Bøger udgivet af Oxford University Press, USA

A new adventure is afoot for the Super Happy Magic Forest heroes when Foam, a merperson, asks for help saving the underwater city of Fishopolis roes will have to try their best to not get too distracted by pirate frolicking and roasted marshmallows to succeed in this swashbuckling quest and defeat the Sea Witch threatening Fishopolis.

"The daughter of Freddy Trump, the highly accomplished, dashing eldest son of wealthy real estate developer Fred Trump, ... Mary lived in the shadow of Freddy's humiliation at the hands of his father. Fred Trump embodied the ethos of the zero-sum game and among his five children, there could only be one winner. That was supposed to be Freddy, his namesake, but Fred found him wanting--too sensitive, too kind, too interested in pursuits beyond the realm of the real estate empire he was meant to inherit. In Donald, Fred found a kindred spirit, a 'killer,' who would stop at nothing to get his own way. ... At the age of forty-two, [Freddy] succumbed to Fred's lethal contempt and died alone in an emergency room. ... Mary Trump brings us inside the twisted family whose patriarch ignored, froze out, and eventually destroyed his own. Freddy Trump's decline into alcoholism and illness, along with [his wife] Linda's suffering after their divorce, left Mary dangerously vulnerable as a very young girl. Inadequately and only conditionally loved, there were no adults in her life except for the father she loved, but lost before she could know him; and a mother abandoned by her ex-husband's rich and powerful family who demanded her loyalty but left her with nothing"

In the three works contained in this volume, written in 1797-8, Bentham offers a detailed exposition of his plan for the reform of the English poor laws. In 'Pauper Management Improved' and the closely related 'Situation and Relief of the Poor' and 'Outline of a work entitled Pauper Management Improved', Bentham proposes the provision of poor relief in 250 Panopticon Industry Houses, each accommodating 2,000 people, owned and managed by a joint-stock company, the National Charity Company. The dependent poor were to be occupied primarily in the production of their own subsistence, while the Company's viability depended on the indenture until the age of 21 of a rapidly expanding number of children, whose relative productivity would cross-subsidize the provision of relief to the sick and the elderly. Bentham presents his Principles of Management (all intended to unite interest with duty), proposes the provision of Appropriate Establishments for people with disabilities (intended to enhance their productivity, and thereby their life-chances), describes the educational syllabus to be provided to pauper children, and compares the relative strengths and weaknesses of public versus private provision of relief. The volume contains an Editorial Introduction which explains the provenance of the text, and the method of presentation. The texts are fully annotated with textual and historical notes, and the volume is completed with detailed subject and name indices.

What do the power rock band Aegis, multimedia superstar Vice Ganda, queer zombie film Zombadings, and glocalized movement P-Pop have in common? These subjects of Philippine pop culture embody novel convergences in aesthetics, style, tone, and thematic content culled from local, regional, and global ideas. Pop Convergence explores the contemporary pop music and related multimedia cultures of Manila, the center for commercial entertainment industries in the Philippines. At the turn of the twenty-first century, the country was recovering from decades of political mayhem and economic turbulence against a backdrop of swelling class divide and the maturation of mass media. Distinct from the somberness of nationalist anthems, Western music covers, and protest songs of prior years, the creative industries of new-millennium Manila generated a multimedia movement emphasizing kitsch, parody, and overstatement. These works, author James Gabrillo claims, can be read as complex expressions of consumer fatigue, ironic self-consciousness, and instinctive reclamation of social power by the creative working class. This entertainment industry developed a buoyant system of mass culture, filtered through the demands of postcolonial, postmodern Manila's broadening capitalist media enterprises. Pop Convergence locates the hallmarks and contributions of this scene within an assortment of platforms--on screens, via streams, and on the streets-- to explore musical sequences in cinema, reality television spectacles, melismatic power ballads, song-and-dance contests, musical comedy bars, and viral virtual sensations. Dissecting these arenas of musical articulation and negotiation, Pop Convergence metaphorizes the interplay within Manila's contemporary networks of artistic production, power, and spectatorship as a complex patchwork of convergence. This multimedia patchwork is framed not simply as a culmination of tradition stained by outside influence but as a fascinating force resulting from endless confrontation.

