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In 1506, Michelangelo - a young but already renowned sculptor - is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, alongside an enormous payment, the promise of immortality, since Leonardo da Vinci's design was rejected: 'You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.' Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II - whose commission he leaves unfinished - and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, and becomes immersed in cloak-and-dagger palace intrigues as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings and Elephants - constructed from real historical fragments - is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched pieces, seen from the opposite sides of civilization, can mirror one another.

Boldly combining the highly personal with the brilliantly scholarly, In the Dark Room explores the question of how memory works emotionally and culturally. It is narrated through the prism of the author's experience of losing both his parents, his mother when he was sixteen, his father when he was on the cusp of adulthood and of trying, after a breakdown some years later, to piece things together. Drawing on the lessons of centuries of literature, philosophy and visual art, Dillon interprets the relics of his parents and of his childhood in a singularly original and arresting piece of writing reissued for the first time since its original publication in 2005, and including a new foreword from prize-winning biographer Frances Wilson. 'In the Dark Room is a wonderfully controlled yet passionate meditation on memory and the things of the past, those that are lost and those, fewer, that remain: on what, in a late work, Beckett beautifully reduced to "e;time and grief and self, so-called"e;. Retracing his steps through his own life and the lives of the family in the midst of which he grew up, Brian Dillon takes for guides some of the great connoisseurs of melancholy, from St Augustine to W. G. Sebald, by way of Sir Thomas Browne and Marcel Proust and Walter Benjamin. The result is a deeply moving testament, free of sentimentality and evasion, to life's intricacies and the pleasures and the inevitable pains they entail. In defiance of so much that is ephemeral, this is a book that will live.' - John Banville, winner of the Booker Prize for The Sea in 2005.

With DRIVE YOUR PLOW OVER THE BONES OF THE DEAD, Man Booker International Prize-winner Olga Tokarczuk returns with a subversive, entertaining noir novel.

THE SECOND BODY is a brilliantly lucid account of the dissolving boundaries between all life on earth.

ESSAYISM is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together by a personal voice and a polemical point.

On losing her father, Teresa returns to a small town on the Greek coast - the same place she visited when grieving her mother nine years ago. She immerses herself again in the life of the town, observing the inhabitants going about their business, a quiet backdrop for her reckoning with herself. An episode from her first visit resurfaces vividly - her encounter with John, a man struggling to come to terms with the violent death of his nephew. Soon Teresa encounters some of the people she met last time around: Petros, an eccentric mechanic, whose life story may or may not be part of John's; the beautiful Niko, a diving instructor; and Xanthe, a waitress in one of the cafés on the leafy town square. They talk about their longings, regrets, the passing of time, their sense of who they are. Artfully constructed, absorbing and insightful, One Boat is a brilliant novel grappling with questions of identity, free will, guilt and responsibility.

One of our leading thinkers forges a new language for feminism, weaving together stories of visionary women past and present, and their paths of defiance. A decade on from its first publication, Jacqueline Rose's Women in Dark Times is as urgent and compelling as ever.

The follow-up to Diane Suess's Pulitzer Prize winning frank: sonnets, Modern Poetry writes an experimental-scholarly life in poems.

A debut poetry collection wrangling the various selves we hold and perform - across oceans and within relationships - told through a queer, Nigerian-American lens.

In the tradition of Walter Benjamin and with the journalistic attunement of Joan Didion, Jacqueline Feldman tells the story of Le Bloc, a legendary squat at the far edge of Paris which housed artists and activists.

Francis Mirkovic, a French Intelligence Services agent for fifteen years, is travelling first class on the train from Milan to Rome. Handcuffed to the luggage rack above him is a briefcase containing a wealth of information about the war criminals, terrorists and arms dealers of the Zone - the Mediterranean region, from Barcelona to Beirut, from Algiers to Trieste, which has become his speciality - to sell to the Vatican. Exhausted by alcohol and amphetamines, he revisits the violent history of the Zone and his own participation in that violence, beginning as a mercenary fighting for a far-right Croatian militia in the 1990s. One of the truly original books of the decade, and written as a single, hypnotic, propulsive, physically irresistible sentence, Mathias Enard's Zone is an Iliad for our time, an extraordinary and panoramic view of violent conflict and its consequences in the twentieth century and beyond.

Published in book form for the first time, Jon Fosse's Nobel Lecture, delivered in Stockholm in December 2023, translated by Damion Searls.

The Book Against Death is the work of a lifetime: a collection of Canetti's aphorisms, diatribes, musings and commentaries on and against death - published in English for the first time since his death in 1994 - interposed with material from philosophers and writers including Goethe, Kafka, Walter Benjamin and Robert Walser.

A genre-bending, literary eco-thriller, Living Things follows four recent graduates whose summer plans to work abroad take a sinister turn.

After several years of absence, a man reappears in the life of his wife and their young son and takes them to the dilapidated house in the mountains. The Son of Man is an exceptional novel on the transmission of violence from one generation to the next.

A genre-bending and thought-provoking examination of capitalism and cancer - and recent Brazilian history - based on the author's interviews with his truck driver father.

A prismatic memoir of loss and reckoning, as a young woman seeks to discover the lives of the parents she lost to AIDS, and what it means to 'go viral' in an era of explosive contagion.

A new and updated edition of London Feeds Itself, edited by the food writer and editor of Vittles, Jonathan Nunn, exploring the charged intersections between food and modern London.

Blending memoir, polemic and feminist philosophy, Intervals is a deeply moving work that harnesses the political potential of grief to raise essential questions about choice, interdependence and end-of-life care.

Blending fiction and essay, poetry and philosophy, Agustin Fernandez Mallo's The Book of All Loves is a startling, expansive work of imaginative agility, one that makes the case for hope in the midst of a disintegrating present.