Bøger udgivet af McFarland & Company

"This book brings together essays written by a number of well-known writers of cozy mysteries, including Sherry Harris, Amanda Flower, Leslie Budewitz, and Edith Maxwell, among others, who provide insight into their approaches to writing. Topics covered include how they work with the form, develop characters and settings, and utilize the particular hook, skill or business that establishes the protagonist's ability to solve crimes. In addition to discussing these traditional aspects of writing, several authors focus on how they have expanded the direction the contemporary cozy mystery has taken with the inclusion of more diverse characters and social issues"--

"A high-stakes wager placed on a woman's virtue; men who spy on bathing women; tell-tale birthmarks; cross-dressing; dragons; tournaments; and aristocrats bursting into song--these features and more appear in the three stories translated here, all versions of the folktale known as 'the wager tale.' Such stories were especially popular in thirteenth-century France, when noblemen fulfilled their feudal duties far from home. Did their women remain faithful? A pressing question, for only female chastity guaranteed the legitimacy of heirs. This collection offers the first translations into English of The Romance of the Violet and The Count of Poitiers, along with a new version of The Tale of King Flore and the Fair Joan. The first paints a vivid portrait of thirteenth-century courtly life. The second, set in the eighth-century court of King Pepin, includes both a wager tale and a bride quest, the latter involving a shocking scene of female group nudity. Flore and Joan takes a different tack, presenting a clear-eyed heroine who overcomes daunting odds by posing as a man. These medieval tales portray strong women who gainsay social control of their bodies, thereby winning the respect of men--a scenario that resonates even today"--

The words "pride and prejudice" became the title of Jane Austen's most famous novel, but the history of the phrase before Austen is less famous. In particular, most of the reading public has never known that "pride and prejudice" was a traditional critique adopted by British and American antislavery writers. After Austen's lifetime, the antislavery associations intensified, especially in America. This is the only book about the tradition and the many newly discovered uses of "pride and prejudice" before and after Austen's popular novel. Hundreds of examples in an annotated list show the use of "pride and prejudice" used to uphold independence--independent judgment, independent ethical behavior, independence that repudiated all forms of oppression. The book demonstrates how, in a natural evolution, the phrase was used to criticize enslavement and the slave trade. Eighteenth-century revolutionary Thomas Paine used the phrase in Common Sense

Jane Austen's creative process has been largely unexamined. This book explores her development as a writer: what she adapted from tradition for her needs; what she learned novel to novel; how she used that learning in future works; and how her ultimate mastery of fiction changed the course of English literature. Jane Austen overcame the limitations of early fiction by pivoting from superficial adventures to the psychological studies that have defined the novel since. Her creativity and technique grew as she wrestled with pragmatic writing issues. This evaluation of Austen's creative process brings into focus the strengths and weaknesses of her six novels. Each is examined in its use of major fictional techniques--description, scene-building, point of view, and psychological development--to reveal unique literary attributes. The result is a revealing analysis of how world-class fiction is built from the ground up.

"For nearly 60 years, Star Trek has imagined humanity's future while reflecting its present. Star Trek: The Original Series debuted with three male leads, but in the wake of a Trek renaissance that began with Star Trek: Discovery in 2017, additional series have explored the frontiers of representation, making the present moment ripe for new critical engagement and thoughtful reflection on the narratives that have shaped the journey thus far. Using the lens of feminist criticism and theory, this collection of essays presents a diverse array of academic and fan scholars engaging with the past, present, and future of Star Trek. Contributors consider issues like Klingon marriage, Majel Barrett's legacy, the Bechdel-Wallace test, LGBTQ+ representation, and more. They offer updated readings on legacy characters while also addressing wholly new characters like Michael Burnham, Beckett Mariner, and Adira Tal. Their essays provide some of the first critical examinations of the newest additions to the Trek franchise, including Picard, Strange New Worlds and Lower Decks"--

