Bøger udgivet af NIMBUS PUB

Captive to a staggering genius and mounting paranoia, Mademoiselle--the fictional incarnation of legendary French sculptor Camille Claudel--relives her art-making in Belle Époque Paris from the asylum where she's been captive for thirty years. The year is 1943, the height of the Vichy regime in war-torn France, and salvation comes in the form of Solange Poitier, the nurse who cares for Mademoiselle in her final days, and their growing friendship. In this compassionate, deftly-researched novel melding art history and storytelling, art and medicine mingle in the characters' rejection of the misogynistic conditions that would stifle their deepest ambitions and gifts. Best known as Rodin's muse and mistress, Claudel is given a voice here that's fiercely hers and her art a recognition long due.

The long-awaited followup to the bestselling, gut-busting picture book The Terrible Horrible Smelly Pirate -- this time with an environmental message! "Peeee - Yew!" Mermaid had a problem. A terrible, horrible, smelly, problem. The Terrible Horrible Smelly Pirate is back! And after discovering a secret treasure in Halifax Harbour, he's not so smelly anymore -- but Mermaid's island is. The poor misty island is covered in people's garbage! There are popped balloons, cups and buoys. Lobster pots, flip-flops and toys. Tires and straws, wrappers and strings, and lots and lots of plastic things...all tangled up in stinky dead seaweed. What's she to do? Just when it seems all is lost, she spots a rickety rackety pirate ship through the salt spray -- and a not-so-terrible, horrible, smelly pirate and his crew! What if she could trick them into cleaning up her Terrible Horrible Smelly Beach?... From the duo behind the bestselling The Terrible Horrible Smelly Pirate comes a quirky-fun follow up, with fresh and vibrant illustrations by artist Paul G. Hammond, and an environmental message that will inspire many a beach cleanup!

As K. C. Irving said, business is never given--it has to be earned, one customer at a time. "Thanks for the Business" traces the Irving family back to its roots in Scotland, covers the establishment and early years of the company, and looks at how Irving Oil is confronting current challenges. This comprehensive biography holds important lessons for aspiring entrepreneurs, for business schools, for public policy, and particularly for Atlantic Canada.

Students who study business in university are not likely to hear about or discuss examples of Indigenous business successes from across the country. Rarely would one see references to Aboriginal communities, let alone examples of them growing multi-million dollar businesses and partnering to lead innovative economic development projects that positively impact the national economy. Resources are scarce and inadequate, an oversight that is to our detriment. Somewhere between a textbook and a book of collected essays, this collection of articles is an effort to build on and share the research of Aboriginal practitioners and scholars working in their respective fields. Where possible we share not only concepts, but also the voices of Aboriginal leaders, officials, Elders and other members of Aboriginal communities. Indigenous Business in Canada addresses contemporary concerns and issues in the doing of Indigenous business in Canada, reveals some of the challenges and diverse approaches to business in Aboriginal contexts from coast to coast to coast, and demonstrates the direct impact that history and policy, past and present, have on business and business education.

A day of beachcombing is a day filled with salty sea air, enchanting seashells, and exciting discoveries. The ocean holds so much beauty and adventure, and it leaves so many treasures on its shores. Let's explore these seaside treasures. An essential sea glass-hunting handbook for kids. With helpful advice, like "make sure no one's home!" before taking a snail shell, and fascinating facts, like how sea glass is formed and where glass fishing floats come from, the gentle and flowing text invites young readers to explore and wonder about everything that washes up on the sand. Author and illustrator Sarah Grindler's images are vivid and realistic, showing readers what to look for by the ocean--from purple sea urchin shells (that otters love to much on) to mussel shells, sand dollars, and every colour of sea glass--and encouraging all of us to imagine where those treasures may have come from. A beautiful keepsake as well as a practical guidebook for the young beachcomber.

And these are the things we find by the sea My mommy, my mama, my brother, and me. With this gentle refrain, the debut picture book from celebrated author and playwright Natalie Meisner (Double Pregnant) reflects on her own two-mom, two-son family's early days growing up in Lockeport, Nova Scotia. Living by the sea offers myriad charms for the two young brothers in this poetic ode to beachcombing. When the fog disappears, the path to the beach beckons, with all the treasures it leaves behind: lobster traps, buoys, fused glass, urchins, a note in a bottle. But best of all is all the neighbours they meet along the way. An unforgettable instant classic for families of all shapes and sizes. Featuring glorious watercolours by Mathilde Cinq-Mars, which capture the warmth and magic of time spent with family by the sea.

Mi'kmaw artist Alan Syliboy's The Thundermaker is based on Alan's spectacular mixed-media exhibit of the same name. In the book, Big Thunder teaches his son, Little Thunder, about the important responsibility he has making thunder for his people. Little Thunder learns about his Mi'kmaw identity through his father's teachings and his mother's traditional stories. Syliboy's spectacular, vibrant artwork brings the story of Little Thunder to vivid life.

