Bøger udgivet af Random House US

In the seaside town of Kinlough, on Ireland's west coast, three old friends are thrown together for the first time in years. Helen, Joe, and Mushwere part of an original group of six inseparable teenagers in the summer of 2003, with motherless, reckless Kala Lanann as their group's white-hot center. Soon after that summer's peak, Kala disappeared without a trace. Now it's fifteen years later. Helen has reluctantly returned to Ireland for her father's wedding; Joe is a world-famous musician, newly back in town; and Mush has never left, too scared to venture beyond the counter of his mother's café. But human remains have been discovered in the woods. Two more girls have gone missing. As past and present begin to collide, the estranged friends are forced to confront their own complicity in the events that led to Kala's disappearance. Against the backdrop of a town suffocating on its own secrets, in a story that builds from a smolder to a stunning climax, Kala brilliantly examines the sometimes brutal costs of belonging, as well as the battle in the human heart between vengeance and forgiveness, despair and redemption.

Emily Wilde is a genius scholar of faerie folklore who just wrote the world’s first comprehensive encyclopaedia of faeries. She’s learned many of the secrets of the Hidden Ones on her adventures . . . and also from her fellow scholar and former rival Wendell Bambleby. Because Bambleby is more than infuriatingly charming. He’s an exiled faerie king on the run from his murderous mother and in search of a door back to his realm. And despite Emily’s feelings for Bambleby, she’s not ready to accept his proposal of marriage: Loving one of the Fair Folk comes with secrets and dangers. She also has a new project to focus on: a map of the realms of faerie. While she is preparing her research, Bambleby lands her in trouble yet again, when assassins sent by his mother invade Cambridge. Now Bambleby and Emily are on another adventure, this time to the picturesque Austrian Alps, where Emily believes they may find the door to Bambleby’s realm and the key to freeing him from his family’s dark plans. But with new relationships for the prickly Emily to navigate and dangerous Folk lurking in every forest and hollow, Emily must unravel the mysterious workings of faerie doors and of her own heart.

America is undergoing a massive experiment: It is moving, in fits and starts, toward a multiracial democracy, something few societies have ever done. But the prospect of change has sparked an authoritarian backlash that threatens the very foundations of our political system. Why is democracy under assault here, and not in other wealthy, diversifying nations? And what can we do to save it? With the clarity and brilliance that made their first book, How Democracies Die, a global bestseller, Harvard professors Steven Levitsky and Daniel Ziblatt offer a coherent framework for understanding these volatile times. They draw on a wealth of examples—from 1930s France to present-day Thailand—to explain why and how political parties turn against democracy. They then show how our Constitution makes us uniquely vulnerable to attacks from within: It is a pernicious enabler of minority rule, allowing partisan minorities to consistently thwart and even rule over popular majorities. Most modern democracies—from Germany and Sweden to Argentina and New Zealand—have eliminated outdated institutions like elite upper chambers, indirect elections, and lifetime tenure for judges. The United States lags dangerously behind. In this revelatory book, Levitsky and Ziblatt issue an urgent call to reform our politics. It’s a daunting task, but we have remade our country before—most notably, after the Civil War and during the Progressive Era. And now we are at a crossroads: America will either become a multiracial democracy or cease to be a democracy at all.

A brilliant young philosophy student bent on seducing her famous philosopher-mentor finds herself outmaneuvered; diabolically clever high school girls wreak a particularly apt sort of vengeance on sexual predators in their community; a woman stalked by a would-be killer may be confiding in the wrong former lover; a young woman is morbidly obsessed by her unfamiliar new role as “mother.” In the collection’s longest story, a much-praised cutting-edge writer cruelly experiments with “drafts” of his own suicide. In these powerfully wrought stories that hold a mirror up to our time, Joyce Carol Oates has created a world of erotic obsession, thwarted idealism, and ever-shifting identities. Provocative and stunning, Zero-Sum reinforces Oates’s standing as a literary treasure and an artist of the mysterious interior life.

