Bøger udgivet af Manchester University Press

Peter Adler was born in April 1933 in Berlin. When Hitler came to power, his father lost his job for being Jewish, and in 1936 he moved to England, where he had to requalify as a doctor. By June 1938, Peter, his mother and sisters had joined his father in London and during the Blitz, Peter was evacuated to the countryside. After studying medicine at London University, Peter met his wife Eve, a nurse. They moved to Zambia for two years, lived in Israel for a short period, and settled in Luton where Peter worked as a doctor in a general practice. They have three daughters, Keren, Tami and Mandy. Peter and Eve now live in Derby and enjoy spending time with their children and grandchildren. Peter's book is part of the My Voice book collection, a series of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. The oral history, which is recorded and transcribed, captures their entire lives from before, during and after the war years. The books are written in the words of the survivor so that future generations can always hear their voice. The My Voice book collection is a valuable resource for Holocaust awareness and education. -- .

Marianne's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Marianne Phillips began life in Berlin in 1924, came to England on the Kindertransport, and went on to live in Maidenhead and Manchester, running a dressmaking business and volunteering for many Jewish causes. -- .

Leonard's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Leonard Kaufmann began life in Germany in 1935, came to England on the Kindertransport, and went on to live in Manchester where he worked in manufacturing and wholesale businesses. -- .

The My Voice Project is a unique initiative by The Fed, Manchester's leading social care charity serving the Jewish community. The My Voice Project empowers Holocaust survivors and refugees from Nazi persecution who settled in the UK to share their entire life stories including experiences before, during and after the war years. This project involves a bespoke methodological approach, producing books that preserve their unique voices. The My Voice Project ensures firsthand accounts are remembered and valued for future generations, highlighting the critical role of individual perspectives in ensuring a deeper historical understanding. Leo Stein was born in 1922 in the German town of Pforzheim. Growing up in a Jewish family in Germany, Leo witnessed first-hand the rise of the Nazi regime and the horrors of Kristallnacht. Thanks to a Jewish school in Liverpool who granted Leo the promise of a scholarship, he was able to get a visa and escape Germany just before the outbreak of war. Leo describes the kindness of families in Liverpool who provided food and shelter for the new arrivals, as well as the support from entities like the Jewish Refugee Committee. Leo settled in Manchester and was later joined by his uncle and brother, with whom he grew a successful menswear clothing company in Salford. He married Helen and had two children. Leo's book is part of the My Voice book collection.

The My Voice Project is a unique initiative by The Fed, Manchester's leading social care charity serving the Jewish community. The My Voice Project empowers Holocaust survivors and refugees from Nazi persecution who settled in the UK to share their entire life stories including experiences before, during and after the war years. This project involves a bespoke methodological approach, producing books that preserve their unique voices. The My Voice Project ensures firsthand accounts are remembered and valued for future generations, highlighting the critical role of individual perspectives in ensuring a deeper historical understanding. Jeannine Scher was born in Paris in February 1935. She was the second of seven children in a religious Orthodox family. At the outbreak of war, her family moved to Laprugne in the Allier department of Vichy. When Nazis rounded up foreign Jews in the Vichy Zone, the family moved to Broût-Vernet, where her father became director of a home for refugee children, and eventually escaped to Switzerland. Post-war, the family moved back to Paris, where Jeannine attended a lycée and went on to study Maths at university, after which she taught Maths and Jewish Studies at a secondary school. Jeannine married Naftoli Scher (Tuli) and moved to England in 1958. They had eight children and later moved to Manchester, enjoying being surrounded by many grandchildren and great-grandchildren. Jeannine's book is part of the My Voice book collection.

Ike Alterman's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Ike was born in Poland in 1928, survived forced labour camps including Auschwitz-Birkenau, and went on to live in Manchester and build a career in the jewellery business. -- .

Henry's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Henry Monath was born in Kraków, and his mother arranged escape to England for Henry and his sister. He experienced the war in Manchester and as an evacuee in Blackpool. -- .

Hans's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Hans Rose witnessed the devastating impact of Kristallnacht in Germany before his family moved to England and his father was interned on the Isle of Man. He later worked in textiles. -- .

Gisela's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Gisela Feldman grew up in Berlin, escaped Germany on the SS St Louis, a liner bound for Cuba, but finally found refuge in England, where she went on to have a long career as a teacher. -- .

