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Denton, a celebrated American author, investigates the murder of a prostitute at the turn of 20th century in London.

Henry Tibbett pursues the murder of a small-time gambler which seems improbably related to a conflict between two newly-formed African nations. The investigation takes Henry from England to the Netherlands and into the world of international conflict resolution.

Even though the police insist that Judith Hayes's friend, George, killed himself--after all, several people saw him jump, right in front of the moving train--Judith is not convinced. First in a duo of mysteries featuring this tough and appealing heroine.

Judith Hayes has landed an interview with a super-reclusive billionaire, but before she can talk to him, he dies of apparent natural causes--or were they? The search for the real story takes Judith and her policeman boyfriend from New York to Bermuda to Paris and, finally, to Hungary, childhood home of the dead billionaire.

It's 1941 and San Francisco is pulsing with excitement. For Cameron Ferris, newly arrived from Tiny Town, Oregon, a seat on the sidelines is thrilling enough. But then her life takes a turn: There's a strange man living in her apartment, kidnappers hanging out on the fire-escape, and all traces of her life have been scrubbed clean. Who is Cameron Ferris? And what can she do to foil a gang of kidnappers?

World War II is over but Hooper Taliaferro is still in Africa, this time in Cabinda, a tiny Portuguese colony with gaily painted buildings and a history of slave-trading. Hoop should have a pleasant stay at the home of the local administrator, but when one of the other guests is murdered, Hoop calls in Dr. Mary Finney, the Miss Marple of the tropics. As usual, the formidable Dr. Finney has both stellar sleuthing skills and a .45 in her necessaries bag.

Dov Taylor, an unhappy former cop, is summoned by a local rabbi to help solve a murder in the Hassidic community. Why Dov? Some hundred-odd years ago, his ancestor was a famous Polish mystic, and the rabbi believes this ancestry might help Dov see what others cannot. This is a very unusual job for Dov, but it's not like he has a lot going on in his life. This extraordinary, deeply unusual mystery was shortlisted for the Edgar in 1994.

This last mystery in the "Henry Gamadge" series set in 1940s New York was originally published in 1951. Henry must help Rena Austen, newly wed, who has decided her marriage was a big mistake, and has fled her husband's gloomy Upper East Side house in fear for her life.

It's 1956 and Inspector Ted Stratton must investigate the murder of a young man in London who had just recently left the Foundation for Spiritual Understanding, a new age cult based in Suffolk. Traveling to Suffolk, Inspector Stratton encounters a community of fervent believers led by an enigmatic, charismatic leader, and a femme fatale with a shady past.

"First UK edition (as A Capital Crime) (Quercus): 2010."

The good ship Cape Farewell is steaming out to sea, with a passenger-list and crew fairly littered with the shifty, the twitchy, the peculiar, and the up-to-no-good. Arguably the up-to-no-goodest is a strangler with a romantic streak: He likes to leave his ladies with a flower and a charming little song. Alleyn boards the Cape at Portsmouth, determined that no one else is going to get strangled on his watch.

Blotto and Twinks travel to America! Specifically, they travel to Chicago (and this would be during the Prohibition years) in the hopes of marrying Blotto off to an American heiress and thus saving Tawcester Towers from financial ruin. Thankfully, Twinks is around to nose out the dirty undertakings of the heiress's father, a meat-packing magnate and Chicago mob associate.

The unspeakably wealthy (and generally unspeakable) Jonathan Royal has decided to throw a party and, just for fun, has studded the guest-list with people who loathe one another. When a blizzard imprisons them all in Royal's country house, murder ensues. In true Christie-esque tradition, there are nearly as many suspects as there are potential victims. Eventually, Inspector Alleyn makes his way through the snow to put things right.

Nothing will poison the present like lies from the past. Sisters Charlotte and Jennifer have a history of "amusing" misunderstandings about attempted suicide. Their granny, Bertha, is wrapped in memories of London in the 1920s, when she and her sister, Jemima, brought new meaning to betrayal. Bridging the two, Bertha's daughter, Deirdre, is shaped by the night a Nazi bomb destroyed the entire street, and uncovered one of those poisonous lies.

The Poisoned Village. That's the grim nickname the locals have for Priors Bramley, emptied of its residents when a Cold War experiment with chemical weapons went badly wrong. But the nightmares in Priors Bramley have been festering a lot longer, going back to the long-abandoned Cadence Manor. What happened there in the years before the first world war? And what is the source of the eerie music drifting down the crumbling village streets?

Regardless of what the calendar says, Jack and Susan are always, eternally, 27 years old. They are destined for each other like Hepburn and Tracy, Dagwood and Blondie, Nick and Nora. They always acquire a shaggy white dog. In 1913, the world is thrilling to that fabulous invention, the motion picture. When the movies move West, Jack and Susan (and Tripod!) decide to go along with them, only to discover that not all of the bad guys are on the silver screen.

Following up on The Innocent Spy, the second Ted Stratton novel is set in the summer of 1944, almost five years into the war. Bombs are still falling in London and everyone is thoroughly exhausted of the war. In the middle of all this Stratton investigates a string of deaths in a hospital, where he suspects a serial killer might be at work.

