Bøger udgivet af Ridinghouse

Focusing on John Hilliard's fascination with the monochrome and visual obstruction, this career-spanning volume draws together the artist's diverse engagement with photography.

Best-known for her ambitious sculptural works, this volume explores how Alison Wilding's compelling drawing and extensive use of collage have been integral to her development for five decades.

This exhibition catalogue positions a group of ceramic sculptures made by abstract painter John Hoyland RA in dialogue with a spectacular, international, assembly of contemporary sculpture by artists including Phyllida Barlow and Hew Locke.

As Chosen By ... is a photographic series by Kate Friend. In these portraits, her 'sitters' are flowers or plants, each one selected by a recognisable public figure.

The first monograph on the overlooked American modernist whose delicate geometric abstractions made brilliant and innovative use of stringBalance, motion, suspension and tension form the guiding principles of the work of Sue Fuller (1914-2006), one of the most innovative artists in the field of geometric abstraction in the postwar United States. Initially a prominent figure in Stanley William Hayter's famous New York print workshop Atelier 17, Fuller developed an interest in geometric abstraction in the mid-1940s, which led her to adopt string as a tool to create three-dimensional compositions in a range of colors and varying densities across a light framing structure. Fuller is also known for her use of unconventional materials sourced from industrial sectors, including fishing lines and synthetic surfaces such as Lucite, which conserve the compositions' delicate tension and vivid color schemes in pristine condition to this day. Sue Fuller: Into the Composition is the first monographic study of Fuller's work and includes contributions by art historians Alex J. Taylor and Christina Weyl.

Published on the occasion of the exhibition Cecily Brown: The Triumph of Death, Museo e Real Bosco di Capodimonte, Naples, 10 February - 30 September 2022.

"Simon Moretti is known for his enigmatic exhibition works, presenting displays that engage with questions of agency, temporality, automatism, desire and masculinity. Incorporating appropriated images and archives as well as curatorial and publishing projects, often made in collaboration with other artists, his work addresses the role of 'curating as practice'. Presented as a non-chronological visual essay, this publication surveys 10 years of collage works by Moretti. It includes text contributions from writer Craig Burnett, curator and art historian Yuval Etgar, novelists Deborah Levy and Chloe Aridjis, and a conversation with Andrew Durbin, editor-in-chief of frieze magazine."--

Bringing together essays by and interviews with British artist Bridget Riley, this volume represents her passionate and articulate engagement with colour, perception and art history. Divided into three sections, the writings reveal Riley's relationship to different topics over time, including the term 'abstract'; the influence of Georges Seurat and Paul Cézanne; the role of colour and painting throughout art history; the importance of perception and much more. The book includes interviews with preeminent art historians such as David Sylvester, Mel Gooding and Lynne Cooke, as well as in-depth studies of other artists: Piet Mondrian, Bruce Nauman and Georges Seurat.

Chronicling a great postwar Italian sculptor's years in RomeItalian sculptor Eliseo Mattiacci (1940-2019) is known for his contributions to the Arte Povera and Minimalism movements in postwar Italy. This lavishly illustrated publication is the first to focus on Mattiacci's years in Rome from the 1960s to the '80s.

This updated edition of German painter Georg Baselitz's collected writings brings together more than 30 texts by the artist, spanning 1961 to the present.

This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernismBased on original interviews and previously unpublished letters and diaries, Queer St Ives reveals a fascinating, hitherto undocumented history, adding vital new insight into the history of the fabled British art colony. At the center of this pioneering volume is the sculptor John Milne, who arrived in the southwestern town of St Ives, Cornwall, in 1952, to work as an assistant to Barbara Hepworth. Hidden behind tall granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts and was the scene of legendary parties. The large cast--queer and otherwise--featured here includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; writers Tony Warren and Richard Blake Brown; and the extraordinary Julian Nixon, a queer everyman whose involvement in the group has been little explored until now.

Published in 2022 by Kettle's Yar don the occasion of the exhibition Ai WeiWei: The Liberty of Doubt 12 February - 19 June 2022

"Bad Manners is an original history of non-consensual collaboration between artists, from the first decades of the twentieth century to the present day. Narrated by artist Jake Chapman and art historian Yuval Etgar, this book takes the reader through a wealth of artworks and anecdotes involving cannibalistic acts of modification or alteration of another artist's work, the hijacking of authorship through the addition of a signature, and occasions when the identities of artists or their creations are cast in doubt. Among the works in discussion are a drawing by Pablo Picasso signed as Henri Matisse, a coffee table executed by Martin Kippenberger using a painting by Gerhard Richter as its surface, and a performance by David Hammons documenting the artist urinating on a Richard Serra sculpture. Published to accompany an exhibition of the same name at Luxembourg + Co., London, Bad Manners raises questions concerning the nature of artistic authorship, standards of collegial etiquette, plagiarism and ownership. Exhibition: Luxembourg + Co., London, UK (01.03.-15.05.2022)."--

