Bøger udgivet af Monacelli Press

Long known as an enclave for the wealthy and glamorous, today the Hamptons and nearby coastal communities have become a haven of seaside modernism. New Hamptons Houses showcases houses that reflect the area's design history and strong affinity for its landscape.There are few places in the United States that have experienced as many waves of American modernism as Long Island's East End. In New Hamptons Houses, author David Sokol explores the latest architectural experiments taking place in New York's legendary summer retreat. With contemporary design increasingly mainstream in the region, the seventeen residences featured here reflect modernism's spread across not just the Hamptons but up-and-coming destinations like Bellport and Montauk, Greenport and Mattituck. Yet perhaps more important, the houses featured here represent a shift away from the image of conspicuously sprawling properties for the elite; these projects return to modernism's founding principles, shun Instagrammable spectacle, and steward the East End's increasingly fragile landscape.These houses interface with the seaside landscape in ways that that reference the Hamptons' rich design history and sensitively highlight Long Island's famed natural beauty. Some are renovations and additions to houses by famed twentieth century modernists like Andrew Geller, Charles Gwathmey, and Norman Jaffe, and leading offices such as Bates + Masi, Young Projects, and Ryall Sheridan Architects represent the contemporary approach to twenty-first century regionalism. New Hamptons Houses presents these and numerous other examples of design-forward residences that are responsive to terrain, building vernacular, and cultural legacy.

Fifth Avenue encapsulates the architectural and social history of New York's most elegant and glamorous street in six walks that guide readers from the Washington Square Arch in Greenwich Village to Marcus Garvey Park in Harlem.Fifth Avenue offers readers an architectural tour of Fifth Avenue, stopping at the city's major monuments - the Empire State Building, Rockefeller Center, Saint Patrick's Cathedral - as well as the luxurious glamour of Tiffany's, Cartier, and the Plaza Hotel and the art treasures of Museum Mile. Through six structured walks, the book not only presents the history of New York's most famous avenue, but also explores its architecture in depth, block by block, building by building. This is a book about what can be seen and experienced on Fifth Avenue today. Buildings are chosen for discussion first and foremost because they are interesting to look at. In a relaxed and engaging style, the author presents the building's story, explores the reasons why it is there, and explains why it looks the way it does. Along the way, the reader not only has the chance to discover fascinating and unusual buildings, but also gains a comprehensive understanding of the historic, social, economic, and political forces which shaped Fifth Avenue's growth and character.

Irish-born designer Eileen Gray (1878-1976) was an extremely private figure and has remained an elusive subject despite her long-lasting influence. Known primarily for her highly original furniture and interior design, Gray realized nine buildings in her lifetime and recorded more than 45 architectural projects in her archive, although several of her built projects were attributed, until very recently, solely to her collaborator, Romanian architect Jean Badovici. After briefly studying art in London and Paris, Gray settled in Paris in 1907 and began designing sumptuous lacquer furniture, wool carpets, and draperies that reflected the sensual luxury of traditional French decorative arts. Beginning in the mid-1920s, and influenced by the modern movement, she turned to architecture. Her most renowned project, the villa E.1027 on the coast of southern France, interprets Corbusian spatial principles and forms to become a fundamental example of Modernist architecture. This monograph embodies the first ever in-depth study of Gray's entire career, providing a generously illustrated analysis of her early designs as well as her work as an architect beginning in 1926. It draws on a diverse wealth of archival material, plans, drawings and photographs - including many of Gray's own - to place this fascinating individual in the context of contemporary movements in design and architecture as well as twentieth-century social and cultural history in general.

