Bøger udgivet af powerHouse Books,U.S.

A collection of discovered street photography from post-war America.

Vintage Tattoo Flash is a one-of-a-kind visual exploration of the history and evolution of tattooing in America. A luscious, offset-printed, hardcover tome-a beautiful and serious addition to the understanding of one of the world's oldest and most popular art forms. Electric tattooing as we know it today was invented in New York City at the turn of the 19th century. In the first days of American tattooing, tattoos were primarily worn by sailors and soldiers, outlaws and outsiders. The visual language of what came to be known as "traditional tattooing" was developed in those early days on the Bowery and catered to the interests of the clientele. Common imagery that soon became canon included sailing ships, women, hearts, roses, daggers, eagles, dragons, wolves, panthers, skulls, crosses, and popular cartoon characters of the era. The first tattooists also figured out that using bold outlines, complimented by solid color and smooth shading, was the proper technique for creating art on a body that would stand the test of time. In the over 100 years since then, techniques and styles have evolved, and the customer base has expanded, but the core subject matter and philosophy developed at the dawn of electric tattooing has persisted as perennial favorites through the modern era. While most tattoos are inherently ephemeral, transported on skin until the death of the collector, a visual record exists in the form of tattoo flash: the hand-painted sheets of designs posted in tattoo shops for customers to select from. Painted and repainted, stolen, traded, bought and sold, these sheets are passed between artists through one channel or another, often having multiple useful lives in a variety of shops scattered across time and geography. The utility of these original pieces of painted art has made it so that original examples can still be found in use or up for grabs if you know where to look. Vintage Tattoo Flash draws from the personal collection of Jonathan Shaw-renowned outlaw tattooist and author-and represents a selection of over 300 pieces of flash from one of the largest private collections in existence. Vintage Tattoo Flash spans the first roughly 75 years of American tattooing from the 1900s Bowery, to 50s Texas, through the Pike in the 60s and the development of the first black and grey, single-needle tattooing in LA in the 70s. The book lovingly reproduces entirely unpublished sheets of original flash from the likes of Bob Shaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, Ed Smith, Paul Rogers, the Moskowitz brothers, and many, many others relatively known and unknown.

This follow-up to the bestselling Advanced Style features more senior street style and inspiration from all over the globe. In this new edition Ari Seth Cohen shares his work from the past few years including some of the world's best-dressed older gentlemen. Similar in format to the original, with dozens of images from cities all over the world including: Los Angeles, London, Cape Town, Rome, Florence, Tokyo, San Diego, Palm Springs, Melbourne, Sydney, New York, Amsterdam, Edinburgh, Stockholm, and Geneva, the book will also feature 22 short essays (by the subjects of the book) distilling the wisdom and lifestyle secrets of some of Cohen's favorite Advanced Style ladies. Plus an introduction from the always fabulous and witty Simon Doonan makes for a celebration of smashing senior style! "...I must tell you that I am not really an old lady; just cleverly disguised as one. Art and color keep me young, keep me sane. Working as I do as an untutored 'outsider' artist is my therapy, my medicine, my joy, and my purpose in life.Color surrounds me: I revel in it, splash it everywhere, gulp it with a spoon. I am immersed in art. I make it, collect it, it fills and defines my existence. Childish, shamanistic, wild and anarchic, it is as far outside the box as it is possible to be. Box?? There is no box!Be bold, be adventurous. Do profound things, dazzle yourself and the world. Don't wear beige: it might kill you. Contribute to society, and live large. Life is short, make every moment count. It is never too late to find your passion." -- Sue Kreitzman

Advanced Style is Ari Seth Cohen's blog-based ode to the confidence, beauty, and fashion that can only be achieved through the experience of a life lived glamorously. It is a collection of street fashion unlike any seen before-focused on the over-60 set in the world's most stylish locales. The (mostly) ladies of Advanced Style are enjoying their later years with grace and panache, marching to the beat of their own drummer. These timeless images and words of wisdom provide fashion inspiration for all ages and prove that age is nothing but a state of mind.Ari Seth Cohen started his blog inspired by his own grandmother's unique personal style and his lifelong interest in the put-together fashion of vibrant seniors. Each of his subjects sparkles like a diamond after long years spent refining and perfecting their individual look and approach to life. The Advanced Style book will showcase, in luscious full-color, the best of the blog, but will also act as a true guidebook with all-new material featuring wardrobes, interviews, stories, and advice from a cadre of his most chic subjects, along with a large selection of never-before-seen photography-fresh off of sidewalk catwalks around the world!

