books with spot-on depictions of young adults growing through hard times, including Ironman, Whale Talk, Staying Fat for Sarah Byrnes, and Stotan! In Chris Crutcher: A Stotan for Young Adults, Bryan Gillis and Pam B. Cole examine the life, career, and works of this young adult advocate.This volume opens with a never-before-published comprehensive portrait of the author's life, gleaned from numerous conversations with Crutcher. The authors explore Crutcher's childhood, his adolescent years, his life as an adult, and his career as a family counselor and examine how those experiences became fodder for his stories. The authors also discuss Crutchers encounters with censorship and his philosophical stance. Gillis and Cole also analyze Crutcher's novels, short stories, and novellas, examining his literary craft and such social themes as bigotry, identity, sexuality, relationships, and lossthemes almost always positioned within a sports story.The most comprehensive study of Crutcher's life and work to date, this book benefits tremendously from the cooperation of Crutcher himself. Generally reserved about private matters, Crutcher talks candidly about his life and how his experiences helped shape his character and his stories. His cooperative spirit gives voice to a book that will appeal not only to teachers and librarians but to students who have been enthralled by the works of this generous writer.

As in the second edition of Building Blocks for Planning Functional Library Space, this volume outlines the measures of space needed for the use of equipment and furniture within a library setting. It provides drawings of typical library furniture and equipment along with diagrams of the space required for their use. In addition, this volume also contains a brief text that provides an overview of the planning process, as well as details on several aspects of design and planning.With this expanded and revised edition, planners of new, renovated, or existing space will be better able to effectively utilize the space they have and to resist the temptation to overload a given space with too many functions. This third edition significantly expands the number of illustrations found in the previous edition, adding information on newer library technology and amenities. Photographs of furniture and equipment in library settings further enhance the user's understanding of applicable square footage needs. Designed to be consulted after the decision to build has been made, this volume answers the critical question, "e;How much space do we need?"e;.

Released in 1972, 1974, and 1990 respectively, Francis Ford Coppolas three-part saga is one of the greatest artistic accomplishments (and financial successes) in the history of Hollywood cinema. The latest in Scarecrows Film Score Guides series, Nino Rotas The Godfather Trilogy: A Film Score Guide discusses the events that led to the realization of the three films and studies and analyzes their music. Sciannameo reexamines The Godfather Trilogy from a variety of perspectives, with special focus on the music Rota composed to bind together approximately nine hours of cinematic narrative. Probing Rotas formation as a musician amidst the cultural climate established by Italian Fascism, Sciannameo examines Rotas initial stylistic adherence to the Mussolini-dictated or inspired concept of Italianness and then his return to a more congenial 19th-century formulaic vocabulary. Sciannameo considers Rotas involvement with cinema and his collaboration with many celebrated directors, such as Luchino Visconti, Federico Fellini, Franco Zeffirelli, and Coppola, and deals with the sensitive issues of cultural analysis vis--vis the Mafia as a concept embedded within the Italian-American community. The book also discusses the sound of the Godfather films, describing and analyzing the musical subtexts underscoring a group of pivotal scenes. Relying substantially on Rotas notes, which are discussed here for the first time, the book reveals the composers interpretation of Coppolas cinematic narrative and the scoring methodologies he employed.

Teachers the world over are discovering the importance and benefits of incorporating popular culture into the music classroom. The cultural prevalence and the students'' familiarity with recorded music, videos, games, and other increasingly accessible multimedia materials help enliven course content and foster interactive learning and participation. Pop-Culture Pedagogy in the Music Classroom: Teaching Tools from American Idol to YouTube provides ideas and techniques for teaching music classes using elements of popular culture that resonate with students'' everyday lives. From popular songs and genres to covers, mixes, and mashups; from video games such as Dance Dance Revolution and Guitar Hero to television shows like American Idol, this exciting collection offers pedagogical models for incorporating pop culture and its associated technologies into a wide variety of music courses.Biamonte has collected well-rounded essays that consider a variety of applications. After an introduction, the essays are organized in 3 sections. The first addresses general tools and technology that can be incorporated into almost any music class: sound-mixing techniques and the benefits of using iPods and YouTube. The middle section uses popular songs, video games, or other aspects of pop culture to demonstrate music-theory topics or to develop ear-training and rhythmic skills. The final section examines the musical, lyrical, or visual content in popular songs, genres, or videos as a point of departure for addressing broader issues and contexts. Each chapter contains notes and a bibliography, and two comprehensive appendixes list popular song examples for teaching harmony, melody, and rhythm. Two indexes cross-reference the material by title and by general subject. While written with college and secondary-school teachers in mind, the methods and materials presented here can be adapted to any educational level.

In 2005, Scarecrow published Movies Made for Television, 1964-2004, a five-volume reference set commemorating 40 years of every made for TV film since See How They Run debuted in 1964. These books provided a comprehensive listing of every television film and mini-series, detailing each films original network, airdate, and length of broadcast. In this latest volume, Marill adds another five years of television films, providing information for an additional 400 works produced between 2005 and 2009.Along with a brief summary, entries also include extensive production credits (director, writer, producer, composer, director of photography, and editor) and a complete cast and character listing. With a chronology of the films, an appendix of movies adapted from other sources, and separate indexes for actors and directors, Movies Made for Television, 2005-2009 is a welcome addition to a resource highly regarded by scholars and historians of television and popular culture.

John Castagno has collected more than 1,100 signatures and monograms of Jewish artists and artists whose work reflects Jewish themes.