Rocky Mountain Modern is a collection of the most inspiring modern residences in the Rockies, a region with a surprising but deep history of modernist designRocky Mountain Modern presents the most inspiring modern residences set within the stunning landscapes of the Rockies. Perched on cliffsides or nestled into verdant valleys, with expansive picture windows framing breathtaking vistas and natural materials such as wood and stone interpreted in new ways, these striking homes reveal modern living at its best in the mountains. Indeed, modern design has a deep connection to the region: in the 1940s, Aspen, a former mining town in the Colorado Rockies, became an unlikely bastion of modernism, hosting some of the world’s leading designers, including Herbert Bayer, Eero Saarinen, Buckminster Fuller, and Victor Lundy. Over the ensuing decades, a regional modernism developed that blended clean lines, open volumes, and glass walls with the natural features of the rocky landscape and a vernacular that had adapted to the extreme environmental conditions.  Rocky Mountain Modern celebrates this enduring tradition of modernism through the most remarkable residences in the region, designed by such architecture studios as Selldorf Architects, Olson Kundig, and Allied Works in Aspen, Telluride, Vail, Sun Valley, Jackson Hole, and other picturesque locales across the Rocky Mountains, from New Mexico to British Columbia. 

In exquisite gardens inspired by the lush native plants of his adopted home of Miami, landscape artist/architect Raymond Jungles uses nature as a means of self-expression. He is known for modernist groupings of geometric shapes, which highlight the natural aspects of plantings, water features, and native stone. His use of plants, drawn largely from those indigenous to subtropical regions, emphasizes their dramatic sculptural forms. Jungles''s original and inviting green spaces, like those of his mentor, the master landscape architect Roberto Burle Marx, bring the comfort and beauty of nature into built settings.This monograph on the work of Raymond Jungles features more than 20 residential projects. From a rooftop garden 34 stories in the air to a natural setting of ponds and islands surrounding a 1920s residence to an informal green space in the Pearl Islands of Panama, Jungles constructs vibrant spaces that complement the natural environment. His modern vocabulary is on display in beautiful color photographs that document each landscape in both panoramic views and intimate details. Jungles''s own descriptions of each garden address the process of making the landscape as well as the design elements that tie each composition to common experiences of nature.

With increased attention to sustainability and environmental concerns, landscape architects now lead teams of urban planners and architects in developing new outdoor space and reconfiguring existing designs. As the preeminent landscape architecture firm in the United States, Olin is at the forefront of this movement with completed projects across the country and in Europe. The firm was awarded the gold medal of the American Society of Landscape Architects, the profession''s highest honor, in 2006.Well-known for the restorations of Bryant Park behind the New York Public Library and the landscape of the Washington Monument, Olin is also recognized for the dramatic transformation of a derelict, brownfield site into the vibrant Canary Wharf, now the financial center for all Europe, and for the landscape design of the J. Paul Getty Center in Los Angeles and Columbus Circle in New York. The firm has also designed sculpture gardens for the National Gallery of Art in Washington, D.C., and the Toledo Museum of Art in Toledo, Ohio. In dialogues with noted colleagues and collaborators, each of the partners articulates a personal vision and philosophy of landscape and design. Laurie Olin, founding partner, speaks with the poet Michael Palmer, while Susan Weiler reflects on her collaboration with artist Jenny Holzer. Other dialogue participants are Kim Tripp, former director of the New York Botanical Garden; Niall Kirkwood, chair of the landscape architecture department at Harvard; Sean Timmons, founder of Simmons Design Engineering; and Charles Waldheim, a leading proponent of landscape urbanism. Taken together, these conversations provide a unique window into the creative process.

The first book to tell the stories of the most revered living Japanese ceramists of the century in their own words, tracing the evolution of modern and contemporary craft and art in Japan, and the artists' considerable influence, which far transcends national borders. This groundbreaking volume is the first to present conversations with the most important living Japanese ceramic artists of the last century, figures whose unparalleled skill and creative brilliance have lent them an influence that far transcends national borders. Despite forging illustrious careers and earning international recognition, these sixteen artists have customarily been subsumed by their work. Ranging in age from sixty-two to ninety-two, they embody the diverse experiences of several generations who have been active and successful from the late 1940s to the present day, a period of massive change. Now, sharing their stories for the first time, they not only describe their unique processes, inspirations, and relationships with clay, but together trace a seismic cultural shift through a field in which centuries-old but highly exclusionary potting traditions opened to new practitioners and kinds of practices; significantly, the book includes both conversations with artists born into pottery-making families, and the first women admitted to the Tokyo University of the Arts. In the process, Listening to Clay tells a larger story about ingenuity and trailblazing that has shaped contemporary art in Japan and around the world.