The inclusion of marginalised groups is a problem of modern democratic societies as representative democracy is built on principles which favour the majority. Around the world, some sections of society are silenced and actively excluded--including women, migrants, refugees, LGBTIQ, indigenous communities, and ethnic minorities, among others. The voice of the majority is used to contain, diminish, and oppress minorities through institutional racism, violence, erasure from public life, socio-economic exclusion, and gender inequality. As marginalised people around the globe rise up to challenge political regimes, there is a pressing need to understand what political voice is, why is it vital to marginalised and excluded people, and examine its transformative potential. In Political Voice, Aidan McGarry examines the agency of marginalised people, emphasizing the processes and strategies through which different communities around the world articulate their political voices. McGarry develops an innovative concept of political voice around three elements: autonomy, representation, and constitution. This conceptualization is illustrated through contemporary case studies of two persecuted and silenced groups: LGBTIQ activists in India and Roma mobilization in Europe. The cases show how excluded people articulate their ideas, demands, hopes, and experiences, and what impact these interventions have on democratic institutions. By focusing on the political voices of marginalised groups, McGarry considers democratic expression beyond the ballot box, examining how the articulation of political voice constitutes marginalised groups and democracy itself.

How laws are created, shaped, and applied is a significant but often overlooked component of studies on armed conflict. Almost every contentious legal question involves aspects of law-making and shaping, be it the determination of a rule's scope of application, whether and how to regulate a "new" situation, or determining which sources and materials to take into account. As such, all who operate in this space - whether academic, practitioner, policy-maker, or legal advisor - must appreciate and understand the forces, factors, and actors which converge to make and shape the ever-developing law of armed conflict. This volume brings together several key contributors to explore this making and shaping in depth. A variety of aspects of law-making and shaping are analyzed, from the methodology behind identifying principles and rules of law, to what weight should be given to the views of particular actors, to the various forums where the law is made and shaped. It examines foundational materials of the law of armed conflict including the 1949 Geneva Conventions and considers the influence of a wide scope of actors, ranging from States, the International Committee of the Red Cross, and international courts and tribunals through to expert groups, commissions of inquiry, and non-state armed groups. This volume also asks us to broaden our gaze beyond spaces where the law is traditionally created to uncover different types of making and unmaking

What is a feminist theologian to do with Christianity's patriarchal inheritance? She can avoid the most patriarchal aspects of the theological tradition and seek resources for constructive work elsewhere. Or she can critique misogynistic texts and artifacts, exposing their strategies of domination to warn against replicating them. Both approaches have merits and yet, without other interpretive strategies, they reaffirm that the theological tradition does not belong to women and others marginalized by gender. They cannot transform the discourse. But within feminist theology are the seeds of another approach, aimed at just such transformation by reworking the theological landscape to become hospitable to all those marginalized by gender. Attunement: The Art and Politics of Feminist Theology identifies trajectories resonant with this alternative approach and from them, describes and develops attunement as a third, generative path for feminist theologians. Attunement is an aesthetically-invested approach to texts and artifacts that self-consciously co-creates as it interprets. Aware of what the text affords the reader, attunement constellates images, texts, and insights to build or augment positive affordances in the text and diminish negative ones. Natalie Carnes describes why this approach is significant for feminist theology, maps its roots in a long history of gender-marginalized individuals claiming authority, describes how it casts interpretation as both an aesthetic and political event, and notes how it might provide a way forward in vexed topics in feminist theology.

