Bøger udgivet af PM Press

Miracles Ain't What They Used to Be features new fiction starring Joe R. Lansdale's unlikely best friends Hap and Leonard, two good ol' boys from East Texas who have a way of getting into some bad fixes, along with some of Lansdale's most famous and hard-to-find Texas Observer columns. In his nonfiction, Lansdale discusses, dissects and discovers the trials of a Southern writer's life, his personal literary inspirations from Poe to porn, race and class in today's unsettled South, the Cold War in East Texas, the tornado and the Bomb. Also featured is an Outspoken Interview.

An illustrated introduction to the development of anarchist thought, featuring selections from Errico Malatesta, Peter Kropotkin, Max Stirner, Emma Goldman, Charlotte Wilson, Michael Bakunin, Rudolf Rocker, Alexander Berkman, Colin Ward, Albert Meltzer and many others. This edition has been enlarged and updated for a modern audience. This useful compendium was compiled and edited by the late Vernon Richards of Freedom Press, and includes helpful and humorous illustrations by Wildcat cartoonist Donald Rooum.

Signal is an ongoing book series dedicated to documenting and sharing compelling graphics, art projects, and cultural movements of international resistance and liberation struggles. Artists and cultural workers have been at the center of upheavals and revolts the world over, from the painters and poets in the Paris Commune to the poster makers and street theatre performers of the recent Occupy movement. Signal will bring these artists and their work to a new audience, digging deep through our common history to unearth their images and stories. We have no doubt that Signal will come to serve as a unique and irreplaceable resource for activist artists and academic researchers, as well as an active forum for critique of the role of art in revolution.Highlights of the fifth volume ofSignal include:The Club de Grabado de Montevideo: Georgia Phillips-Amos unearths printmaking under dictatorshipThree Print Collectives: Alec Dunn interviews Friends of Ibn Firnas, A3BC, and the Pangrok Sulap collectiveSurvival by Sharing—Printing over Profit: Josh MacPhee interviews Paul Werner about the history of New York City’s Come!Unity PressThe Pyramid's Reign: Analyzing an enduring symbol of capitalism with Eric TriantafillouEmpty Forms—Occupied Homes: Marc Herbst looks at the intersection between movement design and the struggle for housing in BarcelonaDiscs of the Gun: A trip through music and militancy in postwar Italy by Josh MacPheeIn the US there is a tendency to focus only on the artworks produced within our shores or from English speaking producers. Signal reaches beyond those bounds, bringing material produced the world over, translated from dozens of languages and collected from both the present and decades past. Though it is a full-color printed publication, Signal is not limited to the graphic arts. Within its pages you will find political posters and fine arts, comics and murals, street art, site-specific works, zines, art collectives, documentation of performance and articles on the often overlooked but essential role all of these have played in struggles around the world.

Selected writings by Julius Deutsch, leader of the workers' militias, president of the Socialist Workers' Sport International and a spokesperson for the Austrian workers' temperance movement, which details the nearly-forgotten Austromarxist era of the 1920s. Antifascism, Sports, Sobriety contains an introductory essay by Gabriel Kuhn, and it makes Deutsch's writings available in English for the first time.

Draws together the most important of Emma Goldman's many writings on 'The Sex Question. 'The Sex Question' emerged for Goldman in multiple contexts, and we find her addressing it in writing on subjects as varied as women's suffrage, 'free love', birth control, the 'New Woman', homosexuality, marriage, love and literature. It was at once a political question, an economic question, a question of morality and a question of social relations. This unites her most important essays and archival material in an attempt to recreate Goldman's great work on sex and feminism.

William Godwin (1756-1836) was one of the first exponents of utilitarianism and the first modern proponent of anarchism. He was not only a radical philosopher but a pioneer in libertarian education, a founder of communist economics and a powerful novelist whose literary family included his partner, Mary Wollstonecraft, and his daughter Mary Godwin (later Mary Shelley). This work offers for the first time a collection of Godwin's key writings in a clear and concise form, together with an assessment of his influence, a biographical sketch and an analysis of his contribution to anarchism.