Told from the perspective of their adoring nephew, Auntie Uncle: Drag Queen Hero is the story of a courageous drag queen who saves the day, and brings two communities together.The young narrator thinks it's awesome that his Uncle and his Auntie are the same person. Uncle Leo is an accountant, and is great at helping with math homework. Auntie Lotta is a fabulous performer, and loves to sing and dance with her nephew. One day Lotta's family comes to watch her perform at the local Pride parade. Suddenly, a dog breaks free of its leash and nearly causes a float-crash, but Lotta springs into action just in time to save the dog and the parade. The mayor wants to give her a medal for courage and to throw a big party for her and all her friends, but Lotta worries that her friends who only know him as "Leo" won't get along with her fellow drag performers who know her as "Lotta." With the help of their nephew they put together a fierce look that is both Leo and Lotta, the perfect ensemble for an Auntie Uncle. A sweet, uplifting story about fearlessley letting your true self shine.

"That's a lot of horse hockey, Hamilton." Described by the New York Times as "classic activist theater" and "a cross between 'A Christmas Carol' and a trial at The Hague's International Criminal Court." "In this, his latest work, the protean Ishmael Reed--the legendary artist and prolific writer--continues to burnish his already sterling reputation by dismantling the 'Creation Myth' of the founding of the U.S., as represented in the incredibly profitable play and musical, Hamilton. Reed, a verbal acrobat of global renown, demonstrates here why he is widely considered to be the leading intellectual in the U.S. today." -Gerald Horne, author of The Counter-Revolution of 1776: Slave Resistance and the Origins of the USA This powerful play, originally produced at the Nuyorican Poets Café, comprehensively dismantles the phenomenon of Lin-Manuel Miranda and Hamilton. Reed uses the musical's crimes against history to insist on a radical, cleareyed way of looking at our past and our selves. Both durable and timely, this goes beyond mere corrective - it is a meticulously researched rebuttal, an absorbing drama, and brilliant rallying cry for justice. The perfect tie-in to both the success of and backlash to Hamilton, it is the major voice in contrast to the recent movie. It captures both the earnest engagement that fans of the musical desire, as well as the exhausted disbelief of those who can't stand it. Teachers, students and fans of drama, literature, and history will find much to love. It is written by one of America's most respected and original writers, who is eagerly promoting it, and who is long overdue for a renaissance.

This monograph on the work of Gideon Lewin, master printer and assistant to Richard Avedon, reveals moments never told, stories never heard, and a life that only a few ever experienced. It is a story of a close working relationship and collaboration with a master. Avedon: Behind the Scenes, 1964-1980 relates Lewin's personal experiences working with Richard Avedon for 16 years. It is about the hard work, the intrigues, the energy, the mysteries, the humor, and the commitment to creating images that were larger-than-life and will last for generations. This book illuminates many details about preparations for Avedon's major exhibitions, the master classes he was a part of, and many behind-the-scenes stories working on fashion collections in Paris and in New York for Harper's Bazaar and Vogue, photographing the world's most famous personalities and most beautiful women: Sophia Loren, Audrey Hepburn, Catherine Deneuve, Cher, Jean Shrimpton, Veruschka, Twiggy, Rene Russo, Patti Hansen, and Lauren Hutton. Finally, this book opens a window on the lighter side of Richard Avedon, as well as his total dedication to the art of photography in his determination to leave a legacy unlike that of any other photographer. With about 200 photographs Avedon: Behind the Scenes, 1964-1980 is a singular and remarkable journey.

Pearl Jam. Not many bands have achieved a status needing no adjective or description. Pearl Jam has. And fewer still have had an insider, much less a member, obsessively capture onstage and offhand pics of the experience-the friends, family, and fans... and one very famous plastic toy. Luckily for us lead guitarist Mike McCready did-trusty Polaroid camera in hand.Documenting years of touring and travels, McCready snaps meetings with heroes and inspirations from all walks of life; time spent with crazy friends and family; and moments featuring wildly artistic takes on art, nature, and architecture. Also: he once rocked a fab grey shift. And true to form for one not taking things too seriously, Mike sometimes had his pal, Mr. Potato Head, pop in and share in the fun.As wonderfully intimate as group "selfies" with the likes of Neil Young, Questlove, Jimmy Page, Ann and Nancy Wilson, Joey Ramone, Johnny Ramone, The Edge, Ben Harper, Peter Buck, Paul McCartney, Mike Mills, Sting, Macklemore and Ryan Lewis, Carrie Brownstein, Robert Plant, Peter Frampton, Dave Grohl, Gene Simmons, Bono, Jack White, Danny Clinch, Lady Gaga, Laura Dern, Dustin Hoffman, Judd Apatow, Will Ferrell, Leslie Mann, Jimmy Fallon, Mira Sorvino, Tim Robbins, Hugh Jackman, Venus Williams, and Kate Hudson are, it's the massive homage to the band's fans taken from stage view, in places from the Pacific Northwest to Peru, from Brussels to Bolivia, that brings McCready's manic intimacy come roaring to life.Of Potato Heads and Polaroids is the scrapbook for our rockstar world-friends, family, and fans. With some wattage. And a great deal of fun and good times.