Journey high above the world's most unforgettable waterscapes via this stunning collection of aerial photographs by David Ondaatje. Water Views is a breathtaking overview (literally) of the most striking bodies of water from around the world. Photographed with state-of-the-art drone technology by author and filmmaker David Ondaatje, these stunning aerial images range from the picturesque beaches of Carmel-by-the-Sea and Gaviota Beach to the wild coasts of Oregon, placid lakes from Tahoe to Como, the emerald waters of the Bahamas and Belize, the meandering fishing rivers of British Columbia and Montana. Ever-present in this selection, some of which debuted in his recent exhibition at the acclaimed ROSEGALLERY in Los Angeles, is Ondaatje's deep personal affection for solitude, the unspoiled beauty of the nature, coastal water patterns, and fly-fishing in isolated areas. Annotated with behind-the-scenes anecdotes, these photographs take you on a spectacular journey from above as you share Ondaatje's unique first look at some of the most beautiful places in his world, all tied to the compelling and blissful power of water.

This first monograph from New York-based Young Projects explores a new approach to spatial design that combines digital and analog methods at the intersection of exploration and architecture. This monograph introduces the cutting-edge research and work of Young Projects, founded by Bryan Young, where materiality, structure, and form intersect to generate new architectural typologies. The book presents a selection of the practice's most relevant projects: five innovative houses completed between 2015 and 2020 as well as less in-depth looks at other projects that define the practice. Each house serves as a chapter through which Young Projects' broader body of work is explored across scales, illustrated through a rich landscape of drawings, diagrams, renderings, mock-ups, prototypes, and photography. The through-line connecting all chapters is the studio's interest in using ambiguity and anomaly to create novel and accessible spaces, whether for high profile clients like Heidi Klum or a new resort in St Kitts. Young Projects seeks to draw users into immersive spatial experiences that unfold over time, in a manner that is familiar but subtly foreign. This quality of "allure" is a result of a unique and experimental approach to materiality and spatial legibility. These are the threads that tie the work together and have set Young Projects apart as an emerging practice, as well as inform the larger-scale projects the studio undertakes as it enters its second decade. Young Projects' process often begins with simple exercises in making: form-finding experiments they undertake within their Brooklyn studio. Material research has included hand-pulling plaster with an irregular knife, using furniture foam as a casting bed, and forming concrete with palm stems. These experiments, among many others, mine characteristics that are not typically associated with conventional architectural materials and break traditional methodology, allowing for qualities of randomness and spontaneity to enter the process of making. The studio finds that letting go of control (at the right moments) produces results that are often surprising, entirely bespoke, and resist replication.

The only monograph to chronicle the life and work of one of the most important figures in American landscape architecture.Beatrix Farrand, the only female founder of the American Society of Landscape Architects, is one of the most important landscape architects of the early twentieth century. Today the scope of her work and her influence on the profession are widely acknowledged, and her gardens are being studied, restored, and opened to the public. A long-awaited updated edition of the 2009 definitive monograph, Beatrix Farrand: Garden Artist, Landscape Architect chronicles the life and work of one of the most important figures in American landscape architecture. Born into a prominent New York family (she was Edith Wharton's niece), Farrand designed lavish gardens for the leaders of society, including the Harknesses, the Rockefellers, and the Blisses. Ultimately, her portfolio extended to college and university campuses, including Princeton, Yale, and the University of Chicago, and public gardens, the Santa Barbara Botanic Garden and the Rose Garden at the New York Botanical Garden among them. Her best-known design is the landscape at Dumbarton Oaks in Washington, D.C., originally a private residence with extensive grounds and now a research center for Harvard University surrounded by a naturalistic park restored and maintained by the National Park Service. Deeply influenced by the English garden designer Gertrude Jekyll, Farrand was known for broad expanses of lawn with deep swaths of borders planted in a subtle palette of foliage and flowers. In her public work, she adapted this design strategy to create paths and plantings that define the character of the space and the hecirculation through it. Heavily illustrated with archival images and photographs of her gardens at their peak-many taken especially for this book, Beatrix Farrand: Garden Artist, Landscape Architect also displays beautiful watercolor wash renderings of her designs, now preserved at College of Environmental Design of the University of California at Berkeley. The new edition includes updated images that reflect the current state of gardens including the Peggy Rockefeller Rose Garden at the New York Botanical Garden, the International House Courtyard at the University of Chicago, Garland Farm (Farrand's last home and garden, which has recently been restored), Dumbarton Oaks, Dumbarton Oaks Park (which was not included in the first edition), among others. The book concludes with a comprehensive list of Farrand's commissions and the gardens open to the public, providing direction for further study and exploration. It also features a new preface outlining the milestones in research since the first edition's publication, updated details about ownership and renovations of many properties, and a revised bibliography including articles and books published over the past ten years. Published to coincide with the 150th anniversary of Farrand's birth and written by landscape historian and preservation consultant Judith B. Tankard, Beatrix Farrand: Garden Artist, Landscape Architect takes readers on a tour of Farrand's finest works, celebrating her influence on succeeding generations of women landscape architects.

