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Luigi Pirandello [28 June 1867 - 10 December 1936) was an Italian dramatist, novelist, and short story writer awarded the Nobel Prize in Literature in 1934, for his "bold and brilliant renovation of the drama and the stage". Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners for Theatre of the Absurd.

The Nibelungenlied, translated as The Song of the Nibelungs, is an epic poem in Middle High German. The story tells of dragon-slayer Siegfried at the court of the Burgundians, how he was murdered, and of his wife Kriemhild's revenge.The Nibelungenlied is based on pre-Christian Germanic heroic motifs (the "Nibelungensaga"), which include oral traditions and reports based on historic events and individuals of the 5th and 6th centuries. Old Norse parallels of the legend survive in the Völsunga saga, the Prose Edda, the Poetic Edda, the Legend of Norna-Gest, and the þiðrekssaga.In 2009, the three main manuscripts of the Nibelungenlied were inscribed in UNESCO's Memory of the World Register in recognition of their historical significance.

The Song of Roland (French: La Chanson de Roland) is the oldest surviving major work of French literature. It exists in various different manuscript versions, which testify to its enormous and enduring popularity in the 12th to 14th centuries. The oldest of these versions is the one in the Oxford manuscript, which contains a text of some 4,004 lines (the number varies slightly in different modern editions) and is usually dated to the middle of the twelfth century (between 1140 and 1170). The epic poem is the first and most outstanding example of the chanson de geste, a literary form that flourished between the eleventh and fifteenth centuries and celebrated the legendary deeds of a hero.

The Nibelungenlied, translated as The Song of the Nibelungs, is an epic poem in Middle High German. The story tells of dragon-slayer Siegfried at the court of the Burgundians, how he was murdered, and of his wife Kriemhild's revenge.The Nibelungenlied is based on pre-Christian Germanic heroic motifs (the "Nibelungensaga"), which include oral traditions and reports based on historic events and individuals of the 5th and 6th centuries. Old Norse parallels of the legend survive in the Völsunga saga, the Prose Edda, the Poetic Edda, the Legend of Norna-Gest, and the Þiðrekssaga.In 2009, the three main manuscripts of the Nibelungenlied were inscribed in UNESCO's Memory of the World Register in recognition of their historical significance.

The Song of Roland (French: La Chanson de Roland) is the oldest surviving major work of French literature. It exists in various different manuscript versions, which testify to its enormous and enduring popularity in the 12th to 14th centuries. The oldest of these versions is the one in the Oxford manuscript, which contains a text of some 4,004 lines (the number varies slightly in different modern editions) and is usually dated to the middle of the twelfth century (between 1140 and 1170). The epic poem is the first and most outstanding example of the chanson de geste, a literary form that flourished between the eleventh and fifteenth centuries and celebrated the legendary deeds of a hero.

Abraham Grace Merritt (January 20, 1884-August 21, 1943) was an American editor and author of works of fantastic fiction. Merritt's writings were heavily influenced by H. Rider Haggard and Gertrude Barrows Bennett. Merritt's stories typically revolve around conventional pulp magazine themes: lost civilizations, hideous monsters, etc. His heroes are gallant Irishmen or Scandinavians, his villains treacherous Germans or Russians (in accordance with the politics of the time) and his heroines often virginal, mysterious and scantily clad.

Богомо́лье - повесть Ивана Шмелёва, написанная им в 1931 году в Париже. Автор создавал её параллельно с самым известным своим сочинением - романом Лето Господне. Книга снискала широкую популярность в кругах русской эмиграции, а в конце 1980-х годов была впервые и с большим успехом издана в России.Отойдя от описания в своих произведениях новой большевистской России, И. Шмелёв обратился к воспоминаниям, желая показать Россию утраченную.Автор вспоминает своё детство, прошедшее в дореволюционной Москве. С теплотой и искренностью он воссоздаёт атмосферу того времени, описывает своих близких, попутчиков и встречных людей, хозяйственный и православный уклад тогдашней жизни, природу, наполняя произведение рассказами об уже несуществующих вещах и понятиях, которые безошибочно создают образ ушедшего времени. (ru.wikipedia.org)