Bøger udgivet af Nightwood Editions

Charting the porous borderlands of the self and the social through a year of cataclysm, Matt Rader conjures a vision of the present from a deep future.The follow-up to Ghosthawk, Fine is set largely in the Kelowna area of the Okanagan Valley, BC, over the period of June 2021–June 2022. The poems address the extraordinary natural, historical and social events of that period including the June 2021 heat dome and the November 2021 atmospheric river, the ongoing pandemic and resulting social anomie, the public announcement of hundreds of unmarked residential school graves across the country, and the Russian invasion of Ukraine. On a personal level, the poems grapple with questions of disability, illness, trans identity, healing and what a good future might look like. Written in a speculative mood, the poems in Fine look back on the contemporary moment with its terrors and mythopoetic digital scrim from an imagined future, so that the voice itself becomes an incantation, a summoning of a world of survivance and beauty.

This is a book about grief, death and longing. It’s about the gristle that lodges itself deep into one’s gums, between incisors and canines.Teeth details not only the symptoms of colonization, but also the foundational and constitutive asymmetries that allow for it to proliferate and reproduce itself. Dallas Hunt grapples with the material realities and imaginaries Indigenous communities face, as well as the pockets of livability that they inhabit just to survive. Still this collection seeks joy in the everyday, in the flourishing of Indigenous Peoples in the elsewhere, in worlds to come.Nestling into the place between love and ruin, Teeth traces the collisions of love undone and being undone by love, where “the hope is to find an ocean nested in shoulders—to reside there when the tidal waves come. and then love names the ruin.”

Late September is an intimate queer coming-of-age tale exploring the nuances of love, trauma and mental health. A compelling literary fiction debut for readers of Heather O’Neill and Zoe Whittall.In the summer of 2000, Ines, a grief-stricken skateboarder beginning to explore her sexuality, leaves behind her sheltered hometown on a Greyhound bus bound for Montreal. In awe of the city’s vibrancy, and armed with a journal and a Discman, Ines sets out to find a new way, befriending April, a latex-loving goth who gets her a job as a cam-girl. In the midst of a bar fight Ines meets Max, a magnetic skateboarder, whom she quickly falls for.As summer fades to fall Ines tries to uphold the bliss of their intoxicating summer, realizing that while she has escaped the confines of her small-town life, she cannot escape her past. The city changes and their romance darkens as Ines learns that Max is experiencing mental health challenges, all while a regular at the cam studio gets threateningly close. Ines learns that loving herself first requires trial and error—and that love is not always an innocent word.

Award-winning writer Joelle Barron looks back at history through queer eyes in their second poetry collection.Excerpts from a Burned Letter places the experiences of historical figures and fictional characters in modern contexts—and makes their queerness explicit. This collection highlights the circular nature of time, demonstrating how even in a post-marriage-equality world, queer experiences and queer histories still face erasure.From the perspective of a single, modern speaker, each poem is haunted by a fictional or historical queer couple, connecting ancestors to their descendants and underlining the ancientness of being queer. The book also explores themes of religion, disability, motherhood, birth, and the experience of being a queer child. The poems zoom in and out; gross, visceral depictions of bodies and their functions stand beside poems that call out the hypocrisies of religion in both its extreme and subtle forms. These poems describe the experience of being a queer person in the present day—writing the queer history of the future.When searching for stories of themselves in history books, queer people are often met withdenial and resistance. Excerpts from a Burned Letter provides explicit acknowledgement whereit didn’t exist before: You were here. You live on.

Nightwood Editions is proud to present its annual O Canada Crosswords release with Gwen Sjogren's tenth book in the series, which features 100 puzzles and over 12,600 clues. If you're counting, 23.5 percent of the clues focus on Canadian references, and you can depend 100 percent on Sjogren's usual mix of witty wordplay and unique themes. Here's a taste to wet your whistle: Animals - Horsing Around & Coming out of Their Shells Food - I'm Stuffed & Cropping Up Holidays - Santa Claus Is Coming & Yummy Yuletide Puns - Hockey Hall of Blame & Piracy? Royalty - The Queen's English & Put Up Your Dukes Sports - Good Sports & Puttering Around TV - Is There a Doctor in the House? & Channel Surfing Seven of the forty-six Canada Cornucopia puzzles offer the challenge of no fill-in-the-blank clues. And in the fifty-four themed puzzles, Sjogren makes a meal of new Canadiana, including cartoonists, stamps, money and geographical references from across the country. So if you're hungry for some brainteasing trivia, take a bite out of O Canada Crosswords Book 21!