Reckonings with mortality and art history in the final works of John HoylandThis richly illustrated publication explores the paintings John Hoyland (1934-2011) made in his final decade, including his final series, the Mysteries. Essays by Natalie Adamson, David Anfam, Matthew Collings and Mel Gooding discuss his veneration of Van Gogh, his connections to Turner and his development of the visual language of the Abstract Expressionists.

Two volumes housed in a slipcase, Amor Mundi is an edited selection of over 400 works of contemporary art from the Collection of Marguerite Steed Hoffman.

On Gupta's Barbican commission exploring the voices of the silencedFor the Barbican's 34th Curve commission, Mumbai-based artist Shilpa Gupta (born 1976) builds upon her acclaimed project For, in your tongue, I cannot fit (2017-18), a multichannel, multilingual sound installation comprising 100 microphones suspended above 100 metal spikes. A new body of sculptural works extends these themes.

During the course of 2020, artist Charlotte Verity made more than 100 watercolour monotypes in response to the plants and flowers growing in her garden.

A survey of the four-decade career of celebrated British-Indian artist Sutapa Biswas and her new film, Lumen, meditating on the history of colonialism together with personal memories.

An intimate, abstract dialogue with Piero's compositional spacesThis publication focuses on a series of small-format paintings by Austrian artist Tess Jaray (born 1937) made in response to the frescoes of Piero della Francesca, paired with the paintings that inspired them and excerpts from Roberto Longhi's seminal writing on Piero.

Perception and mimesis explored through the visual language of household detritusBalancing the profound with the absurd, London-based artist Neil Gall (born 1967) translates the visceral and psychological interactions between materials and their surfaces to unsettling, surreal and sometimes erotic effect in his drawings.

A handsome presentation of Scottish artist Sarah Graham's up-close drawings of insects and plantsIn her majestic drawings, London-based artist Sarah Graham (born 1973) observes the plant and insect world in close-up, through the prism of a naturalist and a traveler. Graham has been drawing and painting full-time for more than a decade now, making images informed by her knowledge of the unfamiliar and faraway. Her studies of the natural world have the complexity and detail of a Leonardo drawing: rhizomes, bulbs and vividly chromatic large-petaled tropical flowers, visited by the insect and butterfly specimens that she borrows from the Entomology Department of the Natural History Museum, London. She is inspired by the graphic plant imagery of German photographer Karl Blossfeldt, and particularly by the spiky biomorphism of Graham Sutherland's works, which feed her sculptural interpretations in charcoal and graphite. Sutherland is her lodestar, first encountered at Saltwood Castle, home to her godmother Jane Clark and the late Sir Kenneth Clark's superb collection of British modernist painting.

This book accompanys PEER's show presenting a group of sculptural works produced between the late 1940s and early 1990s. An exhibition that focused on Jevric's Proposals for Monuments was presented at the Henry Moore Institute in 2006, but this will be Jevric's first solo exhibition in London. Jevric worked primarily with a mixture of cement, iron dust, rods and nails, to create a range of distinct forms that investigate the relationship between solid matter and void; weight and weightlessness; containment and release. The surface of the works are roughly textured and pitted as if created by nature, rather than the artist's hand. Jevric referred to her work as ?spatial compositions? rather than sculptures, suggesting how her musical training provided her with an understanding of how abstract form, like tone and timbre, can be used to highly expressive ends.0 0By way of bringing Jevric's extraordinary work to contemporary British audiences, Richard Deacon (who met the artist at her studio on a number of occasions) and Phyllida Barlow and have been invited to write personal responses to this artist's work. Other texts include an introduction by Fedja Klikovac of Handel Street Projects, a preface by Ingrid Swenson from PEER gallery and an essay by Serbian art historian Jesa Denegri.00Exhibition: PEER gallery, London, UK (28.06.-14.09.2019).

An elegant compilation of Cezanne's drawings and prints from the collection of the late Karsten Schubert, bequethed to the Whitworth.

Interrogates the forces of opposition and reaction that drove the creation of much British postwar sculpture from the 1960s onwards, through the work of six sculptors, including Anthony Caro, Rachel Whiteread and Alison Wilding.

This fully illustrated publication is a groundbreaking approach to the study of Paul Cezanne's works on paper.