Bøger udgivet af Liveright Publishing Corporation

The Western Front evokes images of mud-spattered men in waterlogged trenches, shielded from artillery blasts and machine-gun fire by a few feet of dirt. This iconic setting was the most critical arena of the Great War, a 400-mile combat zone stretching from Belgium to Switzerland where more than three million Allied and German soldiers struggled during four years of almost continuous combat. It has persisted in our collective memory as a tragic waste of human life and a symbol of the horrors of industrialized warfare.In this epic narrative history, the first volume in a groundbreaking trilogy on the Great War, acclaimed military historian Nick Lloyd captures the horrific fighting on the Western Front beginning with the surprise German invasion of Belgium in August 1914 and taking us to the Armistice of November 1918. Drawing on French, British, German, and American sources, Lloyd weaves a kaleidoscopic chronicle of the Marne, Passchendaele, the Meuse-Argonne, and other critical battles, which reverberated across Europe and the wider war. From the trenches where men as young as 17 suffered and died, to the headquarters behind the lines where Generals Haig, Joffre, Hindenburg, and Pershing developed their plans for battle, Lloyd gives us a view of the war both intimate and strategic, putting us amid the mud and smoke while at the same time depicting the larger stakes of every encounter. He shows us a dejected Kaiser Wilhelm II-soon to be eclipsed in power by his own generals-lamenting the botched Schlieffen Plan; French soldiers piling atop one another in the trenches of Verdun; British infantryman wandering through the frozen wilderness in the days after the Battle of the Somme; and General Erich Ludendorff pursuing a ruthless policy of total war, leading an eleventh-hour attack on Reims even as his men succumbed to the Spanish Flu.As Lloyd reveals, far from a site of attrition and stalemate, the Western Front was a simmering, dynamic "cauldron of war" defined by extraordinary scientific and tactical innovation. It was on the Western Front that the modern technologies-machine guns, mortars, grenades, and howitzers-were refined and developed into effective killing machines. It was on the Western Front that chemical warfare, in the form of poison gas, was first unleashed. And it was on the Western Front that tanks and aircraft were introduced, causing a dramatic shift away from nineteenth-century bayonet tactics toward modern combined arms, reinforced by heavy artillery, that forever changed the face of war.Brimming with vivid detail and insight, The Western Front is a work in the tradition of Barbara Tuchman and John Keegan, Rick Atkinson and Antony Beevor: an authoritative portrait of modern warfare and its far-reaching human and historical consequences.

Along the glittering coast of southern France, among a jungle of olive trees and aloes, a white villa rose from an earthen terrace. Eileen, a new architect previously known for her elegant chairs and furniture, built it as a haven for her and her lover; she realized each detail, designing the villa around their movements and habits. When the outspoken Le G, a founder of Modernist architecture, first laid eyes on the house, he could see his influence in the sleek lines. Affronted and impassioned, he took a paintbrush to the villa's clean, white walls . . .Now, Le G is in the final week of his life. He has spent the last thirty years infiltrating Eileen's house, erasing her presence and forgetting her name. But finally, the tide has come in, and Eileen is called back to her beloved coastline, where both artists will contend with the transformative power of memory.Inspired by the real-life collision of Irish designer Eileen Gray and famed Swiss architect Le Corbusier, and the extraordinary place that bound them, Jane Alison boldly reimagines a now-infamous feud into a lushly poetic and mesmerizing novel of power, predation, and obsession.