We are living through a time when the extinction of humanity itself looms on our generational horizon. While technological approaches to climate mitigation are admirable, our current ecological crisis results ultimately from an inherited, unexamined concept of selfhood, one standing in reciprocal relation to our misconceived view of nature. Regardless of our concept of nature--conservation, preservation, exploitation, or aesthetic/spiritual appreciation--the received idea that our self exists inside our skull engenders an unexamined assumption that nature is "out there," with historically devastating results for us all. This book explores three new ways of thinking about the interrelation of ourselves and "nature" Merleau-Ponty's notion of embodiment, the connection between enactivism and affordances, and object-oriented ontology. These approaches to selfhood reorder our moral obligations: what are our responsibilities to ourselves, our children, and nature itself? An embodied ethic based on empathy, one compatible with object-oriented ontology that incorporates panpsychism, and one derived from the social imaginary can provide an ethic that transcends supposed cultural biases and offers a new way of confronting climate change. To meet contemporary environmental challenges, we need to change our minds about our minds.

Seth MacFarlane has made an immense mark on popular culture through both his live action and animated television series: Family Guy, American Dad!, The Cleveland Show, and The Orville. While MacFarlane has garnered a large legion of fans, even those who do not personally watch Family Guy, MacFarlane's longest running series, will be quick to recognize images of Peter and Stewie Griffin: a caricature of the clueless dads from sitcoms of yesteryear and an inexplicably queer-coded evil baby genius, respectively. This book explores Family Guy and MacFarlane's other animated series closely, examining how the series uses satire and other strategies to construct specific ideas related to sex, gender, and family. The authors argue that the series, like many other televisions series, contribute to our collective understanding of family and reinforce (at times) unfavorable gender stereotypes.

Marco Ferreri (1928-1997) was one of Italian cinema's most unique auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert...), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation, Tales of Ordinary Madness (1981). Ferreri's cinema dealt in highly original and thought-provoking ways with contemporary issues: the crisis of marriage, relationships between sexes, consumerism, and political disillusionment. His films were controversial and had many censorship issues, leading to Ferreri's fame as a master provocateur. Theis book examines Marco Ferreri's life and career, placing his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of his films, with never-before-seen bits of information recovered from Italian ministerial archives and in-depth discussion of the director's unfilmed projects.

This work takes readers to two countries ravaged by World War II, Poland and Japan, recounting the wartime experiences of teenagers Bogdan and Seiko. Bogdan's family abandoned its home in Bydgoszcz, Poland, and fled to Warsaw, where Bogdan fought for the Polish Home Army in the 1944 Warsaw Uprising. During this brutal conflict, as Poles tried to oust occupying Germans, Bogdan sustained severe injuries, and after the Germans crushed the Uprising, he endured seven POW camps. On the other side of the globe, in Hokkaido, Japan, Seiko's country went to war against the U.S. With school suspended, Seiko worked in a wartime factory. Terror and turmoil haunted Japanese civilian life; Seiko's older sister died during the war, while her older brother trained as a kamikaze pilot. Despite suffering harsh misfortunes, Bogdan and Seiko resolved to rebound once the war ended. Both immigrated to the U.S. to pursue educational opportunities. In bustling postwar New York City, they met, fell in love, and then started a family. Offering a unique transnational perspective on WWII, Bogdan and Seiko's story is one of hope, symbolizing recovery from war's devastation while reminding readers of how immigrants to America have started new lives and pursued their dreams.

King Vidor (1894-1982) had the longest career of any Hollywood director, and his works include some of the most dramatic, sublime moments in the history of American cinema. Regarded by many film historians as one of the greatest of silent era filmmakers--especially for masterworks The Big Parade, The Crowd, and Show People--Vidor is nonetheless one of the most underrated of Hollywood's "old masters" in terms of his overall career. His sound era films include Hallelujah, Street Scene, The Champ, The Stranger's Return, Our Daily Bread, Stella Dallas, The Citadel, Northwest Passage, Duel in the Sun, Beyond the Forest, The Fountainhead, Ruby Gentry and War and Peace. He also helped to establish the Screen Directors Guild and served as its first president. This book charts the ways in which Vidor's vast, complex body of work ranges over diverse genres and styles while also expressing his recurring personal interests in spirituality (especially Christian Science), aesthetics, metaphysics, social realism, and the myth of America. The first book since 1988 to give a comprehensive view of Vidor's career, it discusses his artistic evolution in a way that appeals to the general reader as well as to the film scholar.

