Bøger udgivet af Nick Hern Books

The Southbury Child is a darkly comic play exploring family and community, the savage divisions of contemporary society, and the rituals that punctuate our lives.

Meet Ashraf and his 'Habibti' - his daughter Shazia. He's an Egyptian, Muslim taxi driver; she's half-Egyptian, half-Wiganese, and more interested in the last call at the bar than the call to prayer.Their relationship is put to the test when Ashraf introduces Shazia to his new Egyptian bride, whilst she is attempting to break the news of her own secret engagement. In Ashraf's taxi they must navigate driving lessons, sing karaoke and explore whether, despite their differences, family can win out regardless.Habibti Driver is a heartwarming and hilarious play, based on Shamia Chalabi's real-life experiences and co-written with Sarah Henley, exploring the clashes, compromises and comedy that come with living in a mixed-culture family in today's Britain.First performed in an earlier version - Burkas and Bacon Butties - at the VAULT Festival, London, this revised, full-length version premiered at the Octagon Theatre Bolton in April 2022, co-produced with Tara Finney Productions.

A gripping play about the man who murdered Mahatma Gandhi, premiered at the National Theatre, London.

1508. France. A woman dances compulsively - and soon hundreds join her.1962. Tanzania. A schoolgirl's laughing fit spreads from village to village.2011. USA. Cheerleaders are overcome by uncontrollable twitching.2023. London. A group of women suddenly lose the ability to speak - and no one can figure out why. The team at an all-female podcast decide to investigate and end up on a journey of discovery, uncovering more than they bargained for.The Maladies by Carmen Nasr is a powerful, provocative play, offering rich material for schools, colleges and youth theatres, particularly those looking for leading roles for young women. It was devised with the Almeida Young Company, directed by Yasmin Hafesji, and first performed at The Yard Theatre, London, in April 2022.

A passionate, illuminating exploration of Shakespeare's greatest plays and characters, by the director of acclaimed theatre company Shakespeare at the Tobacco Factory.Combining close textual analysis with practical insights based on his extensive experience of directing Shakespeare's plays, Andrew Hilton delves into a fascinating range of topics such as emotional truth in the comedies, the importance of the plays' social dynamics, the choice of settings and periods, making and withholding moral judgements, working with different versions of the texts, and even adapting them.Throughout, Hilton urges us as audiences and theatre-makers to set aside our preconceived notions, and instead to approach Shakespeare's plays with an open mind, moment by moment, so that we can connect with them in fresh and vital ways.'The clear-sightedness, wit and depth of knowledge and insight into the plays and their worlds is unparalleled... should be required reading for everyone approaching these plays... A fabulous book, brimful of wisdom and revelations and a gift to anyone interested in Shakespeare or, quite frankly, in people' John Heffernan, actor'Andrew Hilton's Tobacco Factory Shakespeares were an inspiration... What audiences saw and heard was not a display but an uncovering. His productions did not add to the drama: they revealed it... In Shakespeare on the Factory Floor, Hilton has once again lit up Shakespeare: lucid and penetrating on the page and on the stage' Susannah Clapp, theatre critic of the Observer'The detail and simplicity of Andrew Hilton's directing is as potent in his writing as it is in the rehearsal room... A wonderful book' Dorothea Myer-Bennett, actor'Andrew Hilton has used his rich experience of many years to create a penetrating, timely and distinctive study of the plays... I only wish this book had been around when first I read Shakespeare. It would have opened my eyes and my mind much earlier' Professor Sir Christopher Frayling, Former Rector of the Royal College of Art and Chair of Arts Council England'Andrew Hilton's fascinating book reveals how theatrical performance offers insights into longstanding questions of literary interpretation... Written in an engaging and readable style, it will be of interest to actors, directors, scholars and anyone who enjoys reading Shakespeare's plays or seeing them performed' Lesel Dawson, Senior Lecturer in English at the University of Bristol

