Bøger udgivet af Lund Humphries Publishers Ltd

Conveys the excitement, diversity and richness of London at a time when the city was arguably at the height of its power, uniqueness and attraction.

Always recognised as a master print from the moment of its appearance around 1649, "The Hundred Guilder Print" is one of Rembrandt's most compositionally complex and visually beautiful works. This book gives a full overview of the fascinating story surrounding this print, from its genesis and market value to attitudes towards it in the present day. Focusing on the tradition of printmaking as well as the reception of the print in Rembrandt's time, Golahny explores the ways the artist made visual references to the work of such masters as Michelangelo, Raphael, and Leonardo da Vinci, while uniquely combining aspects of Christ's ministry. Placing it within its wider cultural and historical context, Rembrandt's Hundred Guilder Print offers an original and engaging approach to current Rembrandt scholarship and is essential reading for anyone interested in the work of one of the most famous artists of the Dutch Global Age.

The Rise and Rise of the Private Art Museum critically examines the growth of private museums in the 21st century, their impact on public institutions and what the future might look like. It is essential reading for museum professionals, art collectors, critics and cultural commentators and anyone working in the art trade.

A contemporary of Soane, Nash and Pugin, Decimus Burton (1800-1881) was one of the most prolific architects of his day and is best known for his work in London's Royal Parks, including: the Wellington Arch and the Serpentine pavilion in Hyde Park; villas and terraces in Regent's Park and the London Zoo; the Temperate house at the Royal Botanic Gardens, Kew; and the layout and architecture of the seaside towns of Fleetwood and St Leonards-on-Sea, and the spa town of Tunbridge Wells. Other projects include the Atheneum Club, Pall Mall, Adelaide Crescent in Brighton, and Phoenix Park in Dublin. Despite his success, little is known about Burton and this book is the first to fully examine his work, from his early years and his father's influence, through his apprenticeship with John Nash, his works in private practice and his growing reputation, to his exploits in town planning and glass houses. This is set within a fascinating social and political context, with stories of conflict and heated dispute amongst the key players which paint a vivid portrait of the architectural profession and construction industry during this period. It reappraises Burton's legacy and summarises his significant achievements and reveals how he contributed to the birth of the picturesque style that was to develop into the Arts and Crafts movement.

In this in-depth look at Ellen Gallagher's oeuvre, the complexities of her richly layered paintings are unpacked to examine themes such as identity, race, displacement and the ecological environment.

Michelangelo was the given name not only of the Florentine sculptor, but also of Michelangelo Merisi da Caravaggio, commonly called by reference to his hometown. In this book, author Bette Talvacchia explores the significant, but little-discussed, connection between the 'two Michelangelos.' She exposes the dynamic relationship between their work through looking at the ways in which Caravaggio creatively responded to the art of his namesake from the start of his youthful arrival in Rome. In addition, she suggests how Michelangelo's overwhelming achievement was a model that helped to drive the young Caravaggio's powerful ambition and shape his identity as an artist. With lucid and intelligent prose, this fascinating book sheds light on the similar 'artistic temperament' constructed in the biographies of each artist--glorifying their rebellious, anti-social behaviour and uncompromising artistic principles--examined both in its historical and contemporary configurations.

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This beautifully illustrated monograph presents the first overview in English of the life and work of Luisa Roldán (1652‿1706), a prolific and celebrated sculptor of the Spanish Golden Age. The daughter of Pedro Roldán, a well-known sculptor from Seville, she developed her talent in her father‿s workshop. Early in her career she produced large polychromed wooden sculptures for churches in Seville, Cádiz, and surrounding towns. She spent the second half of her career in Madrid, where she worked in both polychromed wood and polychromed terracotta, developing new products for a domestic, devotional market. In recognition of her talent, she was awarded the title of Sculptor to the Royal Chambers of two kings of Spain, Charles II and Philip V. This book places Roldán within a wider historical and social context, exploring what life would have been like for her as a woman sculptor in early modern Spain. It considers her work alongside that of other artists of the Baroque period, including Velázquez, Murillo, and Zurbarán. Reflecting on the opportunities available to her during this time, as well as the challenges she faced, Catherine Hall-van den Elsen weaves the narrative of Roldán's story with analysis, revealing the complexities of her oeuvre. Every year, newly discovered sculptures in wood and in terracotta enter into Roldán‿s oeuvre. As her artistic output begins to attract greater attention from scholars and art lovers, Luisa Roldán provides invaluable insights into her artistic achievements.

