Bøger udgivet af Forlaget Borderline

Det danske rockband Klichés unikke tilgang til musikken, teksterne, koncerterne og ikke mindst det knusende hårde arbejde med skabelsen af de to nyskabende mesterværker Supertanker (1980) og Okay Okay Boys (1982) udgør en vigtig brik i dansk musikhistorie. I 'Supertanker – Kliché, 1977-85' fortæller bandmedlemmerne Johnny Voss, Jens Valo og Nils Torp for første gang i bogform den samlede historie om Kliché: en beretning om originale musikere og store egoer, der krydser klinger, og om skabelsen af banebrydende kunst.Til at forløse denne fængslende historie om venskaber og skyhøje ambitioner om at skabe noget nyt i en tid, hvor dansk musik stod i stampe, medvirker også Kliché-vikar og -fan Steffen Brandt, pladeselskabsboss Poul Bruun, producer Nils Henriksen samt et broget hold af lysfolk, roadier, bookere, journalister og kolleger.Historien ledsages af mere end 200 illustrationer, heraf mange aldrig før offentliggjorte fotos af bandet.Thomas Løppenthin, født 1977, debuterede i 2015 med den anmelderroste kultbog 'Mere Lys' om syrerockfænomenet Spids Nøgenhat. Løppenthin er skribent på Borderline Magazine og redaktionsmedlem og studievært på radioprogrammet Mod Strømmen.

Odense, August 1943. The Danes are distancing themselves from the pacifist complacency of everyday life under the German occupation, and the ensuing revolt against Germany’s superior force is rapidly unfolding. Law and order is breaking down. When the vigilante hunt for collaborators and "German-friendly girls", condescending called "Terrain-mattresses,” begins in earnest, 17-year-old Maia Niemann's secret infatuation with a German officer becomes threatening for her and her family’s life. In secret she flees to Copenhagen and moves in with her father’s sister, Mille. But Aunt Mille has secrets of her own, not the least, her involvement in the resistance movement. As the drama of war both at home and abroad deepens and Maya finds herself in an unwanted pregnancy, she seriously understood that she had broken the unspoken rules of war. She learns the art of ‘contingency lying’, but as time goes on, she is caught up in an impossible dilemma and must make crucial choices affecting her own life as well as that of her unborn baby.