Bøger udgivet af McGill-Queen's University Press

Judith Adamson's memoir reveals the questions Adamson asked as she researched her biographies of literary luminaries, and the personal challenges she faced along the way. Uncovering new information about her famous subjects, from Graham Greene to Max Reinhardt, Ghost Stories is a fascinating account of a twentieth-century career in literature.

What Women Represent, the first large-scale analysis of the substantive representation of women in Canadian politics, adds depth to our understanding of issues of gender in parliamentary institutions. Using cutting-edge methodologies, Erica Rayment examines which members of parliament represent women and what issues they address, revealing that women MPs, regardless of party, are more likely to act for women and play a critical role when the rights of women are at stake.

Fate remains central to many cultural outlooks, and in our age of conflict, climate change, and pandemic, it features conspicuously in debates about the future. A careful examination of this important idea is not only informative and intriguing but also timely. Fate and Life confronts the idea of fate head on and demonstrates that how we interpret and apply this concept can make it work for rather than against us.

How do we model abundance - in teaching, in learning, in leading organizations, particularly non-profits - when dealing with fiscal austerity and other forms of scarcity thinking? Hope Circuits explores this question, balancing sophisticated ideas with democratizing higher education for everybody.

Mary MacLeod was a rarity: a female bard in seventeenth-century Scotland. A chronicle of travel through the Scottish Hebrides, More Richly in Earth explores MacLeod's life and legacy, preserved within landscape and memory. Marilyn Bowering forms an unlikely connection with MacLeod despite differences of culture and language, time and place.

Pharmacopoeias - books describing approved standards and composition of drugs - have come in many shapes and forms throughout the history of medicine. Stuart Anderson traces the 350-year development of "official" pharmacopoeias across the British Empire, from the local to national scale, and later to a single pharmacopoeia across imperial Britain.

The Children's Hour (1961) was the first mainstream US film to feature a lesbian character in a leading role. Julia Erhart explores how the film's conception, production, and reception reveal deep insights into the politics of sexuality and censorship in midcentury America and into social and political tensions around gender and sexuality today.

Rampant morphine addiction in Third Republic France captured the imagination of artists in Paris. However, while the majority morphine users were male medical professionals, artists almost always pictured a female addict. Art, Medicine, and Femininity explores the societal impact of the feminization of addiction in this corpus of images.

Marlene Epp demonstrates that the meaning of Mennonite food lies within the multiple identities of the eater. Spanning the globe, from the nineteenth century to present day, Eating Like a Mennonite concludes that Mennonite food identities develop from adoptions, adaptations, and attitudes in diverse times and places.

A collection of around 350 letters bound for London from Jamaica reveals much about colonial life in 1756. Ordinary People, Extraordinary Times paints a picture of the daily life of poor and middling whites, free people of colour, and enslaved people against the backdrop of transatlantic slavery in Jamaica and the eighteenth-century British Empire.

After World War II displaced more than sixty million people, Cold War politics opened global eyes and wallets to European displaced persons. The postwar experiences of more than three million forcibly displaced Polish people illuminate the painfully long process of reckoning with war and its fallout. Drawing on rich primary material unearthed in over a dozen archives, Kingdom of Barracks depicts the texture of everyday life in refugee camps in post-World War II Europe within a panorama of the social and cultural history of the twentieth century. Western Allies and Polish social elites construed the camps as spaces for rehabilitating and "re-civilizing" refugees to prepare them for the reconstruction of war-torn countries and a rebirth of the nation. On the ground, refugees lived in close proximity, sharing bug-infested barracks with people from other regions, social classes, and wartime experiences. Taking a bottom-up perspective and exploring the formation of cultural identity in exile through the lenses of class, gender, body, and nationality, Katarzyna Nowak argues that Polish DPs' experiences of displacement stimulated a personal and a collective revival understood in religious and national terms.In an age of intensifying forced displacement, Kingdom of Barracks sheds new light on past experiences of war and migration that are still deeply relevant in the present.