Young playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. But seeing it performed is unlikely, in a theater world where the playing field isn't level for women. As Melina wonders if she dares risk failure again, her best friend takes the decision out of her hands and submits the play to a festival under a male pseudonym. In 1581, young Emilia Bassano is a ward of English aristocrats. Her lessons on languages, history, and writing have endowed her with a sharp wit and a gift for storytelling, but like most women of her day, she is allowed no voice of her own. Forced to become a mistress to the Lord Chamberlain, who oversees all theatre productions in England, Emilia sees firsthand how the words of playwrights can move an audience. She begins to form a plan to secretly bring a play of her own to the stage-by paying an actor named William Shakespeare to front her work. Told in intertwining timelines, By Any Other Name, a sweeping tale of ambition, courage, and desire centers two women who are determined to create something beautiful despite the prejudices they face. Should a writer do whatever it takes to see her story live on . . . no matter the cost? This remarkable novel, rooted in primary historical sources, ensures the name Emilia Bassano will no longer be forgotten.

In the vibrant city-state of Castellane, the richest of nobles and the most debauched of criminals have one thing in common: the constant search for wealth, power, and the next hedonistic thrill. Kel is an orphan, stolen from the life he knew to become the Sword Catcher-the body double of a royal heir, Prince Conor Aurelian. He and Conor are as close as brothers, but his destiny is to die for Conor. No other future is possible. Lin Caster is a physician from a small community whose members still possess magical abilities. But despite her skills, she cannot heal her best friend without access to forbidden knowledge. After a failed assassination attempt brings Lin and Kel together, they are drawn into the web of the mysterious Ragpicker King, the ruler of Castellane's criminal underworld. But as long-kept secrets begin to unravel and forbidden attractions arise, they must ask themselves: Is knowledge worth the price of betrayal? And will their discoveries plunge their nation into war-and the world into chaos?

A therapist and self-help writer with all the answers, Sarah Slade has just bought a gorgeous Victorian in the community of her dreams. Turns out, you can get a killer deal on a house where someone was murdered. Plus, renovating Black Wood House makes for great blog content and a decent distraction from her failing marriage. Good thing nobody knows that her past is just as filthy as the bloodstain on her bedroom floor. But the renovations are fast becoming a nightmare. Sarah imagined custom avocado wallpaper, massive profits, and an appreciative husband who wants to share her bed again. Instead, the neighbors hate her guts and her husband still sleeps on the couch. And though the builders attempt to cover up Black Wood's horrifying past, a series of bizarre accidents, threatening notes, and unexplained footsteps in the attic only confirms for Sarah what the rest of the town already knew: Something is very wrong in that house. With every passing moment, Sarah's life spirals further out of control—and with it, her sense of reality. But as she peels back the curling wallpaper and discovers the house's secrets, she realizes that the deadly legacy of Black Wood House has only just begun.

When Jack and Elizabeth meet as college students in the gritty '90s Chicago art scene, the two quickly join forces and hold on tight, each eager to claim a place in the thriving underground scene with an appreciative kindred spirit. Fast-forward twenty years to suburban married life, and alongside the challenges of parenting, they encounter the often-baffling pursuits of health and happiness from polyamorous would-be suitors to home-renovation hysteria. For the first time, Jack and Elizabeth struggle to recognize each other, and the no-longer-youthful dreamers are forced to face their demons, from unfulfilled career ambitions to childhood memories of their own dysfunctional families. In the process, Jack and Elizabeth must undertake separate, personal excavations, or risk losing the best thing in their lives: each other.

In this spellbinding portrait of obsession and flawed genius, the best-selling author of The Stranger in the Woods brings us into Breitwieser's strange world-unlike most thieves, he never stole for money, keeping all his treasures in a single room where he could admire them. For centuries, works of art have been stolen in countless ways from all over the world, but no one has been quite as successful at it as the master thief Stéphane Breitwieser. Carrying out more than two hundred heists over nearly eight years-in museums and cathedrals all over Europe-Breitwieser, along with his girlfriend who worked as his lookout, stole more than three hundred objects, until it all fell apart in spectacular fashion. In The Art Thief, Michael Finkel brings us into Breitwieser's strange and fascinating world. Unlike most thieves, Breitwieser never stole for money. Instead, he displayed all his treasures in a pair of secret rooms where he could admire them to his heart's content. Possessed of a remarkable athleticism and an innate ability to circumvent practically any security system, Breitwieser managed to pull off a breathtaking number of audacious thefts. Yet these strange talents bred a growing disregard for risk and an addict's need to score, leading Breitwieser to ignore his girlfriend's pleas to stop-until one final act of hubris brought everything crashing down. This is a riveting story of art, crime, love, and an insatiable hunger to possess beauty at any cost.

