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"Simultaneously published in the United States of America in 2013 by Grantha Corporation ... "--T.p. verso.

- Explains the fundamental spatial and perceptual attributes of the elements of 'spacemaking'critical to effective designing of space- Traces the evolution of each element through history from primeval structures to modern architecture- Illustrated with 1400 extensive drawings and sketches of detailed case studies from all over the worldThe notions of space are made physically manifest in architecture through the different elements that constitute the basic identifiable parts of the manmade or built environment. Each of these elements possess attributes inherent to their morphological construct which endow them as particular spatial properties, providing potential for their use and design in architectural compositions. This book examines the inherent attributes of 'spacemaking' elements, namely roofs, walls, doors, windows, columns, stairs and floors and analyzes their implicit influences in the design of space. It traces the linguistic origin of the terms as well as the evolution of each element through history from primeval structures to modern architecture. The effective applications of these are illustrated through extensive drawings and sketches of detailed case studies from all over the world.

- Documents the special architectural element of carved and perforated screens in South Asia - Features lavishly-produced illustrations of more than 200 jalis across India - Traces examples from seventh-century examples to those designed by global contemporary artists - Comprehensive study of the exquisitely crafted screens from the Gujarat Sultanate to Mughal jalis, across Rajasthan and central India and, further south, to Deccan A jali is a perforated or latticed stone screen, with ornamental patterns that draw on the compositional rhythms of geometry and calligraphy. In the parts of India, western Asia and the Mediterranean where solar rays are strongest and brightest, ustads (or master artisans) were able to evolve an aesthetic language of light, giving it form and shape through lattices of stone and other materials. Jalis share a common aim of bringing filtered light into enclosed spaces, while providing protection and privacy. The expansive volume covers more than two hundred jalis across India, from the temple-inspired designs of the Gujarat Sultanate to imperial symbolism and Sufi allusions in Mughal jalis, the innovations and adaptations of jalis across Rajasthan and central India and, further south, calligraphy in pierced stone in the Deccan. With contributions by Mitchell Abdul Karim Crites, George Michell, and Ebba Koch, this lavishly illustrated publication reveals the poetry etched in these stone screens.

- A long-overdue volume on a five-decade long practice successfully creating monumental public works - Documents the work of Namita Singh work through five decades for a society in the making - Illustrated with photographs and drawings lending value to the breadth of the varied projects Having set up practice couple of decades after independence, Namita Singh belongs to the generation of architects who participated in the country's rapid development, providing a range of infrastructure projects for a society in the making, its institutions and cities. A Chandigarh-based practice, her firm has delivered a range of buildings, including educational institutes, offices, commercial projects, housing, heritage and restoration works, private homes and interiors across India. While much of her work is in tune with a contemporary modernism, Namita Singh has always drawn on local values and technologies for its generic expressions. A volume long overdue, the publication includes works that illustrate principles the architect uses to build and as well as those that are part of the stylistic consistency of the firm. Accompanying photographs and drawings tell a parallel story and lend value to the breadth of the varied projects presented and of a practice informed by inquiry.

- Works on paper by senior Indian modern artists - Spanning the transition from colonial to post-colonial India - From the Collection of Umesh and Sunanda Gaur - Over 100 watercolors, drawings, etchings, sketches and lithographs - Traditional narratives reoriented to engage with India's past, present and futureIndia is a nation of con?icting realities, where the old and the new, the traditional and modern regularly coexist. Here, the artists are concerned not solely with telling their own tales but also with exploring what it means to live in a nation steeped in tradition. Within the context of modern and contemporary India, works on paper offered artists a way of cultivating transnational modernist expression while continuing to explore the potential of a medium that had deeper roots in older artistic traditions native to the subcontinent. This volume features over 100 watercolors, drawings, etchings, sketches and lithographs by senior Indian modernists, born primarily before the 1950s and who came of age in the decades directly following Independence in 1947. These artists span the transition from colonial to post-colonial India, embracing both realism and abstraction, exploring complex metaphors, and making political statements that directly engage India's past, present, and future. With contributions by Tamara Sears, Michael Mackenzie, Paula Sengupta, Emma Oslé, Darielle Mason, Rebecca M. Brown, Jeffrey Wechsler, Kishore Singh and Swathi Gorle.