In the nineteenth century France became fixated on infant sleep. Pictures of sleeping babies proliferated in paintings, posters, and advertisements for cradles and toys. Childcare manuals and medical writings insisted on the importance of sleep as a measure of a child's future health and vigour. Infant sleep was transformed from an unremarkable event to a precarious stage of life that demanded monitoring, support, and, above all, the constant presence and attention of mothers. Hush Little Baby uncovers the cultural, medical, and economic forces that came to shape Western ideas about infants' sleeping patterns, rituals, and settings. By the mid-nineteenth century doctors were advising that infant sleep should be carefully controlled by caregivers according to medical guidelines, and that to do otherwise would risk compromising a child's development. A sleeping baby was seen as the sign of a good mother - an idea that was reinforced through countless pictures of mothers watching vigilantly over their sleeping children, even as the reality of postpartum depression was known to doctors. The medical advice literature also helped to create a commercial infant industry, encouraging the production of clothing, bedding, cradles, and accessories designed to foster sleep, and providing new ways for families to demonstrate social status. In Hush Little Baby Gal Ventura shows how these images and ideas about babies' sleep created many of the standards and expectations that keep parents awake today.

Paul the apostle is usually imagined as a man of prestige and power - comfortably conversing with philosophers, seeking an audience with the emperor, and composing compelling letters for Christians throughout the Mediterranean. Yet this portrait of a safe and conventional figure at the origins of Christianity airbrushes out many strange things about him. This volume repositions Paul as a man at the periphery of power. Recovering an Undomesticated Apostle explores the ways that Paul has been "domesticated" in both popular and scholarly imagination. By isolating selected crises of the apostle's life and legacy and examining the social and material dimensions of his world, these essays collectively chip away at the received image of his strength and status. The result is a series of glimpses of Paul that frame the apostle as surprisingly marginal and weak within Roman society. Published in honour of New Testament scholar Leif E. Vaage, Recovering an Undomesticated Apostle presents Paul as a man operating from a position of desperation, making virtue out of necessity as he attempted to claw his way up in the dog-eat-dog world of the ancient Mediterranean.

For centuries, English-language writers have borrowed words and phrases from other languages in their fictional works. Words in Collision explores this tradition of language-mixing and its consequences. Returning to Shakespeare's Henry V, Michael Ross asks why writers employ "foreign" phrases in their English-language texts, why this practice continues, and what it means. He finds that the insertion of "foreign elements," rather than random or arbitrary, occurs in literary works that display a self-conscious preoccupation with language in general as a dynamic determinant of social relations. Discussing nineteenth-century works by Sir Walter Scott, Charlotte Brontë, and Henry James, the book demonstrates how multilingualism connects with themes of cosmopolitanism, estrangement, and resistance to social convention. In the second half of the book, the multilingual practices of canonical Anglo-American literature are compared with postcolonial texts by Caribbean, Nigerian, and Indian authors, including Chimamanda Ngozi Adichie and Arundhati Roy, whose choice of language is fraught with complex moral and artistic implications. Ross's readings reveal both crucial departures and surprising underlying continuities in linguistic traditions often thought to be deeply divided in time, space, and politics. The first extended treatment of language-mixing in English texts, Words in Collision is critical to understanding past practices and future prospects for multilingualism in fiction.

Hugo von Hofmannsthal (1874-1929) is frequently portrayed in cultural histories as an aloof writer with a precious style, out of step with modern sensibilities. In Aesthetic Dilemmas Marlo Burks reassesses Hofmannsthal's oeuvre and its place in twentieth-century European modernist aesthetics.Through an examination of a diverse range of Hofmannsthal's ekphrastic writings - including poetry, essays, opera libretti, fiction, and letters - Burks argues that Hofmannsthal's work aims to engage the consciousness and sensibility of readers, listeners, and viewers by way of dynamic encounters with works of art. Aesthetic Dilemmas thereby corrects a long-standing, flawed characterization of Hofmannsthal's work as escapist and demonstrates how his place in the Modernist movement has been misunderstood in most scholarship. The book is in dialogue with a broad range of critical voices and treats a variety of themes, from aestheticism to money, interpersonal relationships, suffering, poverty, labour, futurity, legacy, and hope. Translating numerous passages into English for the first time, Aesthetic Dilemmas gives English-speaking readers the chance to evaluate Hofmannsthal's literary merit and his contributions to the enduring conversation about art's relation to ethics.