The Gospel of Hip Hop: First Instrument, the first book from the I Am Hip Hop, is the philosophical masterwork of KRS ONE. Set in the format of the Christian Bible, this 800-plus-page opus is a life-guide manual for members of Hip Hop Kulture that combines classic philosophy with faith and practical knowledge for a fascinating, in-depth exploration of Hip Hop as a life path. Known as "The Teacha," KRS ONE developed his unique outlook as a homeless teen in Brooklyn, New York, engaging his philosophy of self-creation to become one of the most respected emcees in Hip Hop history. Respected as Hip Hop's true steward, KRS ONE painstakingly details the development of the culture and the ways in which we, as "Hiphoppas," can and should preserve its future. "The Teacha" also discusses the origination of Hip Hop Kulture and relays specific instances in history wherein one can discover the same spirit and ideas that are at the core of Hip Hop's current manifestation. He explains Hip Hop down to the actual meaning and linguistic history of the words "hip" and "hop," and describes the ways in which "Hiphoppas" can change their current circumstances to create a future that incorporates Health, Love, Awareness, and Wealth (H-LAW). Committed to fervently promoting self-reliance, dedicated study, peace, unity, and truth, The "Teacha" has drawn both criticism and worship from within and from outside of Hip Hop Kulture. In this beautifully written, inspiring book, KRS ONE shines the light of truth, from his own empirical research over a 14-year period, into the fascinating world of Hip Hop.

Naughty or nice? Better think twice! ‘Cause Santa Clops is comin' to town! He’s watching with a glare you can’t fake, so you’d better be good for Ol’ One Eye’s sake!A monstrously fun take on the holiday classic, A Visit from St. Nicholas, by Clement Clarke Moore. Kris Kringle's one-eyed cousin from the South Pole stops by a sleeping family's house on Christmas Eve. The startled father must confront Santa Clops and save Christmas for his children. Booger-thumbs instead of sugar-plums, dino-penguins instead of reindeer, and coal instead of gifts? Uh-oh! "Scary Christmas to all and to all a good fright!"

Your parents have gone to the ball for the night. You fall asleep dreaming of ships and horses only to wake up to the sound of claw upon stone and then a growl from the end of the hall… that leads to your bedroom door! What is this monster? What are you going to do? Daylight everyday noises can turn into a mysterious Mignight's "Tail"...A Midnight's Tail is a rhyming, read-aloud worthy, book for horror-curious little ones that like a good scare…as long as there is a happy ending! Sometimes everyday noises from a beloved family puppy turn into scary noises at midnight! Follow the fear-inducing “tail” of a little boy whose parents have left home for the ball. The story builds with fear of what is to come…through the bedroom door! Written in poetic verse, Robin George’s tale will leave even adult-readers biting their nails to learn what happens next. Is A Midnight’s Tail a bedtime story? Yes, for those who like things that go bump in the night!

Young Readers take part in an interactive, humorous journey of twists and turns to the end of the book with Willard the octopus, his friend Mallard ...and a swarm of B's? The Narrator asks the Reader to flip, shake, and talk to BOOK! all while our interjecting animal friends keep the Reader company all the way to... wait will the reader get there?Willard, a friendly octopus, invites you along on his path to the end of BOOK! Well, you are actually part of the journey… You become the creator of topsy-turvy, buzzy, jumbly route that Willard must take to get to the end. You (and Willard) are joined by Mallard, a quirky & quacky sidekick, to become a comedy trio trying to see what The End will bring. To turn the page is a group endeavor with this humorous pair ready to help You make decisions along the way. Good luck and safe travels on your trip to the final page of BOOK!