A small asteroid has hit the capital city. Thousands have been displaced. And in a town far away, a young man called Vin is finding it hard to talk. The only person who seems to notice is Rach, who resolves to find out what's troubling him and help him find his voice again.But when Rach's family take in an articulate and charismatic survivor of the asteroid incident, Vin's silence is no longer her first priority. How does it feel when the suffering of others seems more legitimate than our own?James Fritz's Lava is a timely play about grief and the power of expression, rocking with raw emotion and sharp humour. It premiered at Nottingham Playhouse in 2018, in a co-production with Fifth Word who commissioned the play. It was revived on tour in 2022, including a run at Soho Theatre, London.

Jane Eyre may be poor, obscure, plain and little, but she has heart and soul - and plenty of it.Chris Bush's witty and fleet-footed adaptation lays bare the beating heart of Charlotte Brontë's classic novel, whilst staying true to its revolutionary spirit.With actor-musicians, playful doubling, and a plethora of nineteenth-century pop hits, it was first produced at the Stephen Joseph Theatre, Scarborough, and the New Vic Theatre, Newcastle-under-Lyme, in 2022, directed by Zoë Waterman.

Gavi wants to inspire his community. Which is tricky when everyone wants to just stay at home and watch Bake Off. But, determined to succeed, he starts hosting amateur motivational meetings from his garage.With the help of daily mantras, goal-setting and repeatedly listening to Spandau Ballet, he believes he can change lives for the better. However, when the only attendees are his two colleagues from the Co-op - bickering mother and daughter Dawn and Jen - it's not quite the enlightening experience they were all hoping for.Katie Redford's play Tapped is a witty and sensitive portrayal of managing mental health within a family, highlighting the barriers we put up in order to put on a brave face. It was first performed at Theatre503, London, in April 2022.'A play with a sweet, romantic centre... raises urgent questions about mental health... the characters tug at our heartstrings' - Guardian'A likeable big-hearted new seriocomedy' - The Times

A trilogy of landmark plays - Wild Sky, Embargo and Outrage - commemorating seven years of warfare in Ireland, from the 1916 Easter Rising to the Civil War which began in 1922.

Sonny is twelve. Living with a stammer, he is finding his way in a world ruled by vicious vowels, confusing consonants, and the biggest beast of all - small talk. His only escape is with a comic-book hero of his own creation, who helps Sonny soar above his reality.But when he's cast by the headteacher in the school production of Hamlet, he soon discovers that language is power - and the real heroes are closer than he thinks.Wonder Boy, Ross Willis's play about the power of finding your own voice, premiered at Bristol Old Vic in March 2022, directed by Sally Cookson.

A vivid and thrilling play about a pioneeringa and successful IVF innovator and his brilliantly dysfunctional family.

Behind the crumbling walls of St Grace's Convent, an exhausted order of nuns needs resurrecting. As Easter approaches, Mother Elizabeth has just the thing.Behold 'Mary', a council-funded robot. Practical and surprisingly funny, for some a blessing, for others a curse - could she be the revelation they have all been praying for?Electric Rosary is a sharp, timely and gloriously funny play by Tim Foley, asking what faith really means in the age of artificial intelligence and what it is to be human in tomorrow's world. It was a Judges' Award winner in the Bruntwood Prize for Playwriting, and premiered at the Royal Exchange Theatre, Manchester, in April 2022.

Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.Earthquakes in London (National Theatre Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)Love, Love, Love (Paines Plough Drum Theatre Plymouth, UK tour, 2010; Royal Court Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

Tessa is a young, brilliant barrister. She has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning.But an unexpected event forces her to confront the patriarchal power of the law, where the burden of proof and morality diverge.Prima Facie by Suzie Miller is an award-winning play for a solo actor, taking us deep into a world where emotion and integrity are in conflict with the rules of the game.After several acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, the play received its European premiere at the Harold Pinter Theatre in London's West End in April 2022. It was produced by Empire Street Productions, directed by Justin Martin, and starred Jodie Comer, the Emmy and Bafta Award-winning star of TV's Killing Eve, making her West End debut.

