Bøger udgivet af Knopf Doubleday Publishing Group

"Contemporary fairy tales, cushioned by goofy humor and a deep tenderness for her characters, that aren't always as dark or as sinister as they initially appear." --The New York Times Book ReviewAimee Bender's Willful Creatures conjures a fantastical world in which authentic love blooms. This is a place where a boy with keys for fingers is a hero, a woman's children are potatoes, and a little boy with an iron for a head is born to a family of pumpkin heads. With her singular mix of surrealism, musical prose, and keenly felt emotion, Bender once again proves herself to be a masterful chronicler of the human condition.

Packed with revelations, this is the first complete account of a career built on raw talent, sheer willpower--and criminal connections. Anthony Summers--bestselling author of Goddess: The Secret Lives of Marilyn Monroe--and Robbyn Swan unveil stunning new information about Sinatra's links to the Mafia, his crowded love life and his tangled relationships with U.S. presidents. Exclusive breakthroughs include the discovery of how the Mafia connection began--in a remote Sicilian village--and moving interviews with his lovers. Never-before-published conversations with Ava Gardner get to the core of the tragic passion that dominated his life, came close to destroying him, and made his best work heartbreakingly personal. Sinatra delivers the full life story of a complex, flawed genius.

Natalie and Consuelo are like-minded individuals who live in Lava Landing, CA. When they aren't working at The Big Cheese Plant, they get all dolled up for the racetrack, or go for at a tequila float at The Big Five Four. They urgently need to get Consuelo's father out of Purgatory: he won't stop turning up in women's dreams until they do. But that means a trip to Mexico, and Consuelo still hasn't gotten over her fear of long car rides . . . . Inspired by La Loter'a, a Mexican game of chance not unlike bingo, the novel is a joyous story of mamacitas and mariachis, fiestas and tupperware parties, rodeos and Miss Magma beauty contests. In Caramba! the American experience emerges in a brilliant new language and landscape, both touching and dazzlingly fresh.

These lush, rewarding reflections on a woman's passage into midlife are grounded in our intimacy with nature and mortality. Deborah Digges, now in her fifties, looks back in such poems as "Boat” to see younger mothers and their children, and ponders her own "brilliant, trivial unmooring.” As she wanders from the garden to the barn and into the woods, she finds her moods mirrored in the calendar of the seasons, making lush music of the materials at hand and accepting the seismic changes in her life with an appreciation for the incidental scraps of beauty she chances upon. Throughout these luminous poems-which touch movingly on the illness and loss of her husband-Digges marvels at the brio with which we fling ourselves daringly into the night:See how the first dark takes the city in its armsand carries it into what yesterday we called the future.O, the dying are such acrobats.Here you must take a boat from one day to the next,or clutch the girders of the bridge, hand over hand.But they are sailing like a pendulum between eternity and evening,diving, recovering, balancing the air.

In Earth, the acclaimed author of Trilobite! and Life takes us on a grand tour of the earth's physical past, showing how the history of plate tectonics is etched in the landscape around us. Beginning with Mt. Vesuvius, whose eruption in Roman times helped spark the science of geology, and ending in a lab in the West of England where mathematical models and lab experiments replace direct observation, Richard Fortey tells us what the present says about ancient geologic processes. He shows how plate tectonics came to rule the geophysical landscape and how the evidence is written in the hills and in the stones. And in the process, he takes us on a wonderful journey around the globe to visit some of the most fascinating and intriguing spots on the planet.

In 1971, a man calling himself D.B. Cooper hijacked a flight, claimed his ransom without harming a soul, and vanished. Elwood Reid uses this true story as a starting point, imagining Cooper as Phil Fitch, a Vietnam vet with a failed marriage who decides the time has come to do something that will save him from a life of punching timecards and wondering what could have been. Fitch ends up in Mexico, where he drifts until a bad turn of luck forces him to return home.Meanwhile, newly retired FBI agent Frank Marshall is struggling with his new life of leisure-fishing, spending time with family, and drinking too much. Unable to let go of a few old cases, Marshall decides to help a young agent determined to solve the mystery of D. B. Cooper. As they close in and events bring Fitch back home, these two stories head for a moving climax in a smart, gripping, and frequently hilarious tale of one of America's modern folk heroes.