The first major book from a longtime legend in underground literature; known by citation and word of mouth, but only now emerging with a work that will earn a broad audience.“Kind Mirrors, Ugly Ghosts is why I want to read. There are few books at all that expand the exploration of family, outsider sex, animal love, therapy and surreal vision and even fewer writers who do it as well as Claire Donato. My mind and heart are thankfully changed forever.” —JAMIE STEWART of Xiu Xiu and author of Anything That Moves “Kind Mirrors, Ugly Ghosts moves and feels like a novel of ideas, yes, but also a lookbook of Rorshachs; a concept cookbook for famished phantoms; a fragmentary tour de force a la Duras. On every page, it lines the mind with vibrant space, as extraordinary in its candor about desire, artifice, and intimacy as it is with wordplay, wit, and social theory. “Death is a mirror of time, and life is not as heavy as it seems,” Donato writes, beckoning us forward through the void of realism as might an imaginary friend we thought we’d lost—or should I say ‘guardian angel’?” —BLAKE BUTLER, author "In Claire Donato's fiction, I am both looking in and being looked at. The depths of desire are on display, laying bare the complexity and the ugliness that often comes with it." —MOLLY SODA, artist "Claire Donato's prose is at once playful and masterful, charming and haunting—I loved these short stories with huge imaginations." —CHELSEA HODSON, author of Tonight I'm Someone Else "Love is a source of radical questioning whose only enemy is indifference. Claire Donato’s fever dream of a novel goes toe to toe with today’s anomie, stretching our only resource left, language, so we can navigate a 21st century landscape of violently changing relationships, with one another, with the natural world, and with our bodies." —JAMIESON WEBSTER, psychoanalyst and author In the disquieting stories of Kind Mirrors, Ugly Ghosts, a fractaled Claire Donato contemplates grief and disgust in heterosexuality, deconstructing the romance myth and the illicit fantasies which reflect our haunted selves. These fictions are populated with Lynchian characters, draped in memory and the subconscious mind, who imagine their way out of the painful limits of their world: a turtle retreats into its shell and becomes a real girl. A porn addict turns into a baby boy in the arms of his barren cyber-girlfriend. And a digitally-marred depressive joins forces with the ghost of Simone Weil to kill a chicken. Donato’s fictions are precise and cutting, seamlessly integrating a vast knowledge of art through sharp criticism and a history of cult traditions: Donnie Darko, Wings of Desire, Daisies, and Twin Peaks and artists including Clarice Lispector, M.F.K. Fisher, Sibylle Baier, and The Velvet Underground. Kind Mirrors, Ugly Ghosts concludes with "Gravity and Grace, the Chicken and the Egg, or: How to Cook Everything Vegetarian", a novella-in-vignettes that frames cooking as an entrypoint to light, awareness, and connection. With associative lyricism and a preternatural ability to gaze into the void with tenderness, Donato relays an indescribably strange perception of our world, in which maniacal grief turns to a gleeful protest before becoming, against all odds, a love letter to what remains. Cover photo: Jimmy DeSana Contact Paper, 1980 Vintage C-print © the Jimmy DeSana Trust Courtesy of the Jimmy DeSana Trust and P·P·O·W, New York

Welcome to Puffin Farm, one of Washington state's first legitimate canna-businesses and the brainchild of growers Jade Stefano and Ben Short, the couple at the center of this cannabis adventure and the driving force behind some of the world's purest organic, top-quality weed. Open the book and discover detailed first person texts and jaw-droppingly beautiful photographs of the behind-the-scenes cultivation, extraction, and processing of the finest grade, sun-grown, organic cannabis on the market. This is not your average cannabis farm, and Goodman makes that point by taking you deep into the operations of this Sun+Earth Certified grower. Unlike the backwoods pot field operations of yore, Goodman's photographs of the sweeping, sun-drenched fields and gorgeous up-close plant studies provide a surprisingly wholesome view into modern American organic cannabis cultivation.

Simen Johan—an award-winning, internationally exhibiting artist, and a pioneer in digital image-making is publishing his third monograph. Representing 15 years of the artist’s career, and gathered here for the very first time in this deluxe volume, are his celebrated uncanny animal portraits, otherworldly landscapes, and psychologically-charged narrative natural scenes.With a unique creative process that combines candid wildlife photography with digital manipulation, cinematic drama and a painterly approach, Simen Johan summons a metaphorically dense world into being where human fantasy and nature collide. In a catalogue essay, David E. Little, Executive Director of the International Center of Photography, writes: “Johan’s photographs underscore the importance of the creative act in photography, not as an act in itself, but as a means towards a conceptual and narrative goal.” Traveling both near and far to photograph his source material, Johan can find inspiration anywhere from the local zoo to the jungles of Costa Rica, or the lava fields of Iceland. He then spends countless hours assembling his images captured in these far-flung locations into a unifying whole. The result is an often-unsettling sense of placelessness. We see in this collection images of pigeons flocking toward light like moths (or angels); stripes on a dazzle of Grévy’s zebras mesh with the fronds of geographically incongruent palms; two hapless caribou glazed with ice, frozen in a scene that is both tranquil and brutal. Each image reveals poetic and often unexpected relationships that speak to the illusory and multifaceted nature of existence. Tensions between what is revealed and what is concealed, what is alluring and what is menacing, what is fact and what is fiction, both shape and unsettle the scenes. Johan presents us with paradoxical photographic worlds that echo uncanny versions of our own.