Bøger udgivet af powerHouse Books,U.S.

For some 70 years, Leo Goldstein's East Harlem body of work remained mostly untouched and unseen. The silver gelatin prints were catalogued in 2016, and a selection is gathered here for the first time. The photographs were taken over a number of years, beginning in 1949 when Goldstein was a member of the Photo League. The East Harlem corpus, edited by Régina Monfort, represents an important and unique addition to the photographic history of New York City. Because there are no negatives in existence, it was of particular importance to preserve the images in book form and make them available to the public.The selected images reflect the postwar years in the East Harlem community, which would grow into a center of Puerto Rican culture and life in the U.S. From the families portrayed gathering on stoops, to the kids at their shoeshine stations, to youths playing ball in the streets, to posters on neighborhood walls, Goldstein's images of East Harlem provide a window into the socio-economic, cultural, and political landscape of the time.

Jean Patchett was both model and muse, a famous face from New York's vibrant midcentury popular culture and the most successful high-fashion model of her time.A small-town girl from rural Maryland, Patchett had no firm ambitions until a friend suggested she drop out of college and go to New York and become a model. Within a year Jean had left school, met model agent Eileen Ford, and begun a career that saw her photographed by the greatest photographers of her era, with more than 58 magazine covers over 14 years."A young American goddess in Paris couture," was Irving Penn's epitaph for the model he photographed for a classic series in Lima, Peru where, pushed past their limits, Patchett and Penn created passionate art with a possible passionate relationship as well. Penn would go on to create stunning images of Patchett for Vogue and later, for a series of nudes he called "the major artistic experience of my life." Letters from Patchett to her family show a young woman in love with her life and eager to share the thrills and struggles of her career. Quotes from photographers Cecil Beaton, John Rawlings, William Helburn, Jerry Schatzberg, and Francesco Scavullo reflect their admiration for her technical skills as a model as well as her unique beauty. A work diary from 1951 allows us to see how-and with whom-she worked from day to day.American Goddess: Jean Patchett defines Patchett's career in a biographical essay and explores its scope in 120 editorial and advertising images from Vogue, Glamour, and Harper's Bazaar-some iconic, some personal, and some that have never been seen before. It's a unique look at a model who defined a decade and a rare collection of extraordinary images that explore her unique appeal.

Speed Bumps on a Dirt Road is a living document of country music's founding fathers and mothers. John Cohen photographed musicians, at home, backstage at public events, from the wings at fiddlers' conventions, out in country music parks, and in the studio for live radio show performances and recording sessions.Back in 1961 it was still possible to know a few of America's original country musicians from the '20s and '30s. Renowned and celebrated musician and artist John Cohen came of age at the confluence of old time and early bluegrass music, the historic intersection of traditional and folk music. Cohen traveled the country playing music, recording, and documenting what was to be a generation of musicians who would influence American music and culture for decades to come.Traveling between the Union Grove fiddlers' convention to the Grand Ole Opry to a coal celebration in Hazard, Kentucky, Cohen made historic photographs of performers like Bill Monroe and Doc Watson, the country's very first all-bluegrass show, and a bluegrass bar in Baltimore, among much more. Speed Bumps on a Dirt Road presents old time music as the root of country music.Includes photographs of: Flatt & Scruggs, fiddler "Eck" Robertson in Amarillo, Texas, Doc Watson, bluegrass fiddler "Tex" Logan, the Stanley Brothers at Sunset Park, Sara and Maybelle of the Carter Family, and Cousin Emmy, Alice & Hazel, and a dulcimer in a parking lot.

