Bøger udgivet af Persea Books Inc

Set against the media environment that saturates even our most intimate spaces, Dispatch attends to, revises, and thinks adjacent to the news of racial/gendered violence in the US, from the nineteenth century to the present day. These poems ask: What kind of revisions will make this a world/a story that is concerned with my people's flourishing? How ought I pay attention, how to register perpetual bad news without letting it fatally intrude? Cameron Awkward-Rich is among the most bracing voices to emerge in recent years, a dazzling exemplar of poetry's (and humanity's) possibilities.

In SOFAR, poet-naturalist Elizabeth Bradfield attends our current ecological and historic moment, her decades-long queer love, a life time of work on boats, and her body's shifting currents with wry yearning and linguistic delight. SOFAR is an acronym for the "sound frequency and ranging channel," a deep layer of oceanic water that enables sound to travel vast distances, and, drawing upon her deep knowledge and experience of the sea, Bradfield plumbs what can be heard by listening across the vast distances of our lives-within our memories and larger histories, between strangers and beloveds, and to the more-than-human world. Bradfield's work as a naturalist gives an earned intimacy and nuanced authority to her eco-grief, field observations, and metaphoric leaps as she regards whales, cusk eels, and storm petrels. These are the poems of a woman unafraid of navigating the depths and rip currents she moves through.

Brimming with music, bursting with flora, the poems in Valencia Robin's second collection are both a walking tour of local neighborhoods and a journey into space and across time-ways of looking and listening to the past in order to find our best way forward. Engaging with an array of artistic heroes-James Baldwin, Amiri Baraka, Eavan Boland, Gwendolyn Brooks, Etheridge Knight, Audre Lorde, Nina Simone, Pablo Neruda, and Stevie Wonder among them-Robin looks for guidance, grounding, and even hope in spite of the traumas she witnesses and experiences daily. In one striking masterpiece, she gives voice to a prescient childhood icon, Lieutenant Uhura of Star Trek, who brings the show's unfulfilled vision of interstellar racial harmony to bear on the killing of black and brown bodies in contemporary America.  Whether set in space or down the block in Charlottesville or Milwaukee, the poems in Lost Cities offer us hope amid the heartbreak of a fractured world.

In Other Times, Midnight, her debut collection, Andrea Ballou explores the aftermath of loss-death, divorce, and departures-and asks the toughest questions: how do we contend with grief and remorse, and where does the spirit go to wait out trauma? Ballou's poems fight our "impulse to not speak," aware that naming, and that speech itself, is a matter of life and death. Her startling and often humorous images rooted in the fields, forests and domesticity of rural life are juxtaposed with oblique, at times irreverent, adaptations of Celtic and Greek myth and biblical stories. For Ballou, language is both tool and weapon, as useful and durable as a hoe, wheelbarrow, sword, thread. Caught "in the mouth of midnight," these poems wrestle with the numinous, their voices-cranky and cajoling, always compassionate and vulnerable-urging us toward the fullness of being human, daring us, despite it all, to love again.

An Incomplete Encyclopedia of Happiness and Unhappiness catalogs our daily disappointments and our nighty dreams of perfection.

"Winner of the 2022 Lexi Rudnitsky Editors' Choice Award"--

"Ingenious out of necessity, A Mother Is an Intellectual Thing centers around the scapegoating and exile of the author by her mother. In these essays, Kimberly Grey harnesses her formidable intellectual and creative resources to create coherence for an unstable, traumatized self. To do so, she calls on-beseeches-dozens of brilliant thinkers and artists for help, among them Etel Adnan, Roland Barthes, John Cage, Anna Freud, Mina Loy, Elaine Scarry, Gertrude Stein, and Simone Weil. Grey's engagement with these figures (and many others) is part of her effort to stabilize, if not fully comprehend, the inconceivability of her maternal banishment. By thinking her pain rather than feeling it, Grey becomes an expert witness to her own trauma, a ponderer of motherhood even as her identity as daughter has been rescinded"--

The poems in this bracing debut do not shy away from incomprehensible tragedies: racism, poverty, abuse, and addiction, incest, and infidelities of the body and mind. Yet the world depicted by Shawn R. Jones has moments of humor and playfulness-for example, in a litany of indelible nicknames of the members of her childhood cohort in Atlantic City. If Date of Birth is heart-wrenching in its journalistic reporting of suffering, it is also a testament to the strength and resilience of the figures it portrays.

We Call to the Eye and to the Night is an amalgam of eminent poets -Hayan Charara, Leila Chatti, Nathalie Handal, Fady Joudah, and Naomi Shihab Nye, among them-and those who have just begun to make their mark. These poets are descended from diverse countries and represent a breathtaking intersection of voices, experiences, and perspectives. Divided into whimsical sections (named for lines from poems they include), the anthology features an evocative array of erotic and romantic selections, as well as ones portraying love of family, friends, heritage, and homeland. Exquisitely curated and introduced by acclaimed authors Hala Alyan and Zeina Hashem Beck, We Call to the Eye and to the Night is at once sexy, sensuous, adventurous, and nostalgic-a treasury of love emanating from the Arab world and its diaspora.

After the death of his wife, Emma, in 1912, the great English novelist and poet Thomas Hardy began to write a series of poems about her. Although the couple had long been estranged, Hardy was suddenly enthralled all over again and became obsessed with memories of their love, as well as with remorse over what had gone wrong between them. This sequence, "Poems of 1912-13," has grown in stature in the century since it was written and is now considered to be one of his mos accomplished works. Hardy continued to write about Emma for the rest of his life, and Unexpected Elegies includes a selection of the best of these other poems about Emma. The insightful introduction by the noted Hardy critic Claire Tomalin places the poems in a biographical context.

In evoking the joy and pain of the Jewish immigrant experience, Anzia Yezierska has no peer. Her stories, written from the 1920s to the 1960s, immortalized the lives of the Jews of New York's Lower East Side. The Open Cage collects sixteen of her best stories and excerpts from her autobiography to illustrate her extraordinary storytelling gift as well as her personal experience as an immigrant woman. Along with her novel Bread Givers, the work gathered here constitutes her enduring achievement. Included are "The Fat of the Land," Children of Loneliness," America and I," The Lost 'Beautifulness, '" and other stories; vignettes from Red Ribbon on a White Horse: My Story; and four remarkable stories of old age. The introduction by Historian Alice Kessler-Harris and the afterword by Yezierska's daughter and biographer, Louise Levitas Henriksen, place the writings in a rich and valuable context.

This enduring classic is "a book which, no matter how many readers it will ever have, will never have enough" (Ernest Hemingway).

Named by Black Issues as the best poetry book of 2004, this is the astonishing story of a slave girl in the antebellum South.This critically acclaimed verse-novel follows the unforgettable Varl, a slave on a plantation in Tennessee, on her path to freedom. Wise beyond her years and wildly creative, Varl must choose between the only life she's knownher Mamalee, her friends (especially her beloved Dob), the farmland she's explored since childhoodand her growing need for self-determination. Standing in her path, waiting to quash her spirit, is her master, the cunning Peter Perry, "a collector of rare things" who aims to add Varl herself to his perverse assortment of oddities.With Slave Moth, Thylias Moss shows herself yet again to be "a visionary storyteller" (Charles Simic). Written in gorgeous verse, it is an explosion of life in the face of servitude.

The "firecracker debut"(Kirkus) about London teenagers contemplating murder. After his mother takes another beating from her drug-dealing boyfriend, Danny decides to do something about itcommit murder. Should his best friend Si get involved? Seen through Si's eyes, this moral dilemma and ultimate test of friendship comes alivefraught, exhilarating, shocking.