The latest spectacular celebration from Architizer of the most inspiring contemporary architecture from around the globe.The Architizer A+Awards represent 2021's best architecture and products, celebrated by a diverse group of influencers within and outside the architectural community. Entries are judged by more than 400 luminaries from fields as diverse as fashion, publishing, product design, real-estate development, and technology, and voted on by the public, culminating in a collection of the world's finest buildings. Each year, winners are honored in this fully illustrated compendium, and on Architizer.com, the largest online architecture community on the planet. Featuring select A+Award winners, this is the definitive guide to the year's best buildings and spaces.

"A capsule history of American architecture since 1960.”—Wall Street JournalArchitect, historian, and educator Robert A. M. Stern presents a personal and candid assessment of contemporary architecture and his fifty years of practice.For more than fifty years, Robert A. M. Stern has designed extraordinary buildings around the world. Founding partner of Robert A. M. Stern Architects (RAMSA), Stern was once described as “the brightest young man I have ever met in my entire teaching career” by Philip Johnson and recently called “New York City’s most valuable architect” by Bloomberg. Encompassing autobiography, institutional history, and lively, behind-the-scenes anecdotes, Between Memory and Invention: My Journey in Architecture surveys the world of architecture from the 1960s to the present and Robert A. M. Stern’s critical role in it. The book chronicles Stern’s formative years, architectural education, and half-century of architectural practice, touching on all the influences that shaped him. He details his Brooklyn upbringing, family excursions to look at key twentieth-century buildings, and relationships with prominent teachers—Paul Rudolph and the legendary Vincent Scully among them. Stern also recounts the origins of RAMSA and major projects in its history, including the new town of Celebration, Florida, the restoration of Times Square and 42nd Street, 15 Central Park West, Benjamin Franklin and Pauli Murray Colleges at Yale, and the George W. Bush Presidential Center, as well as references the many clients, fellow architects, and professional partners who have peopled his extraordinary career. By turns thoughtful, critical, and irreverent, this accessible, informative account of a life in architecture is replete with personal insights and humor. Stern’s voice comes through clearly in the text—he details his youthful efforts to redraw house plans in real estate ads, his relationship to Philip Johnson, which began at Yale and was sustained through countless lunches at the Four Seasons, his love of Cole Porter and movies from the 1930s and 1940s, his struggle to launch an architecture practice in the 1970s in the midst of a recession, and his complex association with Disney and Michael Eisner. Unsurprisingly, New York City plays a big role in Between Memory and Invention. Stern has a deep commitment to the city and recording its past—he is the lead author of the monumental New York book series, the definitive history of architecture and urbanism from the late nineteenth century to the present—and shaping its future. Though now a global practice, RAMSA residential towers rise throughout Manhattan to enrich the skyline in the tradition of the luxurious apartment buildings of the 1920s and 1930s. Supported by a lively mix of images drawn from Stern''s personal archive and other resources, this much-anticipated memoir is interspersed with personal travel slides, images of architectural precedents and the colleagues that have shaped his thinking, and photographs of the many projects he discusses. With a thoughtful afterword by architectural historian Leopoldo Villardi that delves into Stern’s process of putting together this extraordinary autobiographical work, Between Memory and Invention is a personal candid assessment of a foremost practitioner, historian, instructor, and advocate of architecture today.