As globalization alters our relationship to food, photographer Gregg Segal has embarked on a global project asking kids from around the world to take his "Daily Bread" challenge. Each child keeps a detailed journal of everything they eat in a week, and then Segal stages an elaborate portrait of them surrounded by the foods they consumed. The colorful and hyper-detailed results tell a unique story of multiculturalism and how we nourish ourselves at the dawn of the 21st century.From Los Angeles to Sao Paulo, Dakar to Hamburg, Dubai to Mumbai we come to understand that regardless of how small and interconnected the world seems to become each year, diverse pockets of traditional cultures still exist on each continent, eating largely the same way they have been for hundreds of years. It is this rich tapestry that Segal captures with care and appreciation, showcasing the page-after-page charm of Daily Bread. Contrasted with the packaged and processed foods consumed primarily in developed nations, questions about health and sustainability are raised and the book serves as a catalyst for consideration of our status quo.There's an old adage, "The hand that stirs the pot rules the world." Big Food is stirring the pot for children all over the world. Nonetheless, there are regions and communities where slow food will never be displaced by junk food, where home-cooked meals are the bedrock of family and culture, and where love and pride are expressed in the aromas of stews and curries.

Navigating the landscape of young adulthood is fraught with challenges big, small, and existential that leave even the best of us screaming internally. Guac Is Extra But So Am I: The Reluctant Adult's Handbook explains the realities of life people expect you to know-but aren't usually spelled out-through humorous, biting commentary, illustrations, and guidance from those who have seen it all.Packed with discussions, tips, and advice on everything from the shifting etiquette surrounding modern dating (Will you still love me when I'm no longer young and tolerant of your substance abuse?) to how you should be forcing yourself to save for retirement (We're all just a few breakdowns away from becoming an interior designer or golf pro), job hunting (No, you cannot choose "muse" as a career path), to the highly emotional and physical trials of moving (The road to hell is paved with shag carpeting). These topics, and anything else that might fluster a young adult, are explored and addressed with the author's trademark wit and self-deprecating style. Add in contributions from leaders in their respective fields, including Mad Money's Jim Cramer and editors ranging from The New York Times to Town & Country, and Guac Is Extra But So Am I becomes an illuminating guide to what it means to be a well-rounded individual in a digitally evolving world ridden with student debt and Instagram "models."

New York''s world-renowned Bowery in the early 70s as seen through the eyes of one of the great documentarians of the city''s underbelly, Ed Grazda.Up until the late 20th century the Bowery was a notorious place of cheap hotels and bars–New York''s infamous skid row, where the city''s down-and-out found each other and made do the best they could. Inspired by Lionel Rogosin''s classic 1956 film On the Bowery, Ed Grazda''s On The Bowery shows the weathered life and times he encountered on the Bowery in 1971. Perhaps the grittiest part of the city in those years, Grazda captured all the sorrow, hardship, and general bad luck upon the faces of those who called the Bowery their home. The unfiltered and barrierless street view is where Grazda has always been most comfortable shooting, and once again we are the beneficiaries of his intrepid spirit. Captured before gentrification changed the strip and surrounding neighborhood into a tourist destination with museums, upscale retailers, clubs, and fancy restaurants, Grazda provides an important reminder to us all that it was only a few decades ago  that the Bowery was a much different scene–and that New York never stops evolving.

Brown Bō’hēmians captures the essence and voice of an underrepresented demographic: creative people of color. Influenced by a deeply held belief that stories sculpt our collective narrative, a group of authors and artists came together to create this first-of-its-kind collection. Inspired by their unique tastes and experiences in fashion, lifestyle, and art, Brown Bō’hēmians brings a vital and virtual movement, born on social media, to life and into print.People of color are the originators of all things, yet are all too often overlooked. Each of our stories is unique, but collectively they contribute to the rebuilding of community, and counter hundreds of years of colonialism, narrow minded and harmful media representation, non-inclusive and conformist beauty standards, and a systemic, historical lack of recognition for our contributions. Brown Bō’hēmians reclaims a small piece of a space that has always been rightfully ours. Created to recognize and elevate the underrepresented and the undervalued, Brown Bō’hēmians is food for the creative spirit that most needs it: you.