The evolution and spread of Protestantism has been shaped largely by its focus on reading and interpreting the Bible. For evangelists in late-nineteenth-century Brazil, the promotion of literacy was key to spreading the gospel throughout the country, a fact that shaped the communities and cultures that grew up around the faith. In this book, Pedro Feitoza explores the intricacies of the early history of Brazilian Protestantism through an analysis of the production and circulation of evangelical texts. He examines the experiences, aspirations, and ideas of key missionaries, ministers, schoolteachers, and booksellers, whose proselytism was dependent on the distribution of religious texts and who went to great means to support the publication and circulation of this work. Through the pages of such texts, evangelical ministers and writers projected themselves and their religious communities into the public debates of their era. This book uncovers how foreign missionaries and local religious experts navigated among multiple conceptual and ideological landscapes and transmitted Protestant ideas and theology to the Brazilian public, while simultaneously promoting their religious and socio-political arguments. Considering an array of periodicals, tracts, books, missionary correspondence, conversion narratives, and autobiographies from the late 19th and early 20th centuries, Feitoza evaluates both these texts' ideas and ideologies and the practices that emerged in their wake. Propagandists of the Book provides a nuanced and comprehensive view of religious change during this time.

Scholars of religion have mostly abandoned the concept of "syncretism" in which certain apparent deviations from "standard" practice are believed to be the result of a mixture of religions. This is particularly relevant to Thailand, in which ordinary religious practice was seen by an earlier generation of scholars as a mixture of three religions: local spirit religion, Hinduism, and Buddhism. In part, the perception that Thai Buddhism is syncretistic is due to a misunderstanding of traditional Buddhism, which has always accepted the existence of local spirits and gods. Nevertheless, there are aspects of Thai Buddhist practice that still stubbornly appear syncretistic. Moreover, Thai Buddhists themselves are increasingly adopting the language of syncretism, referring to traditional Thai religion as a mixture of local, Hindu, and Buddhist practices. This raises the question: If syncretism is so wrong, then why does it seem so right? In Holy Things, Nathan McGovern answers this question through an in-depth study of the worship of spirits, gods, and Buddha images--all known as sing saksit, or "holy things"--in Thailand. He takes the reader on a historical and genealogical journey, showing how the category saksit began as a term to describe a power that is inherent to gods and spirits and accessible to Brahmans. Only later, when it was used in the nineteenth century to translate the Western concept of the "holy" did it become associated with Buddhist practice. McGovern shows that what appears to be syncretism is actually an illusion. The worship of "holy things" is not a mixture of different religions, but the category of "holy things" is a mixture of different ways of talking about religion.

Increasingly, political parties have adopted not only different policies, but different sets of facts. As E.J. Fagan argues, partisan think tanks have helped create these alternate realities in their capacity as de facto formal party organizations. Through the analyses generated by aligned think tanks, political elites on both the left and right frequently offer radically different assessments of a policy's consequences, such as the effect of tax cuts on deficits or the impact of environmental regulations on economic growth. In The Thinkers, Fagan tells the story of how partisan think tanks--such as the Heritage Foundation and Center for American Progress--displaced non-partisan experts to become the closest policy advisors to the Republican and Democratic Parties. He explores their history, how they influence policymakers, and how their influence impacts the polarization of American politics. More broadly, Fagan shows that the rise of partisan think tanks tracks closely with the increase in political polarization since the 1970s. Because they are funded and staffed by strong ideologues, partisan think tanks seek to move their party's preferences to the left or right of center. When they are successful, parties take more extreme positions than if they had only drawn information from non-partisan sources, which increases polarization. A powerful account of the impact of partisan think tanks on American democracy, The Thinkers will reshape our understanding of the fundamental drivers of the US's polarized political system.