A debut short story collection investigating the strange and unexpected intersections of loneliness and connection.From his car, a lonely, heartbroken man secretly watches strangers going about their lives in the comfort of their own homes; when caught, he wrecks his car in an attempt to escape. A man hears a car wreck outside his home and has a wild night of romance with a strange woman he meets at the scene. A reclusive old writer starts to believe he is becoming his own characters as he writes. A college student looks to his girlfriend’s diary for pointers on how he should act. A mother confronted with her estranged son’s death by car wreck organizes a memorial service for a list of attendees she has never met.This collection of sixteen connected short stories investigates the ways we humans so often feel lonely and alone, yet cannot avoid having our lives be contingent upon others—often in ways we can neither see nor understand. Blackett’s characters long for meaningful connection and struggle to find it; they are too often unaware of the connections that are right in front of them.Grandview Drive is a collection that builds on itself; the stories stand on their own, but they are strengthened by the (sometimes secret) connections they hold with each other. Blackett’s debut asks the reader to think about love and loss, loneliness and heartbreak, redemption and starting life anew.

A long poem in six sections, Dream House takes its cue from Gaston Bachelard’s Poetics of Space in its investigation of female embodiment by calling up such feral, liminal spaces as the pregnant body, the aging mind, snail shells, broom closets, low-ceilinged pubs and abandoned pizza boxes. Part Tardis, part townhouse, part Howl’s moving castle, this wry, surreal and many-peopled narrative interrogates what metaphor might hold of history, both personal and social, in the wake of a mother’s passing. Its migrant speaker trawls through hedgerows and recipe books to unearth stained birdsong and undead civil wars, intent on tracing a matrilineal path across four generations while traversing the haunted margins between existence and belonging.

"Twelve-year-old Derik Mormin travels with his father and a family friend to Bella Bella for his grandfather's funeral. Along the way, he uncovers the traumatic history of his ancestors, considers his relationship to masculinity and explores the contrast between rural and urban lifestyles in hopes of reconciling the seemingly unreconcilable: the beauty of both the Indigenous and 'Western' ways of life -- hence beautiful beautiful. All right, that's quite enough third-person pandering; you're not fooling anyone. Redbird here, Derik's babysitter, and narrator of this here story. We're here to bring light to an otherwise grave subject, friends. Follow us through primordial visions. Dance with a cannibal (don't worry, they're friendly once tamed). And discover what it takes to be united"--

Alternator by Chris Banks is a masterful poetry collection that blends catastrophe and consciousness, modern living and past transgressions, off-kilter imagery and the “hidden room” of the unsayable to construct a polyphonic triumph. In the title poem, Banks says, after decades, all he wants to do is “thread fire through the eye of [his] imagination,” and the product of his labour are these new poems born of whole cloth: surrealist meditations, modern ghazals and powerful narrative sonnets that are both alive and burning.

75 All New Crosswords Come aboard and fasten your seat belts! O Canada Crosswords Book 24 takes flight with 75 large-sized puzzles jam-packed with over 10,500 clues. As is her trademark, author Gwen Sjogren checks in with fresh themes, witty wordplay and making the connection with all things Canadian. Themed puzzles include:Symbols – Pride of Province and Pride of Territory Greatest Canadians – They Made History 1 and 2 and Earmarked for Success Punishment – Jolly Jobs? and Dog-on-it A&E – Big Art, Game On and The Best of ABBA Uniquely Canadian – Local Lingo and True North Trivia In a departure from the norm, Sjogren unpacks new themes including bears, Broadway and brand names. Solvers who like a challenge can carry on with non-themed Canada Cornucopia crosswords, some of which have no fill-in-the-blank clues and/or three-letter answers.With O Canada Crosswords Book 24, you’ll be winging your way to hours of crossword-solving fun.