Many scholars have touched tangentially on the topic of affectation in Hamlet, but none have yet offered an adequate rhetorical analysis of Shakespeare's treatment of the concept. Making the claim that affectation is an anomalous affective malady that afflicts nearly everyone in the play, Bradley Buchanan explores the many manifestations of affectation at the court of Elsinore in light of classical rhetorical theory, as well as in the broader context of early modern intellectual culture. Buchanan shows that the special twist in Shakespeare's depictions of affectation lies in the catachrestic abuse of the older English word "affection" by Hamlet himself (among other characters) to signify the new, foreign concept of affectation. This disturbing conflation of two opposing conditions encapsulates Hamlet's much-discussed problem: he cannot tell the difference between genuine affection and deceptive affectation. Drawing on a growing field of scholarship engaged in the study of rhetoric in early modern English texts, Indict the Author of Affection explores how Shakespeare's extensive and self-conscious use of catachresis involves not only far-fetched metaphors but subversive new meanings that can infect familiar words, dramatizing his characters' psychological conflicts and producing a rich but treacherous instability in language itself.Indict the Author of Affection brings to Hamlet a groundbreaking analysis engaged with the complex, wide-ranging, and contentious discourse concerning affectation as a rhetorical, moral, and aesthetic issue.

Redirecting examinations of the culture of the city away from its customs, art, and amenities to focus on the mental life of modern society, Alan Blum explores the methods cities and their subjects use to find meaning in the context of urban life, in particular the city's relationships to social change and what has traditionally been identified as justice.The Material City pictures the city as a landscape of diverse clashes over beliefs, a site that exhibits interpretive collisions over globalization, gentrification, innovation, preservation, market value, popular culture, crowds, consumption, urban governance, and different strategies for healing the democratic city's ever-present conflicts over these concerns. Each chapter uses a problem of urban life to observe and analyze assumptions and values that are typically taken for granted and unspoken, using elements of the philosophy of Plato as well as the work of modern thinkers such as Georg Simmel, Gertrude Stein, Ludwig Wittgenstein, Virginia Woolf, Hannah Arendt, and Jacques Lacan.The Material City translates contested views of everyday life and its management into a deeper reflection on urbanity as a system of desire. The historical and the contemporary metropolis alike are shown to be sites where the enigma of mortality - and its relation to pleasure, comedy, and fate - plays out.

The French Revolution swept away the Old Regime along with many of its ideas about epistemology, history, society, and politics. In the intellectual ferment that followed, debates about religion figured prominently as diverse thinkers grappled with the philosophical and civil status of religion in a post-revolutionary age. Arthur McCalla demonstrates the central place of religion in the intellectual life of post-revolutionary France in Religion and the Post-revolutionary Mind. Certain questions - What is the nature of religion? Does society rest on religious foundations? What ought to be the place of religion in society? - drew sustained attention from across the political spectrum. Idéologues viewed religion as error and sought to eradicate it through the promotion of secular values. Catholic Traditionalists understood religion as a body of revealed truths of supernatural origin that ought to be authoritative in all aspects of life. Liberals sought to replace Christian orthodoxy with a new public faith consonant with liberal values. But these blocs were not monolithic, and McCalla reveals the complexities of each one, as well as the dialogues and rivalries among them. The categories established by the concepts of religion these thinkers constructed continue to shape debates over liberationist critiques, liberal pluralism, laïcité, and political theology. The place of religion in civil society is again a matter of urgent debate. Religion and the Post-revolutionary Mind provides essential historical context for thinking about the status of religion in the contemporary world.

It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of global crisis and decolonization, the question of why Shakespeare is relevant at all is now more pertinent than ever. Shakespeare in Succession approaches the question of relevance by positioning Shakespeare as a participant as well as an object of adaptive translation, a labour that has always mediated between the foreign and the domestic, between the past and the present, between the arcane and the urgent. The volume situates Shakespeare on a continuum of transfers that can be understood from cultural, spatial, temporal, or linguistic points of view by studying how the text of Shakespeare is transformed into other languages and examining Shakespeare himself as a kind of translator of previous times, older stories, and prior theatrical and linguistic systems. Contending with the poet's contemporary fate, Shakespeare in Succession asks how Shakespeare's work can be offered to the multicultural present in which we live, and how we might relate our position to that of the iconic writer.

Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them.In Writing RoguesCassio de Oliveira sheds light on the picaresque and its marginal characters - rogues and storytellers - who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue - such as Ilf and Petrov's wildly popular cynic and schemer Ostap Bender - in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself.Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens' fears and aspirations as it recorded the country's transformation into the first communist state.

André Siegfried (1875-1959) was a leading figure in French academic and cultural life for over five decades. A world traveller who trained as a geographer, Siegfried became a leading political scientist and prominent newspaper columnist. As a long-time professor at Sciences Po, he shaped generations of his country's elite. France in the World explores the life and career of André Siegfried. An innovator in the field of political science, he established himself as France's leading interpreter of the English-speaking world. Often likened to Alexis de Tocqueville, Siegfried published influential studies of the United States, Canada, Great Britain, and New Zealand, striving to understand France's place in a changing global context. Siegfried was a cosmopolitan promoter of liberalism and individual freedom. But at the same time he perceived France to be the core of a Western civilization whose leadership and values were threatened by Americanization, anti-imperial nationalism, and non-white immigration. By following Siegfried's long career and examining the breadth of his writings, Sean Kennedy shows how his racial and ethnic essentialism was a unifying aspect of his life's work. That these ideas were considered unremarkable for most of his lifetime offers a powerful illustration of how racist thinking permeated mainstream French republicanism.Exploring the many facets of Siegfried's career, France in the World examines the entanglement of liberal and racist thinking during an era that witnessed political extremism and a rapidly changing international order.

Throughout the 1920s, a remarkable number of young writers and artists lived and worked in Madrid, creating an atmosphere of effervescence and an upsurge in creativity that has rarely been equalled. These young people, acquainting themselves with one another within the span of only a few years, came together to form a tightly woven network of both personal and artistic relationships.In Configurations of a Cultural Scene Andrew Anderson explores this growing community of artists and writers with a focus on how sites of face-to-face interaction in Madrid fostered creative work and forged young identities. Organizing locations into places of sociability, learning, and residence, Anderson offers five case studies that exemplify the significance of these three points of intersection: Rafael Barradas and his tertulia at the Café de Oriente; an artists' studio located on the Pasaje de la Alhambra; women art students at the Academia de San Fernando who lodged at the Residencia de Señoritas; the artist and writer Gabriel García Maroto; and the close relationship between artist Maruja Mallo and poet Rafael Alberti. Departing from conventional approaches that foreground the trajectories of individual careers, Anderson privileges the lived experience of artists and writers in his analysis of a rich cultural scene held together by cooperation, exchange, and interpersonal connections.

The modern world was not created by the civilization of Renaissance Italy, the advent of the printing press, or the marriage restrictions imposed by the medieval church. Rather, it was widespread reading that brought about most of the cognitive, psychological, and social changes that we recognize as peculiarly modern.David Williams combines book and communications history with readings of major works by Petrarch, Bruni, Valla, Reuchlin, Erasmus, Foxe, and Milton to argue that expanding literacy in the Renaissance was the impetus for modern civilization, turning a culture of arid logic and religious ceremonialism into a world of individual readers who discovered a new form of communion in the act of reading. It was not the theologians Luther and Calvin who first taught readers to become what they read, but the biblical philologist Erasmus, who encountered the divine presence on every page of the gospels. From this sacramental form of reading came other modes of humanist reading, particularly in law, history, and classics, leading to the birth of the nation-state. As literacy rates rose, readers of all backgrounds gained and embodied the distinctly modern values of liberty, free speech, toleration, individualism, self-determination, and democratic institutions. Communion and community were linked, performed in novel ways through revolutionary forms of reading. In this conclusion to a quartet of books on media change, Williams makes a compelling case for readers and acts of reading as the true drivers of social, political, and cultural modernity - and for digital media as its looming nemesis.

