Bøger udgivet af Kehrer Verlag

"It is as if I have lost myself," described a client of her state of being to the psychiatrist Alois Alzheimer 100 years ago. Today, as the number of old people is constantly growing, more and more people are affected by Alzheimer's disease.This book is an artistic approach to the topic of Alzheimer's disease. Many of the images are portraits, a classical way to capture an individual's personality. The soft colors and square shapes of the photographs create a striking esthetic without denying that the people shown are continually losing their individuality. Texts and images are a plea to the individual and to society as a whole to get involved with people suffering from Alzheimer's disease.

The French photographer William Ropp is well-known for the unique style in which he captures the mysterious aspects of human nature. Taking outstanding pictures of children is only one part of the internationally renowned photographer's oeuvre. Surprisingly, it is not the viewer who gazes at the children; they rather redirect the stare towards the person looking at the unfathomable black and white pictures. Seemingly coming from a different time, these young human beings unify ancient mysteries and timeless questions in their appearances. The artist's foreword gives an insight into his technique, illuminating the enigmatic pictures.A limited edition with original photos packaged in a box will also be available.

Art Collection Deutsche Börse is one of the most important contemporary photography collections in Europe and comprises around 1,600 works by more than 100 international artists. As the collection's fifth illustrated book, XL Photography 5 impressively documents the new acquisitions over the last four years. In large format and lavishly produced, it shows more than twenty artistic positions. These include exciting groups of works not only by very young photographers such as Mike Brodie, Lucas Foglia, Richard Mosse, and Regine Petersen, but also by established greats, such as Diane Arbus, Paul Fusco, Ernst Haas, Evelyn Hofer, and Vivian Maier.DAS AUF AMAZON.DE ANGEGEBENE ERSCHEINUNGDATUM BEZIEHT SICH NUR AUF USA. DER TITEL IST IN EUROPA BEREITS LIEFERBAR, AUCH DURCH AMAZON.DE /THE PUBLICATION DATE INDICATED HERE IS ONLY FOR USA. THIS TITLE IS ALREADY AVAILABLE IN EUROPE, ALSO ON AMAZON.DE

"This beautiful and timely book arrives as the anxiety of our times causes many of us to wonder just how long our current monuments of stone will endure."--Ed BurtynskyFor thirty years, photographer Elaine Ling wandered through deserts, canyons and jungles across four continents gathering the mythology of stones. This book offers a stunning global view of a very unique presentation of natural and ancient stones, from the Joshua Tree to a Chinese tomb, from the ruins of Petra in Jordan to the junge of Myanmar, from Cappadocia to Australia's Kangaroo Island. Listen to the polyphonic voice of Talking Stones.DAS AUF AMAZON.DE ANGEGEBENE ERSCHEINUNGDATUM BEZIEHT SICH NUR AUF USA. DER TITEL IST IN EUROPA BEREITS LIEFERBAR, AUCH DURCH AMAZON.DE /THE PUBLICATION DATE INDICATED HERE IS ONLY FOR USA. THIS TITLE IS ALREADY AVAILABLE IN EUROPE, ALSO ON AMAZON.DE

Robin Minard belongs to the first generation of sound artists. With his permanent and temporary installations, he transforms public spaces, museums and galleries all over the world. Although working with high-tech equipment, his installations evoke impressions of natural growth and life. Acoustic compositions enhance the effect, filling his environments with a unique atmosphere. The viewer is captivated and simultaneously given a new perspective on his everyday surroundings, as well as on art, nature and technology.

Susan Hefuna's Egyptian-German heritage has led her to explore the respective cultures' characteristics and oppositions. In her multifaceted photographs, drawings, installations and videos, the artist works with cultural codes and offers new insights in each of them. Navigating between different cultures and various media, Hefuna moreover questions identity as such. To her, digitally altered images of so-called Mashrabiyas (distinctive type of wood carving particular to the Arab East, mainly used for windows behind which women would not be seen from the outside), can serve as means to define gender specific spaces and spiritual concepts hidden behind the visible reality. Comprised of recent and selected works, this publication accompanies a travelling exhibition.