The racers-an Italian prince and his chauffeur, a French racing driver, a con man, and several rival journalists-battle over steep inclines, through narrow mountain passages, and across the arid Gobi Desert. Competitors endure torrential rain and choking dust. There are barely any roads, and petrol is almost impossible to find. A global audience of millions follows each twist and turn, devouring reports telegraphed from the course.More than its many adventures, the Peking-to-Paris Motor Challenge took place on the precipice of a new world. As the twentieth century dawned, imperial regimes in China and Russia were crumbling, paving the way for the rise of communist ones. The electric telegraph was rapidly transforming modern communication, and with it, the news media, commerce, and politics. Suspended between the old and the new, the Peking-to-Paris, as best-selling historian Kassia St. Clair writes, became a critical tipping point.A gripping, immersive narrative of the race, The Race to the Future sets the drivers' derring-do (and occasional cheating) against the backdrop of a larger geopolitical and technological race to the future. Interweaving events from the fall of the Qing dynasty to the departure of the horse economy and the rise of gendered marketing, St. Clair shows how the Peking-to-Paris provided an impetus for profound social, cultural, and industrial change, while masterfully capturing the mounting tensions between nations and empires-all building up to the cataclysmic event that changed everything: the First World War."Consistently mind-boggling, often funny, and occasionally hair-raising" (Philip Ball), The Race to the Future is the incredible true story of the quest against the odds that propelled us along the road to modernity.

When the twelve-year-old daughter of a British carpenter pulled some strange-looking bones from the country's southern shoreline in 1811, few people dared to question that the Bible told the accurate history of the world. But Mary Anning had in fact discovered the "first" ichthyosaur, and over the next seventy-five years-as the science of paleontology developed, as Charles Darwin posited radical new theories of evolutionary biology, and as scholars began to identify the internal inconsistencies of the Scriptures-everything changed. Beginning with the archbishop who dated the creation of the world to 6 p.m. on October 22, 4004 BC, and told through the lives of the nineteenth-century men and women who found and argued about these seemingly impossible, history-rewriting fossils, Impossible Monsters reveals the central role of dinosaurs and their discovery in toppling traditional religious authority, and in changing perceptions about the Bible, history, and mankind's place in the world.

Blending poetry and prose, music, and genealogy, Jive Poetic's Skip Tracer is a memoir structured as a "hybrid sound system" (complete with "records," "tracks," "decks," and "channels"), expertly curated to convey the complexity of Blackness in the Americas. In this ancestral and cultural excavation, Jive conducts archival and oral-history research into his family's connections to Jamaica, Panama, Brazil, and Cuba to explore the impact of culture, environment, and family on first- and second-generation Black Americans in the United States. He also traces the profound influence that hip-hop, soul, R&B, reggae, and other popular musical genres have had on him-all the while performing a dynamic re-creation of his legendary onstage persona on the page. A raw and affecting indictment of police violence and racism in the United States, Skip Tracer is also a searingly honest exploration of personal identity, power, and privilege-all expressed in the unmistakable language, rhythm, and style that characterizes Jive's live performances.

In 2011, Syrians took to the streets demanding freedom. Brutal government repression transformed peaceful protests into one of the most devastating conflicts of our times, killing hundreds of thousands and displacing millions. The Home I Worked to Make takes Syria's refugee outflow as its point of departure. Based on hundreds of interviews conducted across more than a decade, it probes a question as intimate as it is universal: What is home? With gripping immediacy, Syrians now on five continents share stories of leaving, losing, searching, and finding (or not finding) home. Across this tapestry of voices, a new understanding emerges: home, for those without the privilege of taking it for granted, is both struggle and achievement. Recasting "refugee crises" as acts of diaspora-making, The Home I Worked to Make challenges readers to grapple with the hard-won wisdom of those who survive war and to see, with fresh eyes, what home means in their own lives.

Writing as Lemony Snicket, Daniel Handler has led several generations of young readers into that special and curious space of being hopelessly lost, and joyfully finding yourself, in the essential strangeness of literature. The wondrous and perilous journey of the Baudelaire orphans sprung from the author's own path, from his childhood discovery of Baudelaire's poetry through the countless peculiarities of his pursuit of a literary life-abject failure and startling success, breakthrough and breakdown, concordance and controversy-lit along the way by the books and culture he loved best.At once a personal memoir and a literary exploration, a how-to book and a critical inquiry, a sequence of stories and a series of events, And Then? And Then? What Else? is a book not just for anyone curious about the creator of Lemony Snicket, but for anyone who loved books when they were a child, and still loves them now.