"Ah, alas!" The "faithful shepherd" Mirtillo's woeful sigh of unrequited love, delivered with outrageous musical dissonances, has rung through the ages since the first publication of Claudio Monteverdi's madrigal "Cruda Amarilli" in 1605. But there is far more to the composer's nine books of madrigals than dissonant progressions--they are an integral part of the intellectual, artistic, and practical worlds of creation and performance in Italian musical and literary culture of the late sixteenth and early seventeenth centuries. While Monteverdi is also recognized for his operas and sacred works, it is no surprise that the madrigal dominated his output through his long career in Cremona, Mantua, and Venice. Author Tim Carter illustrates how the composer's wonderfully witty settings of Italian verse ran the gamut from compositions in the traditional polyphonic style for five unaccompanied voices to those in more modern idioms for one or more singers and instruments. Their poets included the major figures of the day--Torquato Tasso, Battista Guarini, and Giambattista Marino--as well as the classics, not least of all Petrarch, with texts that embraced all the current literary genres from lyric through epic to dramatic. Monteverdi also repeatedly asked and answered the fundamental question of any musical setting of poetry concerning the relationship between poetic and musical voice(s). Carter offers a more holistic perspective than has been adopted in the partial studies of Monteverdi's madrigals to date and moves far beyond conventional views of the composer and his work. He considers how Monteverdi engaged with poetry, with sound, and with the performers for whom he was writing. As Carter shows, Monteverdi was irascible, exasperating, and prone to error. Yet his astonishing musical mind was also inventive, playful, and capable of the most extraordinary wit--producing madrigals that continue to invite new approaches both to their study and to their performance.

In Buddhist cosmology, pretas make up one of several categories of rebirth. They are best known as "hungry ghosts," pitiful beings with miniscule mouths and bloated stomachs whose state of extreme starvation is a result of stinginess and immorality in a former life. But they were not always portrayed in this way. Of Ancestors and Ghosts traces the construction of the Buddhist realm of the pretas through narrative literature composed in Pali and Sanskrit in the first millennium of Buddhism's development in South Asia. By exploring issues such as where the departed go after they die, how the living can assist the dead in the next world, and how the departed fits into a karmic cosmology, Buddhist monks used these stories to construct the preta realm and, with it, Buddhist cosmology as we know it today. In the process they established themselves as religious experts concerning the dead. Of Ancestors and Ghosts illustrates the importance of narrative for the construction of religious cosmologies, showing that cosmologies come into formation over a long, cumulative process. Far from being simple morality tales, preta literature helped develop and articulate Buddhist understandings of actions and their fruits. In the process, these narratives portray ethical cultivation as inherently connected to the cultivation of bodies. As a result, stories about pretas speak to the vast range of embodied experiences in the Buddhist cosmos, including the intersection of human/non-human identity and class, caste, gender, and sexuality. These stories help model and elicit aesthetically informed embodied experiences that are themselves ethically formative. As a result, preta literature highlights the enduring importance of emotions and embodiment on the Buddhist path to awakening.

Why a thoroughly updated and revised second edition of this book about theories of disease distribution, in past and present societal and ecological context? Because the lived realities and ideas, data, and disinformation about the people's health are dynamic, not static. The first edition, published in 2011, addressed a major problem: although epidemiology is often referred to as the science of public health, unlike other sciences, its theoretical foundations are rarely articulated. While the idea of epidemiologic theory may seem dry and arcane, it is at its core about explaining the people's health. Drawing on new scholarship and providing new examples, this new edition of Epidemiology and the People's Health extends its analysis of theories employed to explain patterns of disease in their societal and ecological context and explicates how epidemiologic theory has long shaped epidemiologic practice, knowledge, and the politics of public health. The range of theories spans from ancient Greece and China and different strands of traditional medicine to the 19th-century rise of epidemiology as a scientific discipline on through the present and contrasts the currently dominant theories -- biomedical and lifestyle -- to their social epidemiologic alternatives: sociopolitical, psychosocial, and ecosocial theory of disease distribution. Central to the argument of this book is that explicit use of- and debates over -- epidemiologic theories of disease distribution will improve the odds of producing epidemiologic knowledge truly useful for preventing disease, improving the public's health, and advancing health justice.