The nine building stories told in this book show how rural households and communities define themselves, and the role architecture plays in this.

Many communities in cities around the world do not like the growing number of residential towers, but they also realise that the detached house is not a sustainable urban solution. Between these two extremes, there is a 'missing middle' of mid-rise apartment buildings that relate to the street and are within the height of trees. This book argues that the mid-rise way of urban living is an essential component of growing cities, demonstrating that the economics of this form of development are better than that of terrace houses or town houses. It begins by examining successful historic precedents of this housing type, such as the tenements of Paris, Amsterdam, Berlin, Barcelona and New York and successful mid-rise housing in London. The book then discusses reasons for the relative lack of contemporary mid-rise housing developments, including planning legislation, and the perception that it is a dull and uniform building type. It brings together and analyses a wide range of award-winning international contemporary examples by leading architecture firms, looks at the importance of location, the need for urban placemaking, visual interest and design diversity and mixed use precincts, and highlights the advantages, including demographic diversity, urban density, sociability and reduction of car use.

The way we experience the world is largely through the design of the places, products, communications, services and systems we encounter every day. Design determines how difficult or easy it is to achieve certain things - whether taking a bath, cooking a meal, crossing the street or making a call, we all want a world that works for us all the time. However, some people are excluded from the simplest and most basic everyday experiences. Why? This is because the act of designing has given insufficient consideration to their level of physical ability or cognitive difference or cultural background or economic circumstance. Over the past 30 years, however, there has been a shift in designing to become more empathic and inclusive of different human needs. The Helen Hamlyn Centre for Design at the Royal College of Art first pioneered the concept of inclusive design in the early 1990s and it has gone on to build an extensive portfolio of collaborative projects over a long period, developing new methods, coaching designers at all levels in the approach and bringing a more inclusive way of thinking about design to international attention. This book shows the parameters of inclusive design through the lens of the centre's own projects in the field. It therefore maps a movement and, at the same time, marks a milestone: the 30th anniversary of the Helen Hamlyn Centre for Design in 2021. 30 everyday artefacts and environments are explored. These vary in scale: some are simple, hand-held objects, while others form part of large and complex environments or systems. Some have reached the market, others we can file under 'ideas for the future'. All reflect an approach which could be described as designing with people as opposed to designing for people.

Why should the public participate in planning? And who are the stakeholders who are required to participate in the planning process? This guide assesses public and stakeholder participation in the planning process, which is a statutory requirement across the entire scope and scale of planning activities in many global contexts. It provides a historical overview of participation and outlines how this has evolved over time. It then outlines a series of key issues for the contemporary planning professional in terms of their approach to public and stakeholder participation, particularly in light of alterations in landscapes of governance and recent social, political and technological developments. Illustrated with mostly UK and European case studies, but also drawing insights from further afield, the book also provides a framework for critiquing contemporary participation, including an assessment of the pitfalls, obstacles and unintended consequences of participation efforts. As such, it identifies key principles for participation and asks critical questions for its assessment.

Featuring 111 award-winning poster designs, the book tells the story of the development of the visual language of one of the 20th century's most important corporations.

With a body of work that explores a broad spectrum of subjects--from lesbianism and feminism to contemporary politics and the natural world--Nicole Eisenman (b.1965) challenges convention and encourages viewers to construe meanings from images that demand interrogation and debate. Illustrating paintings spanning the early 1990s to the present day, Dan Cameron unpacks the complexities of Eisenman's oeuvre via thematic chapters that address key ideas which emerge when drawing specific works together. As such, this first major account of Eisenman's painting career presents a clear analysis of the primary motivators that have fuelled the imagination of one of the most interesting and original contemporary artists working today.

This major new study by internationally renowned scholar Martin Kemp is the first book to consider the impact of Dante's vision of divine light on visual artists of the Renaissance and Baroque.

The remarkable plein air paintings of Liu Xiaodong (b.1963), which chronicle everyday lives within our diverse modern world, are the focus of this first monograph of his career to date. Immersing himself in communities around the globe, Xiaodong seeks to present people who often sit on the fringes of society who find themselves marginalised within a contemporary world striving for homogenisation. At first glance a traditional realist painter, closer examination reveals an artist exploring a range of media while interrogating the opportunities presented by modern technology. The result is an outstanding body of work, often monumental in scale, that examines, reconsiders, and extends observational painting in fresh directions, while bringing into question the lines between fact and fiction, the traditional and the contemporary, to create a wholly original vision.

This book examines the way in which the work of British artist Hurvin Anderson has developed since the late 1990s to incorporate installation, prints and photographs within the idiom of painting.

The first book on the Century Guild of Artists (CGA) and its influential periodical, the Century Guild Hobby Horse. The significance of the CGA in the development of the Arts and Crafts movement and its modernist successors is assessed.

Explores the decorative arts and architecture of Polish Modernism and its relationship to the Arts & Crafts movement in Britain.

The author guides the inquisitive museum visitor through a series of questions and problems which confront museum curators, and their designers, behind closed doors. With a foreword by Christopher Frayling.

Considering both her architectural work and her more renowned later watercolour paintings, this is the first comprehensive book on the work of Italian-American Lauretta Vinciarell.

Provides insights into the interrelations between architecture, national identity and politics as it explores the Commonwealth Institute with its famous hyperbolic paraboloid roof.

Illustrated with many newly discovered photographs, this book tells thestory of community photography produced by the radical collectives in the 1970s.

Building Brands explores the role of architectural branding in the design of corporate modernism and tells how business strategies, modern architecture, urban conditions, and conceptions of society shaped the ambitious branding goals of corporate clients.

This book examines Walter Segal's unique approach to architecture practice and the enduring impact he has had on architecture and attitudes towards housing across the world.

William Butterfield was the most daring, rigorous, and brilliant architect of his age, whose 60-year practice spanned the entire Victorian era, and whose major works are found from the Firth of Clyde and shores of Belfast to the hills of Dublin and the cliffs of Cardiff and Devon. This book addresses the emergence of a modern society, its expansive institutions, and its changing moral code, exploring how Butterfield responded to and advanced that transformation in the national life. It reflects the changing emphasis of Butterfield's work: first, the revival, rebuilding, and reform of the country parish; then the place of the church and the agents of social health in the burgeoning town and city; third, the quiet revolution in secondary education and college life; and finally, sites of refuge, sanctuary, repose, and remembrance. Drawing extensively on the literature and discourse of the time, each chapter discusses a societal shift and surveys Butterfield's most important architectural contributions. The chapters are followed by portfolios of photographs and extraordinary sets of coloured contract drawings of projects selected to show the originality, conviction, and variety of Butterfield's designs. Woven through the book are characterisations of the often colourful men and women who were Butterfield's patrons and associates, including Gladstone, Pusey, Nightingale, and such lesser known but equally crucial figures as Frederick Temple, 'Mother' Matilda Blanche Gibbs, the writer Charlotte Yonge, and a score of reforming vicars, from the pious William Butler to the radical eccentric Edward Monro.

Internationally renowned, Peter Rich‿s career represents a lifelong attempt to find a contemporary, yet uniquely African mode of design. This book follows the chronology of his work which emerges from a fascination with African indigenous settlements, including his documentation, publication and exhibition of Ndebele art and architecture, and his friendship with sculptor Jackson Hlungwani. It explores what Rich calls 'African Space Making' and its forms of complex symmetry; various collaborative community oriented designs of the Apartheid and post-Apartheid period, especially Mandela's Yard in Alexandra township; and finally, his more recent timbrel vaulted structures, constructed from low-tech hand-pressed soil tiles derived from his highly innovative and award winning work at Mapungubwe. The book shows how Rich combines African influences with an environmental awareness aligned to Modernist principles.

Examining global buildings from past and present, this book charts the relationship between architecture and tourism. It asks why monuments and buildings attract and compel us to visit, why we feel the need to understand cities through architectural sites such as museums, historic sites and monuments, and how national identity is galvanised through its architecture and tourism.

An engaging critical discussion of the aims and status of contemporary art criticism written by a highly respected art critic of many years' standing.

The Rise of the Contemporary Biennial offers a critical assessment of the current discussions around the subject of contemporary biennials and how these might be used to illuminate potential new approaches in this area of study.