The first monograph of highly sought-after interior designer Shawn Henderson, who is renowned for his serene and sophisticated interiors.Collecting fourteen stunning projects by acclaimed interior designer Shawn Henderson, this monograph illustrates how the designer crafts spaces that reflect the lifestyles of his clients, while embodying the serenity and sophistication that have become Henderson''s signature. Presenting his designs for city townhouses and lofts, historic farmhouses and country estates, and modern mountain and beach retreats—including his own West Village apartment and upstate New York country home—Henderson shares the warm, intimate, and harmonious interiors he creates through layered compositions of sculptural lighting and furniture--both custom and vintage--elegant finishes and textures, and exceptional art, all against a refined palette of clean neutrals and moody grays, with clever pops of color.

A priviledged tour of a lavish estate in Greenwich featuring an abundance of garden experiences--formal boxwood and undulating hornbeam hedges, dense woodland, reflecting pools, arbors and follies--and a "ferme ornée" offering organic produce to the community.Sleepy Cat Farm is the vision of one man, Fred Landman, who acquired the handsome Georgian Revival house and grounds in 1994. Deeply committed to the concept of harmony between house and garden, he has dedicated himself to the landscape to create "a garden of which the house could be proud."Collaborating with Greenwich architect Charles Hilton and noted landscape architect Charles J. Stick and drawing inspiration from travels in Europe and Asia, Landman has done just that. The landscape unfolds in a series of garden rooms and pavilions, pathways and pools, statuary and staircases, trees, shrubs and flowerbeds, hillsides and vistas that change daily, monthly, almost minute by minute, as the visitor explores this undulating landscape of surprises, intrigue and unexpected beauty. Names were given to the various aspects: The Golden Path, the Grotto, The Iris Garden, the Spirit Walk, the Perennial Long Border Garden, the Pebble Terrace, the Woodland Walk. Buildings and follies were added, also with storybook names--the Celestial Pavilion, the Barn, the Limonaia, the Chinese Pavilion, the Cat Maze and Arbor. Down the hill from the main house is an working organic farm that supplies produce to the community, a project of Landman''s wife, Seen Lippert, a professional chef who worked with Alice Waters in California before moving East.Landman and Lippert are committed to sharing the beauty that they have created. They are generous in opening the property for charitable events and tours of gardeners and horticultural enthusiasts, particularly through the Open Days program of the Garden Conservancy. As Landman says, "One of my greatest joys is when other people come here and get to experience what I experience every day. The most important thing is that they leave happy."

First survey of modernist and contemporary architecture and interiors in the richly layered architectural history of Santa FeSanta Fe Modern reveals the high desert landscape as an ideal setting for bold, abstracted forms of modernist houses. Wide swaths of glass, deep-set portals, long porches, and courtyards allow vistas, color, and light to become integral parts of the very being of a house, emboldening a way to experience a personal connection to the desert landscape. The architects featured draw from the New Mexican architectural heritage--they use ancient materials such as adobe in combination with steel and glass, and they apply this language to the proportions and demands exacted by today''s world. The houses they have designed are confident examples of architecture that is particular to the New Mexico landscape and climate, and yet simultaneously evoke the rigorous expressions of modernism. The vigor and the allure of modern art and architecture hearten each other in a way that is visible and exciting, and this book demonstrates the synergistic relationship between art, architecture, and the land.

In her 9th book, best-selling author J.C. Amberlyn takes readers of all ages who aspire to draw or already love to draw wild animals step by step through the entire process of creating drawings of animals from around the world with her easy-to-use drawing method. Artist''s Guide to World Wildlife continues a rich tradition of animals in art and gives readers the basic information on art materials, fundamental mechanics of drawing, species and locale-specific details, and process instructions so that even beginners will feel confident and succcessful as they learn to produce highly detailed, lifelike drawings of these beautiful animals.There''s a huge and amazing variety of wildlife in the world and this book will help readers get to know and draw it. First, there''s a section on basic techniques and concepts any artist should know when drawing animals, such as information on anatomy, body types, how to draw fur and feathers, and other useful tips. The book then explores many of the best-known or notable species of wildlife around the world, looking at carnivores, omnivores, and herbivores. Most well-known mammals can be found here, plus some lesser-known ones. There''s also a look at some birds and reptiles. Each section focuses on a type of animal, compares similar species, and contains step-by-step drawings and other instruction to heighten the reader''s skills in drawing wild animals.

