Bøger udgivet af Moderne Kunst Verlag Fur

Using painting, photography and video, as well as wall- and floor-based works and both indoor and outdoor installations, Teres Wydler (born 1945) explores the often fraught intersection of nature and culture. This first comprehensive publication on Wydler examines works from the last 30 years.

German artist Heike Baranowsky (born 1966) works with film, video and photography to create works that manipulate the conventions of documentary and mainstream cinema. This volume surveys her oeuvre to date.

Around 2000, Leipzig School painter Annette Schröter (born 1956) switched from painting to the delicate art of paper cut-out. Gathered here are works from the past four years, some of them wall-sized, which showcase her mastery of the medium. Schröter's marvelously intricate works incorporate fragments of old industrial architecture, graffiti, tags and logos.

Light on the Horizon surveys the output of German painter Peter Angermann (born 1945). Angermann's unique, cartoonlike paintings are playful and absurdist, at times featuring bears or skeletons in everyday situations. He is also known for his skill as a plein air landscape painter.

Susan Hodel (born 1962) concentrates on the absolute fundamentals of painting--the physical preparation of the canvas and its priming. Although the appearance of Hodel's works is minimalistic, the process of their lengthy creation is complex. This volume documents works from 2008 to 2012.

Situated at the interaction of art, architecture, music, mathematics, cosmology and science, Matthew Ritchie's "The Morning Line" is a 33-foot high sound pavilion, constructed in aluminum and conceived in part as a successor to Edgard Varèse and Le Corbusier's pavilion for the 1958 World's Fair, and Fritz Bornemann's Expo '70 Pavilion. Designed in collaboration with New York-based architects Aranda Lasch, the Arup Advanced Geometry Unit and the Music Research Centre of York University, the structure was inspired by the cosmological theories of Paul Steinhardt and Neil Turok, and offered a sonic environment in which newly commissioned works by well-known musicians were performed. This survey of the project includes a book containing Todd Eberle's photographs of the structure, a poster, a newspaper and a red vinyl LP with music by contemporary electronica musicians such as Alexej Borisov, Tommi Grönlund, Petteri Nisunen, Christian Fennesz, Carsten Nicolai, Zsolt Olejnik, Finnbogi Petursson, Franz Pomassl, Terre Thaemlitz and Zavoloka.

Brooklyn-based artist Nin Brudermann (born 1970) explores absurdist aspects of scientific procedures. Twelve o' Clock in London documents her installation of more than 150 videos from around the world, all recording the synchronized release of weather balloons.

Austrian artist Valentin Ruhry (born 1982) uses light box installations to create works exploring their promotional function in advertising. The artist's first monograph, this book accompanies his solo exhibition in Graz.

Austrian sculptor Bruno Gironcoli (1936-2010) developed a distinct sculptural language, beginning with his early filigree wire objects and culminating in the gigantic sculptures of the last two decades. This publication contextualizes his work and includes 15 late works.

Between the "Arab Spring" and the Occupy movement, 2011 will certainly be remembered as the year of insurrection, and this volume could not come at a more timely moment. Demonstrations offers an interdisciplinary discussion of the possibilities of public demonstration through an analysis of historical and contemporary paintings, graphics, photographs, installations, video and sound works and performances. Contributors include Bani Abidi, Jost Amman, Claudia Bosse, Irina Botea, Wilhelm Bülow, Anetta Mona Chisa and Lucia Tkácová, Discoteca Flaming Star, Ludwig von Elliot, Johann Georg Funck and Michael Rössler, François Georgin, James Gillray, Jana Gunstheimer, Nicoline van Harskamp, Johann Peter Hasenclever, Sharon Hayes, Alexander Hoepfner, Johann Jakob Kirchhoff, Noël Lemire, Les Trucs, Lovefuckers, Peter Lynen, Marcello Maloberti, Anna Mendelssohn, Rabih Mroué, F.G. Nordmann, Christodoulos Panayiotou, Alfred Rethel, Henry Ritter, Julian Röder, Yorgos Sapountzis, Sandra Schäfer, Georg Schlicht, Eske Schlüters and others.

In his series Spatial Dispositions, Italian artist Aldo Giannotti (born 1977) researches the relationships and characteristics that shape the gallery ar/ge kunst in Bolzano, Italy. His drawings form a kind of cartography in dialogue with the visitors, members, staff and artists who comprise the institution.

Through abstract painting and sculpture, German artist Simona Koch seeks to make connections between living creatures, treating them as part of one whole organism--the earth. This beautifully constructed publication acts as both an aesthetic and biological sketchbook, exploring scientific questions through artistic strategies.

This publication is a comprehensive monograph of Zurich-born artist Karim Noureldin (born 1967). Working with pencil and crayon, Noureldin makes drawings that are delicate and abstract, resembling maps or technical drawings, as he transports the viewer into a world of floating geometric shapes and spaces.