- Rare behind-the-scenes photographs from personal archive of cinematographer Josef Wirsching - Seeks to situate a film pioneer back into the history of Bombay cinema - Select images of cast and crew, production stills, and publicity images from early days of Indian cinema - Brings to light the historical and imaginative value of Wirsching's photographic archive Ever since cinema became a popular medium of mass entertainment, audiences have been intensely curious about life and work on a film set. How are films made, we have wondered, hoping that first-hand knowledge of a film set will explain the hold cinema has on us. This book presents rare behind-the-scenes photographs from the personal archive of the cinematographer Josef Wirsching, a pioneer of Indian cinema. Most of these photographs were taken in the 1930s and '40s when Wirsching was employed at the legendary film studio, Bombay Talkies Ltd. The essays by a variety of scholars and film historians help us understand the historical and imaginative value of Wirsching's photographic archive. Shot across film sets and outdoor locations, the images comprising of the cast and crew, production stills, and publicity images from the early days of Indian cinema show us that history, and cinema itself, is a vital ongoing project. Published in association with The Alkazi of Collection of Photography, New Delhi.

- A one-of-a-kind artist's memoir that documents his long and creative association with Indian artists, blending traditional miniature painting techniques with digital photography - An impassioned look at the way the coronavirus lockdowns and their aftermath have impacted artist and artisan communities in Rajasthan, India - Featuring more than 200 images, including an extensive collection of strikingly original artworks produced by the artist's studio Karkhana takes us on a meandering journey through the Rajasthani city of Udaipur as we follow American artist Waswo X. Waswo, a 20-year resident of India, through a typical day of collaborations with a variety of Indian artists. From miniature painters such as R. Vijay and Dalpat Jingar, to the third-generation photo hand-colorist Rajesh Soni, to the phenomenally skilled painter of golden borders, Shankar Kumawat, we are treated to an intimate look behind the scenes of Waswo's extended network of co-creators, as well as the photography studio he uses in the outlying village of Varda. Waswo and his team weave visual narratives that blend vintage miniature painting techniques with digital photography, the past with the present, and a self-effacing humour with existential angst. Karkhana is a word that literally means 'factory' in Hindi, but has lineage to the historical painting workshops of Persia. This book explores the continuance of this system of mutual artistic collaboration within a contemporized Indian community, and the manner in which Waswo's unlikely team has come into the contemporary art market.

- The first book of its kind to shed light on the tradition of Gauri dance - Featuring hand-painted photographic prints Gauri (also known as Gavri or Gavari) is celebrated by tribal communities in the southern part of Rajasthan as a forty-day festival that entails fasting and celebration in honour of Lord Shiva and his consort, the Goddess Parvati. Public performances put on as part of the revelry include dance, storytelling, music and worship. The tradition of the Gauri dance has been celebrated for centuries, yet there have been no books in English till now on this mystical and enchanting practice. Photographer Waswo X. Waswo has joined with art historian Sonika Soni to create this book that delves into the esoteric world of Gauri dance. Through Waswo's distinctive studio portraiture, with the photographic prints hand-painted by hand-colorist Rajesh Soni, the astonishing visuals of Gauri costuming and performers is presented in beautiful color reproduction. In her essay, Sonika Soni explores the history of this ritual dance with an eye to examine both what is known about it, and what still needs to be discovered, keeping central the conflicting stories of its origins and the folk tales that make Gauri the enigmatic opera of Mewar.

Published in association with Lalit Kala Akademi, New Delhi and Akar Prakar, Kolkata.

- Extensive documentation of courtyard houses, both traditional and contemporary- More than a thousand images, drawings, plans and maps- Overview according to climate, geography, philosophy and religionIndian architecture is not about an object in space; instead it integrates space within the object where the built and the unbuilt become counterpoints to vitalize each other. This engulfed void known as the courtyard lies at the genesis of urban dwellings in India. In this book the author traces the metaphysical, mythical, socio-cultural, environmental and spatial roles of the courtyard in the domestic architecture of India - from early civilization and Vedic times to Islamic and colonial influences. This book documents traditional courtyard dwelling types across India within diverse climatic, cultural as well as geographic zones such as West (Gujarat, Rajasthan, Maharashtra), South (Tamil Nadu, Kerala, Karnataka, Goa), East (Bihar, West Bengal), Central (Madhya Pradesh) and North (Uttar Pradesh, Delhi, Jammu and Kashmir). Courtyard Houses of India documents, analyzes and infers the attributes and manifestations of traditional courtyard houses and examines the diverse interpretations of those as applied in contemporary homes.