Bøger udgivet af Jawbone Press

Summer 1984. I've got the back lounge of this tour bus all to myself, partly because I'm the lead singer but more likely because it means the rest of the band won't have to deal with me for the rest of the day. Just two years earlier I was flunking out at UCLA, working the day shift in a record store, living out of my father's basement. Now I'm living the million-to-one reality of touring the country with my band, The Dream Syndicate, opening for up-and-coming rock darlings R.E.M., and making a big-budget sophomore album for A&M Records. I'm also untethered and unbound, drinking a fifth of Jim Beam every day, barely speaking to my best friend and guitarist, and looking for trouble in all the wrong places. How did I get from there to here? And how do I get out? Stick around and find out. I'll be here, dreaming my dream . . .I Wouldn't Say It If It Wasn't True is a tale of writing songs and playing in bands as a conduit to a world its author could once have barely imagined--a world of major labels, luxury tour buses, and sold-out theaters, but also one of alcohol, drugs, and a low-level rock'n'roll Babylon.Beginning with Wynn's childhood in California in the 60s and 70s, the book builds to a crescendo with the formation of the first incarnation of The Dream Syndicate in 1981 as an antidote to the prepackaged pop music of the era. It charts the highs and lows of the band's early years at the forefront of the Paisley Underground scene alongside Green On Red, Rain Parade, and The Bangles; the seismic impact of their debut album, The Days Of Wine And Roses; the spiraling chaos of the sessions for the follow-up, Medicine Show; the dissolution of the band's first line-up and the launch of a second phase of The Dream Syndicate with Out Of The Grey and Ghost Stories; and more, culminating with the release of the landmark live album Live At Raji's.This is Wynn's story, but it also features some of the biggest and most colorful characters of the period, offering a detailed field guide to the music business that manages to both glorify and demystify in equal measure. And, ultimately, it's a tale of redemption, with music as a vehicle for artistic and personal transformation and transcendence.

Jazz Revolutionary is the first full biography of Eric Dolphy, passionately tracing his creative life from Los Angeles clubs of the late 1940s and 50s, to New York in the early 1960s, and on to Paris, where sixty years ago he died from the complications of undiagnosed diabetes. It presents an engaging examination of this innovative musician and composer, from his family background to posthumous memorials, and provides insight into his recordings both as sideman and leader.Dolphy emerged at the frontiers of post-bop and free jazz, collaborating with John Coltrane, Charles Mingus, Ornette Coleman, and Gunther Schuller, among others, during the early 1960s. This book accounts for his successes, trials, and tribulations. His critical reception is presented as an element of his career's ups and downs, ultimately leading to an attempt at a new life in Paris. The albums on which he appears are interpreted title by title, track by track, without unnecessary musical terminology or musical examples; instead of cold discographic charts, readers are brought into each recording with a descriptive prose framework reflecting Dolphy's performances on alto saxophone, flute, and bass clarinet.Eric Dolphy was perhaps jazz's first true multi-instrumentalist and a pioneer of avant-garde technique. He is also widely remembered by those who knew him as a kind, gracious human being. In Jazz Revolutionary, his artistic accomplishments, his friendships and family life, and his timeless music are brought together in one place for the first time.

"Listen in as Pete unabashedly shares historical and family stories; tells of learning the banjo, traveling with Woody Guthrie, and finding commercial success with The Weavers; explains how he wrote books and put together songs; delves into controversial subjects like communism and the Peekskill Riots; and highlights those he admired and respected, including Bruce Springsteen, who honoured Pete with his Seeger Sessions album in 2006. Pete and David share the heavy lifting as they tackle subjects such as the 1965 Newport Folk Festival, Pete's relationship to Greenwich Village, and the need for copyright reform. Together, they describe how Pete put his worldview into practice in his local community, how he lived with local hero status in later life, and how they made recordings together that resulted in two Grammy Awards" --

Across five decades and counting, New Zealand-born singer/songwriter and Crowded House founder Neil Finn has become one of the best-loved figures in popular music, crafting enough hits along the way--'Weather With You', 'Locked Out', 'I Got You', 'Fall At Your Feet', 'It's Only Natural', and of course 'Don't Dream It's Over'--to forge his very own one-man Great Antipodean Songbook.One fateful day in April 1977, teenage Neil received a transcontinental phone call that would change his life. It was his older brother, Tim, calling from London, England, with a simple question: 'Do you want to join the band?' That band, the art-rock combo Split Enz, would provide the launchpad for a career that has taken in widespread international success with Crowded House, as a solo artist, back with Tim in The Finn Brothers, and as a touring member of Fleetwood Mac.There have been bumps along the road, including repeated clashes with Tim and the tragic death of original Crowded House drummer Paul Hester, but taken as a whole, Finn's story is one of the most inspiring musical sagas of modern times. Australian author and journalist Jeff Apter has observed Neil's career from close quarters since the late 70s, from frantic early Enz gigs to private listening parties to huge reunion shows and numerous points in between, giving him the perfect perspective to write this intimate, even-handed biography.