"Crushed Wild Mint is a collection of poems embodying land love and ancestral wisdom, deeply rooted to the poet's motherland and their experience as a parent, herbalist and careful observer of the patterns and power of their territory. Jess Housty grapples with the natural and the supernatural, transformation and the hard work of living that our bodies are doing--held by mountains, by oceans, by ancestors and by the grief and love that come with communing. Housty's poems are textural--blossoms, feathers, stubborn blots of snow--and reading them is a sensory offering that invites the reader's whole body to be transported in the experience. Their writing converses with mountains, animals and all our kin beyond the human realm as they sit beside their ancestors' bones and move throughout the geography of their homeland. Housty's exploration of history and futurity, ceremony and sexuality, grieving and thriving invites us to look both inward and outward to redefine our sense of community. Through these poems we can explore living and loving as a practice, and placemaking as an essential part of exploring our humanity and relationality."--

Essays, stories and poems on the interior lives of bookstores.Nick Thran's volume of essays, stories and poems is a quietly powerful meditation on a life of reading, writing and bookselling. Thran, who returned to bookselling when he moved with his family to Fredericton, NB, captures the rare magic of reading communities. Here, the bookstore itself sits in the middle of an expanding root system, connecting lives, nurturing interests and stoking passions. It is a place for both private daydreaming and the small talk that staves off loneliness. And it is the fertile ground on which so many authors-including Thran-find the courage to write.

A '90s-era Gothic about holding on to the dead, voiced with plaintive urgency and macabre sensuality.In the small town of Burr, Ontario, thirteen-year-old Jane yearns to reunite with her recently deceased father and fantasizes about tunnelling through the earth to his coffin. This leads her to bond with local eccentric Ernest, who is still reeling from the long-ago drowning of his little sister. Jane's mother, Meredith, escapes into wildness, enacting the past on the abandoned bed that she finds in the middle of the forest, until her daughter's disappearance spurs her into action.The voice of the town conveys the suspicions and subliminal fears of a rural community-a chorus of whispers that reaches a fever pitch when Jane and Ernest disappear from Burr together. Throughout, the novel is haunted by Henry, a former wrestler who once stood on his bed in the middle of the night, holding up the weight of the ceiling in his sleeping hands.Mixing realism and the fantastic, Brooke Lockyer's debut novel investigates the nature of grief and longing that reach beyond the grave.

A story for children by Kwantlen storyteller and award-winning poet Joseph Dandurand.The Girl Who Loved the Birds is the third in a series of Kwantlen legends by award-winning author Joseph Dandurand, following The Sasquatch, the Fire and the Cedar Baskets and A Magical Sturgeon.Accompanied by beautiful watercolour illustrations by Kwantlen artist Elinor Atkins, this tender children's story follows a young Kwantlen girl who shares her life with the birds of the island she calls home. Collecting piles of sticks and moss for the builders of nests, sharing meals with the eagles and owls, the girl forms a lifelong bond with her feathered friends, and soon they begin to return her kindness.Written with Dandurand's familiar simplicity and grace, The Girl Who Loved the Birds is a striking story of kinship and connection.

Métis Ukrainian writer Conor Kerr's sharp and incisive poems move restlessly across landscapes and time.Conor Kerr's poetry is in constant motion. 4Runners streak through the night, racing with coyotes and roving across the land. Buses travel from town to town, from one memory to another, from past to present. Friends and lovers search for each other on Instagram and find nothing. And always the natural world travels alongside: the watching magpies, woodpeckers and cedar waxwings, the coyotes and porcupines. Family is the crisp wings of mallard ducks flying at dawn, just as it is a game of crib, a Mario Kart race, a dance party.Old Gods defies colonialism on the Prairies. Kerr situates his reader in the Métis mindset: the old gods of the land are alive within the rivers, the birds, the hills and the prairies that surround us, and they'll always be here.

The ambitious second instalment of Renée Sarojini Saklikar's epic fantasy saga in verse, The Heart of This Journey Bears All Patterns (THOT J BAP).This book-length poem features the time-travelling demigoddess Bramah, a locksmith and the saga's hero. In Bramah's Quest, the year is 2087 and Bramah is back on a planet Earth ravaged by climate change and global inequality. Bramah is on a quest to find her people, including the little boy Raphael, last seen at the end of Bramah and the Beggar Boy (2021). Hailed as "brilliant and masterful, timely" (Kerry Gilbert), this long poem reclaims poetry forms such as blank verse, the sonnet, the ballad and the madrigal. Each page is a portal, connecting readers to the resistance of seed savers, craftspeople, scientists and orphans, all banded together to help save their world from eco-catastrophe and injustice. Ten years in the making, Bramah's Quest weaves poetry with politics to create an epic family saga that is also a meditation on good and evil and a "real page turner" (Meredith Quartermain). Bramah, "brown, brave and beautiful," is determined to conquer the odds and deal with what fate and chance throw in her path. Each twist and turn tests her ability to live up to the motto "Let all evil die and the good endure."

