Bøger udgivet af Purdue University Press

The relationship between dogs and humans has been contemplated since the beginning of human culture, with lasting expressions found in art, philosophy, literature, and science. At present, there is a large body of scientific literature about this relationship based primarily upon biological, genetic, and psychological approaches. It is only within the past decade that sociologists have shown a concerted interest in the social organization of dog-human interaction, and Playing with My Dog Katie is an example of this movement. A special DVD is also included with the book.

Like most good educational interventions, problem-based learning (PBL) did not grow out of theory, but out of a practical problem. Medical students were bored, dropping out, and unable to apply what they had learned in lectures to their practical experiences a couple of years later. Neurologist Howard S. Barrows reversed the sequence, presenting students with patient problems to solve in small groups and requiring them to seek relevant knowledge in an effort to solve those problems. Out of his work, PBL was born. The application of PBL approaches has now spread far beyond medical education. Today, PBL is used at levels from elementary school to adult education, in disciplines ranging across the humanities and sciences, and in both academic and corporate settings. This book aims to take stock of developments in the field and to bridge the gap between practice and the theoretical tradition, originated by Barrows, that underlies PBL techniques.

In science, technology, engineering, and mathematics (STEM) education in pre-college, engineering is not the silent "e" anymore. There is an accelerated interest in teaching engineering in all grade levels. Structured engineering programs are emerging in schools as well as in out-of-school settings. Over the last ten years, the number of states in the US including engineering in their K-12 standards has tripled, and this trend will continue to grow with the adoption of the Next Generation Science Standards. The interest in pre-college engineering education stems from three different motivations. First, from a workforce pipeline or pathway perspective, researchers and practitioners are interested in understanding precursors, influential and motivational factors, and the progression of engineering thinking. Second, from a general societal perspective, technological literacy and understanding of the role of engineering and technology is becoming increasingly important for the general populace, and it is more imperative to foster this understanding from a younger age. Third, from a STEM integration and education perspective, engineering processes are used as a context to teach science and math concepts. This book addresses each of these motivations and the diverse means used to engage with them.Designed to be a source of background and inspiration for researchers and practitioners alike, this volume includes contributions on policy, synthesis studies, and research studies to catalyze and inform current efforts to improve pre-college engineering education. The book explores teacher learning and practices, as well as how student learning occurs in both formal settings, such as classrooms, and informal settings, such as homes and museums. This volume also includes chapters on assessing design and creativity.

This is the story of a remarkable life and a journey, from the privileged world of Prussian aristocracy, through the horrors of World War II, to high society in the television age of postwar America. It is also an account of a spiritual voyage, from a conventional Christian upbringing, through marriage to Pastor Martin Niemoeller, to conversion to Judaism. Born during the turbulent days of the Weimar Republic, the author was the goddaughter of Kaiser Wilhelm II (to whom her father was financial advisor). During her teenage years, she witnessed the rise of the Third Reich and her family's resistance to it, culminating in their involvement in "e;Operation Valkyrie,"e; the ill-fated attempt to assassinate Hitler and form a new government. At war's end, she worked with British Intelligence to uncover Nazis leaders. Keeping a promise to her father, she left Germany for a new life in the United States in the 1950s, working for NBC and raising her son in the exciting world of New York, only to return to Germany as the wife of Martin Niemoeller, the voice of religious resistance during the Third Reich and of German guilt and conscience in the postwar decades. Upon her husband's death in 1984 she returned to America, after having converted to Judaism in London, and turned yet another page by becoming an active public speaker and author. The title reflects a story of three parts: "e;Crowns,"e; the world of nobility in which the author was raised; "e;Crosses,"e; her life with Martin Niemoeller and his battles with the Third Reich; and "e;Stars,"e; the spiritual journey that brought her to Judaism.

In the decades after the Civil War, sports slowly gained a prominent position within American culture. This development provided Jews with opportunities to participate in one of the few American cultures not closed off to them. Jewish athleticism challenged anti-Semitic depictions of Jews supposed physical inferiority while helping to construct a modern American Jewish identity. An Americanization narrative emerged that connected Jewish athleticism with full acceptance and integration into American society. This acceptance was not without struggle, but Jews succeeded and participated in the American sporting culture as athletes, coaches, owners, and fans.The diversity of topics in this volume reflect that the field of the history of American Jews and sports is growing and has moved beyond the need to overcome the idea that Jews are simply People of the Book. The contributions to this volume paint a broad picture of Jewish participation in sports, with essays written by respected historians who have examined specific sports, individuals, leagues, cities, and the impact of sport on Judaism. Despite the continued belief that Jewish religious or cultural identity remains somehow distinct from the American idea of the athlete, the volume demonstrates that American Jews have had a tremendous contribution to American sports and conversely, that sports have helped construct American Jewish culture and identity.