Gerda's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Gerda Rothberg's father was taken away after Kristallnacht and her family arranged for Gerda and her sisters to escape to the UK on the Kindertransport. She went on to work in dressmaking. -- .

Fay's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Fay Phillips was born in Belgium, escaped to France with her family when war broke out and was later hidden by the Resistance. She went on to work in London as a nurse after the war. -- .

Ernest's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Ernest Hirsch was born in East Prussia, moved to Berlin and eventually escaped to England with his siblings on the Kindertransport. He later had a successful career in the textile sector. -- .

Elena's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Elena Grosskopf grew up on the Austrian-Italian border and escaped to England with her brother during Mussolini's antisemitic regime. -- .

Danny's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Danny Herman was born in East Prussia and escaped to England with his mother 3 days before war was declared in 1939. He moved to Manchester and went on to become a successful runner. -- .

Chaim's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Chaim Ferster began life in Poland in 1922, survived several labour camps and Auschwitz in World War II, and went on to live in Manchester. -- .

Anne's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Anne Super was born in Warsaw and experienced a traumatic separation from her parents. She was later adopted by an uncle in South Africa, became an optician and moved to Manchester. -- .

The My Voice Project is a unique initiative by The Fed, Manchester's leading social care charity serving the Jewish community. The My Voice Project empowers Holocaust survivors and refugees from Nazi persecution who settled in the UK to share their entire life stories including experiences before, during and after the war years. This project involves a bespoke methodological approach, producing books that preserve their unique voices. The My Voice Project ensures firsthand accounts are remembered and valued for future generations, highlighting the critical role of individual perspectives in ensuring a deeper historical understanding. Adash Bulwa was born in Poland in 1926. After the outbreak of war, he recalls the Germans entering his home city of Piotrków Trybunalsk and the establishment of the Jewish ghetto, which had terrible living conditions. Adash recounts his harrowing ordeals in the concentration camps of Belzec and Buchenwald. Most of his family were killed in Treblinka, and he worked and suffered in factories and labour camps, all while he was still a teenager. Following liberation, Adash returned briefly to Poland and then emigrated to England, eventually settling in Manchester. He made a living as a tailor, married his wife Zena, and they had two daughters. Post-war, Adash searched for his brother David, who had been smuggled out of Poland before the war, and they were reunited in the 1950s. Adash's book is part of the My Voice book collection.

The Bulletin of the John Rylands Library is a long-running journal that publishes research complementary to the John Rylands Library's extensive special collections. -- .

A brilliant new account of John Singer Sargent and his relationship with the Wertheimers, an eminent Jewish family in Edwardian London. -- .

Peter's book is part of the My Voice Project, a collection of firsthand accounts of Holocaust survivors and refugees from Nazi persecution who settled in the UK. Peter Mittler was born in Vienna and escaped to England on the Kindertransport. He became an authority in policy and provision for adults and children with intellectual disabilities. -- .

The Happenings that burst on to the late 1950s cultural scene were rapidly declared passe and even 'dead', but this book reveals how an international network of artists continued to develop their premises into the late 1960s and 1970s, transforming the form into an interdisciplinary vehicle for studying interpersonal relations. -- .

This book articulates an analytical framework for understanding how race, nature, and capitalism are co-constituted on a planetary scale. The framework of the 'political ecology of colonial capitalism' elucidates how the co-production of race and the society/nature distinction operates as a foundational structure of capitalism. In order to express the relationship between global inequality and planetary ecological crises, the book applies this framework to a theoretical and historical analysis of the 'global land grab', which refers to the intensification, beginning in the 2010s and continuing into the 2020s, of large scale transnational agricultural land acquisitions in the global South. It orients analytical attention towards how capitalist development has proceeded, over its long history, through a succession of accumulation cycles that rise and fall in correspondence with the racialized construction, and ultimate exhaustion, of frontiers of "unused" natures. At one level, the book foregrounds how colonialism materially opens, through violent dispossession of colonized peoples, frontiers provisioning the necessary cheap inputs for capitalist development. It then proceeds, on a second level, to reveal how the accompanying conceptualization of the frontier as an 'unused' nature distinct from human society is contingent upon a technology of race which re-presents Indigenous sovereign earth-worlds as unused and wasted virgin natures. The book thus demonstrates how the global land grab is driven by a systemic colonial-capitalist logic of racialized frontier re-generation attempting to overcome the crisis context marking the exhaustion of the neoliberal epoch of capitalism.