Abbas is just seventeen years old when his gifts as a woodcarver come to the attention of Tipu Sultan, and he is drawn into service at the palace in order to build a giant tiger automaton for Tipu's sons, a gift to commemorate their return from British captivity. His fate-and the fate of the wooden tiger he helps create-will mirror the vicissitudes of nations and dynasties ravaged by war across India and Europe. Working alongside the legendary French clockmaker Lucien du Leze, Abbas hones his craft, learns French, and meets Jehanne, the daughter of a French expatriate. When Du Leze is finally permitted to return home to Rouen, he invites Abbas to come along as his apprentice. But by the time Abbas travels to Europe, Tipu's palace has been looted by British forces, and the tiger automaton has disappeared. To prove himself, Abbas must retrieve the tiger from an estate in the English countryside, where it is displayed in a collection of plundered art.

It's 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It's strictly the straight-and-narrow for him - until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire. But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated - and deadly. 1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney's endearingly violent partner in crime. It's getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem. He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook - to their regret. 1976. Harlem is burning, block by block, while the whole country is gearing up for Bicentennial celebrations. Carney is trying to come up with a July 4th ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A and rising politician Alexander Oakes. When a fire severely injures one of Carney's tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted. CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of

When Bridget arrives penniless in Dodge City, already disillusioned by feckless men and the uncompromising landscape, she has only her wits to keep her alive. Thanks to the allure of her bright red hair and country-girl beauty, she's recruited to work at the Buffalo Queen, the only brothel in town run by women. Bridget takes to brothel life, appreciating the good food, good pay, and good friendships she forms with her fellow "sporting women." But with the arrival of some infamous outlaws at the start of winter, tensions in Dodge City run high. When the Buffalo Queen's peace and security are threatened, Bridget must decide what she owes to the women she loves and what it looks like to claim her own destiny. A thoroughly modern reimagining of the Western genre, Lucky Red is a masterfully crafted, propulsive tale of adventure, loyalty, desire, and love.

Thirty years after a tragic accident shut down production of the classic children's program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic. But with no surviving video of the show, no evidence of who directed or produced it, and no records of who-or what-the beloved host actually was, memories are all the former Circle of Friends has. Then a twist of fate brings the castmates back together at the remote desert filming compound that feels like it's been waiting for them all this time. Even though they haven't seen each other for years, they understand one another better than anyone has since. After all, they're the only ones who hold the secret of that circle, the mystery of the magic man in his infinitely black cape, and, maybe, the answers to what really happened on that deadly last day. But as the Circle of Friends reclaim parts of their past, they begin to wonder: Are they here by choice, or have they been lured into a trap?

"We didn't call the police right away." Those are the electric first words of this extraordinary novel about a biracial Korean American family in Virginia whose lives are upended when their beloved father and husband goes missing. Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything-which is why she isn't initially concerned when her father and younger brother Eugene don't return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia's brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak. What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance. Full of shocking twists and fascinating questions of love, language, and human connection, Happiness Falls is a mystery, a family drama, and a novel of profound philosophical inquiry. With all the powerful storytelling she brought to her award-winning debut, Miracle Creek, Angie Kim turns the missing-person story into something wholly original, creating an indelible tale of a family who must go to remarkable lengths to truly understand one another.

Aidan Thomas is a hard-working family man and a somewhat beloved figure in the small upstate New York town where he lives. He's the kind of man who always lends a hand and has a good word for everyone. But Aidan has a dark secret he's been keeping from everyone in town and those closest to him. He's a kidnapper and serial killer. Aidan has murdered eight women and there's a ninth he has earmarked for death: Rachel, imprisoned in a backyard shed, fearing for her life. When Aidan's wife dies, he and his thirteen-year-old daughter Cecilia are forced to move. Aidan has no choice but to bring Rachel along, introducing her to Cecilia as a "family friend" who needs a place to stay. Aidan is betting on Rachel, after five years of captivity, being too brainwashed and fearful to attempt to escape. But Rachel is a fighter and survivor, and recognizes Cecilia might just be the lifeline she has waited for all these years. As Rachel tests the boundaries of her new living situation, she begins to form a tenuous connection with Cecilia. And when Emily, a local restaurant owner, develops a crush on the handsome widower, she finds herself drawn into Rachel and Cecilia's orbit, coming dangerously close to discovering Aidan's secret. Told through the perspectives of Rachel, Cecilia, and Emily, The Quiet Tenant explores the psychological impact of Aidan's crimes on the women in his life-and the bonds between those women that give them the strength to fight back. Both a searing thriller and an astute study of trauma, survival, and the dynamics of power, The Quiet Tenant is an electrifying debut thriller by a major talent.