The influence of Jews in American entertainment from the early days of Hollywood to the present has proved an endlessly fascinating and controversial topic, for Jews and non-Jews alike. From Shtetl to Stardom: Jews and Hollywood takes an exciting and innovative approach to this rich and complex material. Exploring the subject from a scholarly perspective as well as up close and personal, the book combines historical and theoretical analysis by leading academics in the field with inside information from prominent entertainment professionals. Essays range from Vincent Brook's survey of the stubbornly persistent canard of Jewish industry "control" to Lawrence Baron and Joel Rosenberg's panel presentations on the recent brouhaha over Ben Urwand's book alleging collaboration between Hollywood and Hitler. Case studies by Howard Rodman and Joshua Louis Moss examine a key Coen brothers film, A Serious Man (Rodman), and Jill Soloway's groundbreaking television series, Transparent (Moss). Jeffrey Shandler and Shaina Hamermann train their respective lenses on popular satirical comedians of yesteryear (Allan Sherman) and those currently all the rage (Amy Schumer, Lena Dunham, and Sarah Silverman). David Isaacs relates his years of agony and hilarity in the television comedy writers' room, and interviews include in-depth discussions by Ross Melnick with Laemmle Theatres owner Greg Laemmle (relative of Universal Studios founder Carl Laemmle) and by Michael Renov with Mad Men creator Matthew Weiner. In all, From Shtetl to Stardom offers a uniquely multifaceted, multimediated, and up-to-the-minute account of the remarkable role Jews have played in American movie and TV culture.

Statistical Design and Analysis of Experiments embraces a holistic approach by building a solid foundation of the theoretical aspects followed by easily relatable numerical examples. Examples are first worked out manually and explained step-by-step, after which the statistical software Minitab is demonstrated throughout the textbook. This novel approach makes the textbook applicable to any undergraduate or graduate course in design of experiments (DOE) as well as a valuable resource in the hands of any experimenter.After a clear introduction, concepts of design and analysis of experiments are introduced. Utilizing practical examples, hypothesis testing and the concepts of Type-I errors, Type-II errors, and Power are clearly explained. ANOVA assumptions as well as tests of significance and the concept of point and interval estimates are discussed. Other topics include various types of experimental designs like trial and error or factorial designs, Yates algorithm, replication and reflection of designs, the concept of confounding, and design resolution. Manual calculations as well as software are used to fully analyze experimental data and to draw clear and meaningful conclusions. Response surface methodology and central composite design follow to optimize designs. The book concludes with the Taguchi method and its pitfalls, and the use of nonparametric or distribution-free statistics for when the ANOVA assumptions are not met.Highly approachable and filled with practical examples, Statistical Design and Analysis of Experiments will teach students to conduct and analyze practical experiments, and draw meaningful conclusions based on a sound theoretical and statistical foundation. The textbook assumes no prior knowledge of statistics and does not rely on the use of calculus. A complete instructors' guide with PowerPoint slides and solutions to end-of-the-chapter questions is available for teachers who adopt the book.

The collapse of state socialism ushered in dramatic political and economic change, producing new freedoms and opportunities, but also new challenges and disappointments. Focusing on laborers, professionals, youth, women, sexual minorities, foreign students, and emigrants, Everyday Postsocialism in Eastern Europe explores these multifaceted changes and people's varied experiences of them. The featured narratives complicate hegemonic representations of transformation, revealing ruptures and continuities, progress and reversals. Highlighting the multi-directionality of change over the last thirty years, the book reappraises 1989 as an epochal event for all.

Growing public interest in animal welfare issues in recent decades has prompted increased attention to the efforts to develop alternative, nonanimal methods for use in biomedical research and product testing. In A History of the Development of Alternatives to Animals in Research and Testing, the first book-length study of the subject, John Parascandola traces the history of the concept of alternatives to the use of animals in research and testing in Britain and the United States from its beginnings until it had become firmly established in the scientific and animal protection communities by the end of the 1980s. This account of the history of alternatives is set within the context of developments within science, animal welfare, and politics. The book covers the key role played by animal welfare advocates in promoting alternatives, the initial resistance to alternatives on the part of many in the scientific community, the opportunity provided by alternatives for compromise and cooperation between these two groups, and the dominance of the "Three Rs"--reduction, refinement, and replacement.