Regarded by many of his contemporaries as the greatest baseball player of all time, John Peter "Honus" Wagner enjoyed a remarkable career with the Pittsburgh Pirates. His record of 17 consecutive .300-plus seasons is a mark that will probably never be broken. He led the National League eight times in hitting, six times in slugging percentage and five times in stolen bases. Known as the Flying Dutchman, he also excelled in the field, defining the shortstop position for a generation. Though one of the original inductees in the Baseball Hall of Fame, he has often been overlooked by baseball fans and historians. A humble man whose biggest passions were hunting and fishing, the Pirate shortstop lacked the flamboyance of a Ty Cobb or Babe Ruth. He rarely smoked or drank, though he sometimes indulged in a sandlot game with the neighborhood kids. Based on contemporary newspaper accounts, family scrapbooks and correspondence, and Wagner's own vest pocket notebooks, this is the story of baseball's first superstar.

Covering the basics of media arts values and practice, this revised edition of the acclaimed graphic textbook offers cub reporters a primer on the drama, adventure and ethical conundrums that make journalism rewarding and fun. Using ripped-from-the-headlines examples, the authors challenge students to engage with the big issues. The stories revolve around a diverse newspaper staff at an urban high school who find themselves in a series of teachable moments. Packed with reporting exercises and fundamentals of the craft, woven into engaging narratives, each comic also gives readers a look at the real-life event that inspired the tale.

The evidence is overwhelming that the protection and expansion of slavery was a primary reason for the secession of the Confederate states and the Civil War that followed. While slavery undoubtedly was important, a more fundamental cause was a belief system held in common among the ruling elite. The antebellum South was not only a slave society but also an authoritarian society, shaped by a view of the world as dangerous/competitive, an us vs. them mentality, a dominance/obedience orientation, and closed-mindedness. The authoritarianism of the founding elites, in combination with the travails they experienced on the southern frontiers, led to oppression, racism, and corruptions in thinking, emotion, and behavior. It also perpetuated the practice of slavery, sparked the Civil War, and left a difficult legacy. In a unique application of contemporary social psychological theory and research to the interpretation of history, this book traces the evolution of southern authoritarianism from the founding of Virginia in 1606 to the secession of the Confederate states in 1861. In doing so, it examines how belief systems become embedded in a society, act as both consequences and causes of historical events, and have effects that reverberate far into the future.

In this book, Chief Sylvester Okereke uses the story of his life growing up in Eastern Nigeria to provide a first-hand account of several intriguing Igbo cultural practices such as the horse-acquisition chieftaincy title, the manhood rites, the women fattening/circumcision rites, marriage rites and more. Told in a very accessible style, the book covers his life at a time when the people of eastern Nigeria had no value for education and how his father, who had already had some experience in what was then known as the native court under British colonial masters, encouraged his son amidst unfriendly challenges to pursue education. The book discusses the Anglo-Aro war of 1901/1902, the conquer of eastern Nigeria by British colonialists in the early 1900s, the concept of warrant/paramount chiefs introduced by Britain as an indirect rule measure in southern Nigeria, and how the British shaped the rural communities in eastern Nigeria during colonial times. The work also discusses the life of the author in detail, his travail in boarding homes in distant communities where he was sent to live for studies, the influence of cultural practices on his decision to go to school, and how he conquered these challenges. The book also covers his sojourn into politics as a young man of 21 and discusses the political structure at the time, county councils, native courts, district councils and more.

American men began an earnest search for the meaning of manhood in the latter half of the 20th century and enlisted in such groups as Promise Keepers, Million Man March, National Congress of Men, and fathers' rights groups. This study chronicles those movements, as well as the more visible male activism of today in such groups as Proud Boys, Three Percenters, and Oath Keepers. The book explores the misogyny and militancy embodied in these new quests for manhood. The first section covers pop culture influences on conceptions of masculinity and moves from celebrity iconography to the institutional and organizational influences that men have relied on in the effort to make themselves masculine. The second section describes masculinity and men's movements in the 20th century, and the third section covers the 21st. The final chapters analyze the contrast between the more thoughtful men's movements before the turn of the century and the more militant and physical movements after 2000, posing and addressing critical questions about the relationship between prevailing ideals of masculinity and events like the January 6th insurrection.