The Hungarian composer Gysrgy Ligeti (1923-2006) was one of the most innovative and influential composers of the last 50 years. He was one of a number of Central and East European composers, including Witold Lutoslawski and Krzysztof Penderecki, who have created musical languages that combine elements of the modernism of the West with a more flexible attitude to compositional technique. Ligeti's Stylistic Crisis: Transformation in His Musical Style, 1974-1985 explores how Ligeti's compositional style completely transformed during and after the composition of his only opera Le Grand Macabre (1974-1977). Michael D. Searby examines Ligeti's music from 1974 to 1985 in detail, with a particular emphasis on Le Grand Macabre, analyzing the music and providing possible explanations for the stylistic and compositional changes, as well as considering the consequences for Ligeti's subsequent music. In this first English-language book to focus on Ligeti's most significant work, Le Grand Macabre, Searby investigates Ligeti's music and its relationship to tonality, looking at his return to tradition and use of quotation and pastiche in the opera, and considering the transformation of Ligeti's style and technique after the opera. The Horn Trio (1982) with its romantic phrase structure is also analyzed to demonstrate the radical change in the composer's stylistic approach. Searby also examines Ligeti's relationship with postmodernism, addressing the modernist versus postmodernist polemic as it pertains to Ligeti's works. Many musical examples support the discussion, and an appendix summarizing the opera and photographs from a recent production, as well as an extensive bibliography, add to this valuable reference.

With 110 million members worldwide, Baptists are surpassed only by Roman Catholic and Orthodox groups as the largest segment of Christians. The term 'Baptist' has its origins with the Anabaptists, the denomination historically linked to the English Separatist movement of the 16th century. Although Baptist churches are located throughout the world, the largest group of Baptists lives in the Southern United States, and the Baptist faith has historically exerted a powerful influence in that region of the country. The A to Z of the Baptists relates the history of the Baptist Church through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries on important events, doctrines, and the church founders, leaders, and other prominent figures who have made notable contributions. This volume commemorates the 400th anniversary of the founding of the Baptist movement in 1609.

The world as we have known it for the past century would have been very different without petroleum. Petroleum, particularly in the form of crude oil and its refined products, has been central to all aspects of modern industrial society and has been a major strategic geopolitical objective for nations. The 20th century was the age of oil, and at least part of the 21st century will be as well. Petroleum is used as an energy source and as a raw material for the production of an immense variety of chemicals and synthetic materials. Almost all the world's food relies on petroleum for fertilizer, pesticides, cultivation, or transport. Petroleum has been particularly dominant as a source of transportation fuels, an application for which cost-effective substitutes will be especially difficult to find. The A to Z of the Petroleum Industry presents a concise but complete one-volume reference on the history of the petroleum industry from pre-modern times to the present day. This is done through a chronology, an introductory essay, and over 400 cross-referenced dictionary entries on companies, people, places, events, technologies, and phenomena related to the history of the world's petroleum industry. Anyone interested in the history, status, and outlook for the petroleum industry will find this book a uniquely valuable source.

The 1930s were dominated by economic collapse, stagnation, and mass unemployment. This crisis enabled the Democrats to recapture the White House and embark upon a period of reform unsurpassed until the 1960s. Roosevelt's New Deal laid the foundations of a welfare system that was further consolidated during and after the Second World War. American involvement in World War II helped to secure victory in Europe and in Asia. American participation in the war led to economic recovery but also brought with it enormous demographic and social changes. Some of these changes continued after the war had ended, but further political reform was to be limited due to the impact of the Cold War and the effects of America's new role as the world's leading superpower in the atomic age. The A to Z of the Roosevelt-Truman Era examines significant individuals, organizations, and events in American political, economic, social, and cultural history between 1933 and 1953. This was a period of enormous significance in the United States due to the impact of the Great Depression, World War II, and the onset of the Cold War. The presidencies of Franklin D. Roosevelt and Harry S. Truman witnessed the origins of the modern American welfare system and the rise of the United States as a world power, as well as its involvement in the confrontation with communism that dominated the latter half of the 20th century.

The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O'Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.

The Renaissance era was launched in Italy and gradually spread to the Netherlands, Germany, Spain, France, and other parts of Europe and the New World, with figures like Robert Campin, Jan van Eyck, Rogier van der Weyden, Albrecht DYrer, and Albrecht Altdorfer. It was the era that produced some of the icons of civilization, including Leonardo da Vinci's Mona Lisa and Last Supper and Michelangelo's Sistine Ceiling, Piet^, and David. Marked as one of the greatest moments in history, the outburst of creativity of the era resulted in the most influential artistic revolution ever to have taken place. The period produced a substantial number of notable masters, among them Caravaggio, Donato Bramante, Donatello, El Greco, Filippo Brunelleschi, Masaccio, Sandro Botticelli, Raphael, Titian, and Tintoretto. The result was an outstanding number of exceptional works of art and architecture that pushed human potential to new heights. The A to Z of Renaissance Art covers the years 1250 to 1648, the period most disciplines place as the Renaissance Era. A complete portrait of this remarkable period is depicted in this book through a chronology, an introductory essay, a bibliography, and over 500 hundred cross-referenced dictionary entries on major Renaissance painters, sculptors, architects, and patrons, as well as relevant historical figures and events, the foremost artistic centers, schools and periods, major themes and subjects, noteworthy commissions, technical processes, theoretical material, literary and philosophic sources for art, and art historical terminology.