"It was the objection of David Hume," Kant says, "that first interrupted my dogmatic slumber;" "it was the fourfold Antinomy," he later says, "that first woke me from dogmatic slumber." The first statement has been taken to mean that the Critique of Pure Reason is a refutation of Hume's skepticism. The Antinomy, however, like ancient skepticism, uses skeptical method to attack dogmatism. Is the Critique a refutation of skepticism or its heir? In The Skeptical Roots of Critique, Abraham Anderson shows that Kant's Critique of Pure Reason is the heir to Hume's skepticism about metaphysics. In showing that the Antinomy flows from Hume's skepticism, this work connects Kant with the skeptical tradition reaching back to the ancients. In his Enquiry, Hume hints that both Samuel Clarke's theism and the dogmatic materialism he seeks to refute are underwritten by the rationalist causal principle that nothing comes from nothing, and that the clash between the two issues in a skeptical antithetic. In his Émile, Rousseau too saw Clarke's refutation as issuing in an antithetic. These works inspired the first version of Kant's Antinomy, the Dreams of a Spirit Seer; fifteen years later, Hume's Dialogues inspired the mature Antinomy of the Critique. Like Hume's Enquiry and Dialogues and Rousseau's Émile, the Critique is part of the battle for Enlightenment, the struggle against the 'despotic' reign of theological dogmatism.

Suffering is an unavoidable reality in healthcare. Not only are patients and families suffering, but more and more the clinicians who care for them are also experiencing distress. The omnipresent, daily presence of moral adversity is, in part, a reflection of the burgeoning complexity of healthcare, the clinician's role within it, and the expanding range of available interventions that must be balanced with competing demands. There is an urgent need to design solutions that address the myriad factors that create the conditions for imperiled integrity within the healthcare system. Moral resilience is a pathway to transform the effects of moral suffering in healthcare. Cynda Hylton Rushton and colleagues offer a novel approach to addressing moral suffering that engages transformative strategies for individuals and systems alike and leverages practical skills and tools for a sustainable workforce. By taking this approach, healthcare professionals will be able to dismantle the systemic patterns that impede ethical practice, do so with integrity, competence, and wholeheartedness. This is a must-read for clinicians and front line-nurses, physicians, system leaders, and policymakers, as it will require collective collaboration, aligned values, shared language, and intentional design to make our healthcare organizations and their clinicians healthy again.

Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.

Since the release of Jordan Peele's Academy Award-winning horror hit Get Out (2017), interest in Black horror films has erupted. This renewed intrigue in stories about Black life, history, culture, or "Blackness" has taken two forms. First, the history and politics of race have been centered in the horror genre. Second, Black horror has become an increasingly visible topic in mainstream discourses with scholars, critics, and fans contending that Black horror is seeing its so-called renaissance. However, critical attention to Blackness in horror has primarily focused on the U.S. and western world, despite Black stories having featured prominently in the genre-as actors, screenwriters, directors, producers-globally and across cultures. The essays in this handbook explore global Black horror cinema by interrogating Blackness and the ways in which it manifests in films across the diaspora and around the world. Chapters pose and answer questions including how taxonomies of race are presented; who is considered "Black?"; how is Blackness constructed in the culture in which it is produced and/or distributed?; How is horror defined and represented globally and/or culturally?; and what textual role does Blackness play in horror? Sophisticated, innovative, argument-driven research that brings to bear the most enlightened reflections upon Black horror's place in the world drives this handbook. Significantly, The Oxford Handbook of Black Horror Film presents expansive scholarship about Blackness, expanding the ways in which researchers, critics, and fans see and make meaning of Black experiences. In this volume, leading scholars from around the world contribute provocative, worthy examinations of the popular genre of horror in all its rich and empowering possibility.