Executed by a British firing squad on May 12, 1916, for his role in organizing the Easter Rising, James Connolly was one of the most prominent radical organizers and agitators of his day. Born in Scotland in 1868 to Irish immigrant parents, Connolly spent most of his adult life organizing for labor unions and socialist organizations in Ireland, Scotland, and the United States. Despite attending school for only a few years, Connolly became a leading socialist writer and theoretician, founding and editing newspapers including The Socialist (Scotland), The Harp (United States), and The Workers’ Republic (Ireland). As a labor organizer, Connolly stressed the importance of direct action, broad working-class unity, and a commitment to ending labor’s exploitation. As a socialist agitator, Connolly saw economic and political independence as inextricably intertwined. This pamphlet, the first graphic treatment of Connolly’s life, is issued on the centenary of the Easter Rising.

Our world today is not only a world in crisis but also a world in profound movement, with increasing numbers of people joining or forming movements: local, national, transnational, and global. The dazzling diversity of ideas and experiences recorded in this collection captures something of the fluidity within campaigns for a more equitable planet. This book, taking internationalism seriously without tired dogmas, provides a bracing window into some of the central ideas to have emerged from within grassroots struggles from 2006 to 2010. The essays here cross borders to look at the politics of caste, class, gender, religion, and indigeneity, and move from the local to the global.Rethinking Our Dance, the second of two volumes, offers a wide range of essays from frontline activists in Afghanistan, Argentina, Brazil, Niger, and Taiwan, as well as from Europe and North America that address the question, “What do we need to do in order to bring about justice and peace?” The Movements of Movements aims to make the bewildering range of contemporary movements more meaningful to the observer and also to be a space where global movements speak to each other.This book will be useful to all who work for egalitarian social change—be they in universities, parties, trade unions, social movements, or religious organisations.Contributors include Kolya Abramsky, Ezequiel Adamovsky, Ousseina Alidou, Samir Amin, Chris Carlsson, John Brown Childs, Lee Cormie, Anila Daulatzai, Massimo De Angelis, The Free Association, David Graeber, Josephine Ho, John Holloway, François Houtart, Jeffrey Juris, Michael Löwy, Tomás Mac Sheoin, Matt Meyer, Muto Ichiyo, Rodrigo Nunes, Michal Osterweil, Shailja Patel, Geoffrey Pleyers, Stephanie Ross, and Nicola Yeates.

A former policeman, now a major in the Spanish Republican Army, is sent to Madrid to investigate the circumstances in which the legendary anarchist, Buenaventura Durruti, was killed. In his search for the truth he interviews key witnesses and uncovers a number of contradictory accounts. Nobody tells the same story in quite the same way, but as an experienced police officer, he knows it is not inconceivable that they are all telling the truth. But it is also possible that some of them are lying, that some are trying to hide what they know, and more sinisterly, that some may be seeking to sabotage his investigation for darker political ends.Making imaginative and ingenious use of the detective novel as a literary device, Pedro de Paz explores various hypotheses and scenarios that could at least provide us, seventy years on, with believable explanations about the chain of events leading to the death of a truly remarkable man. Also included are numerous photographs of Durruti and his funeral, and a lengthy afterword by Stuart Christie, putting his life, times, and untimely death into the context of Spanish anarchism, the social revolution, and civil war.

A monumental work, expansive in scope, covering the life, times and culture of that most famous of the Wobblies - songwriter, poet, hobo, thinker, humourist, martyr - Joe Hill. It is a journey into the Wobbly culture that made Hill and the capitalist culture that killed him. Many aspects of the life and lore of Joe Hill receive their first and only discussion in IWW historian Franklin Rosemont's opus. Collected too is Joe Hill's art, plus scores of other images featuring Hill-inspired art by IWW illustrators from Ralph Chaplin to Carlos Cortez.

Understanding Jim Crow introduces readers to the Jim Crow Museum of Racist Memorabilia, a collection of more than 10,000 contemptible collectibles that are used to engage visitors in intense and intelligent discussions about race, race relations and racism. The museum and this book exist to help overcome our collective trepidation and reluctance to talk about race. This book is both a grisly tour through America's past and an auspicious starting point for understanding and healing.

