Bøger udgivet af Green Writers Press

Beyond Denial is an essay collection that sketches a spirituality for our time that is life-affirming and inclusive, intellectually viable and socially responsible. The author, an ordained minister, integrates Judeo-Christian insights with the rich resources of the world's other religions and wisdom-streams. He emphasizes the centrality of consciousness in spiritual practice. Such awareness comes, first, through fostering experiential awareness of our inherent inner Divinity; and then also, through consciously perceiving-and moving beyond denial of-whatever dysfunctional patterns may plague us both individually and collectively. Rev. Acheson invites his readers to look at a wide range of topics with curiosity, questioning and compassion. This book offers many rich insights and practices that can help guide us toward a more hopeful human future, even in a time of great fear and confusion.

Winner of the 2021 Foreword Reviews Indies Award for General Fiction When the body of Alison Goss washes up on Menhaden Island, in the Gulf of Maine, the working-class fishing community of hard-hewn ways and salty perspectives is faced with handling the future of her unusual son, Faron. They soon discover how different he is, in strange but endearing ways, including his fascination with moths and his stunning artistic talent. Bound together by weather and sea, Menhaden neighbors with good hearts and blunt opinions overlook Faron's peculiarities. But their nurturing embrace cannot completely erase his troubled past, which eventually morphs into a life-changing event and forces him to confront lingering memories. Faron faces that which haunts him, works as a sternman on a lobster boat, and paints in his studio. When he meets a bird-watching woman who has returned to Menhaden to live in her grandparent's house, his life takes another unexpected turn.

A poetic biography of Maria Sibylla Merian (1647-1717), Rare Wondrous Things investigates the history of this German artist and naturalist who made groundbreaking discoveries in entomology. While Merian led an exceptional life--even traveling to Suriname at fifty-two years old in the pursuit of knowledge--her name has largely remained in obscurity, and her personal life is still shrouded in mystery. These poems recover her legacy by exploring the tensions between science and religion, professional aspirations and motherhood, wifehood and independence, and biographer and subject.

It's been one year since hot-shot attorney Justin McGee, Boston's most deadly and elusive assassin-for-hire, took on the highest stakes assignment of his career. Killing an assistant district attorney is broad daylight is risky enough, but this assignment carried an especially risky wildcard. Justin finds himself on the lam living in hiding on a fishing yacht in Jekyll Island, Georgia. There he dwells among his dock-mates who consist of drug dealers, smugglers, prostitutes and even an illegal undertaker. The rug is pulled out from under his entire world when the woman that he believed he loved and subsequently murdered for money, shows up alive in order to exact a unique type of revenge. In an unorthodox way, the two lovers recommence their torrid affair and engage in a risky, yet lucrative counterfeiting trade operation. Suddenly, the arrival of an eleven year-old ragamuffin with holes in her clothes and blood on her hands, only further complicates matters. Each of the players at the table eventually find themselves caught in the crossfire of a terrorist plot the likes of which the world has only envisioned in its worst nightmares...

A chapter book for advanced readers set in a chain of tropical islands . . . This story charts the intertwining friendships of a crab, a goat, a bird, and a gecko. Along the way, there are the usual challenges of our eat-or-be-eaten world. The perils of timidity, confusion, and self-doubt. The enticements of vanity and routine. The rewards of fearless generosity and genuine trust.

A mother-daughter love story of resilience and hope against the odds Keema Waterfield grew up chasing music with her twenty-year-old mother on the Alaskan folk festival circuit, two small siblings in tow. Summers they traveled by ferry and car, sharing the family tent with a guitar, cello, and fiddle. Adrift with a revolving cast of musicians, drunks, stepdads, and one man with a gun, Keema yearned for a place to call home. Preferably with heat and flushing toilets. Trying to understand the absence of her pot-dealing father, she is drawn deeper into her mother's past instead.

Turn It Up! Music in Poetry from Jazz to Hip-Hop, edited by Stephen Cramer, is a vibrant anthology of 400 pages, including poems by everyone from Langston Hughes, Allen Ginsberg, and Rita Dove to Yusef Komunyakaa, Kim Addonizio, Kevin Young, and Danez Smith. The book contains 88 poets in all (the number of keys on a piano) and is split into three sections: poems about jazz, poems about blues and rock, and poems about hip-hop. The now famous quote -- writing about music is like dancing about architecture -- has been attributed to everyone from Theolonious Monk to Frank Zappa to Elvis Costello. How can one pin down an invisible craft like music with the more absolute definitions of language? Well, the poets in Turn It Up!, responding to everyone from Louis Armstrong to the Rolling Stones to Public Enemy, prove that it can be done, and done in style.

Many of the poems in this book come from the dark corners of my heart. By giving verbal form to these ideas I hope to be able to at least look at them if not actually confront and diminish them. They reflect many of my regrets, sadness, disappointments (often in myself), and perceptions of the world in which I live. If any reader can identify with some of these ideas, then he or she will know that he or she is not alone. That in itself would make the poems purposeful. In my efforts to become a better human being, I have come across Buddhism. The Buddhist core values of compassion, equanimity, and kindness are exactly what I have needed. Readers will find reflections of my religious beliefs in a number of these works. Poems rattle around in my mind, sometimes for weeks, until I have NO choice but to let them out. Many of these poems are organic. I am not clear on the form they will take until I actually sit down to write. Others are attempts to use form, meter, and rhyme, whatever feels right. These lyrics give voice to my inner demons, and allow me to share them with the world. So I send them out, hoping that they may bring someone insight or relief.

