Bøger udgivet af Otago University Press

Lyndy McIntyre's Power to Win tells the story of the living wage movement in Aotearoa New Zealand. The living wage movement is grounded in the fundamental belief that all New Zealanders should be paid enough to meet their needs, enjoy their lives and participate in society. Yet, from the 1980s, with the gap between rich and poor growing and poverty increasing, more and more workers could no longer afford to aspire to this quality of life. The question of how to rectify resultant social inequities was becoming urgent.In Power to Win, McIntyre documents the history of the Living Wage Movement Aotearoa New Zealand from these roots to the present day. This is the story of the movement's efforts to lift the wages of the most disadvantaged people in our workforce - women, M¿ori, Pacific Peoples, migrants and refugees, and young workers. McIntyre provides a window into the lives of these workers and those committed to ending in-work poverty: the activists, faith groups, unions and community organisations who come together to tilt the axis of power from employers to low-wage workers.Power to Win is the record of an extraordinarily successful movement. It is a celebration of hope and an inspiring read. This book shows that communities have power and that change can happen.

The Twisted Chain combines a personal story about the impacts of rheumatic fever in Jason Gurney's family with an exploration of the multifactorial causes of rheumatic fever, investigating the reasons for the shockingly high rates of rheumatic fever in New Zealand's M¿ori and Pasifika communities.

Bob Crowder: A New Zealand organics pioneer, by leading garden historian Matt Morris, tells the story of Bob Crowder''s life and his role in the birth of the organics movement in Aotearoa New Zealand.Growing up in wartime Britain, the peaceful pursuit of gardening was young Bob''s refuge.He later became an innovative horticulturalist and early champion of regenerative agriculture. After emigrating to New Zealand in the early 1960s, Crowder established the country''s only university-based organics research unit at Lincoln, where he experimented with new techniques and plant varieties and inspired generations of students.A controversial figure within orthodox agricultural science, Crowder''s impatience with bureaucracy and criticism of industrial growing methods brought him into conflict with the mainstream. From the late 1970s on, he became an outspoken advocate of organics, helping to build a sector now worth hundreds of millions of dollars.To those who knew him, Crowder was a larger-than-life character, pragmatic and visionary, but his homosexuality also made him an outsider in many ways, and he wrestled with the impact of homophobia throughout his career.Scrupulously researched, drawing on extensive interviews with Crowder, and accompanied by full-colour illustrations, Bob Crowder: A New Zealand organics pioneer captures a complex man whose legacy goes beyond his achievements in horticulture.

Robert Lord (1945- 1992) is an important figure in the history of literature and theatre in Aotearoa New Zealand. Co-founder of Playmarket and author of Well Hung, Bert and Maisy and Joyful and Triumphant, Robert Lord wrote incisive and often satiric radio and stage plays, experimenting with traditional theatre forms and incorporating queer characters at a time when almost nobody else did. His diaries, which record his life from 1974, when he first moved to New York, until his death in Dunedin in 1992, capture the highs and lows of his writing practice, the theatre world and his social life. Revealing the dramatic contrast between life as a gay man in 1970s and 80s New York - a world of sex, drugs and socialising - and provincial New Zealand, with its respectable living rooms, fields of carrots and the occasional homoerotic demonstration of sheep shearing, his diary entries tell of torn loyalties and reveal the intense creative momentum Lord forged from his dislocated, outsider status.

Tung is the keenly anticipated debut collection from award-winning Otepoti-Dunedin poet, Robyn Maree Pickens. Earth-centred and life-affirming, these poems offer sustenance and repair to a planet in the grips of a socio-ecological crisis. Pickens is an eco-pioneer of words, attuned to the fine murmurings of the earth and to the louder sound and content of human languages (English, Spanish, Japanese and Finnish). She finds and draws out the beauty in both. Hers is a unique response, linguistically rich and innovative, pushing at received notions, challenging the zeitgeist, alive with innovative typographic and sonic creativity. Tung is not afraid of new shapes or new rhythms, orchestrating a gorgeous score that testifies to the shared relationship between the human and non-human worlds. Over the roar and the din, Robyn Maree Pickens creates her sound. And it sounds like hope.

At the Point of Seeing is the extraordinary debut collection from Otepoti Dunedin poet Megan Kitching. Poised, richly observant and deftly turned, Kitching's poems bestow a unique attention upon the world. Her eye is finely attuned to the well-trodden yet overlooked - the places between ' dirt and thumb' or ' together and alone' - and especially the weedy, overgrown and pest-infested places where the human impulse to name, control and colonise meet nature's life force and wild exuberance. These compelling poems urge the reader to slow down and give space to the living, moving, breathing environment that surrounds them. ... the garden is making something of you, situated on the border of dirt and thumb, the corner with its stepover wall where two streets grow neighbourly and flora and animal meet. -- from ' Growing Advice'

"Beautifully written and illustrated with maps and stunning photography, Katherine Mansfield's Europe is part travelogue, part literary biography, part detective story and part ghost story. Guided by Mansfield's journals and letters, Redmer Yska traces her restless journey in Europe, seeking out the places where she lived, worked and died."--

"Aftermaths explores the life-changing intergenerational effects of colonial violence in Aotearoa New Zealand, Australia and the Pacific. The settings of these accessible, illustrated short essays range from Orakau pa in the Waikato to the Kimberleys in northwest Australia, from orphanages in Fiji to the ancestral lands of the Wiyot Tribe in Northern California. Story by story, this collection powerfully reveals the living legacy of historical events, showing how they have been remembered (and misremembered) within families and communities into the present day. Editors Angela Wanhalla, Lyndall Ryan and Camille Nurka have invited a group of prominent scholars to write about colonial histories by reflecting on a range of events through a variety of perspectives, including personal experiences, family stories, collaborative research, oral and literary histories, commemoration activities and contemporary artworks. The result is a readable, informative and often extremely moving book that makes an essential contribution to our knowledge of the effects of colonial violence and dispossession."