Our society is obsessed with achievement. Young people are pushed toward the next test or the "best" grammar school, high school, or college they can get into. Adults push themselves toward the highest-paying, most prestigious jobs, seeking promotions and public recognition. As Adam Gopnik points out, the result is not so much a rat race as a rat maze, with no way out. Except one: to choose accomplishment over achievement. Achievement, Gopnik argues, is the completion of the task imposed from outside. Accomplishment, by contrast, is the end point of an engulfing activity one engages in for its own sake. From stories of artists, philosophers, and scientists to his own fumbling attempts to play Beatles songs on a guitar, Gopnik demonstrates that while self-directed passions sometimes do lead to a career, the contentment that flows from accomplishment is available to each of us. A book to read and return to at any age, All That Happiness Is offers timeless wisdom against the grain.

Tracy King was raised in a house of contradictions-her family was happy and creative, yet shadowed by debt, phobias, her father's alcoholism, and the illusory promises of a born-again Christian church. The uneasy balance of the King household was irrevocably upended on a rainy spring night in 1988, when her father was killed by teenagers just blocks from their public housing estate.Her mother's dysfunctional reliance on the church deepened following the tragedy, and King, suffering from undiagnosed anxiety, stopped attending school. The account of her father's death remained hazy, made worse by the fact that four of the accused teenagers-neighborhood boys she could not avoid-were never charged. What could have triggered such an act of aggression? Clinging to hearsay and what little information she had from the police, King allowed her imagination to fill in the rest.Over the years, in a bid to balm her grief and gaps in formal education, King journeyed through multiple belief systems: she distanced herself from fundamentalism, searching for clarity instead in the occult, paranormal beliefs, and conspiracy theories. Amid the chaos of her coming of age, she stumbled upon a copy of Carl Sagan's The Demon-Haunted World on the shelves of a Birmingham bookshop -a discovery that proved transformative. Sagan's sage caveat, "But I could be wrong," became King's guiding light, empowering her to confront her demons.An eloquently written and often sharply funny account that is ever sensitive to the fallibility of memory and the nuances of truth, Learning to Think is a resounding battle cry for the value of education and the freedom to think critically, imaginatively, and for oneself.

Michael Korda, the best-selling author of Hero and Alone, tells the story of the First World War not in any conventional way but through the intertwined lives of the soldier poets who came to describe it best, and indeed to symbolize the war's tragic arc and lethal fury.His epic narrative begins with Rupert Brooke, "the handsomest young man in England" and perhaps its most famous young poet in the halcyon days of the Edwardian Age, and ends five years later with Wilfred Owen, killed in action at twenty-five, only one week before the armistice. With bitter irony, Owen's mother received the telegram informing her of his death on November 11, just as church bells tolled to celebrate the war's end.Korda's dramatic account, which includes anecdotes from his own family history, not only brings to life the soldier poets but paints an unforgettable picture of life and death in the trenches, and the sacrifice of an entire generation. His cast of characters includes the young American poet Alan Seeger, who was killed in action as a private in the French Foreign Legion; Isaac Rosenberg, whose parents had fled czarist anti-Semitic persecution and who was killed in action at the age of twenty-eight before his fame as a poet and a painter was recognised; Robert Graves and Siegfried Sassoon, whose friendship and friendly rivalry endured through long, complicated private lives; and, finally, Owen, whose fame came only posthumously and whose poetry remains some of the most savage and heartbreaking to emerge from the cataclysmic war.As Korda demonstrates, the poets of the First World War were soldiers, heroes, martyrs, victims, their lives and loves endlessly fascinating-that of Rupert Brooke alone reads like a novel, with his journey to Polynesia in pursuit of a life like Gauguin's and some of his finest poetry written only a year before his tragic death. Muse of Fire is at once a portrait of their lives and a narrative of a civilisation destroying itself, among the rubble, shadows, and the unresolved problems of which we still live, from the revival of brutal trench warfare in Ukraine and in the Middle East.