An intricate portrayal of the early American settlers who came to be known as Scotch-Irish, who through collusion and bloody conflict acted as the tip of the spear for white colonial expansion into Indian lands, embodying what became the American pioneer spirit. Hard Neighbors highlights stories that have been subsumed by terms such as "English settlers" and "American expansion" and traces shifting relationships involving Scotch-Irish people living on the frontier, neighboring Indian peoples, and more distant governments. It follows the people who came to be known as Scotch-Irish from their genesis on a colonial borderland on one side of the Atlantic to their role in the borderlands of Indian country on the other. It traces their relations with Native Americans over time and across the continent, examines their experiences as marginalized and expendable people living between colonial powers and Indigenous peoples, and demonstrates their roles as protective and disruptive forces on the hard edge of colonialism. The Scotch-Irish fought Indian wars and shaped the frontier, and their experiences living near and fighting against Indians shaped their identity and their attitudes towards government. They influenced national attitudes and policies, and they transformed Indian people into racial others as they transformed themselves into Americans. The story this book tells is less about the Scotch-Irish as a distinct ethnic group than as a people in motion who, in collusion and conflict with colonial authorities, repeatedly inserted themselves on Native land. Instead of a tale of unified westward expansion, it recovers the experiences, encounters, and humanity of groups of people enmeshed in the violence of colonialism and reconstructs the roles of multiple peoples placed as buffers between competing powers. Expansion, and the accompanying expulsion and killing of Indian people, helped to create American unity and identity and, ultimately, made the Scotch-Irish Americans. Once marginalized as little better than Indians, they reaffirmed their reputation as Indian killers and made a place for themselves in America, as Americans.

Harold Arlen and His Songs is the first comprehensive book about the music of one of the great song composers of the twentieth century. Arlen wrote many standards of the American Songbook-including "Get Happy," "Over the Rainbow, "Stormy Weather," "Come Rain or Come Shine," and "The Man That Got Away" - that today rank among the best known and loved. Author Walter Frisch places these and other songs in the context of a long career that took Arlen from Buffalo, New York; to Harlem's Cotton Club; to Broadway stages; and to the film studios of Hollywood. Even with their complex melodies, harmonies, and formal structures, Arlen's tunes remain accessible and memorable. As Frisch shows, he blended influences from his father's Jewish cantorial tradition, his experience as a jazz arranger and performer, and peers like Gershwin, Kern, and Berlin. Arlen always emphasized the collaborative nature of songwriting, and he worked with the top lyricists of his day, including Ted Koehler, Yip Harburg, Johnny Mercer, and Ira Gershwin. Harold Arlen and His Songs is structured around these and Arlen's other partnerships, analyzing individual songs as well as the shows or films in which they appear. The book also treats Arlen's performances of his own music as a vocalist and pianist, through numerous recordings and appearances on radio and television. A final chapter explores the interpretations of his songs by great singers, including many who worked with him, among them Ethel Waters, Lena Horne, Judy Garland, Frank Sinatra, and Ella Fitzgerald.

Evidence from two highly regarded three-decade NIMH follow-up studies of schizophrenia and other psychoses, conducted by Courtenay Harding and her research team, have revealed that one half to two-thirds of even the most disabled schizophrenia patients achieved significant improvement, and even recovery, over time. These findings are consistent with those from nine other decades'-long studies from across the world, as well as many shorter-term investigations as well. But the field of psychiatry has nevertheless largely failed to accept that recovery is possible for most psychotic patients. Recovery from Schizophrenia provides numerous examples of patients becoming productive citizens, overcoming difficult starts in early life, alongside exciting program strategies and additional research evidence - evidence that provides a blueprint for both how to build new and successful mental health systems, and how to significantly improve clinical training programs. Unfortunately, most service systems still provide primarily stabilization, maintenance, medications, and entitlements under the new guise of rehabilitation. Critical changes need to occur in public policy, funding mechanisms, program design, and new clinical expectations to improve patient care-all of which will promote much more significant improvement and recovery. Discussion of these critical issues is presented here in accessible prose, allowing readers from a range of backgrounds - families, clinicians, and researchers alike - to experience the ups and downs of an entire field trying to solve the puzzle of recovery from schizophrenia in the usual settings. Recovery from Schizophrenia is the remarkable story of these patients and the scientists and caring professionals who refused to let go of hope for better outcomes.

