Bøger udgivet af Omni Music Press

THE UNABRIDGED CIRCLE OF FIFTHS This volume is dedicated to showcasing all diatonic material found in each and every key of music that exists on the circle of fifths. The term diatonic realm is used in this book to describe that musical realm of material which is only of the given key as found on the circle. That diatonic material is and does remain musical, yet has an end. And because of this trait, it is subject to full documentation. For that is, essentially, the service this music reference provides, as all that exists in the diatonic realm remains its only focus. From the most frequently used key signatures, to the more common chord progressions, from every diatonic triad chord, to every color tone, seventh chord and extension, all is captured right here at your fingertips! And most importantly, each key of music receives identical treatment. There are no musical shortcuts of any kind taken as all enharmonic equivalent keys are fully showcased.

This LITTLE GUITAR BOOK THAT COULD showcases the popular C A G E D guitar chord and scale sequence exclusively in the THRITEENTH POSITION for all to see and use. The book incorporates four different chord types, the augmented, major, minor and diminished, along with four different scale types, the descending melodic minor, harmonic minor, melodic ascending minor and major. The pentatonic minor scale is placed below the usual descending melodic minor example in this book, and all modes are considered to be derived from the major scale. Before thumbing through this book, there are some subject areas that the guitarist needs to be reminded of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the THIRTEENTH POSITION and it spans a full two octaves plus a perfect fourth when in standard tuning. Also, the second and third fingers on the fretting hand remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and/or fourth finger to stretch that additional fret. It is very important that the guitarist understands this at the entry levels of instruction. As for the picking hand, a one-three-five, two-four-six string picking pattern also occurs. This very useful and important picking pattern involves every other string and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the G root on the first or thinnest guitar string. Start by picking the high G there (first string, third finger); then A (third string, second finger); C (fifth string, third finger); D (second string, third finger); E (fourth string, second finger) and conclude with the low G (sixth string, third finger). The string pattern (one-three-five, two-four-six) fits the fingers and is looped, forwards or backwards (six-four-two, five-three-one) as the G root notes found on the first /sixth string(s) are deemed interchangeable. Also, there are three music terms that need some brief clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Main root notes are a specific set of root notes that generally fall or cluster together under the second and third fingers of the fretting hand when in a guitar position. They are used to help orientate the finger work involved. Once the placement of each main root note is memorized or learned, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps to memorize and learn their location, even though occasionally there will be two strings and or two frets involved. The same concept still applies when string skipping. The last musical term in question is unison, a term that defines when two or more music notes sound the same pitch. In guitarland, it means "same note different string or fret" and it is implied that the unison occurs in the given guitar position at hand. So that's it! Simple and clear, no other guitar book offers the reader what THE LITTLE GUITAR BOOK THAT COULD does. It's practical, uncomplicated, straightforward and easy to use, mostly because its visual based. It's "picture worth a thousand words" format allows one to take full advantage of the fretboard material straight away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding new twists and turns to your own technique. THE LITTLE GUITAR BOOK THAT COULD also contains generous amounts of manuscript and tablature paper too, for any music journaling. As always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your library repertoire of fretboard knowledge needs...E

This LITTLE GUITAR BOOK THAT COULD showcases the C A G E D guitar chord and scale sequence exclusively in the TENTH POSITION, for all to see and use. But, before thumbing through this book, there's some material that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the TENTH POSITION, and it spans a full two octaves plus a perfect fourth when in standard tuning. Plus when in the TENTH POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional space. For the picking hand though, a very important pattern occurs down by the sound hole or bridge where that hand just so happens to be practically all the time. The pattern involves every other string, and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the E root on the first or thinnest guitar string. To discover it, start by picking the E there (first string, third finger); then G (third string, third finger); A (fifth string, third finger); C (second string, fourth finger); D (fourth string, third finger) and conclude with the E (sixth string, third finger). The one-three-five, two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two, five-three-one) as the E roots on the first /sixth string(s) are deemed interchangeable. To conclude, there are three musical terms that need clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand. Once the location of each main root note is learned in the TENTH POSITION, generally speaking, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). And lastly, unisons are defined as when two or more notes in music happen to sound or actualize the same pitch. In guitarland, it usually means "same note different string or fret". The term also implies that the unison in question does indeed occur in the guitar position at hand. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the TENTH POSITION is uncomplicated, straightforward and super easy to use. Its "picture worth a thousand words" approach or more visual based format allows one to take full advantage of the guitar fretboard material straight away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your own technique. THE LITTLE GUITAR BOOK THAT COULD for the TENTH POSITION also contains generous amounts of guitar friendly music notation paper and guitar tablature paper too, all of which can be used as a composition journal of sorts. As always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your library of fretboard knowledge needs...Enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the C A G E D guitar chord and scale sequence exclusively in the SEVENTH POSITION for all to see, use and referance. But, before thumbing through this book, there's some important material that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the SEVENTH POSITION, and it spans two octaves plus a perfect fourth when in standard tuning. Plus when in the SEVENTH POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional space. Also, it should be mentioned that in the SEVENTH POSITION, the first and fourth fingers are equally involved in this C A G E D sequence. Concerning the picking hand though, a very important pattern occurs down by the sound hole or bridge, where that hand just so happens to be. The pattern generally involves every other string and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the C root on the first or thinnest guitar string. Start by picking the C there (first string, second finger); then D (third string, first finger); E (third string, third finger); G (second string, second finger); A (fourth string, first finger) and conclude with the C (sixth string, second finger). The one-three-three-two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two-three-three-one) as the C root notes found on the first /sixth string(s), amongst others, are deemed interchangeable. To conclude, there are three musical terms that need clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand, and generally speaking, the second and third fingers do the fretting. However, in this, the seventh position, the A and D main root notes are fretted with the respective first and fourth fingers. That said, once the location of each main root note is learned in the SEVENTH POSITION, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). And last, unisons are defined as when two or more music notes happen to sound the same pitch. In guitarland, it usually means "same note different string or fret". The term also implies that the unison occurs in the guitar position at hand. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the SEVENTH POSITION is uncomplicated, straightforward and super easy to use. Its picture worth a thousand words visual based format allows one to take full advantage of the guitar fretboard material right away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your technique. THE LITTLE GUITAR BOOK THAT COULD for the SEVENTH POSITION also contains generous amounts of manuscript, tablature and fretboard paper too. To conclude, as always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your repertoire of fretboard knowledge needs...Enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the popular C A G E D guitar chord and scale sequence exclusively in the FIFTH POSITION, for all to see, use and reference. But, before thumbing through this book, there's some important subject matter that the guitarist may need to be reminded of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the FIFTH POSITION, and it spans a full two octaves, plus a perfect fourth, when in standard tuning. Plus, when in the FIFTH POSITION, the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide to that additional fret space. For the picking hand though, a very important pattern occurs down by the sound hole or bridge (where that hand just so happens to be.) The pattern involves every other string and is best evidenced when the C A G E D main root note sequence is plucked alphabetically, starting with the C root on the first or thinnest guitar string. Start by picking the C there (first string, fourth finger); then D (third string, third finger); E (fifth string, third finger); G (second string, fourth finger); A (fourth string, third finger) and conclude with the C (sixth string, fourth finger). The one-three-five-two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two-five-three-one) as the C root notes located on the first/third/sixth string(s) are deemed interchangeable. To that end, there are also three musical terms that need clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. What are main root notes? Generally speaking, main root notes represent a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand. Most of the time, the second and third fingers fret them, but there are two instances in the FIFTH POSITION when the main root notes involve the first and fourth fingers. Please be aware of this. Once the location of each main root note is learned in the FIFTH POSITION, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps to memorize their location sure enough, even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping). And last are unisons, a term used to define when two or more music notes happen to sound the same identical pitch. In guitarland, unisons imply "same note different string or fret". The term also implies that the unison occurs in the given guitar position at hand. So that's it! With some use, you'll soon discover that THE LITTLE GUITAR BOOK THAT COULD for the FIFTH POSITION is uncomplicated, straightforward and super easy to use. Its picture worth a thousand words approach allows one to take full advantage of the guitar fretboard material straight away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your own technique. THE LITTLE GUITAR BOOK THAT COULD for the FIFTH POSITION also contains generous amounts of manuscript, tablature and fretboard paper too, which makes for an ideal guitar music journal of sorts. To close, as always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your library of fretboard knowledge needs...enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the C A G E D guitar chord and scale sequence exclusively in the SECOND POSITION for all to see, use and reference. But, before thumbing through the material inside, there's some subject matter that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the SECOND POSITION, each guitar position spanning a full two octaves plus a perfect fourth when in standard tuning. And in the SECOND POSITION, the second and third fingers on the fretting