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This book is a reconstruction and interpretation of the development of analytic philosophy of religion in Britain and the United States, with special reference to the debate over the existence of God and the problem of evil, during the last fifty years. It discusses Theism and Atheism; Neo-Thomism; The Problem of Religious Language; The Argument from Evil and the Origins of Inductivism; The Inductivist Paradigm; The Ontological, Cosmological Argument and Teleological Arguments; Post-Deductivism; and The Philosophy of Religion Today. Steven M. Duncan's other publications include A Primer of Modern Virtue Ethics (UPA, 1995) and The Proof of the External World (Wipf and Stock, 2008). "A concise yet rigorous and substantive review of most of the important work that has been done in analytic philosophy of religion during the past half century. It should prove valuable both to the professional philosopher and the student of philosophy. This is a wonderful book!"--Professor Paul Herrick

Among the questions that have exercised philosophers of the last sixty years, that of the existence of God has been one of the most hotly contested. That question is the subject of this book. Its chapters cover: What is the Philosophy of Religion? Three Competing Paradigms in Contemporary Philosophy of Religion; Deductivism (Neo-Thomism, Analytic Philosophy, Analytic Atheism, etc); Inductivism (Mitchell's Inductivist Proposal, Swinburne's various arguments, the Future of Inductivism); Post-Deductivism (the Ethics of Belief, The Post-Deductivists on Evil, Plantinga's Reformed Epistemology, Plantinga and Wolterstorff: Christian Philosophy); and Recent Work on the Traditional Arguments for God's Existence. "An excellent introduction to the subject area. It offers clear concise coverage of recent developments and is written in an accessible way. Newcomers to the philosophy of religion as well as those with a background in the field would profit from consulting it." -- Sarah Harrison

A brilliant new study of one of the great English poets of the 20th Century, by a distinguished critic and scholar.This book opens with a section on Hughes's life, including the relationship with Sylvia Plath and the effect of her suicide on his poetry and reputation, followed by a review of Hughes's artistic strategies, his poetic language, and influences on his work. including the poets of Eastern Europe. The body of the book offers an approach to reading New Selected Poems (1995), taking in turn each of the remarkable and remarkably varied works from which the poems were selected - The Hawk in the Rain, Lupercal, Wodwo, Crow, Cave Birds, Season Songs, Gaudete, Remains of Elmet, Moortown Diary, River and Wolfwatching. It concludes with a review of Hughes's reception, and a six-page bibliography. Professor Roberts's books include Ted Hughes: A Critical Study (with Terry Gifford, Faber, 1981), D. H. Lawrence, Travel and Cultural Difference (Palgrave, 2004), and Ted Hughes: A Literary Life (Palgrave, 2006.

This volume of essays explores some of the best crime fiction, science fiction and writing for children, in the last 40 years, including work by Reginald Hill, Thomas Harris, Dorothy L. Sayers, Nora Roberts, J. D. Robb, J. R. R. Tolkien, Ursula Le Guin, Anne McCaffrey, Ian McDonald, Octavia E. Butler, and Tamora Pierce. A companion volume entitled Of Sex and Faerie; Further Essays on Genre Fiction is also available from Lulu. John Lennard took his B.A. and D.Phil. at Oxford University, and his M.A. at Washington University in St Louis. He has taught for the Universities of London, Cambridge, and Notre Dame, and for the Open University, and was Professor of British & American Literature at the University of the West Indies-Mona, 2004-09. His publications include But I Digress: The Exploitation of Parentheses in English Printed Verse (Clarendon Press, 1991), The Poetry Handbook (1996; 2/e, OUP, 2005), and with Mary Luckhurst The Drama Handbook (OUP, 2002).

This book deals with the poetics of the human face, the art of physiognomy, and strategies of nonverbal communication in Shakespeare's plays. It offers new insight into Shakespeare's modes of characterisation, and his art of performance. In Shakespeare's plays, the human face is a focal point. As an area where expression and impression meet (and, ideally, correspond), its reliability and trustworthiness are frequently put to the test, sparking off a controversy which serves as a significant and highly challenging subtext to the overall plot. Professor Baumbach studied at Heidelberg, Cambridge and Munich, and has taught at the universities of Warwick, Giessen, and Stanford. She is now at the University of Innsbruck. Her publications include "'Let me behold thy face'-- Physiognomik und Gesichtslektueren in Shakespeares Tragoedien" (2007), "An Introduction to the Study of Plays and Drama" (as co-author, 2009), and "Literature and Fascination" (2015.