On a scorching July afternoon in 1878, at the dawn of the Gilded Age, the moon's shadow descended on the American West, darkening skies from Montana Territory to Texas. This rare celestial event-a total solar eclipse-offered a priceless opportunity to solve some of the solar system's most enduring riddles, and it prompted a clutch of enterprising scientists to brave the wild frontier in a gruelling race to the Rocky Mountains. Acclaimed science journalist David Baron, long fascinated by eclipses, re-creates this epic tale of ambition, failure and glory in a narrative that reveals as much about the historical trajectory of a striving young nation as it does about those scant three minutes when the blue sky blackened and stars appeared in mid-afternoon.In vibrant historical detail, American Eclipse animates the fierce jockeying that came to dominate late nineteenth-century American astronomy, bringing to life the challenges faced by three of the most determined eclipse chasers who participated in this adventure. James Craig Watson, virtually forgotten in the twenty-first century, was in his day a renowned asteroid hunter who fantasised about becoming a Gilded Age Galileo. Hauling a telescope, a star chart, and his long-suffering wife out west, Watson believed that he would discover Vulcan, a hypothesised "intra-Mercurial" planet hidden in the sun's brilliance. No less determined was Vassar astronomer Maria Mitchell, who-in an era when women's education came under fierce attack-fought to demonstrate that science and higher learning were not anathema to femininity. Despite obstacles erected by the male-dominated astronomical community, an indifferent government and careless porters, Mitchell courageously charged west with a contingent of female students intent on observing the transcendent phenomenon for themselves. Finally, Thomas Edison-a young inventor and irrepressible showman-braved the wilderness to prove himself to the scientific community. Armed with his newest invention, the tasimeter and pursued at each stop by throngs of reporters, Edison sought to leverage the eclipse to cement his place in history. What he learned on the frontier, in fact, would help him illuminate the world.With memorable accounts of train robberies and Indian skirmishes, David Baron's page-turning drama refracts nineteenth-century science through the mythologised age of the Wild West, revealing a history no less fierce and fantastical.

With a historian's eye and a theorist's ingenuity, Michael Doyle, whose writings on liberal peace have revolutionised modern statesmanship, cogently assesses the tectonic shifts threatening a global order that has held for more than seventy years. As tensions among China, Russia and the US escalate perilously towards a new Cold War, Doyle introduces a radical paradigm that will facilitate the international co-operation necessary to avert the global threats of our time.Combining dramatic history with trenchant analysis and landmark theory, Doyle explores the impacts of cyber-warfare, foreign election meddling and the unprecedented schism of modern politics on American foreign policy. He demonstrates that there can be no success in addressing climate change without China's cooperation, nor any hope of averting nuclear catastrophe without Russia's.In the tradition of Gaddis' The Cold War and Clark's The Sleepwalkers, Cold Peace provides one of the most necessary analyses of global power in decades.

For decades now, Adam Gopnik has been one of our most beloved writers, a brilliantly perceptive critic of art, food, France, and more. But recently, he became obsessed by a more fundamental matter, one he had often meditated on in The New Yorker: How do masters learn their miraculous skill, whether it was drawing a museum-ready nude or baking a perfect sourdough loaf? How could anyone become so good at anything? There seemed to be a fundamental mystery to mastery. Was it possible to unravel it?In The Real Work-the term magicians use for the accumulated craft that makes for a great trick-Gopnik becomes a dedicated student of several masters of their craft: a classical painter, a boxer, a dancing instructor, a driving instructor, and others. Rejecting self-help bromides and bullet points, he nevertheless shows that the top people in any field share a set of common qualities and methods. For one, their mastery is always a process of breaking down and building up-of identifying and perfecting the small constituent parts of a skill and the combining them for an overall effect greater than the sum of those parts. For another, mastery almost always involves intentional imperfection-as in music, where vibrato, a way of not quite landing on the right note, carries maximum expressiveness. Gopnik's simplest and most invigorating lesson, however, is that we are surrounded by mastery. Far from rare, mastery is commonplace, if we only know where to look: from the parent who can whip up a professional strudel to the social worker who-in one of the most personally revealing passages Gopnik has ever written-helps him master his own demons.Spirited and profound, The Real Work will help you understand how mastery can happen in your own life-and, significantly, why each of us relentlessly seeks to better ourselves in the first place.