hand remain stationary in their respective frets or "slots", initially, as their stationary qualities allow the first and or fourth finger to stretch or slide that additional fret. Concerning the picking hand, a very useful picking pattern occurs down by the sound hole or bridge, where that hand resides. This important picking pattern involves every other string, and is best evidenced when the sequence is plucked alphabetically, starting with the G note found on the thinnest or first guitar string. Start by picking the G root there (first string, second finger); then move to the A (third string, first finger); the C (fifth string, second finger); the D (second string, second finger); the E (fourth string, first finger) and conclude with the G (sixth string, second finger). This one-three-five, two-four-six string pattern naturally fits the picking fingers and is looped, forwards or backwards (six-four-two, five-three-one) as the G root notes found on the first/sixth string(s) are deemed interchangeable. There are three musical terms, those being main root notes, octaves and unisons, that need clarification for the purposes of this LITTLE GUITAR BOOK THAT COULD. The main root note term represents a specific set of root notes that fall or cluster under the second and third fingers of the fretting hand, generally speaking, as there are two instances when the main root notes use the first and fourth fingers. Both instances are present here in SECOND POSITION. Please be aware of this. Once the placement of each main root note is learned the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping.) And when two or more music notes happen to sound the same pitch, it is said they are in unison. In guitarland, this unison often implies "same note different string or fret". The term also implies that the unison occurs in the guitar position at hand. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the SECOND POSITION remains uncomplicated, straightforward and super easy to use. Its "picture worth a thousand words" visual based format allows one to take full advantage of this material right away, discovering fresh perspectives on the same old same old, while also adding some new twists and turns to your own technique. Last, it should be mentioned that THE LITTLE GUITAR BOOK THAT COULD for the SECOND POSITION also contains a trifecta of manuscript, tablature and fretboard paper too, and in copious amounts, allowing for one to keep a music journal of sorts. To close, thank you very kindly for including this LITTLE GUITAR BOOK THAT COULD for the SECOND POSITION in your repertoire of fretboard knowledge needs...enjoy!

This LITTLE GUITAR BOOK THAT COULD showcases the stock C A G E D guitar chord and scale sequence exclusively in the FIRST POSITION, for all to see and use. But, before thumbing through this book, there's some subject areas that the guitarist might need reminding of...even though he or she may have played for years. For example, in this book, six is the exact number of consecutive frets involved in the FIRST POSITION (the open strings count as one fret) and each guitar position spans a full two octaves plus a perfect fourth when in standard tuning. Also, the second and third fingers on the fretting hand remain stationary in their respective frets, initially, as their stationary qualities allow the fourth finger to stretch that additional fret. But what of the first finger? And here, before we go any further, one must understand something quite important; and that is this...when playing guitar in the FIRST POSITION there isn't a first finger stretch. There is in every other guitar position, yes, but here, the open strings take care of that stretch making it an exception, the FIRST POSITION is, to the rule. And this exception, just by chance, makes certain chords and scales much easier to play. It is very important that guitarists understand this. It is also important that the guitarist understand that a very useful picking pattern occurs down by the sound hole or bridge, where the picking hand resides. This pattern involves every other string and is best evidenced in the FIRST POSITION when the C A G E D main root note sequence is plucked alphabetically, starting with the G root on the first or thinnest guitar string. To discover it, start by picking the G there (first string, third finger); then A (third string, second finger); C (fifth string, third finger); D (second string, third finger); E (fourth string, second finger) and conclude with the G (sixth string, third finger). The one-three-five, two-four-six "every other string pattern" naturally fits the picking fingers on the hand and is looped, forwards or backwards (six-four-two, five-three-one) as the G root notes found on the first /sixth string(s) are deemed interchangeable. That said, there are also three musical terms that need some brief clarification for the purposes of THE LITTLE GUITAR BOOK THAT COULD...those being main root notes, octaves and unisons. To start, main root notes are a specific set of root notes that fall or cluster together under the second and third fingers of the fretting hand. They are used to help orientate the finger work involved. Once the placement of each is learned in the FIRST POSITION, the attention then moves to their octaves. An octave is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a perfect octave, and in guitarland, octaves are usually "one string one fret away" from each other. This fact helps to memorize their location, however, occasionally, there will be two strings and or two frets involved. When two or more music notes happen to sound the same pitch, it is said they are in unison. In guitarland unison typically means "same note different string or fret", and it is implied that the unison occurs in the current guitar position. So that's it! THE LITTLE GUITAR BOOK THAT COULD for the FIRST POSITION remains uncomplicated, is straightforward and super easy to use. Its "picture worth a thousand words" visual based format allows one to take full advantage of the fretboard material right away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists to your own technique. THE LITTLE GUITAR BOOK THAT COULD for the FIRST POSITION also contains generous amounts of manuscript, tablature and fretboard paper too. As always, thank you very kindly for including THE LITTLE GUITAR BOOK THAT COULD in your repertoire of fretboard knowledge needs...Enjoy!