Between 1850 and 1900, Ratcliffe Highway was the pulse of maritime London. Sailors from every corner of the globe found solace, and sometimes trouble, within its bustling bars, brothels, lodging houses and streets. However, for social investigators, it was perceived as a place of fascination and fear as it harboured 'exotic' and 'heathen' communities. Sailortowns featured in most international ports in the nineteenth century and were situated at the interface between urban and maritime communities. Sailortowns were transient, cosmopolitan and working class in character and they provide us with an insight into class, race and gendered relations within subaltern communities. This book goes beyond conceptualising sailortown as a global economic hub that entangled sailors into vice and exploitation. It will examine how, by the mid-nineteenth century, anxieties relating to urban modernity encouraged Victorians to re-imagine Ratcliffe Highway as a chaotic and dangerous urban abyss. Certainly, the sailortown population was varied and engaged in numerous working-class trades connected with the marine and leisure industries such as dockers, stevedores, sailmakers, sex workers and, international seafarers. Sailortowns were contact zones of heightened interaction where multi-ethnic subaltern cultures met, sometimes negotiated and at other times clashed with one another. However, the book argues that despite these challenges sailortown was a distinctive and functional working-class community that was self-regulating and self-moderating. The book uncovers a robust sailortown community in which an urban-maritime culture shaped a sense of themselves and the traditions and conventions that governed subaltern behaviour in the district.

This book examines human disappearances anthropologically in various contexts, ranging from enforced disappearances under oppressive governments and during armed conflicts to disappearing undocumented migrants and, finally, to people who go missing under more everyday circumstances. It has two focuses that run through the book: the relationship between the state and disappearances, and the consequences of disappearances for the families and communities of missing persons. The book analyses both the circumstances that make some people disappear and the variety of responses that disappearances give rise to; the latter include projects focused on searching for the missing and identifying human remains, as well as political projects that call for accountability for disappearances. The book argues that the disappeared tend to reappear in one form or another - if they do not return alive or as mortal identified remains, they reappear in other forms, such as photographs, artwork, memorials, ghosts and restless spirits. The book provides empirical examples from a variety of places, with Bosnia-Herzegovina, Argentina and the Mediterranean as they key sites, and by expanding from these the book develops an analytic grip on the slippery category of the 'disappeared'. It argues that 'disappearance' is an anthropologically productive concept that brings us face to face with profound questions about human life and death, but also about rituals and mourning, violence and care, liminality and structures, and oppression and power. The book argues for an anthropological approach to human disappearances that is ethnographically sensitive to local idiosyncrasies, and theoretically attuned to similarities across diversity.

Even the leader of the WHO-led global smallpox programme acknowledged the exceptionalism of Nepal's success. Implementing a global health programme: smallpox and Nepal is about why when faced with overwhelming environmental and infrastructural challenges the smallpox programme succeeded in Nepal. Such problems are usually offered as explanations for failure. Why something worked is unusual.The Himalayan region is a novel area for exploration of a global programme. Project leaders in Nepal decentralised the programme's structure, not just on paper but in practice to achieve timely and effective response. The WHO worked with governments of nation states. Nowhere else in the official history in the conclusions drawn from different national programmes is such a decentralised strategy referred to as a reason for success. It is also absent from the wider literature. The book tells multiple and different stories from the local to the global and involves individual, community, state, extra-state, and foreign actors. The devastating disease of smallpox was common in Nepal in the 1960s and the book places people's experiences at the forefront. These influenced ideas and behaviour, including vaccination. Mass vaccination remained important throughout Nepal's smallpox programme but after 1971 was a time-limited annual campaign administered in line with Nepali people's longstanding preference for it being given in winter.Although success with smallpox was more than forty years ago, implementing communicable disease health programmes with their many challenges remains highly topical and relevant today.

In Restoration Ireland the law primarily served the interests of the English state and the Anglo-Protestant community and oppressed the majority Catholic population. Catholics and the law in Restoration Ireland examines how Catholics engaged with and experienced English common law primarily through the accounts of Catholic clerics and Gaelic poets. Analysing the letters of Oliver Plunkett and John Brenan, this book demonstrates the initial success and ultimate failure of their non-confrontational approach to legal and political processes. In contrast, the challenging stances of clerics like Nicholas French and John Lynch offer a new perspective on the wide variety of clerical engagement with the law. Drawing on the considerable corpus of primary sources, the book examines the often overlooked Irish-language literary material and considers the work of Dáibhí Ó Bruadair and his contemporaries to show how Gaelic Ireland deeply resented a hostile legal environment. It also explores Catholic landed families who recovered their estates in the 1663 Court of Claims and evidences the different approaches they adopted despite Protestant hostility, as well as illustrating how Catholic lawyers could survive, and even thrive, for a period. Catholics and the law in Restoration Ireland examines the many ways in which Irish Catholics experienced a legal system that proved fundamentally inimical to their interests.

Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism by offering a close look at the novels of five early Romantic-period women authors. In an updated exploration of hysteria, melancholia, and love-madness, Weiss maintains that Mary Wollstonecraft, Eliza Fenwick, and Mary Hays created novels that exposed how medical models for mental disease and the popular sentimental figure of the love-mad maid (the woman who loses her mind when she loses her man) made it possible for men to hide their culpability for injuring women. Weiss demonstrates that in their novels, patriarchal structures of control are responsible for the protagonists' bouts of hysteria and their dangerous melancholia. Making careful and important distinctions between authors, Weiss shows how the popular and more mainstream authors such as Maria Edgeworth and Amelia Opie explored less gendered and less victimised models of causality, such as the shock of traumatic experience on the human psyche, misplaced passions, erroneous associations, and remorse. Taken as a whole, the book demonstrates that these authors' treatment of female madness played a key role in the development of the psychologically complex female heroine of the nineteenth-century novel. In so doing, Weiss makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.

Critical Theory and Independent Living explores intersections between contemporary critical theory and disabled people's struggle for self-determination. The book sheds new light on the Independent Living movement - an influential yet undertheorised and misrepresented new social movement. The analysis highlights the affinities between the insights of Independent Living advocates and prominent studies of epistemic injustice, biopower, and psychopower. This helps uncover the contributions of Independent Living activism to contemporary critical theorising. Specifically, the book explores the engagement of Independent Living thinking and practice with critiques of welfare-state paternalism, neoliberal marketisation, and familialism. Thus, it develops a comprehensive assessment of the three organising principles of social welfare - the state, the market, and the family - in view of their impact on disabled people's self-determination. On this basis, the analysis highlights the successes and failures of the Independent Living movement in various welfare regimes - liberal, social-democratic, conservative, and post/socialist. The result is a pioneering cross-regime comparison grounded in Independent Living activism. Critical Theory and Independent Living substantiates its analyses by drawing on the work of the European Network on Independent Living (ENIL) - a Europe-wide advocacy organisation led and controlled by disabled people since its founding in 1989. Case studies of ENIL's struggles for epistemic justice, campaigning for deinstitutionalisation, and advocacy for personal assistance evidence the critical-theoretical contributions of Independent Living. It is argued that these efforts help rethink independence as a form of interdependence - a reframing that is pivotal for critical theorising in contemporary society.

Circuses and their grand arenas shaped the entertainment industry between the wars and excited both small-town and big-city audiences. Worlds of the Ring makes an original and significant contribution to the history of popular culture by highlighting the correlation between the modern circus's evolution and modes of imperialism and nationalism. Through the cases of the German Sarrasani and the British Bertram W. Mills' circuses this study examines how these enterprises animated both the nation and its others for popular audiences. Circuses and performers constructed different worlds for their audiences and for themselves and the book looks at this cultural history of European circuses between 1918 and 1945 from a transnational perspective. The interwar era's interrelated international and national forces shaped the modern circus, which the book recovers through the lives of different people involved in this industry. Through the concept of Orientalism, it probes the mechanisms at play in depicting foreign and exotic worlds in the circus. It is based on a variety of sources including newspapers, legal documents, advertisements, economic correspondence, photographs, and performers' archives. Worlds of the Ring offers a new understanding of circus as a form of interwar popular culture, its globalisation, and anchoring in European imperialism at the beginning of the twentieth century.

This is the first book to portray what it's like to live next to a British Army base. England's military heartland investigates the sprawling military presence on Salisbury Plain, listening to a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, this 'super garrison' offers unexplored opportunities to explore the impact of the military footprint in a particular place. But this is no ordinary environment. In addition to the world-famous site of Stonehenge, the grasslands of Salisbury Plain are also home to rare plants and wildlife. How does the army share responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Meanwhile the material traces of the colonial past inscribed on historic roads and buildings are a reminder of the legacy of perpetual war.