The compelling biography of former British Columbia cabinet minister Bob Williams weaves his political and economical insights with the story of his unconventional life.In Using Power Well, former provincial politician Bob Williams tells his atypical life story: beginning with his childhood in the working-class east end of Vancouver, Williams goes on to describe his early years as a planner in Delta, BC, his political life on Vancouver City Council and in the BC Legislature-including a major impact on the first NDP government in the 1970s-and his more recent contributions in the world of business and co-operative economics. Williams's legacy is dotted across the physical and political landscape of BC-from the Whistler Town Centre and Robson Square to the Agricultural Land Reserve, the Insurance Corporation of BC and many projects in between. A straight shooter who refuses to mince words, Williams advocates in this highly readable and colourful book for a bottom-up approach to politics and public policy, bypassing bureaucracy in order to use power well.

Selina Boan¿s debut poetry collection, Undoing Hours, considers the various ways we undo, inherit, reclaim and (re)learn. Boan¿s poems emphasize sound and breath; they tell stories of meeting family, of experiencing love and heartbreak, and of learning new ways to express and understand the world around her through the Nêhiyawêwan language.As a settler and urban nehiyaw who grew up disconnected from her father¿s family and community, Boan initially turns to language as one way to challenge the impact and legacy of assimilation policies and colonization on her own being and the landscapes she inhabits. Exploring the nexus of language and power, the effects of which are both far-reaching and deeply intimate, these poems consider the ways language impacts the way we view and construct the world around us, and what it means to be a moniyaw/nehiyaw woman actively building community and working to ground herself through language and relationships. Boan writes from a place of linguistic tension, tenderness, and care, creating space to ask questions and to imagine intimate decolonial futures.

From child abuse to environmental defilement, Moore's narrative poem brings to the surface transgressions from the darkest depths.The Whole Singing Ocean is a poetic narrative that circles around the central story of a boy and a whale, and the 2013 investigation into the E¿cole en bateau, a French countercultural "boat school," or school at sea, which was based not only on the ideals of the sixties, but also on twisted ideas about child psychology, the theories of Foucault and an abolition of the separation between adults and children.The narrative begins with a boat builder and his encounter with a whale when he was a student of the École en bateau himself, and moves on to explore threads of philosophy, memory and various kinds of destruction, fragmentation and wholeness. The text weaves in several voices and threads of rapture and horror, as it explores adventure, childhood, abuse and environmental degradation.This work becomes a self-conscious documentation of the boat builder's story as it unfolds, and as the narrator learns more of what happened and uncovers echoes from her own life and family history. Her discoveries cause the narrative to take some unexpected, and at times resisted, turns. Themes of memory and trauma, reliability and unreliability, binaries and magic, and the question of how to hold two very different things at once, are at the heart of this book.

"It's the '90s in a small Canadian prairie town and fourteen-year-old Aaron Gourlay, born a male, asserts that she is female, a claim that no one in her life will accept--except for her single mother, Nadine. After wrestling with the health care system and having her identity invalidated time and time again, Aaron tries to kill herself. Desperate to keep her child alive, Nadine calls on a neighbouring town's outlier and loner, Al Klassen, to perform a radical procedure. Aaron's attempt to jumpstart her own gender transition with Al's assistance creates shockwaves that throw everyone around them out of orbit--and out of their resigned apathy in the stifling town of Saltus, where nothing new ever seems to happen. Lenore is a Mâetis woman working at the Harvest Gold Inn & Restaurant who longs for the family she never had. Trish is a young mother who desires nothing more than to flee her husband and son, the family she was never ready for. Roger is the by-the-book police officer investigating Aaron's case. Aaron and Nadine's situation, the talk of the town, forces each townsperson we encounter to look long and hard at themselves, at their own identities, at the traumas and experiences that have shaped them."--

debut novelauthor was born and raised in Doukhobor communityauthor was drummer for Grammy-nominated duo Tegan and Sara, Australian pop star Ben Lee and others

75 All-New CrosswordsOver 250,000 O Canada Crossword books sold in 20 years!In this latest instalment of O Canada Crosswords, author Gwen Sjogren mines the national landscape to unearth a wealth of witty wordplay, a motherlode of puns and a bonanza of Canadiana in 75 large-sized puzzles.Book 23 strikes gold with new themes including big tech, fashion and tea. Sports fans will score with six thematic puzzles. And for solvers who dig a challenge, 10 non-themed Canada Cornucopia grids will test your mettle... since several have no three-letter answers and/or fill-in-the-blank clues. Themed puzzles include: Canadian Cities - A Star Was Born Here & Give Me a CEducation - Eminent Universities & Illustrious AlumniFood - Home Sweet Canada & International FlavoursLetter Play - Y Not & Whoo Are They?Movies - A Dozen Theme Clues & Cinematic SpectresPuns - On the Move & Spice Up Your LifeRetro - Toys in the Attic & Catch(phrase) Me If You CanTransportation - Take Off, Eh! & Come Sail AwayHave a blast with O Canada Crosswords Book 23!