Internationally renowned artist, Sally Gall''s attention and focus is devoted skyward in her highly-anticipated artist book, Heavenly Creatures, as she appreciates the ephemeral beauty of delicate earthbound objects lofted up into the air and wind.Gall creates dancing images from below of an everyday sight of laundry on the line as it morphs from human to abstract; bright and billowing clothing, choreographed by the wind, and floating in a brilliant sky.Beyond our reach and higher up, Gall creates images out of the skyward movement of kites, cloth and paper flying machines, fragile objects connected to earth by only the slightest of strings, animated by the wind, and striving ever upwards. Heavenly Creatures continues Sally Gall''s lifetime investigation of the sensual properties of the natural world: light, air, wind, and sky. Abstracted by composition, context, and color, these anthropomorphic photographs reference sea creatures, constellations, blooming flowers, microscopic amoebas, as well as abstract paintings by Joan Miro, Wassily Kandinsky, Georgia O''Keefe. Heavenly Creatures embodies Sally Gall''s search for poetry in the everyday, the miraculous in the ordinary.

Automating Humanity is the shocking and eye-opening new manifesto from international award-winning designer Joe Toscano that unravels and lays bare the power agendas of the world's greatest tech titans in plain language, and delivers a fair warning to policymakers, civilians, and industry professionals alike: we need a strategy for the future, and we need it now.Automating Humanity is an insider's perspective on everything Big Tech doesn't want the public to know-or think about-from the addictions installed on a global scale to the profits being driven by fake news and disinformation, to the way they're manipulating the world for profit and using our data to train systems that will automate jobs at an explosive, unprecedented scale.Toscano provides a critique of modern regulation, including parts of the new European Union's General Data Proctection Regulation (GDPR) suggesting how we can create proactive, adaptable regulation that satisfies both the needs of consumer safety and commercial success in the international economy. The content touches on everything from technology, economics, and public policy to psychology, history, and ethics, and is written in a way that is accessible to everyone from the average reader to the technical expert.

Back in the Days documents the emerging Hip Hop scene from 1980-1989-before it became what is today's multi-million-dollar multinational industry. Back in the days, gangs would battle not with guns, but by breakdancing. Back in the days, the streets-not corporate planning-set the standards for style. Back in the days, Jamel Shabazz was on the scene, photographing everyday people hangin' in Harlem, kickin' it in Queens, and cold chillin' in Brooklyn. Street styling with an attitude not seen in fashion for another twenty years to come, Shabazz's subjects strike poses that put supermodels to shame-showing off Kangol caps and Gazelle glasses, shell-top Adidas and suede Pumas with fat laces, shearling coats and leather jackets, gold rope chains, door-knocker earrings, name belts, boom boxes, and other designer finery. For anyone who wants to know what "keepin' it real" means, Back in the Days is the book of your dreams.

Joseph Rodriguez drove a cab from 1977 to 1987 and he marveled at all he witnessed. With a passion for art and storytelling, he picked up a camera and started to study in the early 80s. Inspired to be a photographer like his heroes: Louis Hine, Jacob Riis, Helen Levitt, Andreas Feininger, Robert Frank, Wee Gee, and Bruce Davidson. His first subject: the life of New York as seen from his yellow cab.New York City in the late '70s was a collection of villages with its downtown scene, midtown workers, and uptown elegance. It was also a city that was more integrated than ever before or ever would be again. All of the city's humanity met in its streets with layered soundtracks of salsa, rock, disco, reggae, and soon hip-hop booming for all to groove to.But, NYC was also a place of chaos and mayhem. Teetering on the brink of bankruptcy with rampant crime it was the city's drug users, dealers, and pimps and prostitutes who ruled the streets of Manhattan. The grittiness of the city was a beacon and a promise to many outsiders, those that didn't quite fit into any mold and a vibrant LGBTQ community became the nexus of an underworld of sex workers who liked to party. For a NYC cabbie such as Joseph Rodriguez, the hot spots to pick up fares were clubs like the Hellfire, Mineshaft, The Anvil, The Vault, and Show World. Losing his first camera and lens in a classic '70s New York stabbing and mugging, Rodriguez's wounds healed and he armed himself with a new camera to document what he saw on the job: hookers getting off their shifts, transvestites and S&M partiers doin' it in the back seat or somehow pulling off an unlikely costume change from bondage gear to emerge from the cab clean-cut in an oxford and khakis ready to face unwitting family and friends.A humanist at heart, his photographs speak of the dignity of the city's working class from all the boroughs and those struggling to get by.