D. H. Lawrence wrote over a thousand poems. Though much has been written about Lawrence's poetry, there have been few full length studies. This book deals with the whole range of his poetry from his earliest poems, such as 'To Campions' and 'To Guelder Roses', to the mature achievement, in free verse forms inspired by Walt Whitman, of Birds, Beasts and Flowers, Pansies and Last Poems. There are new interpretations of his most memorable poems, such as 'The Wild Common', 'Piano', 'Song of a Man Who Has Come Through', Tortoises, 'Peach', 'Pomegranate', 'Snake', 'Bavarian Gentians' and 'The Ship of Death'. "D. H. Lawrence: Poet, the fruit of forty years' reflection, is the most accessible introduction to Lawrence's poetry currently available. Supplemented by an extensive checklist of decades of critical writing, this highly entertaining book is a valuable resource, and makes fascinating reading for anyone interested in the development of modem poetry." Karl Orend, Times Literary Supplement

This collection of essays proposes that climate change means serious peril. Our argument, however, is not about the science per se. It is about us, our deep and more recent history, and how we arrived at this calamitous impasse. With contributions from academic activists and independent researchers, History at the End of the World challenges advocates of 'business as usual' to think again. But in its wide-ranging assessment of how we transcend the current crisis, it also proposes that the human past could be our most powerful resource in the struggle for survival. Our approaches begin from archaeology, literature, religion, psychology, sociology, philosophy of science, engineering and sustainable development, as well as 'straight' history. Mark Levene is Reader in Comparative History at the University of Southampton, Rob Johnson is a historian at All Souls College, Oxford, and Penny Roberts is Associate Professor in History at the University of Warwick.

This book, first published by Penguin in 1988, provides an excellent introduction to the world and action of Shakespeare's history plays. Part I examines the context for Shakespeare's history plays, including the a treatment of Elizabethan cosmology and its relevance to political order. Part 2 explores the 'Ricardian' plays, under the following headings: Mirrors of our Fickle State; Hawks and Handsaws: Modes and Genres of the Plays; This Blessed Plot: Husbandry and the Garden; Passing Brave to be a King: Richard II; This Royal Throne of Kings: Henry IV, parts 1 and 2; This Sceptred Isle: Henry V; A Trim Reckoning: Language, Poetics and Rhetoric. This title is also available as a searchable ebook from Humanities-Ebooks.co.uk and for libraries from Ebrary, EBSCO and Ingram. "Interesting, articulate and accessible this is a very good introduction. Ideal for anyone seeking an overview of the plays."--by Tom Wright

the book offers a detailed commentary on the poetry of Hopkins, exploring the significance of contemporary cultural issues and the poet's life as Catholic convert and Jesuit priest. Part 1 traces Hopkins's life from his early schooldays, his undergraduate years at Oxford and conversion to Catholicism, to his work as a Jesuit scholar and poet-priest. Part 2, explains the core principles of Hopkins's innovative and challenging poetry, including sections on inscape, instress and sprung rhythm. Part 3, provides a detailed critical commentary on most of the major poems, including The Wreck of the Deutschland, God's Grandeur, The Windhover, Pied Beauty, The Caged Skylark, Hurrahing in Harvest, Felix Randal, Spring and Fall, Inversnaid, the six 'Terrible Sonnets', and That Nature is a Heraclitean Fire. Part 4, explores the history of Hopkins criticism from that of his own contemporaries to twentieth century and current critical approaches. John Gilroy is also the author of Reading Philip Larkin: Selected Poms

The Kepesh trilogy spans three decades of Philip Roth's career, beginning with The Breast in 1972, and continuing with the Professor of Desire in 1977 and The Dying Animal in 2001. This study demonstrates that the trilogy is not only worthy of critical analysis in its own right, but also that an appreciation of its themes and strategies deepens our understanding of his entire fictional enterprise, offering an invaluable perspective on one of the world's most important novelists. Paul McDonald works at the University of Wolverhampton where he is Senior Lecturer in American Literature, and Course Leader for Creative Writing. Among his other HEB titles are The Philosophy of Humour (2012), and Reading Beloved (2014). Samantha Roden is a Lead Practitioner for English at North East Wolverhampton Academy. She writes educational resources, digital pedagogical guides and conducts national webinars for Cambridge University Press. Her first full collection of poetry, Catch Ourselves in Glass, is forthcoming.

Part 1 of this book examines the English contribution to the 'American Revolution', and the various models of relationship between Britain and America that existed for writers in the 'American Renaissance'. Part 2 considers the politics of James Fenimore Cooper, and the inspirational role of the English Romantics in the thinking of Emerson and the art of Bryant, Thoreau, Hawthorne and Poe, Melville, Whitman and Dickinson. An epilogue explores how Dickinson and Whitman responded to the seductive music of Alfred Lord Tennyson. "How this study is received will say as much about the recovery of serious interest in literary history as about the work's quality. Learned, rigorous in testing its assertions, mordant and spirited in its expression, Romantic Dialogues makes one wonder how one ever read the American text at all without the British context. .... An extraordinary achievement" -Robert Weisbuch, New England Quarterly