Breuer's Bohemia explores a vibrant period of midcentury modern design and culture as seen through the influential New England houses designed by Marcel Breuer for his circle of clients and friends.The iconic twentieth-century architect Marcel Breuer was a prolific designer of residential architecture, which is often overshadowed by his early renown as a Bauhaus furniture maker and his large-scale projects. Breuer's Bohemia surveys the houses he designed in Connecticut and Massachusetts from the 1950s through the '70s, many of which were commissioned by a few culturally progressive clients-chiefly Rufus and Leslie Stillman and Andrew and Jamie Gagarin-who coalesced around him into a dynamic social circle. Included in this scene were prominent cultural figures such as Alexander Calder,Arthur Miller, Francine du Plessix Gray, Philip Roth, and William Styron, and more, marking a unique intersection of postwar architecture, art, and letters.The publication of Breuer's Bohemia coincides with the feature-length documentary of the same name by author and filmmaker James Crump, exploring Breuer's explosive residential practice on the East Coast. Through original research and interviews, the voices of principal characters from Breuer's circle and notable figures from the field of architecture help tell the story of Breuer's collaborations with his friends and clients, breathing new life into the history of the rich cultural atmosphere of which they all played a vital part.Heavily illustrated with vintage and contemporary photographs as well as rarely seen archival materials, Breuer's Bohemia is a unique glimpse of a twentieth-century milieu that produced an aesthetic, intellectual, and sometimes sybaritic community during a fertile period of American design and culture.

Master of the Midcentury: The Architecture of William F. Cody is the first, long-overdue book on this key Palm Springs architect, abundantly illustrated and detailed.Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art.Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity.Master of the Midcentury is the first monograph devoted to Cody, authored by the team that curated the acclaimed exhibition Fast Forward: The Architecture of William F. Cody at the Architecture and Design Museum in Los Angeles: his daughter, Cathy Cody, design historian Jo Lauria, and architectural historian Don Choi. Replete with photographs of extant and now-lost structures, as well as masterful color renderings and drawings for architectural commissions and plans for vanguard building systems, this book will be the authoritative resource on Cody. Copublished with the venerable Palm Springs Preservation Foundation and timed to coincide with the hugely popular Palm Springs Modernism Week, Master of the Midcentury gives this peerless architect his long-awaited due.

Connection is a monograph of ten residences that articulate the office's design process and exploration of creating architectural solutions rooted in natural place.Connection provides insight into how Colorado-based CCY Architects investigates and formulates the connection between people and place. By way of ten recently completed residential projects located throughout the Rocky Mountain region, CCY Architects shares its process and the specific ideas, discoveries, and challenges that emerge with each project. The featured award-winning projects are diverse in scale, location, and intention, including residences in pristine nature, in dense neighborhoods, in an avalanche path, and a house wrapped in music. The interaction among design and place begins with questions. How to conduct an "interview" with the land to discover qualities which contribute to more powerful design solutions? What should a changing habitat live like, feel like, look like? As CCY uncovers the potential elements of each project, they reflect on and respond to the genuine qualities of the land, light, and seasons to devise the building blocks of a meaningful environment. Common to all is a respect for the land and an intention to forge connections.

The popularity of manga among young people who love to draw continues to grow. In her third manga book, J.C. Amberlyn focuses on her favorite subject matter, animals, with a fun and lively how-to-draw book aimed at beginners. How to Draw Manga Animals takes readers through all the step-by-step drawing instructions they need to learn how to successfully create their own super-cute manga animal characters as well as the worlds they live in.In How to Draw Manga Animals J.C. Amberlyn takes readers through all the drawing techniques they'll need to create a cast of manga-style animal characters. What makes a good character design? This book looks at elements in creating a manga-style animal character with appeal, exploring archetypes and other familiar types of characters as well as how to add unexpected or unique elements that give characters a memorable twist. In addition, readers will learn to draw cute chibi critters and dangerous-looking monsters and everything in between for comics, games, or simply their own personal enjoyment. This book includes chapters on some common or notable real and mythological Japanese animals to provide readers a foundation of knowledge to start their own animal character designs.

