Bøger udgivet af Green Writers Press

Julia C. Alter's Some Dark Familiar begins as an excavation of the shadow sides of motherhood-- often hidden from plain sight and public view. In the collection, Alter turns an unflinching eye on postpartum depression, maternal ambivalence, pregnancy termination, and the complex weaving of sexuality with motherhood. However, the author knows that no shadows are cast without light. Some Dark Familiar also seeks to illuminate the reclaiming of erotic power/true selfhood after giving birth. By the close of the collection, the book becomes a love letter from a single mother to her only son; a son being raised in America during the last gasps of the patriarchy, in the face of all of its interpersonal and ecological violence.

Through one last crime, pirate Captain Flint brings menace to a governor's niece, a Royal Navy captain ... and himself. A kidnapping, sea battles, disease and mutiny mean they must all Tread Carefully on the Sea.

Jemima Loves Words Early Readers are written for three to five year olds. The stories are fun and simple. They utilize phonics and rhyme, and promote memorization. The pictures are bright and bold and help to tell the story. The back pages have questions that you can ask your child, to help promote reading comprehension.

"There are treasures in the forest just behind Mason's house. In this first-of-its-kind foraging story told through the eyes of a third-generation mushroom hunter, Mason takes is cues from thunderstorms and apple blossoms to grab a basket and hit the woods. With his four-legged pal, buddy, Mason hunts edible mushrooms through lush Vermont landscapes as he scores morels in springtime, chanterelles and lobsters in summer, and black trumpets in auturmn ..."--

Transition and change are 21st-century lived experiences. We want to know "what's next" in our relationships, environment, societies, politics, and everything else that touches our lives. "What's Next?" is an anthology of short fiction that creatively explores these questions. UTHORS FEATURED IN THE ANTHOLOGY Claire Boyles, Joseph Bruchac, Chitra Banerjee Divakaruni, Toiya Kristen Finley, Tom Gammarino, Amina Gautier, Anthony Lee Head, Meng Jin, Charles Johnson, Pauline Kaldas, Vijay Lakshmi, Clarence Major, Donna Miscolta, Pamela Painter, Jane Pek, Brenda Peynado, Maurice Carlos Ruffin, Shannon Sanders, George Saunders, Joanna Scott, Anna Sequoia, Asako Serizawa, Sharyn Skeeter, Tiphanie Yanique, and Ye Chun.

More than "the good old days," destined only for the memoir and history-buff markets; more than the "community-building" market to describe America's fall from working and playing together books, Landmark Memories tells stories, vignettes, really, of a Vermont village. Describing the school, the library, Main Street, and more with an array of people from the town's iceman, teacher, neighbor, village worker, and kids living and playing together, focused on the 1930s and 1940s. The time when Americans naturally lived and cared together in village life. These are the togetherness stories that people around the globe are now dreaming about from their isolation in our pandemic times. Stories about family, friends, and community, as they search for wholeness as never before, dreaming of America's best democracy.

In a debut novel from Green Writers Press by Jonathan Howland, the austere beauty and high exposure of mountain adventure provide the context and the measure for what it means to be alive for climbing partners Joe Holland and Pete Hunter – until one of them isn't. When the book opens, it's the mid-80s. Joe Holland, the novel's narrator, is a climber and a seeker, but mostly he's Pete Hunter's shadow. The two meet in college and spend the next ten years living at the base of any rock that appears scalable, most of them near Yosemite and California's High Sierra. The joys and strains of their friendship comprise the novel's first half. In the second, the bare bones–obsession, grief, love, and repair-come into stark relief when Pete's grown son Will calls Joe back into climbing, into the past, and into breathless vitality. Native Air is itself a climb, tracing physical acts in a vertical domain as well as the life events stitched between adventures that yoke them. When Will summons Joe back to the mountains, it's Joe's chance to recver something true, to mourn his friend, and to fall in love with wonders nearer to heaven than any steeple. The past and present press upon each other like a folded clock. Readers of this book are doers as well as fans of those who entertain risk and nurse obsession. They get lost and found in Muir essays and Knausgaard. They admire Annie Proulx, Norman Maclean, and Russell Banks. According to climber-author Dan Duane, "e;Native Air belongs on the bookshelf of anyone whose heart registers the beauty and danger of exposure."e;