Anna Fort wants to be a supportive wife, even if that means accompanying her husband for the winter of 1918 to a remote, frozen island estate so he can finish his book as the guest of an eccentric millionaire. When she learns three girls are missing from a school run by their host, Anna realises finding them is up to her-even if that means risking her husband's career and possibly her life.Her husband's masterpiece-in-progress features strange meteorological anomalies along with wild speculations about "facts" he believes scientists hide from the public. Most people think Charles Fort is a crackpot. That's about to change now that wealthy Claude Arkel is his patron.Yet Anna is sure something's not right on Prosper Island, though the alarming return of her "troubles" makes her question her own sanity. Is the figure in the woods really the ghost of her long-lost friend Mary or a product of her disturbed imagination? Accompanied reluctantly by a fellow guest, the elegant and troubled Stella Bixby, Anna embarks on a dangerous quest to find the missing girls before Arkel finds her-or her own mind unravels.A contemporary feminist tale with a dreamlike, gothic setting, King Nyx reintroduces readers, twenty-five years after her acclaimed debut, to one of our most astonishingly imaginative storytellers.

An award-winning novel from one of Ukraine's most prolific contemporary authors, Forgottenness tells a spellbinding story of belonging and uprootedness, as understood by two exiles across time. An exceedingly anxious narrator grapples with a host of conditions, from obsessive-compulsive disorder to a creeping sense of agoraphobia. As her symptoms deepen, she finds unexpected solace researching Viacheslav Lypynskyi (1882-1931), a social and political activist of Polish descent who played a pivotal role in the struggle for Ukrainian independence-and who nursed his own comorbidities. In this long-deceased ideologue the narrator finally finds companionship, mining her country's history in pursuit of a better grasp over her own. Brilliantly translated by Zenia Tompkins, Forgottenness movingly illuminates the intricacies of the Ukrainian experience and announces Tanja Maljartschuk as an essential voice in contemporary world literature.

Following the internationally acclaimed publication of Stitches, David Small emerged as a storied figure in graphic literature, eliciting comparisons to Stan Lee and Alfred Hitchcock. Werewolf at Dusk, appearing fifteen years later, is his homage to ageing-gracefully or otherwise. The three stories in this collection are linked, Small writes, "by the dread of things internal". In the title story, an adaptation of Lincoln Michel's much-loved short, the dread is that of a man who has reached old age with something repellant-even bestial-in his nature. The spectre of old age also haunts the semi-autobiographical story "A Walk in the Old City", with its looming spiders and cascading brain-matter-a dreamscape that gives way to the ominous environs of 1930s Berlin in the final story, a reinterpretation of Jean Ferry's "The Tiger in Vogue". As fluid as manga and rife with unsettling imagery, Werewolf at Dusk affirms Small's place as a modern master of graphic fiction.