"Behold the door / the lock's alive,” warns Stan Rice in one of the commanding poems that make up this new volume of verse. From the streets of New Orleans during Mardi Gras to the private chambers of the imagination, Rice's work is at times sharp and minimalist and at times over the top in its vivid critique of life and in its regard for the sanctity that lurks in all experience. In these concise, memorable verses, he contemplates the stroller-pushing crowd in the American mall; he maps the complex traffic of a marriage; he speaks to the cat bristling in the closet: "—for you, / For your on-tiptoe hissing / Slit-pupiled arched-backed tail- / Stiffened terror, this song.” Throughout, Rice sings of the darkness that conflicts us and of the moments of pure consciousness that allow us to transcend darkness.

Stan Rice, who died in December 2002, was a poet of unique, uncompromising vision. Joy and brutality, faith and faithlessness, the beauty of truth and, at times, of untrut--these opposing forces come together one last time in his final book of poetry, a haunting collection of psalms. Beginning with his "Psalm 151"--that is, taking up where the Bible leaves off--Rice calls us to his own kind of prayer and contemplation. "Lord, hear me out," he begins. "At the point of our need / The storehouse shares its shambles." An elegant, passionate, tragic lament for our condition, Rice's homemade psalms exhort us indirectly to accept our fate--the world as it is. In the brave, unshrinking manner that has characterized his whole career, Rice has written a profound farewell.

Mary Jo Salter's sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, "Trompe l'Oeil,” the shadow-casting shutters on Genoese houses are made of paint only, an "open lie.” And yet "Who needs to be correct / more often than once a day? / Who needs real shadow more than play?”Open Shutters also calls to mind the lens of a camera—in the villanelle "School Pictures” or in the stirring sequence "In the Guesthouse,” which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story.Darkness and light interact throughout the book—in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter's most serious work.Fittingly, the volume fools the eye once more by closing with "An Open Book,” in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms.Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open.

Praised on both sides of the Atlantic as well as in the author's native Uganda, Moses Isegawa's first novel Abyssinian Chronicles was a "big, transcendently ambitious book” (Boston Globe) that "blasts open the tidy borders of the conventional novel and redraws the literary map to reveal a whole new world” (Elle).In Snakepit, Isegawa returns to the surreal, brutalizing landscapes of his homeland during the time of dictator Idi Amin, when interlocking webs of emotional cruelty kept tyrants gratified and servants cooperative, a land where no one-not husbands or wives, parents or lovers-is ever safe from the implacable desires of men in power. Men like General Bazooka, who rues the day he hired Cambridge-educated Bat Katanga as his "Bureaucrat Two”-a man too good at his job-and places in his midst (and his bed) a seductive operative named Victoria, whose mission and motives are anything but simple. Ambitious and acquisitive, more than a little arrogant, Katanga finds himself steadily boxed in by events spiraling madly out of control, where deception, extortion, and murder are just so many cards to be played.

As a young man, Gerhard Self served as a Nazi prosecutor. After the war he was barred from the judicial system and so became a private investigator. He has never, however, forgotten his complicity in evil.Hired by a childhood friend, the aging Self searches for a prankish hacker who's invaded the computer system of a Rhineland chemical plant. But his investigation leads to murder, and from there to the charnel house of Germany's past, where the secrets of powerful corporations lie among the bones of numberless dead. What ensues is a taut, psychologically complex, and densely atmospheric moral thriller featuring a shrewd, self-mocking protagonist.