1000 people watching a tractor concert in southern Sweden is only one event documented in this magnificently designed book. "Automatism of the Rotation" presents several of Johansson's pieces of music written for automobiles: crescendo and -decrescendo---elements of classical composing--find their way into a world of familiar sounds presented in a new light. Honking signals from cars, the sound of Harley Davidsons, windwheels and other sources of sound are being interpreted in a unique way.

Showing Elderfield's distinct view of South Philadelphia, this book documents a big scope of "street life", ranging from snapshots to carefully composed pictures. These beautiful black and white photographs strike the eye because of their lyrical quality, which is enhanced and complemented by contemporary poems. Due to this interdisciplinary conception, we find a great deal of authenticity in the street scenes, yet there is enough room for our own imagination to go beyond the captured moment. Extremes of poverty as well as healthy middle class are shown, in all variety of cultural heritage that is manifested in the resident's appearances.

Mariette Pathy Allen documents the lives of extraordinary individuals, their partners, families and friends. Through photographs and short texts, the reader is offered an intimate connection to the book's subjects and -insight into how their own lives are affected by gender. As Allen says: "Trans-gendered people offer the rest of us a potentially exhilarating -vision of fluidity, freed from traditional roles or definitions. They make vivid the questions: What is the essence of humanness beyond masculinity or femininity?"Framed by the emerging transgender political movement, The Gender Frontier is one of the first book to include both female-to-males and male-to-females, as well as queer youth. One of her subjects, Robert Eads, a female-to-male who died of ovarian cancer, was also prominently featured in the award-winning film Southern Comfort

In this exquisitely produced book, Henry Horenstein explores the landscape of the human body in his unique photographic style. Large prints, grainy and soft in focus, witness the noted photographer's observant eye: Close-up details of body parts, like a beautifully shaped upper lip, an elbow, wrinkles, and hair gain a new lyrical, intimate quality. However, Horenstein's sensuous images never give way to aesthetic perfection, instead they are surprising, sometimes weird, and even odd.

Walter Kehr has described his book as "just a simple book of photos." It is a collection of snapshots that were taken when no one was looking, or as the sun was beginning to creep above an otherwise empty street corner in New York. But they also form a greater truth. They remind us that, in life, it is the smallest moments that often mean the most.Walter Kehr studied at Hochschule der Künste, Berlin, and was an assistant to Richard Avedon, Tony Kaye, and others before making his career as a photographer and movie director in Los Angeles.

Extraordinary series in which good and bad, amateurish and professional stand side-by-side on equal terms.

With her new work Disorient, Fiona Tan represents the Netherlands at the fifty-third Venice Biennale. Her audio-visual installation refers to Venice's pivotal position in the history of geostrategy in the time before the discovery of new routes to Asia diluted the city's power.Fiona Tan describes herself as "a professional foreigner, whose identity is defined by that which I am not." Her recent notable exhibitions include the Vancouver Art Gallery; Freer Galleries, Washington; New Orleans Biennial; New Museum of Contemporary Art, New York; Hammer Museum, Los Angeles; ICP Triennial, New York; Documenta 11, Kassel; and the forty-ninth Venice Biennale.

Globalization has progressed during the past twenty years, with countries and cultures converging. This makes it virtually impossible to identify the "Western world" in any geographic sense. Is the West then only a dream?Sixteen international photographers set off on a quest to find the typical West. The book shows us their astonishing discoveries, a kaleidoscope of the "Western idea." Includes photographs by Annet van der Voort, Arabella Schwarzkopf, Gianmaria Gava, Horst Friedrichs, Lauren Hermele, Mauro Bottaro, Paolo Woods, Philipp Horak, Reiner Riedler, Richard Ross, Robert Haidinger, Simone Casetta, Stuart Isett, Toni Anzenberger, Ulrich Eigner, and Yadid Levy.