Whole Terrain, Issue 24: "About Time"--Meditate with us on the urgency and the beauty of time through this volume's visual, poetic, fictional, and practical explorations. Essays: Kathleen Dean Moore - The Tadpole Madrigal, John Hanson Mitchell - Legends of the Common Stream, Leath Tonino - A Little Boy's Whale, Samantha Harvey - Reflections on Houston in a Time of Contradiction, John Bates - What Hath God Rot, Amy E. Boyd - Missed Rendezvous, Randall Amster - Remembering the Terrapods, Rebecca L. Vidra - Cultivating Patience, Jeremy Elliott - Artifacts, David Solomon - One Generation's Treasure, Kimberly Langmaid - Crossing Thresholds in Yellowstone. Poems: Sean Prentiss - Entropy, Liz N. Clift - 13 Letters to Crater Lake, Heidi Watts - Winter Weeds. Visual Essays: Davis Te Selle, Xander Griffith, Sheri Vandermolen, Johanna Spaeder.

"Clark The Colorblind Chameleon is a modern-day fable written for a Kindergarten class when they were targeting a child for his differences. Clark almost gets caught by a hungry cat, as he is the only chameleon who turns the wrong color and can be seen. Through the help of the Wise Chameleon, he learns how to work hard and push through his discouragement. After all his hard work, he not only can match colors, but discovers a talent for changing into fantastic colors no chameleon has ever done before!"--Provided by publisher

Writings from former children of St. Joseph's Orphanage in Burlington, Vermont shed new light on the horrific abuses they endured. Their stories reflect those of five million American children who have passed through the orphanage system in the 20th Century alone. Through personal narrative and poetry, these courageous individuals show their tremendous resilience and strength. Their artful renderings, in the form of poetry and non-fiction, demonstrate the way that creative writing can be a vehicle for the communication of important truths as well as an act of healing. Along with poetry and non-fiction developed over the course of a year-long writers' workshop, the book offers a sampling of exercises for developing writing as well as illuminating conversations with the authors.

What do you do when you are faced with the impossible choice between listening to your heart or your head? Sixteen year old Lilah keeps asking herself this exact question. Newly orphaned and moving into foster care, Lilah's one saving grace is Joey, her deceased twin brother's childhood best friend who as luck has it, lives next door to her new foster family. The problem is, Joey harbors a secret, one Lilah must find out. When she does, she must decide, will she follow her heart and new found love, Joey, into Nolianna, a secret, mysterious carnival world run only by foster children that is recruiting new members? Or will she listen to her head and follow the clues that Nolianna may not be what is seems. When Sebastian, the future leader of Nolianna sets his sights on having her join, will she even have a choice? With time ticking away, Lilah must decide if love is enough to keep her and Joey together in Nolianna, or if she can rely on what she knows to be true and save them from disappearing for good.

New England, 1643. In a walled English village crouched at the edge of a wilderness believed to be haunted by monsters and devil-worshipping savages, Will Poole chafes against the constraints of Puritan society and is visited by strange hallucinations that fill him with unease. Hunting in the forest, he encounters Squamiset, an enigmatic native elder whose influence will open the door to possibilities well beyond the narrow existence his upbringing led him to expect. The meeting leads to a dangerous collision of worldviews, an epic sea voyage, and the making of an unforgettable friendship. Green Writers Press is thrilled to present new paperback and audio editions of Will Poole's Island, a novel of literary adventure, mystery, and wonder that offers readers of all ages an experience of early America that feels fresh and entirely relevant to our own times.

What an extraordinary gift Robert Pack, who has blessed us with poems for the past sixty-five years, has given us in this, his most recent volume! Where to begin? Let's begin with the strange, even unsettling title of Pack's new volume: Event Horizon. It's an astronomical term, it turns out, and signifies 'a theoretical boundary around a black hole beyond which no light or other radiation can escape.' In other words, a point of no return. And there you have it, Pack at his canniest, most quizzical, most plangent, and at the same time comic. And make no mistake: these poems will bear all those resonances and radiations out.