Our world today is not only a world in crisis but also a world in profound movement, with increasingly large numbers of people joining or forming movements: local, national, transnational, and global. The dazzling diversity of ideas and experiences recorded in this collection capture something of the fluidity within campaigns for a more equitable planet. This book, taking internationalism seriously without tired dogmas, provides a bracing window into some of the central ideas to have emerged from within grassroots struggles from 2006 to 2010. The essays here cross borders to look at the politics of caste, class, gender, religion, and indigeneity, and move from the local to the global.What Makes Us Move?, the first of two volumes, provides a background and foundation for understanding the extraordinary range of uprisings around the world: Tahrir Square in Egypt, Occupy in North America, the indignados in Spain, Gezi Park in Turkey, and many others. It draws on the rich reflection that took place following the huge wave of creative direct actions that had preceded it, from the 1990s through to the early 2000s, including the Zapatistas in Mexico, the Battle of Seattle in the United States, and the accompanying formations such as Peoples’ Global Action and the World Social Forum.Edited by Jai Sen, who has long occupied a central position in an international network of intellectuals and activists, this book will be useful to all who work for egalitarian social change—be they in universities, parties, trade unions, social movements, or religious organisations.Contributors include Taiaiake Alfred, Tariq Ali, Daniel Bensaid, Hee-Yeon Cho, Ashok Choudhary, Lee Cormie, Jeff Corntassel, Laurence Cox, Guillermo Delgado-P, Andre Drainville, David Featherstone, Christopher Gunderson, Emilie Hayes, Francois Houtart, Fouad Kalouche, Alex Khasnabish, Xochitl Leyva Solano, Roma Malik, David McNally, Roel Meijer, Eric Mielants, Peter North, Shailja Patel, Emir Sader, Andrea Smith, Anand Teltumbde, James Toth, Virginia Vargas, and Peter Waterman.

Contemporary educational practices and policies across the world are heeding the calls of Wall Street for more corporate control, privatization, and standardized accountability. There are definite shifts and movements towards more capitalist interventions of efficiency and an adherence to market fundamentalist values within the sphere of public education. In many cases, educational policies are created to uphold and serve particular social, political, and economic ends. Schools, in a sense, have been tools to reproduce hierarchical, authoritarian, and hyper-individualistic models of social order. From the industrial era to our recent expansion of the knowledge economy, education has been at the forefront of manufacturing and exploiting particular populations within our society.The important news is that emancipatory educational practices are emerging. Many are emanating outside the constraints of our dominant institutions and are influenced by more participatory and collective actions. In many cases, these alternatives have been undervalued or even excluded within the educational research. From an international perspective, some of these radical informal learning spaces are seen as a threat by many failed states and corporate entities.Out of the Ruins sets out to explore and discuss the emergence of alternative learning spaces that directly challenge the pairing of public education with particular dominant capitalist and statist structures. The authors construct philosophical, political, economic and social arguments that focus on radical informal learning as a way to contest efforts to commodify and privatize our everyday educational experiences. The major themes include the politics of learning in our formal settings, constructing new theories on our informal practices, collective examples of how radical informal learning practices and experiences operate, and how individuals and collectives struggle to share these narratives within and outside of institutions.Contributors include David Gabbard, Rhiannon Firth, Andrew Robinson, Farhang Rouhani, Petar Jandric, Ana Kuzmanic, Sarah Amsler, Dana Williams, Andre Pusey, Jeff Shantz, Sandra Jeppesen, Joanna Adamiak, Erin Dyke, Eli Meyerhoff, David I. Backer, Matthew Bissen, Jacques Laroche, Aleksandra Perisic, and Jason Wozniak.