Santé, intimité, et identité dans la bande dessinée autobiographique de tradition franco-belge examines the ways different autobiographical comic books explore the theme of health, and its influence on identity construction. How do artists represent abstract feelings of pain? How do illnesses influence our sense of self? What is the role of others in our personal history? Our state of health, both physical and mental, has a profound effect on our identity, and how we perceive and tell stories about this dimension of our lives is crucial to forming a sense of self, particularly in a contemporary digitalized world that is now flooded with information and images once considered too private for public consumption. All the works studied exhibit a constant tension between the anxieties of revealing intimacy and vulnerability, and the desire to make suffering meaningful, which is a fundamental aspect of these authors' quest to recover and to reconstitute a sense of self. Informed by the insights of intimacy studies, psychoanalysis, comics studies, and visual studies, this book shows how these works participate in the process of meaning-making, and how the comics genre allows them to do so in particularly inventive and contemporary ways.Le livre Santé, intimité, et identité dans la bande dessinée autobiographique de tradition franco-belge examine les différentes manières dont les bandes dessinées autobiographiques explorent le thème de la santé, et son influence sur la construction identitaire. Comment les artistes représentent-ils le sentiment abstrait de la douleur ? Comment la maladie influence-t-elle l'image que nous avons de nous-mêmes ? Quel est le rôle de l'autre dans notre histoire personnelle ? Notre état de santé, à la fois physique et mental, a un effet profond sur notre sens de l'identité, et la façon dont nous nous percevons et racontons des histoires sur cette dimension de nous-mêmes est cruciale à la formation du moi, particulièrement dans un monde qui est de nos jours inondé avec d'informations et d'images autrefois considérées trop privées pour être partagées publiquement. Toutes les oeuvres étudiées dans ce livre montrent une tension constante entre les anxiétés de révéler son intimité et sa vulnérabilité, et le désir de trouver un sens à la souffrance endurée, qui est un aspect fondamental dans la quête des auteurs de se retrouver. Basé sur les théories des études sur la littérature intime, de la psychanalyse, et des études sur les bandes dessinées et l'art visuel, ce livre analyse la manière dont ces oeuvres participent au processus de fabrication du sens, et comment la bande dessinée leur permet de réaliser cela de façon particulièrement inventive et contemporaine.

Forging the Future: A History of the John Martinson Honors College, 2013-2023 is the story of a collaborative effort to build a visionary place: an academic-residential college that would bring together students from across disciplines and differences to rethink the goals and practices of a college education. Designed to be a hub for interdisciplinary learning and innovative pedagogy at Purdue University and a national leader in honors education, the John Martinson Honors College (JMHC) was first and foremost a dream of the future. How that collective dream took shape--from the first, speculative discussions of a college to the literal construction of its buildings and the arrival of its students--is a tale researched, written, and published by the students and alumni of the JMHC. Part institutional history, part biography of a place and its people, Forging the Future is a record of what hope and imagination can accomplish in ten years.

A noncommissioned officer of the Nicaraguan National Guard travels to New York to meet the famous bodybuilder, Charles Atlas. When he approaches his hero, he finds a body pierced with syringes and tubes, a cyborg of fragile artificial life. In the garden of a Central American dictator's mansion, a prisoner is locked in a cage next to a lion's. Nature and animal instinct will take their course. In post-Sandinista Nicaragua, an amputee policeman must face--alone and wounded--a drug gang commanded by his former guerrilla leader. Despite the gravity and violence present in many of Sergio Ramírez Mercado's short stories and novels, his writing is governed by irony and parody. Fábula del Poder proposes a novel critical assessment of the narrative work of Ramírez, who won the Cervantes Prize in 2017, emphasizing the mechanisms of representation and criticism of power in contemporary Latin American literature. In an entertaining and dynamic way, the book applies an interdisciplinary, theoretical approach, borrowing concepts from political theory, literary criticism, video games, visual culture, and sports, and reviews the contemporary historiography of Nicaragua and Latin America.Un suboficial de la Guardia Nacional de Nicaragua viaja a Nueva York para conocer al célebre fisicoculturista Charles Atlas. Cuando logra acercarse al héroe, encuentra un cuerpo traspasado de jeringas y mangueras, un cíborg de frágil vida artificial. En el jardín de la mansión de un dictador centroamericano, un prisionero es encerrado en la jaula contigua a la de un león. La naturaleza y el instinto animal seguirán su curso. En la Nicaragua post-sandinista, un policía amputado de una pierna debe enfrentar--solo y herido--a una banda de narcotraficantes comandada por su antiguo jefe guerrillero. A pesar de la gravedad y violencia de las historias contadas en muchos de los cuentos y las novelas de Sergio Ramírez Mercado, su obra está regida por la ironía y la parodia. Fábula del Poder propone una novedosa valoración crítica de la obra narrativa de Ramírez, quien recibió el Premio Cervantes en 2017, haciendo énfasis en los mecanismos de representación y crítica del poder en la literatura contemporánea de América Latina. De manera amena y dinámica el libro utiliza un marco teórico interdisciplinario y aplica conceptos de teoría política, crítica literaria, videojuegos, cultura visual y deportiva, y repasa la historiografía contemporánea de Nicaragua y América Latina.