In this wry and witty collection--addressed to the first interstellar object ever to be detected in our solar system--James Norcliffe applies a cool, clear eye to human life on Earth. Our foibles and absurdities are laid bare, but so too is the human capacity for love, desire, sorrow, and regret. Norcliffe's succinct observations traverse the personal and the political. Grounded in the local but encompassing the global, they range through subjects such as commuting, insomnia, and faltering health to the contemplation of current events and issues such as gun violence and climate change. The landscapes and settings of these poems are vividly evoked, often in terms of human impact. Birds, 'knowing what we are, ' take flight at the approach of a person; a coal range is the acknowledged centre of a West Coast family's survival. Often very funny, and always deeply felt, Norcliffe's Letter to 'Oumuamua describes a world where every day is both everyday--gritty, material, bread-and-butter--and also luminous and precious: a 'day like no other.'

Respirator is a sumptuous celebration of David Eggleton's tenure as the Aotearoa NZ Poet Laureate (2019-22). In this collection, Eggleton explores how the social changes and upheavals of the past four extraordinary years manifested in Aotearoa NZ, from the impact of living through a pandemic to ecological concerns, technological changes, and shifting viewpoints about identity and global consumerism.

Landfall is New Zealand's foremost and longest-running arts and literary journal. Published twice a year, each volume showcases two full-colour art portfolios and brims with vital new fiction, poetry, cultural commentary, reviews, and biographical and critical essays. In the 2022 Spring edition, Landfall 244, Lynley Edmeades brings together a range of voices and perspectives, from established practitioners to emerging voices.

Histories of Hate explores intolerance and extremism in Aotearoa New Zealand, from the emergence of the precursors to the radical right during British settlement in the late nineteenth century to today's QAnon conspiracists and keyboard warriors. A definitive, benchmark text, this volume sheds light on the social and cultural intolerances that continue to shape New Zealand society to this day.

In Rogelio Guedea's bold new poetry collection, O me voy o te vas / One of us must go (with English translations by Roger Hickin), love is a powerful magnet that attracts and repels in equal measure. In language both lyrical and spare, Guedea examines what it means to share one's life with another person and questions whether--and how--love can survive reality's steady tap-drip repetitions.

In Fossil Treasures of Foulden Maar, authors Daphne Lee, Uwe Kaulfuss, and John Conran share their passion and knowledge for Foulden Maar in Otago, New Zealand, a paleontological site of international significance and home to countless rare, well-preserved fossils. This beautifully illustrated book reveals the unique paleontological discoveries that have been made to date, taking a snapshot of changing life and ecosystems at the beginning of the Miocene and paying tribute to the scientific researchers who have helped bring Foulden Maar's scientific marvels to the surface.

Naming the Beasts is a menagerie of poems about the gnarlier aspects of being a creature of this world. Within these pages wilderness and suburbia collide. The 'I' in these poems takes many forms: a wolf, a waterbuck, a bird 'stuck circling the carnage.' Whether soaring above or prowling through the neighbourhood, Morton's beasts bear witness to an unremitting vision of pain and ecological damage. As the flames climb higher, the beasts in this collection are left to wander and live out their lives. There is love and loneliness, passivity and rage. Yet there is always hope. Hoof and hide, fang and gut, these images and insights are those of an artist in a war zone intent on chronicling beauty in a world that's falling apart. Morton's poems take a bite out of the world around us, as they explore reality through the vitality and immersiveness of their imaginative powers.

Landfall is New Zealand''s foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays and cultural commentary. Each issue brims with a mix of vital, fresh work from Aotearoa''s newest writers, alongside well-known and established authors such as Vincent O''Sullivan, Catherine Chidgey, Breton Dukes, C.K. Stead, Albert Wendt, Cilla McQueen, Selina Tusitala Marsh and David Eggleton. Landfall also features art portfolios in full colour and reviews of the latest New Zealand books.

Winner of the Kathleen Grattan Poetry Award 2021, poet Michael Steven's Night School explores the gap between fathers and sons, the effects of toxic masculinity, how power corrupts and corrodes, and whether weed, art, and aroha can save us in a godless world.

After Sarah Jane Barnett had a hysterectomy in her forties, a comment by her doctor that she wouldn' t be "e; less of a woman"e; prompted her to investigate what the concept of womanhood meant to her. Part memoir, part feminist manifesto, part coming-of-middle-age story, Notes on Womanhood is the result.

"Draws on a wealth of nurses' personal stories to explore the development of a distinctive Kiwi nursing culture ... that emerged in a range of different settings and circumstances, from homes, hospitals, rural backblocks and Måaori settlements to war, disaster zones and pandemics"--Back cover.