When noble heroine Miss Phoebe Virtue receives worrisome news on Instagram that her twin brother Jack may be endangering his reputation in London Town, she decides she must visit herself, and investigate...Set in contemporary, post-pandemic London, full of illicit sex, political hypocrisy and the machinations of a fame-hungry elite, Scandaltown is a comedy for the new Restoration of the theatres.Mike Bartlett's play was first produced by the Lyric Hammersmith Theatre, in association with Fictional Company, at the Lyric in April 2022, directed by Artistic Director Rachel O'Riordan.'[Mike Bartlett] is one of the prime movers in a new golden generation of British playwrights' Independent'A rambunctious, modern-day Restoration comedy... a springtime pantomime with knowing humour, smut, silliness and arch references to the hypocrisies of the state... joyfully silly stuff' - Guardian'Laugh-out-loud funny... the mashup of Restoration cadences and modern argot is spot on' - Evening Standard'Extremely funny... Bartlett's writing is always clever and lively, and he hits his targets' - WhatsOnStage

Liam and Fletch grew up together. Born on the same street. Best mates since primary. Inseparable. The only difference was while Fletch was getting suspended from school, Liam was studying. And now he's going to Oxford. But with Liam gone, who's going to keep Fletch out of trouble?Sorry, You're Not a Winner explores aspiration, social mobility and getting caught between classes. It asks: if 'making it' means leaving everything you know and everyone you love behind - what's the point?This powerful and striking play by Samuel Bailey was first produced in 2022 by Paines Plough and Theatre Royal Plymouth, in association with the University of Plymouth's School of Society and Culture, before touring nationally.'An intricate and moving study of social mobility... gripping and nuanced... Bailey continues his development as one of the most socially engaged writers working in theatre today' - Guardian

This step-by-step guide to learning and practising an American accent is for anyone who wants to use a General American accent with confidence in auditions and performance.Inside, you'll find an easy-to-follow breakdown of the fundamentals required for the accent - including the shape and position of the mouth; vowels and consonants; rhythm; stressing; pitch; pace and more - as well as structured drills and exercises to build on and consolidate what you've learned, using extracts from contemporary American plays.The book is supplemented by dozens of online audio clips of General American voices, recorded by native speakers, so you can listen to the target sounds and repeat for practice. Also included are tips on fully integrating the accent into your performance, as well as a series of vocal warm-ups.Rebecca Gausnell is a voice and dialect coach, who has worked internationally in theatre, film and television. Born and raised in the United States, she studied acting in Chicago, before completing an MFA in Voice Studies in London.The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.

When Okumu's village in Northern Uganda is attacked by a guerrilla rebel group, the Lord's Resistance Army (LRA) led by Joseph Kony, he and his brother find that their lives are changed forever.Far Gone is a profoundly moving play for one actor which tells the story of a young boy's journey from childhood innocence to child soldier, seen through the eyes of those that love him - and those that betray him.Inspired by John Rwothomack's own real-life experience of nearly being kidnapped by the LRA, the play was co-produced by Roots Mbili Theatre and Sheffield Theatres, with support from Theatre Deli, Sheffield. It premiered at the Crucible Studio, Sheffield, in 2022, directed by Mojisola Elufowoju.'This play is not about me, the kid who was lucky enough to escape. This play is for the hundreds of thousands who did not. For the parents whose children were either lost forever or forever changed. For the young girls who were forced to marry men old enough to be their fathers. For the brothers, sisters, cousins, nieces, nephews, sons and daughters who lost the innocence of childhood, simply for being born at an unfortunate time in an unfortunate place. For the future generations who will continue to suffer the trauma the LRA has imprinted on them, for many years to come.' John Rwothomack