As the serial disasters of capitalism’s current crisis—economic, political, environmental—continue to batter the world, Black Box: A Record of the Catastrophe is a device for recording, analyzing, and transmitting events as they happen. But it offers neither dire predictions nor false hopes. Instead, it embraces the mystery of what might transpire. The word “catastrophe” has not always signified “disaster”; during the sixteenth century, especially in theater, it came to mean “a reversal of what is expected.” Black Box is ultimately a documentary project, a record of the catastrophe, but it’s an open question where the inquiry will take us. It may be a record of the disastrous end. Or it may be a record of the turning.The first volume contains an eclectic but accessible collection of reportage, interviews, letters, fragments, and theoretical responses from some of the brightest minds in critical theory. Its authors have sent dispatches from American prison yards, the shipping graveyards of India, fatal overseas drone strikes, roads crisscrossing the Mississippi Delta, childhoods in revolutionary Zimbabwe, and kitchens where undocumented workers wash dishes. By taking a broad geographical and aesthetic stance, Black Box will be a constellation of ideas and information that points toward the future—whatever it may hold.Contributors to Black Box include scholars (Nina Power, Silvia Federici, Sami Khatib, Chris O’Kane, Tanya Erzen), cultural critics (Richard Dyer, Charles Mudede), authors (Ursula K. Le Guin, Miranda Mellis), poets (Emily Abendroth, Cathy Wagner, Alli Warren), and many others.

Late in the Day, Ursula K. Le Guin's new collection of poems seeks meaning in an ever-connected world. In part evocative of Neruda's Odes to Common Things (originally 1961; Little, Brown, 1994) and Mary Oliver's poetic guides to the natural world, Le Guin gives voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological. Also includes two short essays, 'Deep in Admiration' & 'Some Thoughts on Form, Free Form, Free Verse.'

Despite the misguided mainstream press declarations that 'punk died with Sid Vicious' or that 'punk was reborn with Nirvana', author Hurchalla followed the DIY spirit of punk underground, where it not only survived, but thrived as a self-sustaining grassroots movement rooted in seedy clubs, xeroxed zines and indie record shops. Going Underground features over 100 unique from Marie Kanger-Born of Chicago, Dixon Coulbourn of Austin, Brian Trudell of LA, Malcolm Riviera of DC, Justina Davies of New York, Ed Arnaud of Arizona and many others.

The Blood Wolf prowls near the village of Stonebriar at night. She devours chickens and goats and cows and cats. Some say children are missing. But this murderous wolf isn't the villain of our story, she's the hero! The Blood Wolf hates humankind for destroying the forest, but an encounter with a beggar teaches her a better way to confront injustice. This imaginative retelling of the legend of Saint Francis and the Wolf explores what it means to be a peacemaker in the midst of violence and how to restore a healthy relationship with creation.

Over the past decade, Canada has experienced considerable growth in labour migration. Moreover, temporary labour migration has replaced permanent immigration as the primary means by which people enter Canada. Utilizing the rhetoric of maintaining competitiveness, Canadian employers and the state have ushered in an era of neoliberal migration alongside an agenda of austerity flowing from capitalist crisis. Labour markets have been restructured to render labour more flexible and precarious, and in Canada as in other high-income capitalist labour markets, employers are relying on migrant and immigrant workers as “unfree labour.”This book explores labour migration to Canada and how public policies of temporary and guest worker programs function in the global context of work and capitalist restructuring. Contributors are directly engaged with the issues emerging from the influx of temporary foreign workers and Canada’s “creeping economic apartheid”—the ongoing racialization of economic inequality for many workers of colour. The collection also examines how migrant and immigrant workers have organized for justice and dignity in Canada. As opposed to a good deal of current writing that often ignores the working conditions and struggles of racialized migrant and immigrant workers, the authors contend that migrant workers, labour organizations, and migrant worker allies have engaged in a wide range of organizing initiatives with significant political and economic impacts. These have included both court challenges to secure legal rights to unionization and grassroots alternatives to traditional forms of unionization through workers’ centres.Contributors include Aziz Choudry, Adrian A. Smith, Sedef Arat-Koç, Abigail B. Bakan, Joey Calugay, Jennifer Jihye Chun, Jill Hanley, Jah-Hon Koo, Mostafa Henaway, Deena Ladd, Marco Luciano, Loïc Malhaire, Adriana Paz Ramirez, Geraldina Polanco, Chris Ramsaroop, Eric Shragge, Sonia Singh, Christopher C. Sorio, and Mark Thomas.