The poems in A Common Name for Everything build idiosyncratic worlds around the themes of nature, home, parenting, and naming--worlds that are at once poignant and absurd: a professional namer of lakes explains his standards; the rural gods are given names; a study of sheep results in loneliness. Steeped in sound play and borrowing academic language to create a specimen lens, these poems bask in the local as they seek to name even the commonest earthly things.

Have you been touched by the Mystery? You may not remember it but we have all been touched in some mysterious way by the divine. Though we know that traumatic memories are often suppressed, the fact that we all, particularly as children, are likely to have had significant spiritual experiences of great goodness and importance to us is generally rejected, its remembrance discouraged. But these experiences remain within us, ready to re-awaken, when the right catalyst enters our lives. Walking with the Ineffable is a memoir of one woman's walk through the mystery of spiritual experiences. It is about the changing weather of belief: what we believe, why we believe, and when we believe. Steeped in the mysticism of Christian, Sufic, and other spiritual transmissions and pilgrimages, the author, aided by a vibrant company of a host of wise-eyed, mischievous cats, brings a broad spiritual perspective to the perennial quest of the human soul to know itself and its Maker, and to the discovery of that hidden splendor, waiting to shine, in the depths of us all.

Lucinda Mae lives with her family and their homestead animals in Painter Creek Hollow, a secluded nook of the Blue Ridge Escarpment in upstate South Carolina that people call the Gorges. The story explores the lifeways of rural mountain families who remain tied to traditional ways of living, such as raising hogs, poultry, hunting squirrels, and using local plants for medicine, among others. The winter holiday season, the warming earth, and the ways misunderstanding and prejudice can harm relationships between friends and between generations are also themes in the novel.

You move away, but spend whole days thinking of your hometown. Up the hill, past the gravel pit, an Elvis impersonator is leaning on his parked car. On Memorial Day, you put flowers on your great grandmother's grave and spend an afternoon wondering about her life. In your sister's first apartment, there are terrible figures drawn on the walls with Sharpies. You take a figure drawing class and the model, a skinny blonde woman, opens her mail and cries while you draw her. You learn that your great grandmother was a widow, that her town was a community of widows, a whole street renamed in their honor: La Strada Delle Vedove, the Street of Widows.In Cassie Fancher's debut collection of stories, small town American women navigate grief and loss. Piecing together images from her own life, Cassie creates stories that prioritize not the trauma itself but the relationships these women find in order to survive. This collection, and the characters within, consider home from afar, from close up, from the past and the present.

After writing twelve books over a period of forty years, I said I was finished. However, my life and the life around me has changed and I felt it time to offer to people pages from my own personal nature journals which have been my guides and deep sources for both learning and solace since I began writing books, back in l978. I decided to publish a book that is not instructive or text heavy. Beginning with the Winter Solstice and going through the twelve months of the year, I have chosen one hundred twenty -two pages from my own illustrated/hand written journals of the last three years revealing my reflections, doubts, joys, responses to both family, political, environmental worries and the deep solace I continually find going out into my local nature. As both urban and rural naturalist, educator, wife, mother, grandmother I open my journal pages as they are personal yet universal to all of us as we question our own lives in balance with the ongoing and continual cycles of nature's seasons.

This anthology features poems by Mark Doty, Ross Gay, Donald Hall, Marie Howe, Naomi Shihab Nye and many others. These poets, from all walks of life, and from all over America, prove to us the possibility of creating in our lives what Dr. Martin Luther King called the "beloved community," a place where we see each other as the neighbors we already are. Healing the Divide urges us, at this fraught political time, to move past the negativity that often fills the airwaves, and to embrace the ordinary moments of kindness and connection that fill our days.

Total Loss Farm in Guilford, Vermont, was and is a wordy place. Its hilly acres and flimsy buildings provided a refuge from a riven country, a place to grow paragraphs and stanzas, among the tilled rows of the market garden. Peter Gould's first novel Burnt Toast was a youthful exploration of this mythic turf. Peter left the farm to pursue love and work. In Horse-Drawn Yogurt, Peter returns to offer his take on how we lived in times that seem exotic, yet oddly familiar, in this second edition, with three new stories and an introduction by Vermont author Bill Schubart. Gould is eloquent, whimsical, critical, musical, magical, and tender. The new stories in this second edtion are gems with additional line drawings by the author.

A young boy and his sister discover the secret of the Lake Champlain monster, but decide to keep the secret to themselves in this ficticious tale. Cartoonist Jeff Danziger creates a fantastic adventure of brother, sister, and an old fisherman friend, in search of the great monster of Lake Champlain. They dig up clues and finally plan the expedition to end the mystery surrounding this mythical being suppossedly living under the waves. The book, both humorous and scary, presents creative characterizations, and is appropriately accompanied by charming illustrations that will delight readers of all ages.