By 1977 National Public Radio (NPR) was in trouble, plagued with too little funding and declining ratings. The phenomenal success of the creative scandal caused by the original Star Wars radio drama in 1981 gave NPR the needed ratings, publicity, and boost in donations that kept it afloat at exactly the time it was threatened the most. Most importantly, Star Wars brought a new audience to NPR. As it did in theaters, where George Lucas's films redefined movie making, so too did NPR's Star Wars, forever change the artistic world of radio drama. That a radio network, dependent exclusively on audio for its format, would find a lifeline in one of the most visually dynamic movies ever released is the stuff of irony. Utilizing new interviews with creatives such as Anthony Daniels (C-3PO), Ann Sachs (Princess Leia), Perry King (Han Solo), and director John Madden, and archival research, this book tells the story of how an unlikely alliance of academics, radio executives, Lucasfilm employees, actors, and behind-the-scenes artists banded together, despite the obstacles, to create a unique and consequential work. In turn, it is also the story of how writer Brian Daley was the fulcrum who made it all possible.

The U.S. Army 7708 War Crimes Group investigated atrocities committed in Germany and Nazi-occupied Europe during World War II. These young Americans--many barely out of their teens--gathered evidence, interviewed witnesses, apprehended suspects and prosecuted defendants at trials held at Dachau. Their work often put them in harm's way--some suspects facing arrest preferred to shoot it out. The War Crimes Group successfully prosecuted the perpetrators of the Malmedy Massacre, in which 84 American prisoners of war were shot by their German captors; and Waffen-SS commando Otto Skorzeny, aptly described as "the most dangerous man in Europe." Operation Paperclip, however, placed some war criminals--scientists and engineers recruited by the U.S. government--beyond their reach. From the ruins of the Third Reich arose a Nazi underground that preyed on Americans, especially members of the Group.

In 1577, John Dee, a scientist who served as an advisor to Queen Elizabeth I, proposed to her the creation of colonies in the New World. Neither Elizabeth nor Walter Raleigh imagined the task would be so difficult or take more than 30 years. The effort started with an exploration of the coast of today's North Carolina and the settlement of a colony on Roanoke Island in 1585. This ended tragically and became known as The Lost Colony, its fate a mystery to this day. James I resumed the effort with the founding of Jamestown in 1607 on an island in the James River in today's Virginia. This book relates the histories of the Roanoke and Jamestown colonies to enable a full understanding of the founding of English America. Important events in America's beginnings, including the wreck of the Sea Venture (which inspired William Shakespeare's The Tempest), the Algonquin chief Powhatan's plans to make the newcomers useful to him, and the relationship between Pocahontas and English Captain John Smith are highlighted.

Margrethe Jolly took her PhD at Brunel University, studying Hamlet alongside its French source and consequently writing The First Two Quartos of 'Hamlet'. That, her passion for the plays and her love of literature teaching tempted her to investigate more, and more, of the French elements in the Shakespeare canon. 'Everyone knows Shakespeare's a genius, but he's also very learned, ' she says. 'Do a little digging in those plays and it's amazing how extensive his knowledge is in so many fields.' Her Shakespeare's French Connection explores just one of those fields.