Governance and Grievance touches on various aspects of Habsburg domestic policy, focusing on how the rulers influenced and were influenced by developments in both Italian and German Tyrol, and how they used to advantage the competing regional interests.

In The Ripple Effect: Gender and Race in Brazilian Culture and Literature, Barbosa adopts a comparative, multilayered, and interdisciplinary line of research to examine social values and cultural mores from the first decades of the twentieth century to the present. By analyzing the historical, cultural, religious, and interactive space of Brazil's national identity, The Ripple Effect surveys expressive cultures and literary manifestations. It uses the martial art-dance-ritual capoeira as a lynchpin to disclose historical ambiguities and the negotiation of cultural and literary boundaries within the context of the ideological construct of a mestizo nation. The book also examines laws governing gender in Brazil and discusses honor killings and other types of violence against women. The Ripple Effect appraises the contributions that some iconic female figures have made to the development of Brazil's distinctive cultural and literary production. Drawing on more than fifteen years of field, archival, and scholarly research, this work offers new interpretative venues, and broadens the critical focus and the methodological scope of previous scholarship. It reveals how literature and other arts can be used to document cultural norms, catalog life experiences, and analyze complex constructions of social values, ideas, and belief systems.

Cartografías cosmopolitas: León de Greiff y la tradición literaria analyzes the poetic works of this twentieth-century Colombian writer as a manifestation of cosmopolitanism, global cultural cartographies, and a self-fashioned poetic genealogy. Ramírez Rojas approaches de Greiff's poems as cultural maps that reveal both a desire of connectivity with the world and a need for reorganizing the imaginary library of world literature. From a self-assumed position of eccentricity, de Greiff builds a network of global connections and disputes the binary division of cultural centers and peripheries, revendicating marginality as a productive condition. The study of this alternative cosmopolitanism brings de Greiff's writings into current debates about Latin America's cultural positionality within the frame of global cultural networks and world literature.Cartografías cosmopolitas: León de Greiff y la tradición literaria analiza la obra de este poeta colombiano del siglo XX como una manifestación de cosmopolitismo, cartografías culturales globales y la construcción de una genealogía poética. Ramírez Rojas se acerca a los poemas de León de Greiff como mapas culturales que revelan tanto un deseo de conexión con el mundo como una necesidad de reorganizar el archivo imaginario de la literatura mundial. Desde una asumida posición de excentricidad, de Greiff construye una red de conexiones globales y pone en cuestión las divisiones binarias de centro y periferia, reivindicando así su marginalidad como una condición productiva. El estudio de este cosmopolitismo alternativo contextualiza los textos de León de Greiff en los debates actuales sobre el posicionamiento de América Latina dentro de las redes de cultura global y de la literatura mundial.