After a bad breakup, Helene Janssen runs away to Alaska to find some peace and quiet. She's been dreaming up bits and pieces of a novel for years and hopes to finally have time to write it. On her first night there, Helene meets Sebastien Montague, a gruff fisherman who looks exactly like the hero in the book she's working on. But how is that even possible? Sebastien seems to recognize Helene, too, but he lies about it and brushes her off, even though their chemistry is like a live wire-immediate and undeniable. It turns out that she's Juliet, reincarnated, and he's Romeo, lost in time. And if Helene can convince Sebastien to give her a chance, maybe this time they can rewrite the ending of their story and find a true happily ever after.

A sweeping story about four women whose lives are shaped by love, longing, and pain. Chiamaka is a Nigerian travel writer living in the US who is unlucky in love and coping with the pandemic on her own. Zikora, is a successful lawyer living in Washington DC who finds herself, unexpectedly, a heartbroken single mother. Omelogor is a scholar researching pornography for a Master's thesis in Women's Studies. And Nafissatou, Chiamaka's housekeeper, is trying to reclaim her dignity after a terrible sexual assault. In Dream Count, we come to know these interesting, challenging, and complicated women as they navigate their rich and complex lives. Long revered as a writer who understands how we talk about race and identity, Adichie uses these themes to explore a group of disparate and fascinating women and their worlds, turning a sharp eye on contemporary society. A major literary event, Dream Count is a thrilling, sizzling new work that confirms Adichie's status as one of the most exciting and dynamic writers on the literary landscape.

Make a wish. . . . Lucy Hart knows better than anyone what it's like to grow up without parents who loved her. In a childhood marked by neglect and loneliness, Lucy found her solace in books, namely the Clock Island series by Jack Masterson. Now a twenty-six-year-old teacher's aide, she is able to share her love of reading with bright, young students, especially seven-year-old Christopher Lamb, who was left orphaned after the tragic death of his parents. Lucy would give anything to adopt Christopher, but even the idea of becoming a family seems like an impossible dream without proper funds and stability. But be careful what you wish for. . . . Just when Lucy is about to give up, Jack Masterson announces he's finally written a new book. Even better, he's holding a contest at his home on the real Clock Island, and Lucy is one of the four lucky contestants chosen to compete to win the one and only copy. For Lucy, the chance of winning the most sought-after book in the world means everything to her and Christopher. But first she must contend with ruthless book collectors, wily opponents, and the distractingly handsome (and grumpy) Hugo Reese, the illustrator of the Clock Island books. Meanwhile, Jack "the Mastermind" Masterson is plotting the ultimate twist ending that could change all their lives forever. . . . You might just get it.

From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is "part memoir, part treatise, and all treat" (The New York Times). This unflinching, deeply personal book expands on Claire Dederer's instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?" Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

In 2018, without any plan or agenda for what might happen next, Patti Smith posted her first Instagram photo: her hand with the simple message "Hello Everybody!" Known for shooting with her beloved Land Camera 250, Smith started posting images from her phone including portraits of her kids, her radiator, her boots, and her Abyssinian cat, Cairo. Followers felt an immediate affinity with these miniature windows into Smith's world, photographs of her daily coffee, the books she's reading, the graves of beloved heroes-William Blake, Dylan Thomas, Sylvia Plath, Simone Weil, Albert Camus. Over time, a coherent story of a life devoted to art took shape, and more than a million followers responded to Smith's unique aesthetic in images that chart her passions, devotions, obsessions, and whims. Original to this book are vintage photographs: anniversary pearls, a mother's keychain, and a husband's Mosrite guitar. Here, too, are photos from Smith's archives of life on and off the road, train stations, obscure cafés, a notebook always nearby. In wide-ranging yet intimate daily notations, Smith shares dispatches from her travels around the world. With over 365 photographs taking you through a single year, A Book of Days is a new way to experience the expansive mind of the visionary poet, writer, and performer. Hopeful, elegiac, playful-and complete with an introduction by Smith that explores her documentary process-A Book of Days is a timeless offering for deeply uncertain times, an inspirational map of an artist's life.