Someone has stolen valuable paintings from Tawcester Towers, ancestral home of Blotto and his sister, Twinks. Twinks tracks the thieves to France and she and Blotto go zipping off to Paris--where they have rather a jolly time with the Left Bank bohemian set--but before the hangovers can take hold Twinks has redirected the search to the Riviera, headquarters of that dastardly criminal mastermind, la Puce! Will the noble Blotto and the brilliant Twinks recover their paintings, vanquish la Puce, and rescue the kidnapped film star we neglected to mention?

Loni Meadows is the beautiful, unstable director of an arts foundation headquartered in a crumbling castle outside Florence. When Meadows dies under peculiar circumstances, it becomes clear that almost everyone at Castello Orfeo would have been pleased to see her dead. Years ago, as a low-level member of the Florence police force, Sandro Cellini, now working sporadically as a private eye, ran a routine background check on Meadows, and he hopes that the tidbits he learned back then can help him determine who helped her to her death.

Ngaio Marsh was, among other things, a well-respected theatrical producer (having started out as an actress), and her passion for and knowledge of the theater was displayed in many of Alleyn's adventures. In Enter a Murderer, the Inspector has been invited to an opening night, a new play in which two characters quarrel and then struggle for a gun, with predictably sad results. Even sadder, the gun was not, in fact, loaded with blanks.

A hundred years ago, the Tarleton Music Hall, on London's south bank, was one of the city's glittering night-spots, with song-and-dance man Toby Chance heading the bill. But Toby disappeared in 1914 and the Tarleton has been locked ever since. With property prices soaring, an investment group hires Robert Fallon to survey the place. Fallon is charmed by the project and the rumors that the Tarleton is haunted by a Singing Ghost. The deeper he delves, though, the harder it gets to shake the notion that he is being menaced by the past.

Ahilarious parody of Agatha Christie and fourth in a series nominated for two Edgar awards. Ethelred Tressider's career is not, let's face it, what one might call glittering. This is not surprising: Ethelred lost any real interest in writing mystery novels many years ago, and his audience has never been truly excited about reading them. And yet the bills must be paid. In a desperate effort to revive his imagination, Ethelred books a cruise down the Nile--cradle of civilization, ancient royal rivalries, etc. Well, it worked for Agatha Christie.

Diana Calthorp is a society beauty, escaping a loveless marriage by doing just a little spying for MI5. Ted Stratton is a working-class copper, poking with little passion into the death of a sad, middle-aged woman. In an ordinary world, their paths would never cross, but the war has turned the world on its head. When the two start chatting, they discover they have more in common than one might imagine. Both of them are running up against very peculiar and very solid roadblocks. Could collaboration help find ways around the obstacles?

Richard Harrison has spent most of his life as a spy. But that's all behind him; he wants nothing more than a quiet retirement in the cathedral town of Canterbury. But the past has a way of refusing to stay buried - something Harrison is forced to remember when an unknown young woman turns up on his doorstep, bearing a message from her late father, a refugee from Hitler's Germany, and an expert in antiques. It's a message that Harrison doesn't want to hear. And he particularly doesn't want to believe it has anything to do with the recent suicide of an elderly, notoriously dithering parish priest.

It's the fall of 1940, and London is being destroyed by the Blitz. Every night, its citizens cram into shelters, basements, subway stations - anything to avoid the bombs. And every morning, they awake to scenes of fresh devastation. But some of those citizens don't wake up. In many cases, it's the bombs that are to blame. But for a handful of the dead, there seems to have been a more immediate cause. The victims were all prostitutes, like the victims of another, notorious serial killer. Jack the Ripper may be long gone, but it's clear that someone is following in his footsteps. Based on the true story of the "Blackout Ripper."

London 1699. Countess Ashby de la Zouche and her maid, the faithful Alpiew, are dashing around, plying their trade as scandal-mongers. Happily, scandals are falling in their laps like ripe plums. But scandal takes on some gravitas when the Countess and Alpiew are hired to solve the murder of a popular leading lady. And things get yet more serious when they stumble into a mess of corruption with connections to the very furthest reaches of society.

Journalist Harry Fitzglen is less than thrilled to write up the opening of some glittering new art gallery. But the boredom falls away when he meets Simone Anderson, whose oddly compelling photographs are on display. Harry loves a girl with a past, and Simone's is a doozy: What exactly happened to her long-disappeared twin sister? And what is her connection to another pair of twins, born nearly 100 years ago? Every question points to the Welsh border and a ruined mansion called Mortmain House. As Harry delves into Mortmain's grim history, he finds himself drawn into a set of interlocking mysteries, each more curious - and disturbing - than the last.

Just about any of the guests at Johnny Redfield's party seems to have a good reason to have killed the guest of honor, Johnny's Californian aunt who, with her astral name and vague pretensions of mysticism, does not exactly blend in the elegant New York atmosphere that surrounds her. And what's more, no one has a solid alibi. It will take all of Henry Gamadge's ingenuity to figure out this closed-room mystery.