Bøger udgivet af Fitzcarraldo Editions

Pristina, Kosovo, 1999. Barry Ashton, recently divorced, has been deployed as a civil engineer attached to the Royal Engineers corps in the British Army. In an extraordinary feat of ventriloquism, Adam Mars-Jones constructs a literary story with a thoroughly unliterary narrator, and a narrative that is anything but comic through the medium of a character who, essentially, is. Exploring masculinity, class and identity, Batlava Lake is a brilliant story of men and war by one of Britain's most accomplished writers.

> is an arts and literature quarterly magazine, with triannual print and monthly online editions. The magazine launched in London in February 2011 to provide 'a space for a new generation to express itself unconstrained by form, subject or genre', and publishes fiction, essays, interviews with writers and artists, poetry, and series of artworks. It takes its name and a degree of inspiration from >, a Parisian magazine which ran from 1889 to 1903.

An unnamed narrator, recently bereaved, travels to Olevano, a small village south-east of Rome. It is winter, and from her temporary residence on a hill between village and cemetery, she embarks on walks and outings, exploring the banal and the sublime with equal dedication and intensity. Seeing, describing, naming the world around her is her way of redefining her place within it. Written in a rich and poetic style, Grove is an exquisite novel of grief, love and landscapes.'Like a landscape painter who day after day sets up their easel outside, Esther Kinsky directs her eyes onto the terrain, studies it at particular times and in ever-changing weather, and seeks to understand its anatomy as well as the way it is used by people.'- Frankfurter Allgemeine Sonntagszeitung

A novel in epistolary form, BOLT FROM THE BLUE charts the relationship between a mother and her artistic daughter over the course of thirty-odd years, and offers a partial and subjective account of British contemporary art since the mid-1980s.

Written with an infernal lyricism that is as affecting as it is enthralling, HURRICANE SEASON, Fernanda Melchor's first novel to appear in English, is a formidable portrait of contemporary Mexico and its demons, brilliantly translated by the award-winning translator Sophie Hughes.

I IS ANOTHER: SEPTOLOGY III-V, the second instalment in a major new work by Jon Fosse, one of Europe's most celebrated writers, follows the lives of Asle and Asle - two versions of the same person, two versions of the same life, both grappling with existential questions about life, death, love, light and shadow, faith and hopelessness.

An unapologetic embrace of the nightlife under the motto `Meet girls. Take drugs. Listen to music', RAVE attempts to capture the feel of debauchery from within while critiquing the media structures that contribute to the `epochality' of pop culture phenomena.

Booker International-longlisted author Clemens Meyer returns with DARK SATELLITES, a collection of short stories about marginal characters in contemporary Germany.

OLD FOOD explores mass consumption, both physical and digital, through our relationship with food. Artfully rendering humanity's insatiable appetite into pungent yet enthralling prose, Atkins portrays a world permeated with empty signifiers, replete with content yet increasingly devoid of meaning.

In writing that is inventive, bold, and generous, Maria Tumarkin's AXIOMATIC is a brilliantly inventive exploration of how the past shaped the present blending narrative, reportage and essay.

With Vivian, her second novel to be published in English, Christina Hesselholdt delves into the world of the enigmatic American photographer Vivian Maier (1926-2009), whose unique body of work only reached the public by chance. On the surface, Vivian Maier lived a quiet life, working as a nanny for bourgeois families in Chicago and New York. And yet, over the course of four decades, she took more than 150,000 photos, most of them with Rolleiflex cameras. The pictures were discovered in an auction shortly before she died, impoverished and feasibly very lonely. Who was this outsider artist, and why did she remain in the shadows her whole life? In this playful, polyphonic novel, we watch Vivian grow up in a severely dysfunctional family in New York and Champsaur in France, and we follow her later life as a nanny and street photographer in Chicago. A meditation on art, madness and identity, Vivian is a brilliant novel by Denmark's most inventive and radical novelist.

A critical, satirical take on Philippine-American history, a powerful contribution to the postcolonial canon, and a fearless exploration of the limits of metafiction, INSURRECTO is a novel about women - artists, lovers, revolutionaries, daughters - finding their way to their own truths and histories.

In this bold and transgressive book, Preciado recounts his transformation from Beatriz into Paul B., and examines other processes of political, cultural and sexual transition.

NOCILLA LAB is the third volume in the celebrated Nocilla Trilogy by Agustin Fernandez Mallo, translated from the Spanish by Thomas Bunstead.