Literature utters the unutterable, not through logic, not through science, not through argument, but through a pitch of eloquence so pronounced the conscientious reader cannot fail to pay attention. Louis Groarke argues that literature is an honorific term we use to describe texts that are so overpowering they lift us to an encounter with an ineffable ultimate that is beyond logical or scientific explanation. In Uttering the Unutterable he proposes a wisdom epistemology that identifies an experience of transcendence as the defining criterion of literature. Offering four mutually reinforcing definitions of literature in line with Aristotle's theory of four causes, Groarke compares the experience of reading to Aristotle's account of philosophical contemplation and maintains that literature has inevitable ethical content. Moving beyond the Aristotelianism of the late Chicago School, Groarke presents a new synthesis that breaks through essentialist stereotypes and contends that literature, like religion, points to an ineffable transcendental, to something beyond what we can adequately explain, prove, systematize, quantify, or enclose in a theory. Uttering the Unutterable explores how Aristotelian philosophy provides the most complete and compelling account of literature for philosophers, literary critics, and theorists.

As Russia wages a twenty-first-century war against the very existence of a Ukrainian state and nation, reanimating Soviet-era propaganda that portrayed Ukrainians as Nazi collaborators and fascists, the experiences of the Ukrainian nationalist underground before, during, and after the Second World War gain new significance. While engaged in a decades-long struggle against the Ukrainian nationalist movement and the Ukrainian Insurgent Army (UPA), and lasting into the mid-1950s, Soviet counterinsurgency forces accumulated a comprehensive and extensive archive of documents captured from the Organization of Ukrainian Nationalists and the UPA. Volodymyr Viatrovych and Lubomyr Luciuk have curated and carefully annotated a selection of these documents in Enemy Archives, providing primary sources the Soviet authorities collected and deemed useful for better understanding their opponents and so securing their destruction, a campaign that ultimately failed.The documents seized from the insurgents and Soviet analyses of them shed light on a wide range of experiences in the underground: how the movement struggled to maintain discipline and morale, how it dealt with suspected informers, and how it resisted the ruthless Soviet state, laying the foundations for the continuing Ukrainian struggle against foreign domination.

In the late nineteenth century a resurgent Jacobite movement emerged in Britain and the United States, highlighting the virtues of the Stuart monarchs in contrast to liberal, democratic, and materialist Victorian Britain and Gilded Age America. Compared with similarly aligned protest movements of the era - socialism, anarchism, nihilism, populism, and progressivism - the rise of Jacobitism receives little attention.Born in the Glorious Revolution of 1688, Jacobitism had been in steep decline since the mid-eighteenth century. But between 1880 and 1910, Jacobite organizations popped up across Britain, then spread to the United States, publishing royalist magazines, organizing public demonstrations, offering Anglo-Catholic masses to fallen Stuart kings, and praying at Stuart statues and tombs. Michael Connolly explains the rise and fall of Anglo-American Jacobitism, places it in context, and reveals its significance as a response to and a driver of the political forces of the period. Understanding the Jacobite movement clarifies Victorian Anglo-American anxiety over liberalism, democracy, industrialization, and emerging modernity. In an age when worries over liberalism are again ascendant, Jacobitism in Britain and the United States, 1880-1910 traces the complex genealogy of this unease.

After a summit in Belgrade in September 1961, socialist Yugoslavia, led by President Josip Broz Tito until his death in 1980, initiated a movement with states in the Global South. The Non-Aligned Movement not only offered an alternative to the Cold War polarization between NATO and the Warsaw Pact but also expressed the hopes of a world emerging from colonial domination.Socialist Yugoslavia and the Non-Aligned Movement investigates the Non-Aligned Movement both as a top-down, interstate initiative and as a site for transnational exchange in science, art and culture, architecture, education, and industry. Re-invigorating older debates by consulting newly available sources, the volume challenges studies that marginalize the role of socialist Yugoslavia in the Non-Aligned Movement. Contributors address topics such as women's involvement, antifascism and anti-imperialism, cultural and educational exchange, tensions in Yugoslav diplomacy, competing understandings of economic development, the role of the Yugoslav construction company Energoprojekt, Yugoslav relations with Latin America and Africa, and contemporary support for refugees and asylum seekers as a kind of practical and affective afterlife of Yugoslavia's non-aligned commitments. Socialist Yugoslavia and the Non-Aligned Movement offers an innovative approach to one of the twentieth century's most important international movements and confronts issues of economic, social, and cultural rights that remain relevant today.