A book-length sequence of linked poems, The Adjacent Possible centers on problems of consciousness, inter-subjective relation, theories of emergence, and Buddhist philosophy. These thematic concerns emerge through the dialogic exchange between two abstract figures, as they range across a variety of landscapes and poetic forms, including free verse, hybrid forms, and the traditional Japanese forms of haibun, tanka, and renga. The questions The Adjacent Possible explores are these: How does consciousness emerge into being, and how does one subject, human or otherwise, connect with another? How might poetry--as aural, visual, and elemental matter--catalyze these forms of relation?

"A collection of prose poems about Earth's ongoing sixth mass extinction. The poems are written as advice columns from a series of Gods, each of whom speaks as the creator of a particular species. Through profiling fifty animals--many threatened or endangered, others thriving weed-like in urban centers--the Gods grapple with pressing environmental issues such as climate change, habitat fragmentation, and the spread of invasive species."--

The Hopper is a lively environmental literary magazine, along with stunning visual art, from Green Writers Press that strives towards an invigorated understanding of nature's place in human life. The annual publication is part of a new phase in nature writing that seeks to include a modern consciousness in narratives of place. The Hopper believes that in order to refashion our lives to accommodate the knowledge we have of our environmental crisis, we have a lot of cultural heavy lifting to do. To reacquaint ourselves meaningfully with the natural world we have to turn our interpretive, inquisitive, and inspired faculties upon it. Through what we publish and the communities we encourage, The Hopper seeks to be a leader in this cultural re-centering and can be used for environmental education and discussion.

FOUR GIRLS. FOUR DIRECTIONS. ONE PURPOSE. The earth is gasping for breath; its only hope is the sacred Codes of Nature. But they've been stolen--snatched by a giant raven during a raging storm. SOPHIA ROSE, Guardian of Mother Earth, has summoned MAIA from the North to lead FALCON, AVA, and YUE, on a quest to find the Codes and save the planet. But the odds are against the young rescuers. Time is running out: the bees are dying, the oceans are filled with plastic--and a dark energy lurks in the shadows, threatening their search. Powered by the elements of earth, air, fire and water, messages from mystical dreamcatchers, guidance from the ancestors, and wisdom from the land--this fierce sisterhood must rely on courage, mythic horses, and each other if they are to succeed. Ultimately, their epic adventure takes them on a daring journey into a deeper understanding of their own unique place in the universe. The Dreamcatcher Codes builds bridges, unity, and hope, and illuminates two critical issues of our time: climate change and girls claiming their voices and vital place in the world.

Red Kite, Blue Sky, the debut poetry collection from Madeleine May Kunin, celebrates life and the natural world, occasioned by the birth of grand-children, the memories of friendship and past birthdays/Bar Mitzvahs, a gift of plum-colored gloves from the poet's daughter, the Sicilian sun which "melts my argument against myself," with sharp observations and humor. Like Emily Dickinson before her, Kunin does not shy away from death; rather she embraces the anticipation "before death drags me deep," the gap in her life when her beloved husband dies, the fear of immigration to America during World War II with "an H for Hebrew, I found out later," and the sadness of being isolated as an older woman living alone during the pandemic. For years Kunin was caught in the tempo of politics--as governor, as a federal official, and as an ambassador--but as she eased into retirement from public life, she found a door that opened for her to explore the multi-layered language of poetry.

Tea with Dad maps the rough terrain of the author's life and experiences after moving in with her 82-year-old father and living with him consistently and longer on a day-to-day basis than she ever had as a child. She is surprised by the distance between them and the obvious discomfort the two of them feel. Nancie, the twice-divorced mother of three daughters who no longer live at home, still reeling from the last ten years-during which, among other things, her second husband disclosed that he was gay and her mother unexpectedly died-leaves a well-paying job in online media and rents a house from her father on the Eastern Shore of Maryland. Her plan is to regroup, write, and live closer to her dad so that she is there to care for him when the time comes. But her own personal circumstances force her to move in with her father far sooner than expected, and not on her own terms. In order to be with and care for her father until the end of his life, she must confront long term and unresolved issues that threaten their getting along. As she finds ways they can reconnect and revise their relationship-specifically through afternoon tea and long car rides-she grows to know him better, she learns more about her mother, and rediscovers herself.