"The Big Melt is a debut poetry collection rooted in nehiyaw thought and urban millennial life events. It examines what it means to repair kinship, contend with fraught history, go home and contemplate prairie ndn utopia in the era of late capitalism and climate change. Part memoir, part research project, this collection draws on Riddle's experience working in Indigenous governance and her affection for confessional poetry in crafting feminist works that are firmly rooted in place. This book refuses a linear understanding of time in its focus on women in the author's family, some who have passed and others who are yet to come. The Big Melt is about inheriting a Treaty relationship just as much as it is about breakups, demonstrating that governance is just as much about our interpersonal relationships as it is law and policy. How does one live one's life in a way that honours inherited responsibilities, a deep love for humour and a commitment to always learning about the tension between a culture that deeply values collectivity and the autonomy of the individual? Perhaps we find these answers in the examination of ourselves, the lands we are from and the relationships we hold."--

A thought-provoking debut novel that examines the intersection of climate change, human connection and radicalization.The Rooftop Garden is a novel about Nabila, a researcher who studies seaweed in warming oceans, and her childhood friend Matthew. Now both in their twenties, Matthew has disappeared from his Toronto home, and Nabila travels to Berlin to find him and try to bring him back.The story is interspersed with scenes from their childhood, when Nabila, obsessed with how the climate crisis will cause oceans to rise, created an elaborate imaginary world where much of the land has flooded. She and Matthew would play their game on her rooftop garden, the only oasis in an abandoned city being claimed by water.Their childhood experiences reveal how their lives are on different trajectories, even at an early stage: Nabila comes from an educated, middle-class family, while Matthew had been abandoned by his father and was often left to deal with things on his own.As an adult, Matthew¿s dissatisfaction with life leads him to join a group of young men who are angry at society. He eventually finds himself on a violent suicide mission, but Nabila isn¿t aware of the extent of his radicalization until they finally meet on a street in Berlin.

debut poetauthor writes from personal experience with 'masking', being neurodivergent and Indigenous

"The Punishment is the latest addition to the oeuvre of prolific Kwantlen writer Joseph Dandurand, whose stunning previous collection, The East Side of It All, was shortlisted for the Griffin Poetry Prize. In The Punishment, Joseph Dandurand's now-familiar storyteller's voice wrangles trauma, grief, forgiveness and love. His poems illustrate the poet's solitary existence. With scenes of residential school, the psych ward, the streets and the river, Dandurand reveals an arduous journey: one poet's need to both understand his life and find ways to escape it. Through poetry, he shares with us all his lovers. He shares the streets. He shares what he sees: the great eagles and small birds; his culture and teachings; the East Side; self-pity; the deception of love; the deception of hate; sasquatches; spirits; and his people, the Kwantlen. At root, The Punishment is about survival. Dandurand's poems will show you disease. They'll show you cedar. They'll show you music. They'll show you shadows. They'll show you forgiveness, and they'll show you punishment."--

Award-winning author Darren Groth's epic story of a dog who will protect the last remaining member of his family, an intellectually disabled boy, at all costs as human civilization crumbles around them.In a time of isolation and scarcity, a regressive regime rules with absolute power, turning neighbour against neighbour and crushing dissidence with deadly force. A microcosm of this monstrous time: the tiny Pacific Northwest town of Gilder.In a house on the fringes of the decimated hamlet, Tao-a failed service dog turned pet-wakes to find his leash tied to the stairs, his hind leg broken and his family killed. With the world he knows shattered, there is one course of action: lay with his slain masters and wait for the enemy-the "hounds"-to return and end his life.But it is not the hounds that find him-it is Kasper, fifteen years old, disabled, limited ability to speak, sole survivor of the family. With the discovery of Boy, Tao understands he now has a duty: guide the last living member of his pack through the ravaged streets of Gilder to safety. The destination? The only refuge he can conceive in a world gone mad? The site of his training five years before.Boy in the Blue Hammock is an epic tale of loss and loyalty, of dissent and destruction, of assumption and ableism. With a powerful narrative and evocative prose, the novel poses one of the important questions of our time: When evil silences the people, who will protect those without a voice?