As a senior foreign correspondent for The Times of London, Janine di Giovanni was a firsthand witness to the brutal and protracted break-up of Yugoslavia. With unflinching sensitivity, Madness Visible follows the arc of the wars in the Balkans through the experience of those caught up in them: soldiers numbed by the atrocities they commit, women driven to despair by their life in paramilitary rape camps, civilians (di Giovanni among them) caught in bombing raids of uncertain origin, babies murdered in hate-induced rage.Di Giovanni's searing memoir examines the turmoil of the Balkans in acute detail, and uncovers the motives of the leaders who created hell on earth; it raises challenging questions about ethnic conflict and the responsibilities of foreign governments in times of mass murder. Perceptive and compelling, this unique work of reportage from the physical and psychological front lines makes the madness of war wholly visible.

Train is an 18-year-old black caddy at an exclusive L.A. country club. He is a golf prodigy, but the year is 1953 and there is no such thing as a black golf prodigy. Nevertheless, Train draws the interest of Miller Packard, a gambler whose smiling, distracted air earned him the nickname "the Mile Away Man." Packard's easy manner hides a proclivity for violence, and he remains an enigma to Train even months later when they are winning high stakes matches against hustlers throughout the country. Packard is also drawn to Norah Still, a beautiful woman scarred in a hideous crime, a woman who finds Packard's tendency toward violence both alluring and frightening. In the ensuing triangular relationship kindness is never far from cruelty.In Train, National Book Award-winning Pete Dexter creates a startling, irresistibly readable book that crackles with suspense and the live-wire voices of its characters.

Five Oaks, Michigan is not exactly where Saul and Patsy meant to end up. Both from the East Coast, they met in college, fell in love, and settled down to married life in the Midwest. Saul is Jewish and a compulsively inventive worrier; Patsy is gentile and cheerfully pragmatic. On Saul's initiative (and to his continual dismay) they have moved to this small town-a place so devoid of irony as to be virtually "a museum of earlier American feelings”-where he has taken a job teaching high school.Soon this brainy and guiltily happy couple will find children have become a part of their lives, first their own baby daughter and then an unloved, unlovable boy named Gordy Himmelman. It is Gordy who will throw Saul and Patsy's lives into disarray with an inscrutable act of violence. As timely as a news flash yet informed by an immemorial understanding of human character, Saul and Patsy is a genuine miracle.

A lively and provocative history of the contested landscapes where the majority of Americans now live. From rustic cottages reached by steamboat to big box stores at the exit ramps of eight-lane highways, Dolores Hayden defines seven eras of suburban development since 1820. An urban historian and architect, she portrays housewives and politicians as well as designers and builders making the decisions that have generated America's diverse suburbs. Residents have sought home, nature, and community in suburbia. Developers have cherished different dreams, seeking profit from economies of scale and increased suburban densities, while lobbying local and federal government to reduce the risk of real estate speculation. Encompassing environmental controversies as well as the complexities of race, gender, and class, Hayden's fascinating account will forever alter how we think about the communities we build and inhabit.

Charles, a once-promising poet, is a professor at a minor liberal arts college, admiring of passion but without passion himself. Now living a desperately comfortable existence, he decides to return to his thirtieth college reunion. While there, he relives an intense love affair he had with a beautiful ballerina that forever changed his life. At times shocked, admiring, and furious with his younger self, Charles remembers contradictory versions of events, until reality and identity dissolve into a haze of illusion. Reunion explores the pain of self-examination, the clay-like nature of memory, and the fatal power of first love.

Jamesland, the buoyant second novel by Michelle Huneven, critically acclaimed author of Round Rock, is a witty, sophisticated, and deeply humane comedy of unlikely redemption.When thirty-three-year-old Alice Black discovers a deer in her dining room after fighting with her boyfriend, she wonders if she's going crazy. Pete Ross, forty-six, knows he's crazy. He's wrecked his marriage, slashed his wrists, and done time in a psychiatric institution, and now he's being cared for by his mother, who's a nun. Forty-five-year-old Helen Harland, a spirited Unitarian Universalist minister, is being driven crazy by her hostile church administration. Living in Los Feliz, California, the three meet at Helen's Wednesday midweek services. Though initially incompatible, the sheer force of Helen's idiosyncratic ministering (her "variety show of religious experience”)-paired with Alice's illustrious ancestor William James-proves to be a catalyst for friendship and a kind of transcendence. Generous and compassionate, Michelle Huneven delivers a joyful new novel about love, faith, and a few wayward souls waiting for life to begin.