A book of deeply personal and lush photographs, drawings, and writing, Blue Violet is Cig Harvey's celebration of the natural world and the senses.Blue Violet is a vibrant meditation on the procession of seasons, sensory abundance, and the magic in everyday life. Part art book, botanical guide, historical encyclopedia, and poetry collection, Blue Violet is a compendium of beauty, color, and the senses. Plants, flowers, and our experience of the natural world are the threads that tie this unique book together. Exploring the five senses, Blue Violet takes the reader on a personal journey through nature and the range of human emotions. As with her previous three titles--You Look At Me Like An Emergency, Gardening at Night, and You an Orchestra You a Bomb--this book invites the reader to pause, laugh, cry, create, and become more aware of the natural world. Images and text in a variety of forms (prose poetry, recipes, lists, research pieces, diagrams) focus on immediate experience to understand the vibrancy of the senses on memory and feelings.

A truly comprehensive and laser-focused examination of a really wonderful, expressive art form. Understanding Caricature offers artists, aspiring artists, students, journalists, bloggers, etc. a lively guide to an old and respected art form. A great caricature is one that not only captures the subject''s look and personality but amplifies them significantly. They are almost always funny and very often (but not always) mean spirited.Eyes, ears, nose, mouth, hairline, cheeks, eyebrows, teeth, chin: There’s no facial feature (or any other body part, for that matter) that can escape the sardonic scrutiny of caricaturist and illustrator Greg Houston. But though he cleverly twists, exaggerates, and distorts each subject’s image, he always makes sure the person remains recognizable—an absolute must for successful caricature.Whether on assignment or simply drawing for his own perverse pleasure, Houston loves skewering the high and mighty—movie stars, moguls, politicians, and assorted other VIPs—especially when they misbehave. Caricature, says Houston, is a very sharp weapon for the powerless to use against the powerful, and he can teach you to wield it, too.After defining caricature, differentiating it from other forms of portraiture, and delving into its centuries-long history, Houston gets down to the nitty gritty of how to do it. He focuses sequentially on the face, the hair, the body, and what he calls “accoutrements”—distinctive items of clothing that help viewers immediately identify celebrities. You yourself will learn to poke artistic fun at the famous through a series of demonstrations that let you follow Houston as he constructs caricatures of Jake Gyllenhaal, Masie Williams, Dwayne Johnson, Rainn Wilson, and other notable victims of his wicked pen.But Houston doesn’t focus solely on his own approach. A whole chapter of Understanding Caricature is devoted to other contemporary caricaturists and the signature mediums they work in, ranging from traditional oils and watercolors, to digital drawing and painting, to sculpture and even puppet-making. And the book’s final chapter displays the work of students who’ve studied with Houston at his Baltimore academy. Brilliant in their own right, these pieces also demonstrate how any artist, with Houston’s guidance, can become a skilled practitioner of the caricaturist’s art.

First monograph to present the work of Laguardia Design Group, a highly regarded landscape architecture firm specializing in contemporary residential design in the Hamptons.With offices in Water Mill, LaGuardia Design Group is immersed in the fragile landscape of the Hamptons, both its woods and meadows and the dramatic shoreline along the Atlantic. Notable projects include the rebuilding of the dunescape surrounding a landmark Norman Jaffe house damaged by storms, collaborations with well-known contemporary architects, iand the setting for a distinguished collection of contemporary sculpture in Bridgehampton.Founded in 1994 by Christopher LaGuardia, this firm is committed to expressing the character of each site and recognized for its environmental stewardship, historic references, and meticulously designed outdoor spaces. Rather than attempting to mimic nature, LDG''s goal with every design is to interpret natural processes as an artistic expression in their work. In 2013, LDG received the American Society of Landscape Architects (ASLA) award of excellence in residential design, the highest residential award in the profession.