Adolescence is widely viewed as the most difficult stage of parenting. Yet despite its importance, we have a limited grasp of what it actually takes to help teens through adolescence. In Letting Go, Demie Kurz offers a deeper understanding of the demanding work of parenting teens and sheds new light on what it takes to produce a "successful child." Based on numerous interviews with a diverse group of mothers, Kurz details the negotiations with teens and young adults as well over control, trust, and letting go to offer an invaluable portrayal of the of the real dilemmas contemporary parents face day-to-day. At a time when the transition to adulthood has become longer and more challenging, Letting Go offers a nuanced, candid portrait of the deeply emotional dynamics involved in raising adolescents and young adults, and the ways social policy can play a key role in helping young people succeed.

What is hope? In the history of western philosophy to the present day, there is tremendous disagreement about the answer to this seemingly simple question. Contemporary philosophical literature on hope on the subject is robust, complex, and full of interesting debates. Whether hope is good or bad, and whether we should focus not on hope, but on hopes, hoping, or hopefulness, as some contemporary philosophers argue, are contested questions. This volume features eleven chapters by scholars from different disciplines, each providing a unique perspective on hope. It includes discussion and analysis of classical texts, Judeo-Christian traditions, non-religious contexts, epistemology, existentialism, Black oppression, Zen Buddhism, eschatology, theological anthropology, psychology and optimism, culture, education theory, and climate change. Hardly any stones are left unturned in this interdisciplinary collection of one of philosophy's most vexing virtues. The study of hope is ongoing in many fields. This volume will be useful to scholars in a variety of disciplines who wish to learn more about hope, and to contribute to the myriad discussions currently taking place.

The second edition of A Country Called Prison discusses how mass incarceration has led to a population of individuals inside the United States who have become legal aliens in their own land, and addresses the consequences. Besides discussing the evolution of the problem, it poses practical solutions to correct the path on which this country is set.

Free Exercise is an innovative contribution to both United States constitutional history and the history of religious toleration in the United States. It traces the routes by which Americans arrived at the First Amendment's religious clauses, the cultural currents that shaped their meaning, and the consequences that flowed from them.

Building on the best-selling tradition of previous editions, The World of Myth, Fourth Edition, offers a uniquely comprehensive collection of myths from numerous cultures around the globe. Featuring a thematic organization, it helps students understand world mythology as a metaphor for humanity's search for meaning in a complex world. Author David Leeming provides a sweeping anthology of myths, ranging from ancient Egypt and Greece to the Polynesian islands and modern science. Students will be captivated by stories of great floods from the ancient Babylonians, Hebrews, Chinese, and Mayans; tales of apocalypse from India, the Norse, Christianity, and modern science; and myths of the mother goddess from Native American Hopi culture and James Lovelock's Gaia. Leeming has culled myths from Aztec, Greek, African, Australian Aboriginal, Caribbean, Japanese, Muslim, Hittite, Celtic, Chinese, and Persian cultures, offering one of the most wide-ranging collections of what he calls the "collective dreams of humanity."

Animal Behavior: Concepts, Methods, and Applications uses a conceptual approach that puts the process of science and applications front and center. Animal Behavior has garnered praise from reviewers for its accessibility, student engagement, and profound exploration of major concepts and empirical methods in animal behavior. The goals of this text are to allow students to learn how knowledge about animal behavior is generated and to promote an inquiry-based process. This approach helps students understand the research that illustrates major concepts in animal behavior. Each chapter is built around four to six broad organizing concepts, emphasizing an in-depth exploration of carefully selected ideas, and offering students a clear learning progression and a solid framework for scaffolding their knowledge. Each concept is illustrated using research from primary literature, emphasizing the methods of the featured studies.This edition prominently features research from a diverse set of scientists, paying attention to gender equity, geographic diversity, and researchers from underrepresented groups. Incorporating scientists from a broad set of backgrounds demonstrates to students that there are scientists conducting animal behavior research who may be just like them.