Bøger udgivet af Northwestern University Press

This work examines the edge of awareness, where language emerges from non-language. In moving back and forth between what is already verbalized and what is as yet unarticulated, Eugene Gendlin shows how experiencing functions in the transitions between one formulation and the next.

Men's fitness as a performance--from nineteenth-century theatrical exhibitions to health and wellness practices today This book recounts the story of fitness culture from its beginnings as spectacles of strongmen, weightlifters, acrobats, and wrestlers to its legitimization in the twentieth-century in the form of competitive sports and health and wellness practices. Broderick D. V. Chow shows how these modes of display contribute to the construction and deconstruction of definitions of masculinity. Attending to its theatrical origins, Chow argues for a more nuanced understanding of fitness culture, one informed by the legacies of self-described Strongest Man in the World Eugen Sandow and the history of fakery in strongman performance; the philosophy of weightlifter George Hackenschmidt and the performances of martial artist Bruce Lee; and the intersections of fatigue, resistance training, and whiteness. Muscle Works: Physical Culture and the Performance of Masculinity moves beyond the gym and across the archive, working out techniques, poses, and performances to consider how, as gendered subjects, we inhabit and make worlds through our bodies.

"At the start of the twentieth century, the first quantum revolution upset our vision of the world. New physics offered surprising realities, such as wave-particle duality, and led to major inventions: the transistor, the laser, and computer's integrated circuits. Less known is the second quantum revolution, arguably initiated in 1935 during a debate between giants Albert Einstein and Niels Bohr. This revolution is still unfolding. Its revolutionaries--including the author of this short accessible book, Nobel Prize-winning physicist Alain Aspect--explore the notion of entangled particles, able to interact at seemingly impossible distances. Aspect has investigated entangled particles since the beginning of the 1980s and has helped to show how entanglement may both upend existing technologies, like cryptography, and usher in entirely new ones, like quantum computing. Explaining this physics of the future, this work tells a story of how philosophical debates can shape new realities"--

Groundbreaking feminist poems featuring an artificial womb and an apocalyptic future

A radically open interrogation of queer Chicano identity

Queer stories about love, loneliness, the surreal, and the self

A powerful debut novel about war, immigration, and home

Violence haunts 1915 Atlanta and so does the golem a group of girls creates

"The American suburb conjures an image of picturesque privilege: manicured lawns, quiet streets, and, most important to parents, high-quality schools. These elite enclaves are also historically white, allowing many white Americans to safeguard their privileges by using public schools to help their children enter top colleges. That's changing, however, as Asian American professionals increasingly move into wealthy suburban areas to give their kids that same leg up for their college applications and future careers."--

Stanislawa Przybyszewski is recognized as a major twentieth-century playwright on the basis of her trilogy about the French Revolution, of which The Danton Case and Thermidor are the principal parts. The Danton Case depicts the battle for power between two exceptional individuals: the corrupt sentimental idealist, Danton, and the incorruptible genius of the Revolution, Robespierre. Thermidor shows the final playing out of this drama, as Robespierre, left alone with the heroic absolutist Saint-Just, foresees the ruin of himself and his cause, and in his despair predicts that hatred, war, and capitalism will steal the Revolution and corrupt nineteenth-century man.

Enacts a radically interdisciplinary intersectionality to position performance-based research in solidarity with decoloniality This boldly innovative work interrogates the form and meaning of artistic research (also called practice research, performance as research, and research-creation), examining its development within the context of predominately white institutions that have enabled and depoliticized it while highlighting its radical potential when reframed as a lineage of critical whiteness practice. Ben Spatz crafts a fluid yet critical new framework, explored via a series of case studies that includes Spatz's own practice-as-research, to productively confront hegemonic modes of white writing and white institutionality. Ultimately taking jewishness as a paradigmatically "molecular" identity--variously configured as racial, ethnic, religious, or national--they offer a series of concrete methodological and formal proposals for working at the intersections of embodied identities, artistic techniques, and alternative forms of knowledge. Race and the Forms of Knowledge: Technique, Identity, and Place in Artistic Research takes inspiration from recent critical studies of blackness and indigeneity to show how artistic research is always involved in the production and transformation of identity. Spatz offers a toolkit of practical methods and concepts--from molecular identities to audiovisual ethnotechnics and earthing the laboratory--for reimagining the university and other contemporary institutions.