The Great Depression of the 1930s nearly brought the agricultural community to a standstill. As markets went into an economic freefall, farmers who had suffered through a post-World War I economic depression in the 1920s would now struggle to produce crops, livestock, and other commodities that could return more than the cost to produce them. In Indiana, the county agents of the Purdue University Cooperative Extension Service saw this desperation firsthand. As they looked into the worried faces of the people they were asked to assist, the trust they had worked to build in their communities during the previous two decades would be put to the test. Throughout the painful years of the Great Depression, the county agents would stand side by side with Hoosier farmers, relying on science-based advice and proven strategies to help them produce more bushels per acre, more pigs per litter, more gallons of milk per cow, and more eggs per chicken. Then, as the decade drew to a close, the start of World War II in Europe soon placed farmers on the frontlines at home, producing the agricultural commodities needed in the United States and in war-torn locations abroad. The federal government quickly called on county agents to push farmers to meet historic production quotas--not an easy task with farm machinery, tires, and fuel rationed, and a severe labor shortage resulting from farm workers being drafted for military service or opting for higher-paying jobs in factories. Using the observations and reports of county agents, Planting the Seeds of Hope offers a behind-the-scenes look at what it was like to live through these historic events in rural Indiana. The agents' own words and numerous accompanying photographs provide a one-of-a-kind perspective that brings their stories and those of the agricultural community they served to life at a pivotal time in American history.

Why Agriculture Productivity Falls: The Political Economy of Agrarian Transition in Developing Countries offers a new explanation for the decline in agricultural productivity in developing countries. Transcending the conventional approaches to understanding productivity using agricultural inputs and factors of production, this work brings in the role of formal and informal institutions that govern transactions, property rights, and accumulation. This more robust methodology leads to a comprehensive, well-balanced lens to perceive agrarian transition in developing countries. It argues that the existing process of accumulation has resulted in nonsustainable agriculture because of market failures--the result of asymmetries of power, diseconomies of scale, and unstable property rights. The book covers the historical shifts in land relations, productivity, and class relations that have led to present-day challenges in sustainability. The result is arrested productivity growth. Agrarian transition should be understood in the context of the wider economic development in society, including how political settlement and primitive accumulation inhibited the kind of property rights that encourage growth. Why Agriculture Productivity Falls is a much-needed corrective to the traditional understanding, because before we can increase productivity, we must understand the root causes of those challenges.

Alexander von Humboldt: Perceiving the World provides an interdisciplinary exploration into Humboldt's approach to seeing and describing the many subjects he pursued. Though remembered primarily as an environmental thinker, Humboldt's interests were vast and documented not just in his published works, but also in his extensive correspondence with scientists, artists, poets, and philosophers internationally. Perceiving the World covers Humboldt's perceptions during intercontinental travels and scientific discoveries, as well as how he visualized nature, geography, environments, and diverse cultures, including Indigenous Peoples.This collection draws heavily on the English translations of Humboldt's work housed in the Purdue University Archives, which were collected by John Purdue. The book is divided into three parts: Humboldt's contributions to science since the nineteenth century; his work on nature, climates, environments, and the cosmos; and his lasting cultural impact, including his imaging techniques, modes of visual presentation, and contributions to the arts. Humboldt's intricate approach to perception still resonates today, as his nuanced and unique way of seeing the world was just as important as what he wrote.

Plotting the Past stands out as a serious work marked by sharp analytical skills and an unusual breadth of subject matter encompassing questions of genre and ideology that are central to present-day critical discourses.-Journal of the American Association of Teachers of Italian ...Coletta has given us a book that is engaging, challenging, and astute. For its mature historical sense and theoretical refinement, Plotting the Past deserves high praise.-CLIO