Bodega is a Spanish word for "grocery store," but they are so much more than that. Bodegas are often a community cornerstone, a welcoming neighborhood haven, and in New York, an emblem of the city's cultural diversity. And who knows these treasured institutions better than the cats who run them? (Or at least they think they do!)In Bodega Cat, a cat named Chip takes us through his bustling workday at the Matos family's bodega: from receiving boxes in the morning and the breakfast rush, through inventory-counting and making deliveries, to dinnertime with his family, when Chip's human Papi cooks up some of the best Dominican food in the borough for their friends and neighbors. There is no rest for this busy kitty…except for when it's time to chase pigeons with his human brother Damian, or to take the occasional nap on bags of potato chips.A slice of city life, celebrating the people who give New York its heart.

This coding adventure about a brilliant inventor and her runaway robot aims to inspire the next generation of female leaders in STEM. Readers can download the free app to learn how to design their own augmented reality robot. Full color.

Punch out, Fold up and Rock Out!Paper Rockstars--the 12th in the PaperMade series--features 20 of the world''s greatest Rockstar legends. Each musical icon is pre-cut, pre-scored and easy to punch out and fold up into a 3D object with easy instructions right on the page. Whether you''re a rock ''n'' roll connoisseur or an easy listener, these and hall-of-famers we''ll surely rock your world. Paper Rockstars masterfully combines paper craft with advanced paper engineering so no glue, tape or tools are ever needed! Paper Rockstars make awesome role models for ages 7 to 101--and inspire everyone to keep that beat going in their lives!Paper Rockstars includes:Elvis Presley, in a dazzling jumpsuitJimi Hendrix, the psychedelic pioneer Madonna, the one and onlyElton John, with glitter, rhinestones and allDavid Bowie and his alter-ego Ziggy Stardust

In spare, poignant, direct prose, I Hate Everyone paints a nuanced and honest portrait of the complex emotional lives of children. "I hate everyone." In your worst mood, it''s a phrase you might want to shout out loud, even if, deep down, you don''t really mean it. Set at a birthday party, this disgruntled, first-person story portrays the confusing feelings that sometimes make it impossible to be nice, even—or especially—when everyone else is in a partying mode. A gorgeous, poetic contemplation, sure to elicit a reaction from readers. A worthy successor to Alexander and the Terrible, Horrible, No Good, Very Bad Day.

In a continuation of Dave Jordano's critically-acclaimed Detroit: Unbroken Down (powerHouse Books, 2015), which documented the lives of residents, Detroit Nocturne is an artist's book not of people this time, but instead the places within which they live and work: structures, dwellings, and storefronts. Made at night, these photographs speak to the quiet resolve of Detroit's neighborhoods and its stewards: independent shop proprietors and home owners who have survived the long and difficult path of living in a post-industrial city stripped of economic prosperity and opportunity.In many rust-belt cities like Detroit, people's lives often hang in the balance as neighborhoods support and provide for each other through job creation, ad-hoc community involvement, moral and spiritual support, and a well-honed Do-It-Yourself attitude. With all the media attention about Detroit's rebirth and revival, it is important to note that many neighborhoods throughout the city have managed to survive against the odds for years, relying on local merchants and businesses that operate on a cash only basis who have stuck it out through decades of economic decline. Determination and a strong sense of self-preservation: Detroit's citizens manage to survive by maintaining a healthy sense of connection without the fear of giving up. All of these places of business and residences, whether large or small, are in many ways symbols representing the ongoing story that is Detroit, and a testament to the tenacity of those who are trying desperately to hold on to what is left of the social and economic fabric of the city. These photographs speak to that truth without casting an overly sentimental gaze. These nocturnal images offer a chance to view the locations in an unfamiliar light, and offer a moment of quiet and calm reflection.

