Bøger udgivet af Green Writers Press

Tal Birdsey's Hearts of the Mountain: Adolescents, a Teacher, and a Living School sketches an utterly unique entity: an independent and virtual one-room middle school in the Green Mountains of Vermont. Hearts of the Mountain takes a deep look into an intimate, wild, and unpredictable year of learning, in and out of the classroom, with a diverse collection of funny, profound, troubled, and hopeful adolescents.

Gathering the Brightness of Each Day.

By turns comic and elegiac, full of signs and portents, Vermont Exit Ramps II takes readers on a physical and emotional journey through the Green Mountain State. Combining a reporter''s instincts with a poet''s eyes and ears, Shepard invites the reader, exit ramp by exit ramp, to wander through the surrounding ramplands, towns, and hilltop farms and to discover historical realities and imagined alternatives. Through his lyrical reportage, Shepard incorporates "found" material—road signage and weather reports, birdcalls and mammal-chatter, Chinese fortune cookies and scrambled anagrams, snippets of literary texts and local pamphlets—into poems that are as layered as the natural and human history that make up contemporary Vermont. This virtuosic performance will serve as a spirited primer for first-time visitors while making long-time Vermonters see the land they thought they knew with fresh eyes.

Written by Eliza Minnucci with Meghan Teachout The Forest Days Handbook answers the frequently asked questions about choosing an outdoor classroom space, developing routines, building light infrastructure, and offers narrative examples of what a kindergarten Forest Day might look like. Accompanied by photos of students on their Forest Day, and with a foreword by David Sobel, this book gives a passionate teacher the con?dence to step beyond the schoolyard. Included as an appendix is also a collection of case studies commissioned by AUNE describing three public kindergarten Forest Day programs. Students, teachers, parents and administrators weigh in with their perspectives on the Forest Day movement.

With its mystical landscape and fiercely self-reliant citizenry, Vermont has inspired poets from its earliest days. This anthology of contemporary Vermont poets represents a wide range of accomplished voices-- both young and old, both renowned and relatively unestablished. Their poems reverberate with what W. H. Auden called " memorable speech" in a wide variety of forms and subjects. While there is no such thing as a particular brand of Vermont poetry, the poems in this volume claim Vermont as their place of origin, bearing witness to the remarkably rich and ongoing legacy of the state's poetic tradition. In this third edition of Roads Taken: Contemporary Vermont Poetry, we have added thirty-six new poets. In the four years since the last edition of Roads Taken was published in 2018, many accomplished emerging and established poets have either published books of poetry or moved to Vermont. The poems of the three-dozen new poets in this third edition not only complement their fellow Vermont poets with new vibrant and visionary voices, but testify to Vermont's ongoing poetic tradition as one of the richest in the country.

Sydney Lea says he hopes these columns will continue to be of interest to poetry lovers and students, but above all to the common reader. Seeking at every turn to avoid jargon, he explores how the making of a poet's art resembles the making of any reader's life. For Lea, poetry and everyday life are deeply entangled.

This collection of poems from Vermont farmer Ross Thurber is divided into four sections: "Green Popplewood," "Sunburnt Juniper," "Stag Horn Sumac," and "Snow Melt, Black Brook." Each section represents a seasonal form of succession that is both literal and abstract. Ultimately the poems in this manuscript have been winnowed to represent a narrative that echoes the idea that, like a lyric poem, stability is only a moment in time-one to be cherished.

Our planet has over 400,000 glaciers and ice caps scattered across its surface, some 5.8 million square miles of ice. Fascinatingly, where there are glaciers, there are people, and the two have been interacting for the entirety of human history. But we know so little about that interaction, those human stories of glaciers. The Secret Lives of Glaciers explores glacier diversity in Iceland, highlighting the rich social and cultural context and variability amongst glaciers and people. Investigating glaciers and people together teaches us about how human society experiences being in the world today amidst increasing climatic changes and anthropogenic transformation of all of Earth's systems.

Maine is a talisman of the American imagination, offering beauty and wildlife to tourists and natives. Over the last few years, Jim has published many essays about the wonders and challenges of Maine's environment, and One Man's Maine collects and edits them into sixteen pairs. The first essays of each pair employ the natural icons of Maineâlobster, moose, blueberries, lupineâto reach into matters of human significance. These are familiar essays that combine science and belief, observation and emotion. The second essays are broader and more discursive and take on a fuller range of experiences in this beloved state.

Many of the poems in this book come from the dark corners of my heart. By giving verbal form to these ideas I hope to be able to at least look at them if not actually confront and diminish them. They reflect many of my regrets, sadness, disappointments (often in myself), and perceptions of the world in which I live. If any reader can identify with some of these ideas, then he or she will know that he or she is not alone. That in itself would make the poems purposeful. In my efforts to become a better human being, I have come across Buddhism. The Buddhist core values of compassion, equanimity, and kindness are exactly what I have needed. Readers will find reflections of my religious beliefs in a number of these works. Poems rattle around in my mind, sometimes for weeks, until I have NO choice but to let them out.  Many of these poems are organic. I am not clear on the form they will take until I actually sit down to write. Others are attempts to use form, meter, and rhyme, whatever feels right. These lyrics give voice to my inner demons, and allow me to share them with the world. So I send them out, hoping that they may bring someone insight or relief.