Le mythe a toujours tenu une place privilégiée dans l'oeuvre d'André Gide. En dépit de sa formation protestante, ou peut-être justement à cause d'elle, Gide revient constamment aux figures héroïques e l'Antiquité pout animer ses préoccupations esthétiques et morales. A travers l'étude de quatre textes indicatifs du corpus mythologique de l'auteur--Le Traité du Narcisse, Le Prométhée mal enchaine, OEdipeet Thésée--ce livre examine la façon dont le discours gidien, encadre par un référent ancien, arrive à s'affirmer et à se définir dans toute sa modernité. La question est de savoir comment Gide reformule, transforme, et métamorphose la matière mythique pour en tirer un nouveau sens, pour y ajouter sa propre voix.Pour répondre à cette question, Genova élabore la notion de "mythotextualité," un principe théorique qui comprend deux éléments principaux: La mythologie et l'intertextualité. La mythotextualité est un domaine d'activité textuelle à travers lequel l'écrivain entreprend une réécriture créatrice et ludique des récits mythologiques.Genova démontre que Gide utilise des figures intertextuelles telles que le déplacement, l'enchâssement, la notion du double et la mise en abyme, et aussi qu'il développe dans chacun de ces quatre textes un discours personnel ou il traite d'un problème intime qu'il a essayé de résoudre toute sa vie. Les récits mythologiques de Gide se nourrissent d'une contradiction fondamentale, un va-et-vient entre une sensualité dévorante et une moralité tyrannique, entre la jouissance et l'ascétisme, enfin entre le paganisme et le christianisme. Cela constitue la "problématique gidienne." A travers une manipulation progressivement plus développée des procédés textuels modernistes, Gide perfectionne sone discours conflit secret de plus en plus de liberté. In the work of the French writer André Gide, ancient Greek mythology plays an extraordinarily decisive role. In spite of his Protestant formation, or perhaps precisely because of it, Gide returned often to the heroic figures of antiquity to animate his aesthetic and moral ideas. Through the study of four important texts constructed around mythological figures-- Le Traité du Narcisse, Le Prométhée mal enchaîné, OEdipe and Thésée--Pamela Genova explores the ways in which the Gidean discourse, framed within an ancient referent, succeeded at affirming itself and defining itself in all its original modernity. This study poses the question of how Gide reformulated, transformed, and metamorphosized mythic material to draw out new meaning and to add to his own voice. To examine and appreciate Gide's mythic work, Genova elaborates the notion of "mythotextuality," and intertextuality. Mythotextuality is a realm of textual activity in which the writer constructs a personalized rewriting of ancient mythic narratives. Genova demonstrates how Gide used myth to explore a private dilemma that he struggled to resolve throughout his life. Through a progressively more developed manipulation of modern textual processes, Gide perfected his mythotextual discourse while he allowed his inner conflict more and more freedom. Written in French, this study is recommended for students and scholars of French and comparative literature.

In Fantasies of Gender and the Witch in Feminist Theory and Literature, Justyna Sempruch analyzes contemporary representations of the "witch" as a locus for the cultural negotiation of genders. Sempruch revisits some of the most prominent traits in past and current perceptions in feminist scholarship of exclusion and difference. She examines a selection of twentieth-century US American, Canadian, and European narratives to reveal the continued political relevance of metaphors sustained in the archetype of the "witch" widely thought to belong to pop-cultural or folkloristic formulations of the past. Through a critical rereading of the feminist texts engaging with these metaphors, Sempruch develops a new concept of the witch, one that challenges traditional gender-biased theories linking it either to a malevolent "hag" on the margins of culture or to unrestrained "feminine" sexual desire. Sempruch turns, instead, to the causes for radical feminist critique of "feminine" sexuality as a fabrication of logocentric thinking and shows that the problematic conversion of the "hag" into a "superwoman" can be interpreted today as a therapeutic performance translating fixed identity into a site of continuous negotiation of the subject in process. Tracing the development of feminist constructs of the witch from 1970s radical texts to the present, Sempruch explores the early psychoanalytical writings of Cixous, Kristeva, and Irigaray, and feminist reformulations of identity by Butler and Braidotti, with fictional texts from different political and cultural contexts.

The Gendered Lyric portrays gender as being central to the full appreciation of nineteenth-century French poetry. Schultz contends that both male and female poets of the major movements relied on sexual difference to define their poetic.

Spain's Golden Age represents a transition from a largely oral tradition to a world in which information and culture were transmitted by way of written or printed documents. Contemporary theory has done much to elucidate the cultural and aesthetic implications of this transition. Utilizing concepts derived from such theorists as Derrida, Ong, and Austin, this study examines how writing and inscription are foregrounded and problematized in five Golden Age dramas: El villano en su rincón, by Lope de Vega; La estrella de Sevilla, of disputed authorship; El ejemplo mayor de la desdicha, by Mira de Amescua; Cautela contra cautela, by Tirso de Molina; and La cisma de Inglaterra, by Calderón de la Barca.

In French literary history Nicolas Boileau (1636-1711) has enjoyed legendary status as the great codifier of French classicism, the discerning critic who could demolish or elevate several generations of French poets. This view of Boileau's role has lead to an emphasis on his poetics, not his poems, which in turn has generated general disdain for his poetic art. Robert Corum dispels these misconceptions about Boileau by focusing rigorous critical attention on Boileau's first nine Satires and the accompanying "Discours au roy," composed between 1657 and 1668. His reading takes into account a number of factors, including sources, genesis, relation to one another, coherence, and continuity of argument. This examination reveals Boileau to be a gifted poet, not just a talented versifier or a strait-laced mouthpiece for French classical doctrine.