Bøger udgivet af Hatje Cantz

Technology and the city

Why do women architects still not receive the recognition their work deserves? Women in Architecture is a manifesto for the great achievements of women in architecture.

For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation.Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt's Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists and writers. She introduces the Metabolic Museum as an interventionist laboratory for remediating ethnographic collections for future generations. CLÉMENTINE DELISS has achieved international renown as a curator, cultural historian and publisher of artist's books. In her role as Director of the Weltkulturen Museum in Frankfurt, as a curator, and as a professor and researcher at eminent institutes and academies, she focuses on transdisciplinary and transcultural exchanges. She is Associate Curator of KW Berlin and Guest Professor at the Academy of Arts, Hamburg.

Why is it that people refer to Dresden as "Florence on the Elbe"? And why is the nickname "Venice of the North" claimed by several cities, from Amsterdam, Bruges, and Hamburg, to St. Petersburg and Stockholm? And where will you not find a Rome-whether you're in Constantinople, the so-called new Rome with its seven hills, or in Moscow, which is known as "the third Rome"? It becomes really interesting when cities that model themselves after cities are themselves elevated to role models, as in the case of Paris. Is the pleasure that cities take in "citing" or imitating other cities even relevant today? The architectural historian Wolfgang Pehnt takes us along on an examination of all these questions in this informative and enlightening volume. Through his vivid, succinct writing style he explores the origins, legends, and role models of cities, from Athens to Jerusalem. He teaches his readers to read cities like a book.¿WOLFGANG PEHNT (*1931, Kassel), architectural historian and critic, studied German, art history, and philosophy at the universities of Marburg, Munich, and Frankfurt am Main. From 1957 to 1963 he was an editor at the Gerd Hatje publishing company in Stuttgart. From 1963 to 1995 he was an editor and department head for Deutschlandfunk. From 1995 to 2009 he taught architectural history at the Ruhr University, Bochum. He is the recipient of honors in the fields of criticism and theory from a variety of groups, such as the Verband Deutscher Architekten- und Ingenieurverein, Bund Deutscher Architekten, and the Erich Schelling Foundation.

The Medium and the Message Words become images-writing, drawings, designs. For around twenty years Stefan Marx has been studying script. Lines of songs, sayings, sentences, and quotations, which he then translates in his own script, his graphic writing, into paintings or drawings-two-dimensional surfaces. The poetry of the statements and the painterly quality of the execution combine to form strong works of art. Marx develops each of his pieces with great precision for the specific situation, for the individual work of art, regardless of whether it is an edition, a unique work, a house, or a small invitation card. This is the first book about his Word Paintings in their many varieties and in all media. Essays explain Marx's drawing, printmaking, and painting, as well as his unique interplay of art and pop culture, sign and life.STEFAN MARX (*1979, Schwalmstadt) is an artist, a skateboarder, and a cultural philosopher. He published artist's books through his own publishing company, designs record covers for various labels, and exhibits his works at art book fairs and galleries. His work has been seen in many international exhibitions, as well as in his graphic designs for programs and labels. In August 2019 his drawing column appeared daily in the New York Times.