An extraordinary montage of sex and politics, Péter Esterházy's innovative novel can be seen to prefigure the liberation of Eastern Europe. Written under what the author calls "small, Hungarian, pornographic circumstances," A Little Hungarian Pornography exists in a context of official falsehood and misinformation, of lies of the body, the soul, and the state, perpetuated in the duality of language. In a state where the lack of democracy was called socialist democracy, economic chaos a socialist economy, and revolution an anti-revolution, the notion of speech and obscenity becomes equally distorted and skewed. Under these circumstances, the author considers the shackles inherent in the vocabulary of oppression and contrasts this with the freedom of the body in sex. A kaleidoscopic digression on perversion and politics, A Little Hungarian Pornography is both satire and critique, trifle and tract, and further support for Esterházy's status as one of the best writers in Europe today.

White House chief of staff twice over, former secretary of state, past secretary of the treasury, and campaign leader for three different candidates in five successful campaigns--few people have lived and breathed politics as deeply or for as long as James Baker. Now, with candor, down-home Texas storytelling, and more than a few surprises, Baker opens up about his thirty-five years behind the scenes. Beginning in 1975 with the Ford administration, in a job procured for him by friend and tennis partner George H. W. Bush, Baker was in the thick of American politics. He recounts the inside story of Ford's rejection of Reagan as a running mate in 1976 with the same insight he has into Reagan's rejection of Ford four years later. When the White House was plunged into turmoil after the Reagan assassination attempt, he was there, and his stories take readers deeper into those chaotic days. Baker was on hand for the George H. W. Bush campaign's battle over running mate Dan Quayle and, more recently, he was again on the front row as George W. Bush fought it out in Florida. Spellbinding and frank, his stories are the ones between the lines of our history books. In this new edition, Baker also responds for the first time in print to the George W. Bush administration's reaction to the Iraq Study Group Report, written with his input. Baker is very qualified to comment on the political operation of the current administration, and his new writing for this paperback brings the full weight of his experience to bear.

Sofia Petrovna is Lydia Chukovskaya's fictional account of the Great Purge. Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.

Offers a new understanding of representational cognition that synthesizes postwar philosophical approaches to the question of objective knowledge This study develops a novel account of representational cognition, explaining how cognitive systems progressively come to map the structure of their worlds. Daniel Sacilotto offers a constructive response to the critique of representation formulated throughout the post-Kantian philosophical tradition. Rather than a skepticism or idealism whereby thinking can grasp appearances but never the real, representation, Sacilotto shows, is a constitutive dimension of cognitive systems' creative capacity to know and intervene in the world of which they are part. Structure and Thought: Toward a Materialist Theory of Representational Cognition integrates various lines in contemporary philosophy, including those often seen as incommensurable or in irresolvable tension with one another. Sacilotto thus advances a productive synthesis of a materialist ambition to provide a creative and historical understanding of cognition with a structural realist account of representation. He shows how the different forms of sensory, discursive, and theoretical mediation that characterize human cognition are conducive to a realist epistemological framework that explains how the possibility of knowledge about a mind-independent reality is conceivable.

In The Servant Leader, Robert P. Neuschel makes the case that our leadership is experiencing a diminution in ethics and a loss of enduring values. These weakening factors are exacerbated by a preoccupation with the short term. As Neuschel puts it, "We are more concerned about achieving quick shareholder value than building an enduring organization that can increase its capacity to produce useful products or services more competitively and more effectively on an enduring basis." He lays the blame at the feet of our corporate leadership. He asks: what steps might we take to revitalize the quality and strength of our leadership? He then forcefully and straightforwardly gives an outline of what he believes are the major changes in leadership we must bring about. As a professor of management and strategy, and earlier, as a director and senior partner at a major consulting firm, and as a captain in the U. S. Army, Neuschel observed the best of leadership, and practiced it. He shares his insights with us in The Servant Leader.