For the first time, Swiss artist Adrian Schiess presents various types of watercolors in this richly illustrated catalog. Schiess can be considered one of the most important contemporary painters. He has gained international recognition with his "flat works"--painted hardboards he layed out at the Venice Biennial (1990) and at the documenta in Kassel (1992). For 20 years, he has simultaneously been working on these fragile works on paper, which possess an exceptional poetic quality.

Beate Passow visited the last generation of Chinese women with bound feet, the so-called lotuslillies. The vivid photographs authentically document a social-historically grown custom shortly before its disappearance. Passow shows these now elderly women in all their dignity and pride. They are captured in their traditional home surroundings as well as in today's China: in front of a swimming pool, in a hotel lobby and, surprisingly, at a billiard table.

The catalog features the paper and plaster counterparts of the artist's well-known bronze sculptures. The paper versions seem light and fragile--visually as well as literally. The Interconnected Sculptures, revolving around one another in asymmetrical circles, are handpainted several times so they can support their own weight. The white finish renders them timeless. These pieces of art can be seen as metaphors for the circle of life, uniting time and space in their characteristic formal appearances.Today one of the most important representatives of contemporary sculpture, the German artist Christian has gained an excellent reputation since he was 19 years old, when giving his debut at the documenta 5. He lives in New York, Hayama (Japan) and Düsseldorf, (Germany).

"Reading" a landscape, according to Roland Barthes, means first of all perceiving it with the body and the memory - with the memory of the body . . . so childhood is the best way to get to know a country. In the end there is really only one country: the countryof childhood.In 1945 Rosemarie Zens's mother escaped from Pomerania with her infant daughter, on a trek with countless other refugees. Today, Zens retraces this journey, searching for first and formative memories. Dream-like color landscapes are juxtaposed with fragments of family photos.

I used the Polaroid as a painter might use a sketchpad. I shot freely and, as the images appeared, I loved how the Polaroid interpreted what I saw. The limitations of the plastic lens softened the features captured in stone; the softened stone wings became real wings.Mauro Marinelli's iconic cemetery images captured on Polaroid juxtapose the inherent contradictions of the immediate moment: instant and everlasting. In homage to the sixteenth-century style of Nature Morte, the stone of mortuary sculptures softens like flesh and graveside tokens and bouquets of flowers depict life becoming death.

9/11 is among the most photographically documented events in history. But photos of the site in the immediate days after the attack are exceedingly rare. French photographer, director, and producer Stéphane Sednaoui felt compelled--not as a photographer but as a human being--to rush down to what would come to be known as Ground Zero, to volunteer in the search and rescue efforts. In the moments when the workers would pause, he would take pictures.Stéphane Sednaoui has received critical acclaim for directing landmark videos with U2, Madonna, Björk, and the Red Hot Chili Peppers, among others.

Vacancy is a multifaceted portrait of two towns in the Mojave Desert that are as much rural desert communities as they are states of mind. The towns that both claim the title of "Gateway to Death Valley"--Baker, California, and Beatty, Nevada--are tight-knit communities of people who remain settled where most merely pass through. Independent, hardy, and idiosyncratic, the people of these towns were ideal subjects for Pamela Littky to explore the heart of what seems like a big empty place, but what may reflect something important about the American experience today.

North Philadelphia is a photographic portrait of a neighborhood in prolonged crisis. The book presents a compelling glimpse into an urban area that hovers between decay and possibility, and is emblematic of many such regions across the United States. Growing up in Philadelphia, photographer Daniel Traub came to know this section of the city as a youth while working on an urban renewal art project. Many years later, after spending a decade in China photographing communities at the margins of Chinese society, he returned to North Philadelphia to explore the economic and racial divide in his own country. Made between 2008-2013, North Philadelphia combines images of dilapidated homes, vacant lots, and street corners with portraits of the residents. While it is an unvarnished view of a neglected corner of America, it is also a book imbued with beauty and moments of revelation.