Ash before Oak is a novel in the form of a fictional journal written by a solitary man on a secluded Somerset estate. Ostensibly a nature diary, chronicling the narrator's interest in the local flora and fauna and the passing of the seasons, Ash before Oak is also the story of a breakdown told slantwise, and of the narrator's subsequent recovery through his reengagement with the world around him. Written in prose that is as precise as it is beautiful, winner of the 2018 Fitzcarraldo Editions Novel Prize, Jeremy Cooper's first novel in over a decade is a stunning investigation of the fragility, beauty and strangeness of life.

Blending personal memoir with reportage, Surrender is a narrative nonfiction work on the changing landscape of the West and the scavenger, rewilder and ecosexual communities, inspired by a two-year stay in Montana.

With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Man Booker International Prize-winner Olga Tokarczuk returns with a subversive, entertaining noir novel.

SCENES FROM A CHILDHOOD is the latest collection of stories by Jon Fosse, one of Norway's most celebrated authors and playwrights, famed for the minimalist and unsettling quality of his writing.

A portrait of modern urban living, Patrick Langley's debut ARKADY is a brilliant coming-of-age novel as brimming with vitality as the city itself.

Over the course of the chronicles and literary essays that make up this volume, Alejandro Zambra outlines his own particular theory of reading.

INSANE draws upon Rainald Goetz's clinical psychiatric experience to paint a portrait of the asylum as a 'total institution'. A cult author in Germany, this is Goetz's first novel, and the first to be translated into English.

In Tangier, young Lakhdar finds himself homeless after being caught in flagrante with his cousin Meryem. As the political and religious tensions in the Mediterranean flare up with the Arab Spring and the global financial crisis, Lakhdar and his friend Bassam entertain dreams of emigration, fuelled by a desire for freedom and a better life. Part political thriller, part road-movie, part romance, the latest novel by Mathias Enard takes us from the violence of Tangier's streets to Barcelona's louche Raval quarter. Street of Thieves is an intense coming-of-age story that delves deep into the brutal realities of the immigrant experience.'

In this bold, fascinating book, Eula Biss addresses our fear of the government, the medical establishment, and what may be in our children's air, food, mattresses, medicines, and vaccines. Reflecting on her own experience as a new mother, she suggests that we cannot immunize our children, or ourselves, against the world.

COMPANIONS draws together Christina Hesselholdt´s four short volumes centring on a young woman, Camilla, and her circle of friends. The cycle begins with CAMILLA AND THE HORSE and has been published to great critical acclaim in Denmark. At once confessional and elliptic, the CAMILLA books are a running series about a group of characters whom one meets at various stages in their lives. A character who narrates one story from his or her point of view becomes a subordinate character in another. At the centre stand Camilla and her husband Charles. Christina Hesselholdt writes about desire and conflict in relationships, about everyday life and the past, about materially comfortable, now middle-aged lives that are simultaneously well-ordered and messy. Danish title: ´Selskabet’, comprised of the four books ’Camilla and the Horse’, ’Camilla - og resten af selskabet’, ´Selskabet gør op’ and ´Agterudsejlet’.

A propulsive, incendiary novel about faith, race, class, and what it means to have a home, from Joshua Cohen, 'a major American writer' (NEW YORK TIMES).

An anthology of the best fiction and essays published in THE WHITE REVIEW, to mark twenty issues in print and our seventh anniversary.

Surreal, ambitious, and exquisitely conceived, THE DOLL'S ALPHABET is a collection of stories in the tradition of Angela Carter and Margaret Atwood.

In RIVER, a woman takes long, solitary walks by the River Lea, observing and describing her surroundings and the unusual characters she encounters. Written in language that is as precise as it is limpid, RIVER is a remarkable novel, full of poignant images and poetic observations, an ode to nature, edgelands, and the transience of all things human.

Ranging from the seventeenth century to our current moment, and crossing multiple continents, Counternarratives' stories and novellas draw upon memoirs, newspaper accounts, detective stories, interrogation transcripts, and speculative fiction to create new and strange perspectives on our past and present.

One of the most widely celebrated artists of his generation, Ed Atkins makes videos, draws, and writes, developing a complex and deeply figured discourse around definition, wherein the impossibilities for sufficient representations of the physical, specifically corporeal, world - from computer generated imagery to bathetic poetry - are hysterically rehearsed.A PRIMER FOR CADAVERS, a startlingly original first collection, brings together a selection of his texts from 2010 to 2016. 'Part prose-poetry, part theatrical direction, part script-work, part dream-work,' writes Joe Luna in his afterword, 'Atkins' texts present something as fantastic and commonplace as the record of a creation, the diary of a writer glued to the screen of their own production, an elegiac, erotic Frankenstein for the twenty-first century.'