Bøger udgivet af Rutgers University Press

The Screen Decades: American Culture/American Cinema series is now available as an twelve-volume set: American Cinema from the 1890s to the 2010s. Each volume presents a group of original essays analyzing the impact of cultural issues on the cinema and the impact of the cinema on society. Every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events to provide a continuing sense of the decade as it came to be depicted on movie screens across the nation.

Politics Across the Hudson offers a behind-the-scenes look at three decades of contentious planning for the new Tappan Zee Bridge, and includes a new epilogue and more photos, revealing valuable lessons for those trying to tackle complex public policies. Drawing on his own extensive experience in planning megaprojects, more than one hundred exclusive interviews with key figures (including three governors), and extensive research into government records, Philip Plotch tells the compelling, behind-the-scenes story of high-stakes battles between powerful players in the public, private, and civic sectors.

Masterpiece Theatre is the latest--and funniest--round in the culture wars. No member of Modern Language Association, lover of literature and literacy, cultural pundit, or talking head should be without a copy.

In order to broaden the lens through which Muslim women are typically seen, a group of researchers in India carried out a large and unprecedented study of one of the most disadvantaged sections of Indian society. The editors of The Diversity of Muslim Women’s Lives in India bring together this research in a comprehensive collection of informative and revealing case studies.

The readings, which are fully contextualized by a general introduction, section introductions, and bibliographical notes, represent the work of many influential writers and theorists. This multi-disciplinary anthology will be welcomed by students and scholars of the Holocaust.

Nationalism has become a topic of wide-ranging significance and heated debate over recent years, with a huge expansion in the amount of literature available. Bringing together the best and most representative of these writings, Nations and Nationalism is an essential reader for students of political theory and related fields.

Closed to the world for half a century, like a black hole in the Asian landmass, the wilderness of Xinjiang in northwest China is returning to the light. The picture it presents is both fascinating and disturbing. Despite a savage landscape and climate, Xinjiang has a rich past: sand-buried cities, painted cave shrines, rare creatures, and wonderfully preserved mummies of European appearance. Their descendants, the Uighurs, still farm the tranquil oases that ring the dreaded Taklamakan, the world's second largest sand desert, and the Kazakh and Kirghiz herdsmen still roam the mountains. The region's history, however, has been punctuated by violence, usually provoked by ambitious outsiders--nomad chieftains from the north, Muslim emirs from Central Asia, Russian generals, or warlords from inner China. The Chinese regard the far west as a barbarian land. Only in the 1760s did they subdue it, and even then their rule was repeatedly broken. Compared with the Russians' conquest of Siberia, or the Americans' trek west, China's colonization of Xinjiang has been late and difficult. The Communists have done most to develop it, as a penal colony, as a buffer against invasion, and as a supplier of raw materials and living space for an overpopulated country. But what China sees as its property, the Uighurs regard as theft by an alien occupier. Tension has led to violence and savage reprisals. This portrait of Xinjiang should be essential reading for travelers and for anyone interested in today's China and the fate of minority peoples.

Plants, Patients, and the Historian examines the relationship between the act of historical recollection and the coming "age of genetic engineering." Paolo Palladino provides a history of genetics in Britain from its inception as an agricultural science in the early years of the twentieth century to its contemporary biomedical applications.

The Victorian era was a time of unprecedented population growth and massive industrialization. Darwinian theory shook people's religious beliefs and foreign competition threatened industry and agriculture. The transformation of this nineteenth-century world was overhwelming, pervading the social, cultural, intellectual, economic, and political spheres. By the time of the Great Exhibition in 1851, the British were calling themselves Victorians and Prince Albert was able to proclaim, "We are living at a period of most wonderful transition." David Newsome weaves all these strands of Victorian life into a compelling evocation of the spirit of a fascinating time that laid the foundation for the modern age.

In this unconventional history of chemistry, David Knight takes the refreshing view that the science has "its glorious future behind it." Today, chemistry is primarily a service science. In its very long history, though, chemistry has taken on very different roles. It has been the esoteric preoccupation of alchemists, the source of mechanist views of matter, the cornerstone of all other sciences and medicine, an archetype of experimental science, a science of revolutions, a science that imposed order on the material world, and a partner for physics, biology, and technology.

Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the "materiality" of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a "cinema of attractions" to a "classical narrative cinema," on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas.