Bøger udgivet af Liverpool University Press

Liverpool: A Memoir of Words is a work of creative non-fiction that combines the study of language in Liverpool with social history, the history of the English language and personal memoir. Beautifully written, and based on a lifetime's academic research, it will educate and delight Liverpudlians, students of language and social historians alike.

This critical edition of a late-medieval English 'rule' for male anchorites is a timely intervention in - and stimulus to - an already exciting field. The Speculum Inclusorum is an early 15th-century Latin rule or guide.

Stirring the Pot of Haitian History is the first-ever translation of Ti dife boule sou istoua Ayiti (1977), the earliest book written by Haitian anthropologist Michel-Rolph Trouillot.

Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base and is Britain's foremost scholarly journal devoted to sculpture in all its aspects.

On Writing is an illuminating dialogue in which Slimani discusses her writing approach and techniques, and My Heroine: Simone Veil is a homage to Veil, a feminist pioneer who fought tirelessly for womenâEUR(TM)s rights.

Comedy and Crisis contains the first ever scholarly English translation of Pieter Langendijk's Quincampoix, or the Wind Traders [Quincampoix of de Windhandelaars], and Harlequin Stock-Jobber [Arlequin Actionist]. The first play is a full-length satirical comedy, and the second is a short, comic harlequinade; both were written in Dutch in response to the speculative financial crisis or bubble of 1720 and were performed in Amsterdam in the fall of 1720, as the bubble in the Netherlands was bursting. Comedy and Crisis also contains our translation of the extensive apparatus prepared by C.H.P. Meijer (Introduction and notes) for his 1892 edition of these plays. The current editors have updated the footnotes and added six new critical essays by contemporary literary and historical scholars that contextualize the two plays historically and culturally. The book includes an extensive bibliography and index. The materials assembled in Comedy and Crisis are a rich resource for cultural, historical, and literary students of the history of finance and of eighteenth-century studies.

The first overarching study of Ottomans in Prussia, the book shows how Ottomans and Prussians negotiated diplomatic conventions and Orientalist ideas. Unpacking the history of official and daily diplomacy in late-Enlightenment Berlin, it sheds light on the formation of Ottoman-European relations.

Subsequently, he is seen as a combative writer whosefame in recent years - as cultural nationalist, left-wing libertarian,proto-feminist, neo-romantic visionary and trailblazing modernist - has carriedfar beyond his native land.

Raises questions about the nature of diasporas, of elites, and of Jewish responses to modernity.

This book offers a new evaluation of the role played by medical writing during the formative years of colonial Latin America. It focuses on a group of physicians and surgeons living in sixteenth century Mexico whose texts enlisted emerging science to articulate ideas on race, sexual difference and regional identity.

This collection of essays on Trans-Mediterranean Francospheres offers an original examination of cultural production and the flows between urban capitals and "capital" in and of a selection of Mediterranean cities and sites. In three parts, the book covers both familiar and overlooked terrain, in chapters which examine writing the city, the transit between different poles, film and EU designated cultural capitals. The collection therefore brings together texts and their critical readings in new comparative ways. Following Jacques Derrida's peregrinations in L'Autre Cap (1991), the volume interrogates the what of Europe; the when or where of Paris; the who of the Mediterranean. Or might the Mediterranean fall under the rubric of paleonomy, that is, as Michael Naas recalls Derrida's words in Positions: "the 'strategic' necessity that requires the occasional maintenance of an old name in order to launch a new concept."Taking this forward, we understand the Mediterranean as an old name to launch a new concept and the essays in the book each reflect on this in different ways. Issues concerning identity are challenged, since a Metropolitan, European, Arab or African identity may be preferred over a Mediterranean one. As borders become reinforced in the region, trans-Mediterranean bridging narratives may be thwarted, especially by those who write across Europe, Africa and the Middle East, in the face of the contemporary refugee crisis. Finally, chapters explore what it means to define a Mediterranean city-such as Marseille as European Capital of Culture-and interrogate how this feeds into the cultural production of a city whose multi-ethnic identities are as outward-looking towards North Africa as they are inward towards the French capital. Contributors: Silvia Baage, Marzia Caporale, Angela Giovanangeli, Mark Ingram, Christa Jones, Gemma King, Claire Launchbury, Megan C. MacDonald, Agnes Peysson-Zeiss, Ipek Celik Rappas, Alison Rice, Rania Said

A survey of the history of women's claims to their own citizenship in Europe and the US from the nineteenth century to the present, illustrated through the transnational lives of three expatriate, sexually non-conforming women (Renee Vivien, Romaine Brooks, and Natalie Barney).

The volume includes contributions by scholars working across and beyond disciplinary boundaries through anthropology, ethnomusicology, history, sociology, and literature, engaging with postcolonial studies, memory studies, cultural studies, and transnational French studies.

Abdelkebir Khatibi is one of the most important voices to emerge from North Africa in postcolonial studies. This book is the first to offer a thoroughgoing analysis in English of all aspects of his multifaceted thought, as it ranges from Moroccan politics to Arabic calligraphy, and from decolonisation to interculturality.

The history of Italians and of modern Italian culture stems from multiple experiences of mobility and migration: between the late 19th century and the early 20th century, 27 million Italians migrated and 60 to 80 million people worldwide see their identity as connected with the Italian diaspora. Since the time of Italian unification, a series of narratives about mobility have been produced both inside and outside the boundaries of Italy, by agents such as the Italian state, international organizations or migrant communities themselves. The essays in TransculturalItalies follow the multiple trajectories of this complex history and of itsrepresentations. They do so by focusing on the key concepts andpractices of mobility, memory and translation. Taken together, they represent a contrapuntalseries of case studies that offersa fresh perspective on the study of modern and contemporary Italy. The essaysin the volume explore the meanings that 'transnational' and 'transcultural'assume when applied to the notion of Italian culture. Contributors: Charles Burdett, Jennifer Burns, Derek Duncan, Chiara Giuliani, Viviana Gravano, Giulia Grechi, Margaret Hills de Zarate, Eliana Maestri, Valerie McGuire, Loredana Polezzi, Barbara Spadaro, Ilaria Vanni, Naomi Wells, Rita Wilson

Italy's Sea tells the story of how the Mediterranean became the lodestone for Italy's national identity in the twentieth century: an expression of national unity, of global empire, and finally, of the Fascist regime's commitment to reclaim a new Roman empire and conquer Southern Europe and North Africa for Italy.

During the Siege of Paris, literature was big business. A study of cultural production and consumption, The Culture of War examines how Parisians fuelled the industries of literature even as the Prussian blockade isolated them from the outside world in the winter of 1870-1871.