In 1964, thousands of Philadelphia baseball fans were caught up in the Phillies' unexpected run at the National League pennant. Nearly a decade of continuous defeat had earned them little more than the reputation for an unprecedented record of consecutive losses. But in that '64 season the Phillies shocked the baseball world, taking over the National League in mid-July and holding on to first place for 73 consecutive days. And then, as the team's first pennant in a generation seemed within reach, the Phillies collapsed in the greatest meltdown in baseball history. This account traces the rise and fall of that year's Phillies team and attempts to disentangle the complex issues that ultimately cost them the pennant. The book sheds light on the influential events of the fifties and sixties that rendered the team first futile and then undefeated, beginning with an exploration of Philadelphia itself and its team in the 1950s. Early chapters discuss the acquisition of a new manager (Gene Mauch) and the dramatic additions of a dynamic new pitcher (Jim Bunning) and the first great African American player produced by the farm system (Richie Allen). Following chapters focus specifically on the 1964 season and its critical moments, from Jim Bunning's perfect game and Johnny Callison's winning home run in the All-Star game, to Chico Ruiz's steal of home that began the devastating 10-game losing streak at the end of the season. Final chapters analyze what went wrong during the season and discuss the Phillies' position in baseball today. Three useful appendices provide the statistics for the games of the '64 season and for the individual players on the team, and detailed statistics for the 10-game losing streak.

"This book explores the techniques, themes, and subtexts in the fictional works of one of America's best-known and most-loved storytellers, Stephen King. Each of King's novels are analyzed in chronological order of their publication from Carrie to Holly. Every novel's analysis includes a background and summary, narrative devices, archetypes that influenced the novel, themes and subtexts, human universals, interesting facts, and notable quotes. As an invaluable resource for any Stephen King "Constant Reader" and students of literature in general, this work appreciates the beauty of King's fiction without needing to master the jargon on contemporary literary criticism."--

At the beginning of the 19th century, New England physicians teaching anatomy in their medical schools expected students to have hands-on experience with cadavers. The only bodies that could be dissected legally were convicted murderers, and this led to a lack of sufficient bodies for study. Doctors and their students in both the established and newly emerging medical schools of 19th century New England turned to removing the dead from graveyards and cemeteries for dissection. The first medical school in Washington, D.C. was founded in 1825, headed by a Massachusetts physician convicted of body snatching, and made the practice commonplace in the area. This history of body snatching in the 19th century focuses on medical schools in New England and Washington, D.C., along with the religious, moral, and social objections during the time. With research from contemporary newspapers, medical articles, and university archives, topics such as state anatomy laws and their effects on doctors, students, and the poor--who were the usual victims--are covered, as are perceptions of physicians and medical schools by the local communities.

""Albert Hofmann referred to lysergic acid diethylamide, better known as LSD, as his "problem child." The wonderful but worrisome psychedelic drug Hofmann had discovered both inspired and unsettled the world, making headlines in the 1960s surrounding the mischief of Timothy Leary, the "acid tests" of the Merry Pranksters, and social experiments during the Summer of Love and Woodstock, two events that altered popular music. This second edition encyclopedia updates and adds more than 200 new entries, from Hank Williams III, to Tucker Carlson, to dinosaurs. New entries provide documentation of LSD's influence during the 1960s and address a recent resurgence of cultural relevance for the drug."-Provided by publisher"--

Headlines declare after each new hint of evidence that the Lost Colony--the English colonists left on Roanoke Island in 1587, including Virginia Dare--has been found. None of these claims pass muster as the historical, archaeological, and literary evidence presented here demonstrate. This book analayzes several hypotheses and demonstrates why none have been shown to be more probable than any of the others. To understand how the 1587 colonists became The Lost Colony, the authors recount the history of the English expeditions in the 1580s and the original searches for the colonists from 1590 until the 1620s. The archaeological evidence gathered from the 19th through the 21st centuries is presented. The book then examines how the disappearance of the colonists has been portrayed in pseudoscience, fiction, and popular culture from the beginnings until the present day. In the end, readers will have all the data they need to judge new claims concerning the fate of The Lost Colony.

In the aftermath of the September 1862 Battle of Antietam, President Abraham Lincoln issued the most significant presidential decree in American history, the Emancipation Proclamation, which would forever free all slaves in territory not under Union control. Nevertheless, his chief military commander in the field, Major General George B. McClellan, was outraged. Within days, two former Union officers nefariously crossed the lines into rebeldom, an initiative resulting in an elaborate subterfuge to scam Lincoln into withdrawing the Proclamation in return for nebulous promises of peace. This book tells the story, obscured in a veil of secrecy for 150 years, of the cloak and dagger chess match between Union detectives and Southern operatives in the months before emancipation become effective. Despite an ominous warning by author Herman Melville five years before, the scheme to perpetuate slavery almost succeeded, for it was engineered by a man the National Police Gazette once declared the "King of the Confidence Men."