The concept of "the metaverse" has exploded in the public consciousness, but its contours remain elusive. Is it merely an immersive virtual reality playground, one that Facebook and other platforms will angle to control? Is it simply the next generation of massive multiplayer online games? Or is it something more revolutionary? As Herman Narula shows, the metaverse is the latest manifestation of an ancient human tendency: the act of worldbuilding. From the Egyptians, whose conception of death inspired them to build the pyramids, to modern-day sports fans, whose passion for a game inspires extreme behavior, humans have long sought to supplement their day-to-day lives with a rich diversity of alternative experiences. Rooting his vision in history and psychology, Narula argues that humans' intrinsic need for autonomy, accomplishment, and connection can best be met in virtual "worlds of ideas," where users have the chance to create and exchange meaning and value. The metaverse is both the growing set of fulfilling digital experiences-ranging from advanced gaming to concerts and other entertainment events and even to virtual employment-and the empowering framework that allows these spaces to become "networks of useful meaning." Bloomberg Intelligence recently predicted that the metaverse will become an $800 billon industry by 2024. But its implications, argues Narula, are far more awe-inspiring than as a spigot of cash. The arrival of the metaverse marks the beginning of a new age of exploration-not outward, but inward-with the potential to reshape society and open the door to a new understanding of the human species and its capabilities. Rigorously researched and passionately argued, Virtual Society will be a provocative and essential guide for anyone who wants to go beyond superficial headlines to understand the true contours and potential of our virtual future.

Tesla is the envy of the automotive world. The first car company to be valued at $1 trillion, its electric vehicles can be found across the globe, coveted symbols of both wealth and virtue. The company's rise has elevated its CEO, the mercurial and charismatic Elon Musk, into a celebrity-not to mention making him the richest man in the world. But Tesla's success was far from guaranteed. Founded in the 2000s, the company was born from a simple but audacious vision: to create an electric car that could best any gas-guzzling competitor. Tesla wasn't the first company to try: Electric cars had been trotted out-and thrown on the scrap heap-by carmakers for more than a century. But where onlookers saw a history of failure, Musk and a small band of Silicon Valley engineers and entrepreneurs saw only opportunity. The car, they decided, was in need of disruption. So Tesla pitted itself against the biggest, fiercest business businesses in the world, setting out to make a car that was quicker, sexier, smoother, and cleaner than any on the road. But as the saying goes, to make a small fortune in cars, start with a big fortune. Tesla would undergo a hellish fifteen years, beset by rivals, pressured by investors, hobbled by whistleblowers, buoyed by loyal supporters. Time and time again, Musk would find himself in the public crosshairs, threatening to bring the company he had initially funded largely with his own money to the brink of collapse. Wall Street Journal tech and auto reporter Tim Higgins had a front-row seat for the drama: the pileups, wrestling for control, breakdowns, and, the unlikeliest outcome of all, success. A story of impossible wagers and unlikely triumphs, Power Play is an exhilarating look at how a team of eccentrics and innovators beat the odds-and changed the future.

Four years ago, Brynn left Saint Ambrose School following the shocking murder of her favorite teacher-a story that made headlines after the teacher's body was found by three Saint Ambrose students in the woods behind their school. The case was never solved. Now that Brynn is moving home and starting her dream internship at a true-crime show, she's determined to find out what really happened. The kids who found Mr. Larkin are her way in, and her ex-best friend, Tripp Talbot, was one of them. Without his account of events, the other two kids might have gone down for Mr. Larkin's murder. They've never forgotten what Tripp did for them that day. Just like he hasn't forgotten that everything he told the police was a lie. Digging into the past is bound to shake up the present, and as Brynn begins to investigate what happened in the woods that day, she begins to uncover secrets that might change everything-about Saint Ambrose, about Mr. Larkin, and about her ex-best friend, Tripp Talbot. Four years ago someone got away with murder. The most terrifying part is that they never left.

In an imaginary Nigeria, a cunning entrepreneur is selling body parts stolen from Dr. Menka's hospital for use in ritualistic practices. Dr. Menka shares the grisly news with his oldest college friend, bon viveur, star engineer, and Yoruba royal, Duyole Pitan-Payne. The life of every party, Duyole is about to assume a prestigious post at the United Nations in New York, but it now seems that someone is deter-mined that he not make it there. And neither Dr. Menka nor Duyole knows why, or how close the enemy is, or how powerful. Chronicles from the Land of the Happiest People on Earth is at once a literary hoot, a crafty whodunit, and a scathing indictment of political and social corrup-tion. It is a stirring call to arms against the abuse of power from one of our fiercest political activists, who also happens to be a global literary giant.