Drop dives into the world of streetwear queue culture, with original photos of product launches from across the globe, including events in New York, Los Angeles, London, Paris, Seoul, Hong Kong, Tokyo, and more, from brands including Supreme, A Bathing Ape, Patta, Yeezy, Anti Social Social Club, Vetements, Off-White, and others. The world of the hypebeast has led to a virtual destruction of the traditional delineation between street and "high" fashion. Limited edition pieces enjoy global cult status, draw thousands of hopeful purchasers, and can resell for up to 10-20x retail immediately after release on sites like Grailed. There is an entire culture surrounding these launches, or "drops." Streetwear aficionados travel intercontinentally to attend them, almost like concerts, and wear their rarest shoes and gear, flexing for each other while chatting, comparing, and hoping to cop one-time-only limited pieces. Kids rock grails and geek out, like an OG subreddit come to life. These lines comprise some of the most interesting fashion events in the world, and are fast becoming streetwear's equivalent of the fashion shows that haute ateliers host each year at fashion weeks in Paris, New York, Milan, and beyond.

A 20+ year collection of photographs documenting Hong Kong's hauntingly beautiful construction sites encaged (cocooned!) in bamboo scaffolding, draped in brightly hued material. Since 1993, Peter Steinhauer has documented the many facets of Asian culture, with a keen eye for architecture, urban landscape, and man-made structures and environments. On his first visit to Hong Kong in 1994, arriving at the old Kai Tak International Airport, Steinhauer noticed a very large structure encaged in bamboo and swathed in yellow material standing out beneath a canopy of clouds, glowing against the monochromatic, urban skyline. Hong Kong is the final stronghold of the bamboo scaffolders who once practiced their trade at construction sites throughout Asia. Reproduced in this collectible book are 100 remarkable images that reflect Steinhauer's fascination with these hauntingly beautiful and monumental edifices, their bamboo scaffolding draped in brightly hued material. The title, Cocoons, is a natural choice for this body of work celebrating the giant wrapped, cocoon-like structures, later to be unveiled ceremoniously, revealing for the first time the brand-new facades.

Helen Levitt's earliest pictures are a unique and irreplaceable look at street life in New York City from the mid-1930s to the end of the 1940s. There are children at play, lovers flirting, husbands and wives, young mothers with their babies, women gossiping, and lonely old men. A majority of these photographs have never been published. Other pictures included in this book are now world-famous, now part of the standard history of photography. Together they provide a record of New York not seen since Levitt's pioneering solo show at The Museum of Modern Art in 1943.Levitt's photographs are in some of the best photography collections in America, including: The Met, MoMA, The Smithsonian, Museum of Fine Arts Houston, and the Art Institute of Chicago.

In the middle of the night on April 14, 2014, terrorist group, Boko Haram, abducted 276 girls from their secondary school's dormitory in the town of Chibok, northeastern Nigeria. Over the following days, 57 girls managed to escape. For two years, 219 girls remained missing.Then, in May 2016, the first of the missing students, Aisha Nkeki Ali, was found by the Nigerian military. In October 2016, 21 of the missing girls were released by Boko Haram in a deal brokered by the International Red Cross and the Swiss Government. Two more girls were found by the military in the last few months of 2016. One hundred ninety five girls are still missing.Words have a power that numbers can never have. During the last four months of 2015, in the heat of the worst of the insurgency, Aisha Muhammed-Oyebode, the CEO of the Murtala Muhammed Foundation (MMF) in Nigeria embarked on a project to interview, photograph, and document the accounts of the parents of each of the missing girls. The MMF's team managed to meet the relatives of 201 of them, and also interviewed some of the 57 escaped girls. The Stolen Daughters of Chibok is a collection of these interviews and photographs--a tribute to the girls--which aims to capture their lives before the abduction and to highlight how their families have struggled to cope afterward. For the families of the girls, and for the Chibok community, the trauma of this experience remains a daily reality.

Lucía zips through the playground in her cape just like the boys, but when they tell her "girls can't be superheroes," suddenly she doesn't feel so mighty. That's when her beloved abuela reveals a dazzling secret: Lucía comes from a family of luchadoras, the bold and valiant women of the Mexican lucha libre tradition. Cloaked in a flashy new disguise, Lucía returns as a recess sensation! But when she's confronted with a case of injustice, Lucía must decide if she can stay true to the ways of the luchadora and fight for what is right, even if it means breaking the sacred rule of never revealing the identity behind her mask. A story about courage and cultural legacy, Lucía the Luchadora is full of pluck, daring, and heart.