Sandy faced a dilemma: whose needs should come first, those of her paralyzed dog or her healthy husband? After a tragic accident killed her first dog, ten days later, her new puppy died from distemper. Sandy's third dog, a springer spaniel named Kaylee, survived falling off a 75-foot cliff at the age of nine months. These three tragedies compelled Sandy to prove that she was not a failure as a pet owner. Kaylee relied on Sandy for everything, and Sandy needed her dog. Kaylee and her eventual successor, Cassie, became Sandy's 'heart dogs'--those once-in-a-lifetime pets that affected her soul, giving her the courage to stand up to her parents, get the job of her dreams, and help her grow in her relationship with her husband. This memoir examines the realities of helping a dog heal from a traumatic injury and the stress it puts on a marriage. Filled with the joys of small accomplishments and advice on how to make it through the rough patches, it offers a lifeline for a reader struggling not to give up on their dog or their relationships.

Spock, Data, Worf, B'Elanna Torres, Seven of Nine, Odo, Michael Burnham, Soji. Many of Star Trek's most beloved characters are children of two worlds, the products of competing biologies, materials, and cultures. Their popularity is unsurprising: authors mine conflicted identities for dramatic effect, and viewers see their own struggles reflected in the challenges of individuals who never seem to quite fit in. This book demonstrates that the tradition is not new. Spock and his fellow hybrids have their roots in anti-slavery literature. Abolitionist authors introduced protagonists who were both Black and White, yet not fully accepted as either. Divided at their core, the attempts of these noble yet tortured individuals to bridge their two races inevitably ended in tragedy. Gene Roddenberry and his successors thrust the character type into the future, using it to explore the evolving racial attitudes of their times. Star Trek's tragic hybrids have asked audiences to see beyond color, to embrace multiculturism, to accept mixed-race identity, and, finally, to acknowledge the consequences of systemic oppression.

In a role 67 million Americans face as caretakers to their elderly parents, Susan Hartzler cared for her dad for three years, gaining profound insight into Parkinson's disease and the multifaceted challenges of caregiving. Throughout this challenging period, Hartzler's rescue dog, Baldwin, a precious gift from her late mom, provided unwavering support. This memoir offers a personal roadmap for those facing similar caregiving decisions. Thoughtful, tragic, and funny, it shows that while demanding, caregiving can be a fulfilling endeavor, especially with a dog by one's side. Hartzler's story will better prepare others in similar situations and encourage them to consider the value of having a dog as a companion on their caregiving journey.

Among dozens of leadership theories, types, and styles, "principled leadership," is increasingly in demand as ethical crises plague more and more organizations and individuals. But despite strong consensus surrounding the need for principled leadership, there is little common understanding of it as an art and science. What exactly is principled leadership? How does it work? How does a leader practice it? What distinguishes it from other leadership types? What does it look like in action? How is principled leadership more than just individual principled behavior? This book answers these and more questions, introducing principled leadership theory and illustrating it through practical case studies. Principled leadership holds powerful, positive effects for leaders who practice its concepts.

One a revolutionary leader and the other a vagabond who deserted from the Continental Army, Samuel Adams and Henry Tufts appear opposites, yet they were two sides of the same coin. While one devoted his life to overthrowing British colonial rule and the other to rambling, womanizing and stealing horses, Adams and Tufts represented the self-interested capacity for survival as well as the lofty ideals that made the American Revolution possible. When they crossed paths in 1794, with Adams serving as governor of Massachusetts and Tufts a hapless prisoner facing the gallows, it was the serendipitous climax of three decades of revolutionary activity and crime. Recalling the sometimes complementary roles of virtue and vice in the early republic, the story of these two men reflects themes of the American Revolution, including class differences among colonists, the importance of education in fostering republicanism, and the founders' emphasis on improving criminal justice. It is also a story of redemption--both for these two imperfect individuals and for the revolution that they participated in.