Few sporting events attract as much attention, or create as much spectacle, as the Iditarod Trail Sled Dog Race. Each March, despite subzero temperatures and white-out winds, hundreds of dogs and dozens of mushers journey to Anchorage, Alaska, to participate in "The Last Great Race on Earth," a grueling, thousand-mile race across the Alaskan wilderness.While many veterinarians apply, only a small number are approved to examine the elite canine athletes who, using solely their muscle and an innate drive to race, carry handlers between frozen outposts each year, risking injury, illness, and fatigue along the way. In Four Thousand Paws, award-winning veterinarian Lee Morgan-a member of the Iditarod's expert veterinary corps-tells the story of these heroic dogs, following the teams as they traverse deep spruce forests, climb steep mountain slopes, and navigate over ice-bound rivers toward Nome, on the coast of the Bering Sea, where the famed Burled Arch awaits.From the huskies of Iditarods past to the intrepid dogs of today, Morgan shows how these fierce competitors surmount the dangers of the Arctic, aided, along the way, by attentive mushers and volunteer veterinarians. A world away from his Georgetown veterinary clinic, Morgan examines dogs at each checkpoint, and sees how their body language reflects the thrill of the race-and how, when pulled from it, they often refuse to eat. As in any team sport, distinct personalities among the sled dogs create complex group dynamics, and Morgan captures moments of intense rivalry, defeat, camaraderie, and, ultimately, triumph.In the tradition of Why Elephants Weep, Four Thousand Paws is an intimate look inside the animal mind, and an exciting new account of a storied race.

On the morning of 4 November 2019, an unassuming caravan of women and children was ambushed by masked gunmen on a desolate stretch of road in northern Mexico controlled by the Sinaloa drug cartel. Firing semi-automatic weapons, the attackers killed nine people and gravely injured five more. The victims were members of the LeBaron and La Mora communities-fundamentalist Mormons whose forebears broke from the LDS Church and settled in Mexico when their religion outlawed polygamy in the late nineteenth century. The massacre produced international headlines for weeks and prompted President Donald Trump to threaten to send in the US Army.In The Colony, bestselling investigative journalist Sally Denton picks up where the initial, incomplete reporting on the attacks ended, and delves into the complex story of the LeBaron clan. Their homestead-Colonia LeBaron-is a portal into the past, a place that offers a glimpse of life within a polygamous community on an arid and dangerous frontier in the mid-1800s, though with smartphones and machine guns. Rooting her narrative in written sources as well as interviews with anonymous women from LeBaron itself, Denton unfolds an epic, disturbing tale that spans the first polygamist emigrations to Mexico through the LeBarons' internal blood feud in the 1970s-started by Ervil LeBaron, known as the "Mormon Manson"-and up to the family's recent alliance with the NXIVM sex cult, whose now-imprisoned leader, Keith Raniere, may have based his practices on the society he witnessed in Colonia LeBaron.The LeBarons' tense but peaceful interactions with Sinaloa deteriorated in the years leading up to the ambush. LeBaron patriarchs believed they were deliberately targeted by the cartel. Others suspected that local farmers had carried out the attacks in response to the LeBarons' seizure of water rights for their massive pecan orchards. As Denton approaches answers to who committed the murders, and why, The Colony transforms into something more than a crime story. A descendant of polygamist Mormons herself, Denton explores what drove so many women over generations to join or remain in a community based on male supremacy and female servitude. Then and now, these women of Zion found themselves in an isolated desert, navigating the often-mysterious complications of plural marriage-and supported, Denton shows, only by one another.A mesmerising feat of investigative journalism, The Colony doubles as an unforgettable account of sisterhood that can flourish in polygamist communities, against the odds.

Arriving as a young writer in an ancient Dutch town, Benjamin Moser found himself visiting-casually at first, and then more and more obsessively-the country's great museums. Inside these old buildings, he discovered the remains of the Dutch Golden Age and began to unearth the strange, inspiring, and terrifying stories of the artists who gave shape to one of the most luminous moments in the history of human creativity.Beyond the sainted Rembrandt-who harbored a startling darkness-and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. And through their artwork, he got to know their country, too: from the translucent churches of Pieter Saenredam to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees.Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was. Why do we make art? What even is art, anyway-and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? Is art a consolation-or a mortal danger?The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. This is Holland and its great artists as we've never seen them before. And it's a sumptuously illustrated, highly personal coming-of-age-story, twenty years in the making: a revealing self-portrait by one of the most acclaimed writers of his generation.

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the "Procrustean bed" of tradition. Defying his critics-among them the Nazis, who described his music as "degenerate"-he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesising Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present or future of Western music.