The 1978 publication of Edward Said's Orientalism unsettled the world. Over two decades earlier Aimé Césaire had famously spoken of the boomerang effect of colonization, which dehumanized both the colonizer and the colonized. Over time, Said and his 1978 book took Césaire's anti-imperial critique one step further by enabling the boomerang effect of decolonization.Inspired by that intellectual trajectory, The Boomerang Effect of Decolonization redefines post-Orientalism in a relational and integrative way. This volume draws on the reception and critique of Said's ideas as well as his own attempts to appropriate the boomerang's recursive nature and empower decolonial processes that aimed to transform everyone, regardless of differences both imagined and real, for the betterment of all. Reflecting upon Orientalism, its legacies, and the myriad conversations it has generated, scholars from various disciplines examine acts of anti-racism and liberation through the lens of critical race theory. Covering topics including Said's anti-Orientalist world, Métis/Michif consciousness, writing by the French scholar Jacques Berque, the politics of allyship in the Israeli-Palestinian conflict, and the convergence between healthcare and settler-colonialism in Northwestern Ontario, contributors explore the different paths critiques of imperial cultures and their politics of difference have travelled in Canada and abroad. Said's Orientalism reoriented both decolonization itself and his readers' imaginations. By redefining post-Orientalism as a relational and inclusive mode of liberation, this volume offers tools to think about difference differently, centring its anti-racist framework on the relationship between misrepresented people and their rewritten histories. Contributors include Yasmeen Abu-Laban (Alberta), Rachad Antonius (UQAM), Sung Eun Choi (Bentley), Mary-Ellen Kelm (Simon Fraser), Allyson Stevenson (Saskatchewan), Mira Sucharov (Carleton), and Lorenzo Veracini (Swinborne).

One writer is stranded by the Second World War. Another flees multiple revolutions to live the rest of his life in Rio de Janeiro. Two others, public about their sexuality at home, choose self-exile. In Lost and Found Voices Luc Beaudoin offers a critical engagement with these four displaced authors: Witold Gombrowicz, Valerii Pereleshin, Abdellah Taïa, and Slava Mogutin.Not quite fitting into their respective diasporas and sharing an urge to express their queer desires, it is in their published works of literature, film, and photography that these writers locate their shifting identities and emergent queer voices. Their artistry is the basis from which Beaudoin traces their expressions of desire in language, culture, and community, offering a contextual queer reading that navigates their linguistic, cultural, artistic, and sexual self-translations and self-portrayals. Their choices are determinative: Gombrowicz masked his attraction to men in his works, keeping the truth hidden in an intimate diary; Pereleshin explored his lust in Brazilian Portuguese after being shunned by the Russian diaspora; Taïa writes in French to destabilize both the language and his status as an immigrant in France; Mogutin becomes a hardcore gay rebel in word and image to rattle assumptions about gay life.Bringing authors generally not familiar to an English-speaking readership into one volume, and including Beaudoin's own experience of living between languages, Lost and Found Voices provides provocative insights into what it means to be gay in both the past and the present.

With increasing urban population density, conflicts in cities erupt more frequently and violently. Cities have become hotspots for armed combat, highlighting the urgency of understanding the impact of local communities and urban factors on the development of violent conflict. Joldon Kutmanaliev presents a novel approach to analyzing communal violence and armed conflicts in urban zones. Drawing from fieldwork in cities of southern Kyrgyzstan, he explains local-level variations in violence across neighbourhoods during the most intense and violent episode of urban communal violence in Central Asia - the clashes between Kyrgyz and Uzbeks in June 2010. Kutmanaliev explains why armed violence affects some urban neighbourhoods but not others, why local communities react differently to the same existential threat, how they deal with a deteriorating security environment and interethnic fears, and how different types of urban planning and urban landscapes influence the spread of violence. Importantly, the book identifies key factors that help local communities and their leaders to negotiate non-aggression pacts and control local constituencies, and therefore successfully prevent violence. Intercommunal Warfare and Ethnic Peacemaking explains communal war and ethnic peacemaking on the level of neighbourhood communities - a perspective that is largely absent in previous studies.