"The definitive guide to starting and running a freelance editing business. You've been thinking about shifting into the world of freelance editing, but you don't know where to start. In a time when editors are seeking greater flexibility in their work arrangements and schedules, freelancing is an increasingly common career option. But deciding to go it alone means balancing the risks with the rewards. From the publisher of The Chicago Manual of Style comes The Chicago Guide for Freelance Editors, the definitive guide to running your business and finding greater control and freedom in your work life. In this book, Erin Brenner-an industry leader and expert on the business of editorial freelancing-gathers everything you need to know into a single resource. Brenner has run her own successful editing business for over two decades and has helped hundreds of editors launch or improve their businesses through her teaching, blog writing, and coaching.The Chicago Guide for Freelance Editors will walk you through the entire process of conceiving, launching, and working in a freelance editing business, from deciding on services and rates to choosing the best business structure to thinking through branding and marketing strategies and beyond. This book is ideal for beginning freelancers looking to get set up and land their first clients, but it's equally valuable to those who have already been freelancing, with detailed coverage of such issues as handling difficult clients and continuing professional development. You'll find a collection of advice from other successful freelance editors in this guide, as well as an extensive list of resources and tools. In the final and perhaps most important chapter, Brenner teaches you how to care for the key component of the business: yourself"--

"In recent years, more and more of our lives takes place online. But what about our afterlives? Thanks to the digital trails of data we leave behind, much of "who we are" can be reconstructed-even after our death. Sooner than we think, the dead will outnumber the living on Facebook, and in time, AI technology will allow us to "interact" with the departed. In this short, thought-provoking book, Carl èOhman asks us to consider what happens to our data after we pass away. How do we decide what data should be preserved? What sorts of ethical issues does it raise? We live in what èOhman calls the post-mortal condition, one in which the dead and the living coexist online through digital remains. Examining government digital heritage committees, public archives, NGOs, museums, and commercial institutions, èOhman analyzes various forms of data preservation and digital reanimation, ultimately calling for us, as a society, to acknowledge and to engage creatively with our condition. He calls for us to reevaluate the relationship between the living and the dead, and to work together to create a shared ethics of preservation. This isn't just the duty of our digital overlords. These are our lives, our deaths, and it is time we think seriously about how we want our data to be treated"--

"David Alff's stylish cultural history of the Northeast Corridor not only illuminates the history and geography of that heavily traveled stretch of railroad between Union Station in Washington, DC, and South Station in Boston-it provides a springboard to contemporary subjects like regional identity, the politics and perils of infrastructure, and the intense diversity of American populations. Paying as much attention to Aberdeen, Trenton, New Rochelle, and Providence as to America's earliest power centers and its current federal and cultural capitals, Alff tells a story of where America has been and where it might-if the rails remain intact-be going"--

Explores the effects of McCarthyism on American philosophy in the 1940s and 1950s and the possibility that the political pressures of the McCarthy era skewed the development of the discipline. What happens, McCumber asks, when events and pressures go beyond interfering with individual careers to influence the nature of a discipline itself?

"In this collection of three essays, internationally renowned tenor Ian Bostridge explores his relation to the performance of Western classical vocal music through the lens of gender, politics, or the ultimate paradoxical grounding of identity, death. As a performer who needs to negotiate between his own identity and that of the musical text he delivers on stage or in the concert hall, Bostridge asks questions about how the complex identity of a piece of music was creatively configured by composers at particular historical moments, and how today's performers can embody that complexity for their audiences. In lucid and compelling prose, Bostridge guides his readers through an exploration of the fluidity of gender roles in music by Monteverdi, Schumann, and Britten, the questioning of colonial power and hierarchy in Ravel's Songs of Madagascar, and Britten's reckoning with death in works from the War Requiem to his final opera, Death in Venice. As readers become privy to Bostridge's lines of inquiry into the music he performs, they are also primed for the searching intensity of his interpretations, in which the uncanny melding of song and self brings about moments of epiphany for both the singer and his audience"--