An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler's demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms.As the mother's symptoms intensify, and her temptation to give in to her new dog impulses peak, she struggles to keep her alter-canine-identity secret. Seeking a cure at the library, she discovers the mysterious academic tome which becomes her bible, A Field Guide to Magical Women: A Mythical Ethnography, and meets a group of mommies involved in a multilevel-marketing scheme who may also be more than what they seem.An outrageously original novel of ideas about art, power, and womanhood wrapped in a satirical fairy tale, Nightbitch will make you want to howl in laughter and recognition. And you should. You should howl as much as you want.

The year is 1969, and the Bayleen Island Folk Fest is abuzz with one name: Jesse Reid. Tall and soft-spoken, with eyes blue as stone-washed denim, Jesse Reid's intricate guitar riffs and supple baritone are poised to tip from fame to legend with this one headlining performance. That is, until his motorcycle crashes on the way to the show. Jane Quinn is a Bayleen Island local whose music flows as naturally as her long blond hair. When she and her bandmates are asked to play in Jesse Reid's place at the festival, it almost doesn't seem real. But Jane plants her bare feet on the Main Stage and delivers the performance of a lifetime, stopping Jesse's disappointed fans in their tracks: A star is born. Jesse stays on the island to recover from his near-fatal accident and he strikes up a friendship with Jane, coaching her through the production of her first record. As Jane contends with the music industry's sexism, Jesse becomes her advocate, and what starts as a shared calling soon becomes a passionate love affair. On tour with Jesse, Jane is so captivated by the giant stadiums, the late nights, the wild parties, and the media attention, that she is blind-sided when she stumbles on the dark secret beneath Jesse's music. With nowhere to turn, Jane must reckon with the shadows of her own past; what follows is the birth of one of most iconic albums of all time. Shot through with the lyrics, the icons, the lore, the adrenaline of the early 70s music scene, Songs in Ursa Major pulses with romantic longing and asks the question so many female artists must face: What are we willing to sacrifice for our dreams?

Suzanne Simard is a pioneer on the frontier of plant communication and intelligence; she's been compared to Rachel Carson, hailed as a scientist who conveys complex, technical ideas in a way that is dazzling and profound. Her work has influenced filmmakers (the Tree of Souls of James Cameron's Avatar) and her TED talks have been viewed by more than 10 million people worldwide. Now, in her first book, Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths--that trees are not simply the source of timber or pulp, but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard writes--in inspiring, illuminating, and accessible ways-how trees, living side by side for hundreds of years, have evolved, how they perceive one another, learn and adapt their behaviors, recognize neighbors, and remember the past; how they have agency about the future; elicit warnings and mount defenses, compete and cooperate with one another with sophistication, characteristics ascribed to human intelligence, traits that are the essence of civil societies--and at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them. Simard writes of her own life, born and raised into a logging world in the rainforests of British Columbia, of her days as a child spent cataloging the trees from the forest and how she came to love and respect them-embarking on a journey of discovery, and struggle. And as she writes of her scientific quest, she writes of her own journey--of love and loss, of observation and change, of risk and reward, making us understand how deeply human scientific inquiry exists beyond data and technology, that it is about understanding wh

More bodies have washed up on the shores of a small island. Another overfilled, ill-equipped, dilapidated ship has sunk under the weight of its too many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives back in their homelands. But miraculously, someone has survived the passage: nine-year-old Amir, a Syrian boy who is soon rescued by Vänna. Vänna is a teenage girl, who, despite being native to the island, experiences her own sense of homelessness in a place and among people she has come to disdain. And though Vänna and Amir are complete strangers, though they don't speak a common language, Vänna is determined to do whatever it takes to save the boy. In alternating chapters, we learn about Amir's life and how he came to be on the boat, and we follow him and the girl as they make their way toward safety. What Strange Paradise is the story of two children finding their way through a hostile world. But it is also a story of empathy and indifference, of hope and despair-and about the way each of those things can blind us to reality.

Jake Brigance returns; a death row inmate makes an unusual final request; a dysfunctional legal family gets their day in court-but maybe not the way they envisioned it. These are just a few of the unforgettable characters you'll encounter in Sparring Partners, three novellas that prove beyond a shadow of a doubt that John Grisham is truly America's Favorite Storyteller.

Lucy Barton is a writer, but her ex-husband, William, remains a hard man to read. "William," she confesses, "has always been a mystery to me." Another mystery is why the two have remained connected after all these years. They just are.