Reckoning at the Frontier examines Mexico's struggle with organized crime through the stunning, introspective photographs of renowned photojournalist Eros Hoagland. Focused on the border cities of Tijuana and Ciudad Juárez, Hoagland travels through the harsh deserts and urban mazes of northern Mexico. Part journalistic reportage and part artistic exploration, Reckoning at the Frontier goes beyond drug war crime scene imagery to reveal a parallel narrative about the price of complacency, the power of fear, and the consequences of corruption.Hoagland's long-term work in Mexico has appeared in the New York Times, Der Spiegel, Time magazine, and many others.

Grown up as a typical car-obsessed American kid, Jory Hull explores the primitive, fascinating elegance of racing vehicles from a bygone era.The artist frames these machines as the colorful, handmade tools that they are, often abstracting their details into almost pure graphic compositions. This series of photographs, taken over the course of a decade, capture the surfaces and inner workings of these objects at rest, revealing unusual details of these machines designed for fierce competition, created to live at high speed. The quiet beauty of these cars at rest, one imagines the sights and sounds of them at full fury.

Since 2003, Canadian photographer Michel Campeau has traveled the world to photograph darkrooms. These chambers of analog photography, where icons of picture making were crafted through the use of chemicals on silver gelatin paper, today seem like allusions to a time long gone. Martin Parr wrote about it: "Most photographers have spent hours and days in that peculiar environment known as the darkroom. Here, prints are magically created using chemicals and light. Campeau's photographs show the passing of an era. As digital production takes hold to a greater and greater extent, we will look back at these images and mourn the darkroom's passing."

In the mid-1950s Swiss artist Jean Tinguely (1925--1991) began the production of a series titled Méta-Matics: machines that produced art works. Tinguely not only problematized the introduction of the robotic machine as interface in our society, but also questioned the role of the artist, the art work, and the viewer.Recently the Metamatic Research Initiative in Amsterdam mounted a competition to explore the potential of drawing machines for art today. Ten selected projects prove the continued relevance of the theme, amongst them a performance-pavilion by Marina Abramovic, a large environment by Thomas Hirschhorn, and an installation by Jon Kessler.Artists include Marina Abramovic, Ranjit Bhatnagar, John Bock, Olav Breuning, Thomas Hirschhorn, Aleksandra Hirszfeld, Jon Kessler, Pors & Rao, Joao Simoes, and Brigitte Zieger.

The sensitive handling of light has distinguished Peter Schlör's photographic work for more than two decades. In his most recent compositions as well, elements unnoticed at first glance gradually emerge in what initially seemed to be abstract black-and-white fields. The landscape in Turkey or the Canary Islands that was at first perceived as "untamed nature" turns out to be a civilized landscape--attesting to the intervention of human hands. By harking back to the grand tradition of landscape painting, Peter Schlör restores to photography its original description as "héliogravure" drawing with light.

Raynaud has for years reflected and cast an ironic glance on the contemporary art business. Transport, packaging, and media presentation now seem more important than encountering the original itself.The transformation of objects into visual signs, he shows, has long since also taken possession of human bodies, and thus of the individual's perception of himself. Raynaud's goal is to bring back the holistic image of the human body by reuniting two-dimensional images with tangible objects.

This body of work is a visual investigation of a series of objects, photographs, and memorabilia found in the house of an unknown Milanese chemist. The collection and the biographical notes of Giulia C., the enigmatic figure at the origin of this work, allow Italian photographer Andrea Ferrari to ponder the topic of a visual alphabet.Combining documentaries and rearrangements, the photographic quest turns the assumed physical space of Giulia C.'s house into a mental one. Through collecting, objects gain a sort of camouflage and acquire an aura of enigma. Hidden meanings gain the upper hand over the actual objects.

With his graphic, color-sensitive, and vernacular photographic voice, Douglas Ljungkvist produced a body of work depicting a unique place in the American landscape with strong yet quiet subtexts of time, memory, and identity. He felt the project was ready to publish when Hurricane Sandy hit the Jersey Shore in October 2012 and destroyed cottages that he had recently photographed.So Ljungkvist began taking pictures again, this time of homes without roofs or walls, with floors full of sand and doors open to the ocean breeze.Fine art photographer Douglas Ljungkvist has exhibited at festivals and in galleries both in the United States and Europe as well as winning several awards for his personal projects.