Mi'qmaw, Pow Wow, tradition, culture, spirituality

The Mi'kmaq of Atlantic Canada were here for thousands of years before the arrival of European peoples. Niniskamijinaqik / Ancestral Images: The Mi'kmaq in Art and Photography presents their unique culture and way of life through the remarkable and sometime complex lives of individuals, as depicted in artwork or photography. The opening images in this collection were created by the Mi'kmaq themselves: portrayals of human beings carved into the rock formations of Nova Scotia. Then there are the earliest surviving European depictions of Mi'kmaq, decorations on the maps of Samuel de Champlain. Finally we see portraits of Mi'kmaw individuals, ancestors in whom we see their "humanity frozen in the stillness of a photograph," as the writers of the book's foreword describe. Niniskamijinaqik / Ancestral Images includes 94 compelling pieces of art and photography, chosen from more than a thousand extant portraits in different media, that show the Mi'kmaw people. Each image is an entry point to deeply personal history, a small moment or single person transformed into vivid immediacy for the reader.

The author-illustrator behind Wildflower and The Book of Selkie brings her naturalist's eye to the classic song, "The Twelve Days of Christmas", in this gorgeous giftbook edition. A boldly illustrated gift edition of the beloved English Christmas carol "The Twelve Days of Christmas" -- with an artful twist. East Coast artist Briana Corr Scott brings her naturalist's eye to the classic holiday song, pairing the original lyrics with bold and whimsical illustrations that celebrate flora and fauna. A kaleidoscope of Monarch butterflies on milkweed flowers is Eight maids a milking; a bloom of ladybugs atop pincushion flowers is Nine ladies dancing. Six geese a laying are bordered by bright red Christmas cacti, and Five golden rings are found nestled in a magpie's nest. Influenced by botanical maximalism, this ornate and lushly illustrated, vintage-inspired book would be just at home on the shelves of a Victorian parlour or in the lap of a toddler. Includes an author's note and informative backmatter.

In We Keep A Light, Evelyn M. Richardson describes how she and her husband bought tiny Bon Portage Island and built a happy life there for themselves and their three children. On an isolated lighthouse station off the southern tip of Nova Scotia, the Richardsons shared the responsibilities and pleasures of island living, from carrying water and collecting firewood to making preserves and studying at home. The close-knit family didn't mind their isolation, and found delight in the variety and beauty of island life. We Keep A Light is much more than a memoir. It is an exquisitely written, engrossing record of family life set against a glowing lighthouse, the enduring shores of Nova Scotia, and the ever-changing sea.

A gentle lullaby celebrating the abundant nature of the East Coast, from the illustrator of Wildflower and The Book of Selkie. If you could be anything, what would you be? I'd be a tall ship, racing fast on the sea I'd fill up my sails with the salty cool breeze If I could be anything. If it were up to me. This lyrical lullaby from educator and musician Jen Britton, with illustrations by celebrated artist Briana Corr Scott (Mermaid Lullaby, Wildflower) asks young readers, If you could be anything, what would you be? Responses run the gamut from lupins to sea glass to a lighthouse shining bright to the pull of the tides, celebrating the abundant natural and cultural landscapes of the East Coast. With gentle, rhyming text and dreamy oil illustrations, If You Could Be Anything is the perfect story to send little ones off to dreamland, and older ones off on new adventures. Includes informative, illustrated backmatter.

In this delightful book, Laurie Lacey's reflections on the magical world of plant life and the gathering of remedies chronicles more than 70 plants used by the Mi'kmaq as medicines. Since the Mi'kmaq healing process begins with the gathering and preparation of medicines, Lacey takes us into swamps and bogs, the barrens and woods, to explore the habitats of plants with healing properties. He then illustrates each medicinal plant and describes its traditional use or uses. Whether one is hiking through a field listening for the sound of the "sacred plant," the yellow rattle, exploring bogs in the hope of finding the elusive blue flag, or simply interested in the Mi'kmaq approach to health and healing, Mi'kmaq Medicines will prove a helpful and enjoyable companion. This new edition includes a fully revised text and a new preface from the author on current perspectives in Mi'kmaq medicines.

Matthew loves to play games with his friends and share his toys with them. But most of all he loves to share the special treasures that remind him of his First Nations culture. Perhaps his favourite treasure is the medicine pouch that his grandfather made especially for him. This is where he keeps many of his other treasures, including the sacred herbs his mother gave him. Matthew uses the herbs to remind him to be grateful for everything that nature gives us. Another special gift is the eagle feather from his father. Matthew knows that the eagle is a symbol of the spiritual strength of his culture. But there is one other gift that has a special place in Matthew's heart. It is the dream catcher that Matthew gave to his friend Dustin to help him not have bad dreams. The Sharing Circle is a collection of seven stories about First Nations culture and spiritual practices: The Eagle Feather, The Dream Catcher, The Sacred Herbs, The Talking Circle, The Medicine Wheel, The Drum, and The Medicine Pouch. Researched and written by Mi'kmaw children's author Theresa Meuse-Dallien, and beautifully illustrated by Mi'kmaw illustrator Arthur Stevens, this book will engage and inform children of all ages.