Nepotism is one of those social habits we all claim to deplore in America; it offends our sense of fair play and our pride in living in a meritocracy. But somehow nepotism prevails; we all want to help our own and a quick glance around reveals any number of successful families whose sons and daughters have gone on to accomplish objectively great things, even if they got a little help from their parents.In this wide-ranging, surprising, and eloquently argued book, Adam Bellow takes a pragmatic and erudite look at the innate human inclination toward nepotism. From ancient Chinese clans to the papal lineages of the Renaissance, to American families like the Gores, Kennedys, and Bushes, Bellow explores how nepotism has produced both positive and negative effects throughout history. As he argues, nepotism practiced badly or haphazardly is an embarrassment to all (including the incompetent beneficiary), but nepotism practiced well can satisfy a deep biological urge to provide for our children and even benefit society as a whole. In Praise of Nepotism is a judicious look at a controversial but timeless subject that has never been explored with such depth or candor, and a fascinating natural history of how families work.

In this classic thriller, two American tourists find more adventure than they bargained for when they get involved with Chinese gun smugglers and Muslim revolutionaries, learning first hand about the intrigue of the post-colonial world.Greg and Dorothy Nilsen had wanted to go on an adventurous trip, see some of the more out-of-the-way places. But the cruise they were on was turning out to be a bore. So when the gracious Mr. Tan requests that Greg take a side trip to Singapore to resolve a bureaucratic detail involving a consignment of small arms, Greg is surprisingly receptive. All he has to do is sign some papers, he's told, and he'll be paid a handsome fee. And everything does go smoothly, until it comes to getting a check co-signed by the rebel leader...

One part Nietzsche, one part Humbert Humbert, and a soupcon of Milton's Lucifer, Axel Vander, the dizzyingly unreliable narrator of John Banville's masterful new novel, is very old, recently widowed, and the bearer of a fearsome reputation as a literary dandy and bully. A product of the Old World, he is also an escapee from its conflagrations, with the wounds to prove it. And everything about him is a lie. Now those lies have been unraveled by a mysterious young woman whom Vander calls "Miss Nemesis.” They are to meet in Turin, a city best known for its enigmatic shroud. Is her purpose to destroy Vander or to save him—or simply to show him what lies beneath the shroud in which he has wrapped his life? A splendidly moving exploration of identity, duplicity, and desire, Shroud is Banville's most rapturous performance to date.

Ray Mitchell, a former TV writer who has left Hollywood under a cloud, returns to urban Dempsy, New Jersey, hoping to make a difference in the lives of his struggling neighbors. Instead, his very public and emotionally suspect generosity gets him beaten nearly to death. Ray refuses to name his assailant, which makes him intensely interesting to Detective Nerese Ammons, a friend from childhood, who now sets out to unlock the secret of his reticence. Set against the intensely realized backdrop of urban America, the cat and mouse game that unfolds is both morally complex and utterly gripping.

Stanley Crouch's gloriously bold first novel provides an intimate and epic portrait of America that breaks all the rules in crossing the boundaries of race, sex, and class. Blonde Carla from South Dakota is a jazz singer who has been around the block. Almost suddenly, she finds herself fighting to hold on to Maxwell, a black tenor saxophonist from Texas. Their red-hot and sublimely tender five-year union is under siege. Those black people who oppose such relatonships in the interest of romantic entitlement or group solidarity are pressuring Maxwell, and he is wavering. As Carla battles to save the deepest love of her life, her past plays out against the present, vividly bringing forth a startlingly fresh range of characters in scenes that are as accurately drawn as they are unpredictable and innovatively conceived.