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Liszt's fourth entry in his revolutionary series of thirteen symphonic poems, Orpheus was penned to serve as an introduction to the Weimar premiere of Gluck's opera on the same story Ofeo ed Euridice. Composed in 1853-54, it was given its premiere in Weimar 16 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the second volume of the Liszt-Stiftung edition, published in 1908. Includes an informative introduction by the Swedish Liszt scholar Soren Afshar. The large conductor score and orchestral parts are also available from Serenissima Music.

Joseph Haydn's eleventh mass - entitled Missa in Angustiis or 'Mass in Troubled Times' was composed in the summer of 1798 in the midst of a series of financial cutbacks imposed by his patron, Prince Nokolaus Esterházy II, as a result of the economic turmoil from Napoleon's invasion of Austria the previous year. The wind players of the Esterházy orchestra had been dismissed, and the composer was exhausted and ill in the wake of his preparation and supervision of his oratorio "The Creation". The work was given its premiere on September 23, 1798 at Stadtpfarrkirche near Eisenstadt. The nickname "Lord Nelson Mass" may have resulted from the work being performed at the time of Lord Nelson's visit to the Esterházy palace in 1800. The vocal score reproduced here retains the composer's original virtuosic vocal parts, with the original Latin text and an English translation beneath. The keyboard reduction was probably made by Vincent Novello in the early 19th century. IMSLP page Wikipedia article

Debussy's one-act ballet, or 'Poème dansé', was given its first performance by Serge Diaghilev's Ballets Russes on May 15, 1913 with scenery by Léon Bakst; Vaslav Nijinsky was the featured dancer and Pierre Monteux conducted. Despite the exquisitely-crafted score, the ballet's premiere was overshadowed by the riotous premiere by the same company of Stravinsky's Le sacre du printemps just two weeks later. Fortunately, Debussy's music has continued life as a concert work over the past century. The score reproduced here was first issued in Paris by Durand et Cie. at the end of 1913. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library. Wikipedia article IMSLP page

The first of a ground-breaking series of thirteen works for orchestra, Liszt's Ce qu'on entend sur la montagne (What One Hears in the Mountains) drew its inspiration from a poem by Victor Hugo. Composed from 1848-54, it was given its premiere in Weimar in January of 1857 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the first volume of the Liszt-Stiftung edition, published in 1908. Also included is an informative introduction by Liszt scholar Soren Afshar (Funper), a major contributor to the vast collection of Liszt pieces on IMSLP.

Falla's showpiece El Amor Brujo (The Phantom Lover) was first composed as a gitaneria for voice, actors and chamber orchestra in 1914-15. He later prepared a version for voice and orchestra which was premiered the next year. This was in turn transformed into a one-act ballet for voice and orchestra, which is how it is usually performed today. The new vocal score offered here is a digitally enhanced reissue of the composer's own arrangement for voice and piano first published in 1920 by J. & W. Chester of London. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. IMSLP page Wikipedia article

Composed over the space of just 12 days (May 3-14, 1875), Dvorak's five-movement serenade has been a favorite since its first performance was given in Prague under the baton of Adolf Cech with the combined string sections of the orchestras of the Czech and German theatres. The new study score offered here is a digitally-enhanced reprint of the score first issued in 1955 as part of the Dvorak complete works by the Czech State publishing house SNKLHU, edited by Frantisek Bartos. Available now for the first time in an affordable, easy-to-read size. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. The score is beautifully printed on off-white stock with a quality cover IMSLP page Wikipedia article

Composed for the American amateur saxophonist Elise Hall in 1903, Debussy left the orchestration incomplete at his death. The task of finishing the orchestral score fell to Jean Roger-Ducasse, who prepared the orchestral version in time for its premiere on May 14, 1919 in Paris, conducted by Debussy's student André Caplet. The present study score is a digitally-enhanced reprint of the score issued by Durand et Cie. in 1919. In contrast to so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is actually readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Parker's first Christmas cantata was composed in 1893 just before his departure from New York to his new post as organist for Trinity Church in Boston. The text was written after scriptural accounts by the composer's mother Isabella Graham Parker (1839-1904). This new vocal score is a digitally-enhanced reproduction of the one first issued in 1893 by G. Schirmer, New York.

Though originally composed for piano four-hands, Satie was persuaded to orchestrate these pieces for a concert staged by Jean Cocteau presented on 21 February 1920 featuring works by Milhaud, Poulenc, and Auric. This digitally-enhanced study score is an unabridged reprint of the first edition issued in 1921 by Editions de la Sirene, Paris.

Dvorak's second set of Slavonic Dances was composed in response to a request from his German publisher, N. Simrock, in the wake of the tremendous popularity of the first set (Op. 46). The brilliant orchestration of the melodious, folk-inspired dances did much to establish Dvorak's reputation as a major orchestral composer. The new study score offered here is a digitally-enhanced reprint of the score first issued in 1955 as part of the Dvorak complete works by the Czech State publishing house SNKLHU, edited by Otakar Sourek. Available now for the first time in an affordable, easy-to-read size.

Debussy's sole completed opera was given its premiere at Paris' Opera Comique on April 30, 1902. It was the culmination of an eight-year effort on the composer's part. Though not an immediate sensation like Puccini's "Madame Butterfly" two years later in Milan, the five-act lyric drama, after the identically titled play by Maeterlinck, enjoyed a successful run in the first two decades of the 20th century. Debussy's masterpiece of orchestral color is presented in a new, digitally-enhanced reprint of the full score first issued by E. Fromont, Paris, in 1904, with the orchestrational changes made by the composer around 1910.SSATBBBB Soli, Chorus / Orchestra3d1, 2+1, 2, 3 - 4, 3, 3, 1, timp, perc, 2hp, strs Wikipedia article IMSLP page