Written in an engaging and accessible style, Ideas for Action gives activists the intellectual tools to turn discontent into a plan of action. Exploring a wide range of political traditions - including Marxism, anarchism, anti-imperialism, postmodernism, feminism, critical race theory and environmentalism - Cynthia Kaufman acknowledges the strengths and weaknesses of a variety of political movements and the ideologies inspired by or generated through them. Fully updated to confront pressing issues of today.

Michelle Cruz Gonzales played drums and wrote lyrics in the influential 1990s female hardcore band Spitboy, and now she's written a book - a punk rock herstory. Though not a riot grrl band, Spitboy blazed trails for women musicians in the San Francisco Bay Area and beyond, but it wasn't easy. Misogyny, sexism, abusive fans, class and colour blindness and all-out racism were foes, especially for Gonzales, a Xicana and the only person of colour in the band. This memoir chronicles Spitboy's successes and failures, and for Gonzales, discovering her own identity.

The Chinese Revolution changed the face of the twentieth century, and the politics that issued from it - often referred to as 'Maoism' - resonated with colonised and oppressed people from the 1970s down to the anti-capitalist movements of today. Maoism and the Chinese Revolution offers the novice reader a sweeping overview of five decades of Maoist revolutionary history. It covers the early years of the Chinese Communist Party, through decades of guerrilla warfare and rapid industrialisation, to the massive upheavals of the Cultural Revolution.

Radical activist Luba Gold goes underground to support the Puerto Rican independence movement. When Luba's collective is targeted by an FBI sting, she escapes with her baby but leaves behind an envelope to be safeguarded by a friend. When the FBI come looking for Luba, the friend must decide whether to cooperate in the search. Ten years later, when Luba emerges from hiding, she discovers that the FBI sting was orchestrated by an activist friend who became an FBI informant. In the changed era of the 1990s, Luba must decide whether to forgive her betrayer.

In the novella Gypsy a few visionary scientists, chosen and nurtured by an eccentric billionaire undertake humankind's most expansive adventure - a generations-long voyage to a distant planet. The Nine Billion Names of God uses a classic sci-fi text to deconstruct literary deconstruction itself, with hilarious results. Imprecations is an unforgiving examination of the primary lies in popular culture. Also featured is short stories Bad Pennies and the PM Press Outspoken Interview, in which a postmodern Renaissance man reveals his sources, frustrations and delights.

The Football Factory is driven by its two main characters—late-twenties warehouseman Tommy Johnson and retired ex-soldier Bill Farrell. Tommy is angry at his situation in life and those running the country. Outside of work, he is a lively, outspoken character, living for his time with a gang of football hooligans, the excitement of their fights and the comradeship he finds with his friends. He is a violent man, at the same time moral and intelligent.Bill, meanwhile, is a former Second World War hero who helped liberate a concentration camp and married a survivor. He is a strong, principled character who sees the self-serving political and media classes for what they are. Tommy and Bill have shared feelings, but express their views in different ways. Born at another time, they could have been the other. As the book unfolds both come to their own crossroads and have important decisions to make.The Football Factory is a book about modern-day pariahs, people reduced to the level of statistics by years of hypocritical, self-serving party politics. It is about the insulted, marginalised, unseen. Graphic and disturbing, at times very funny, The Football Factory is a rush of literary adrenalin.

For fifteen-year-old Joe Martin, growing up on the outskirts of West London, the summer of 1977 means punk rock, busy pubs, disco girls, stolen cars, social-club lager, cutthroat Teddy Boys and a job picking cherries with the gypsies. Life is sweet—until he is attacked by a gang of youths and thrown into the Grand Union Canal with his best friend Smiles.Fast forward to 1988, and Joe is travelling home on the Trans-Siberian Express after three years away, remembering the highs and lows of the intervening years as he comes to terms with tragedy. Fast forward to 2000, and life is sweet once more. Joe is earning a living selling records and fight tickets, playing his favourite 45s as a punk DJ, but when a face from the past steps out of the mist he is forced to relive that night in 1977 and deal with the fallout.Human Punk is the story of punk, a story of friendship, a story of common bonds and a shared culture—sticking the boot in, sticking together.