A rich presentation of the sensual and scenographic effects created by the legendary Stanford White, whose designs extend beyond architecture to encompass lavish interiors, jewelry, furniture, gilded frames, and ceremonial events.Once proposed as the "Commissioner of Beauty" for New York City, Stanford White was a master of architecture, interior design, and ornament, fearlessly juxtaposing materials and objects from myriad cultures and times. Drawing on precedents from antiquity and the Renaissance, from Asia, the Middle East, and Europe as well as Colonial America, White created complex surfaces inside and out. Stanford White in Detail examines this innovative and intricate web through lush, tightly framed vignettes of carved wood and marble, metalwork, mosaic, and tile as well as generous overall room views to demonstrate how these are woven together for a unique effect.

Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined and elevated American craft.In 1969, an exhibition opened at the Smithsonian Institution that defined the American studio craft movement. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle.Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, artists, and auction houses--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art.Coinciding with an exhibition of the same title, and featuring essays by some of the foremost authorities on craft, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.

A photographic portrait of 16 private gardens in New York and Connecticut through the seasons, weathers, and times of day.For his third book of landscape photographs with Monacelli, following Magnificent Trees of the New York Botanical Garden and The Rockefeller Family Gardens, Larry Lederman has selected 16 private gardens in New York State and Connecticut and studied them in depth, presenting views through the seasons and weathers to capture their essential spirit.As Gregory Long, President Emeritus of the New York Botanical Garden, observes: "After selecting the gardens, Lederman sets out to learn and understand them. He visits in all seasons, in all weather, at many times of day, in many light conditions. He wants to analyze their design and study their character. He wants to know their plants and see their environmental conditions and visual elements from many points of view. He wanders. He walks the paths, forward and backward, and stops frequently so that his camera can memorize views and details. As a result of this time spent and such intense scrutiny, he sometimes discovers aspects of a place that the residents themselves have never seen or fully appreciated. I think the owners of the gardens in this book will see vistas, patterns, designs on the land they did not know they possess. They will love their even gardens more, and their commitments will grow."

David Opdyke's massive collage This Land (as elucidated in this book by award-winning author Lawrence Weschler) presents a slow-burning satire of the American Dream as it blunders into the reality of climate change.This Land is an epic mural fashioned by New York artist David Opdyke out of vintage American postcards which he then treated with disconcerting painted interventions. What at first reads as a panoramic bird's-eye view of an idyllic alpine valley reveals itself, upon closer examination, to be an array of connected scenes and vignettes. Across more than five hundred postcards, each one portraying a distinct slice of idealized Americana (town squares, mountain highways, main streets and county seats), Opdyke's acerbic, emotionally jarring alterations gradually become evident.In this prophetic refashioning, forests are aflame, tornadoes torque from one card into the next, a steamboat gets swallowed up whole by some sort of new megafauna, frogs fall like Biblical hail from the sky. The human responses form a cacophony of desires and demands, panic and denial. Biplanes trail banners urging Repent Now!, others insist Legislative Action Would Be Premature, while still others advertise seats on an actual Ark.The book This Land affords readers a closer and closer viewing of Opdyke's devastatingly sardonic take on our impending ecological future, one in turn enlivened by Lawrence Weschler's vividly sly blend of artist profile and critical interpretation. Featuring introductory essays providing background on the artist and the project as a whole, This Land also divides the sprawling mural into eight sections to allow for a more intimate viewing. Interspersed among the detailed visual sections are insightful thematic essays by Lawrence Weschler and an afterword that serves as a stirring call to action by civil rights attorney Maya Wiley. Additionally, the book's jacket is printed on both sides, folding out to reveal the work in its full grandeur.

This inspiring collection of compelling and characterful interiors will have city and country dwellers alike dreaming of carving out a personal haven far beyond the big city.Through two hundred newly commissioned photographs and engaging profiles of twelve unique, personal, and creative interiors on both sides of the Hudson, Upstate features a variety of spaces--from tranquil minimalist retreats to exuberant small-town residences. Among them are a farmhouse of globetrotting food photographers, a lavender-hued Victorian brimming with eclectic curios, a striking cottage with modern furnishings and elegant Georgian bones, and the country-house-on-acid of an artist and art director, complete with giant mushroom side tables and permanently installed party streamers. Shared by these distinctive spaces is a common approach to decoration that centers on collections gradually accumulated, delights in the handmade, embraces the beauty in imperfection, and values comfort and character above all.