Bøger udgivet af Liverpool University Press

This volume pays tribute to Professor Kate Marsh (1974-2019), featuring essays that reflect her vast scholarship, from her focus on French colonialism in India, colonial nostalgia and imperial rivalries, all the way through to her final project on anti-colonial activism and its policing in France's cities.

This is the first edited collection to explore what can be gained from bringing together Italian science fiction and the environmental humanities. Early-career and established scholars from varied fields provide cutting-edge analysis of a somewhat overlooked genre that has plenty to offer in terms of ecological and sociopolitical insights.

Throughout history numerous individuals with disabilities have had to pit themselves against huge obstacles placed in their way because of the type of person they were born as, the type of person they became through accident, illness or circumstances, or the type of person they have been perceived as. This book tells the story of how disabled people have done this, how they have seen themselves, how they have been perceived and treated by others and how they have influenced society. People with disabilities have always been a part of English society and this concise thousand-year history ranges from the surprisingly integrated communities of the medieval and early modern periods to the institutionalisation of the 19th and 20th centuries. Sometimes the history of disability is described as a hidden history. This book argues that it is no such thing. The history of people with disabilities is often in front of our eyes, yet we frequently choose to ignore it, or simply do not see it. Accounts of daily life, events, art, literature, family histories and political debate have always featured people with disabilities who are there for all to see, but too often observers, particularly non-disabled observers, gaze straight past them.

Edwin Rickards was the most flamboyant of Edwardian architects: his buildings were said by John Summerson to fizz like champagne. During a short working life, launched at the age of 25 by winning the competition to design Cardiff City Hall with his partners H.V. Lanchester and James Stewart, he completed four spectacular baroque buildings. Rickards‿ work was unique in Edwardian architecture for his personal combination of French and especially Austrian sources. Working closely with H.C. Fehr and Henry Poole, leading practitioners of the New Sculpture, he designed two of the major monuments of the period. As well as being one of the best freehand draughtsmen in London, he was also a prodigious caricaturist. With a foot in the demi-monde and an endless appetite for architectural and personal adventure, Rickards was an unforgettable figure to everyone who met him. Illustrated throughout with stunning new photography by Robin Forster and by Rickards‿ own sketches and drawings, this book portrays his close friendship with the novelist Arnold Bennett who described him, along with H.G Wells, as one of ‿the two most interesting, provocative, and stimulating men I have yet encountered‿, and his meteoric career that ended with his early death.

This book presents a compact and compelling account of the life and work of Berthold Lubetkin (1901-1990), widely regarded as the outstanding architect of his generation to practise in England. It explores the key themes, achievements and setbacks of his career, drawing from the author‿s twenty-year personal friendship with Lubetkin himself, from discussions with former colleagues, and from his direct experience of working with many of Lubetkin‿s buildings as a conservation architect. The study reveals the significance of Lubetkin‿s Russian origins and European travels, re-assesses his prime work of the 1930s and charts the extensive output of his often-overlooked post-war career. It also considers Lubetkin‿s legacy in the later work of his key associates, several of whom became significant architects in their own right. Lubetkin is a legendary figure in architectural circles, while still remaining slightly mysterious and misunderstood. The author shines new light on the man and his ideas, and assesses his unique place in modern architectural history. Illustrations include original black & white images as well as high-quality colour studies of the buildings as they are now. A complete List of Works and published commentaries also provide a valuable source of reference.

Malachy the Irishman's 14th century text On Poison has been obscure in latter centuries, but in the later Middle Ages, his was a book widely known, including to Holcot and Langland. Following a lengthy introduction, the volume presents an annotated text and translation; it ends with three indexes, designed to open the text.

The volume introduces the notion of the technosoma (techno body) into discussions on the representations of the body in classical antiquity. It investigates up to what extent techno bodies destabilize or reaffirm cultural stereotypes by exploring their intersection with gender and sexuality, and with the categories of colour and race, speciesism, age, class, and education.

Malt is one of the main ingredients of beer, yet the buildings in which it was and is now produced have received very little attention. This illustrated book discusses malthouses and their kilns from the prehistoric period to the present day and provides details on changing production methods.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Intellectual Disability and Ireland, 1947-1996 explores the varied experiences of the intellectually disabled during the latter half of the mid-twentieth century in Ireland.

The last two decades of the T&G, the essential left of centre union in Britain, were turbulent years. After a decade of neo-liberalism, and the defeat of miners, printers and dockers, the union responded by turning to organising and merger, out of which came Unite.

The Findern Manuscript (Cambridge University Library, Ff.1.6): A New Edition of the Unique Poems is the first critical edition of the thirty-four unique and unattributed Middle English poems contained in Cambridge, University Library MS Ff.1.6.

In this collectionof essays, a range of established and early-career scholars explore a varietyof different perspectives on Oliver Cromwell's involvement with Ireland, inparticular his military campaign of 1649-1650.