Bøger udgivet af Farrar, Strauss & Giroux-3pl

In this engaging book, Bradford Martin illuminates a different 1980s than many remember-one whose history has been buried under the celebratory narrative of conservative ascendancy. Ronald Reagan looms large in most accounts of the period, encouraging Americans to renounce the activist and liberal politics of the 1960s and '70s and embrace the resurgent conservative wave. But a closer look reveals that a sizable swath of Americans strongly disapproved of Reagan's policies throughout his presidency. With a weakened Democratic Party scurrying for the political center, many expressed their dissatisfaction outside electoral politics. Unlike the civil rights and Vietnam-era protesters, activists of the 1980s often found themselves on the defensive, struggling to preserve the hard-won victories of the previous era. Their successes, then, were not in ushering in a new era of progressive reforms but in effecting change in areas from professional life to popular culture, while beating back an even more forceful political shift to the right.

Over the course of nineteen collections of poems, Charles Wright has built "one of the truly distinctive bodies of poetry created in the second half of the twentieth century" (David Young, Contemporary Poets). Bye-and-Bye, which brings together selections from Wright's more recent work-including the entirety of Littlefoot, Wright's moving, book-length meditation on mortality-showcases the themes and images that have defined his mature work: the true affinity between writer and subject, human and nature; the tenuous relationship between description and actuality; and the search for a truth that transcends change and death. Bye-and-Bye is a wonderful introduction to the late work of one of America's finest and best-loved poets.

In this Norwegian saga of restlessness, Hamsun presents young Edevart, a headstrong boy ill at ease with books, but fiercely self-determined and eager to escape his poor village of Polden. He becomes a close friend of August, a man-orphan, rootless, who sings fantastic tales of a wondrous world. In their years of seafaring, peddling, and raucous-raising-sometimes together, sometimes separated-Edevart grows in understanding, becoming a cunning businessman, experiencing the exhilaration and devastation of love and learning to enjoy the freedom of his wandering lifestyle. Nobel prize winner Hamsun expertly weaves the clashing ideologies-the draw of a comfortable home and the excitement of adventure and the sea-with Edevart's own picaresque, as it drifts between restlessness and a peaceful happiness.

"Passionate, lyrical, and deeply humane, this tale of two sisters caught in a war without end moves effortlessly through space and time . . . an astonishing first novel." -Andrea BarrettMarianna watches her older sister Alaine collect the detritus of war from around Beirut-bullets, shrapnel, grenades, a gas mask. These objects, some taken from dead bodies, catalogue Alaine's retreat into a dangerous depression. As the family struggles to endure the daily violence of the Middle East conflict, it is Marianna who becomes her older sister's keeper, watching for any signal that might trigger one of Alaine's frequent, grim excavations. But once the family escapes to America, Alaine's newfound contentment is as alien to Marianna as her madness once was. As Marianna longs for her beloved, war-torn home, she struggles to understand that now she is the difficult sister.In lyrical, dreamlike prose, The Bullet Collection by Patricia Sarrafian Ward mines both the stunning, exotic landscape of Beirut and the pure, defiant landscape of a child's heart, and shows how war leaves its indelible scars on both.

In the wickedly bittersweet and hilarious You Must Go and Win, the Ukrainian-born musician Alina Simone traces her bizarre journey through the indie rock world, from disastrous Craigslist auditions with sketchy producers to catching fleas in a Williamsburg sublet. But Simone offers more than down-and-out tales of her time as a struggling musician: she has a rapier wit, slashing and burning her way through the absurdities of life, while offering surprising and poignant insights into the burdens of family expectations and the nature of ambition, the temptations of religion and the lure of a mythical Russian home. Wavering between embracing and fleeing her outsized and nebulous dreams of stardom, Simone confronts her Russian past when she falls in love with the music of Yanka Dyagileva, a Soviet singer who tragically died young; hits the road with her childhood friend who is dead set on becoming an "icon"; and battles male strippers in Siberia. Hailed as "the perfect storm of creative talent" (USA Today, Pop Candy), Simone is poised to win over readers of David Rakoff and Sarah Vowell with her irresistibly funny and charming literary debut.

Fresh-squeezed Lexicology, with TwistsNo man of letters savors the ABC's, or serves them up, like language-loving humorist Roy Blount Jr. His glossary, from ad hominy to zizz, is hearty, full bodied, and out to please discriminating palates coarse and fine. In 2008, he celebrated the gists, tangs, and energies of letters and their combinations in Alphabet Juice, to wide acclaim. Now, Alphabetter Juice. Which is better.This book is for anyone-novice wordsmith, sensuous reader, or career grammarian-who loves to get physical with words. What is the universal sign of disgust, ew, doing in beautiful and cutie? Why is toadless, but not frogless, in the Oxford English Dictionary? How can the U. S. Supreme Court find relevance in gollywoddles? Might there be scientific evidence for the sonicky value of hunch? And why would someone not bother to spell correctly the very word he is trying to define on Urbandictionary.com?Digging into how locutions evolve, and work, or fail, Blount draws upon everything from The Tempest to The Wire. He takes us to Iceland, for salmon-watching with a "girl gillie," and to Georgian England, where a distinguished etymologist bites off more of a "giantess" than he can chew. Jimmy Stewart appears, in connection with kludge and the bombing of Switzerland. Litigation over supercalifragilisticexpialidocious leads to a vintage werewolf movie; news of possum-tossing, to metanarrative.As Michael Dirda wrote in The Washington Post Book World, "The immensely likeable Blount clearly possesses what was called in the Italian Renaissance 'sprezzatura,' that rare and enviable ability to do even the most difficult things without breaking a sweat." Alphabetter Juice is brimming with sprezzatura. Have a taste.

A lively cultural history that explores how candy in America became food and how food became more like candyMany adults who wouldn't dream of indulging in a Snickers bar or jelly beans feel fine snacking on sports bars and giving their children fruit snacks. For most Americans, candy is enjoyed guiltily and considered the most unhealthy thing we eat. But why? Candy accounts for less than ten percent of the added sugar in the American diet. And at least it's honest about what it is-a processed food, eaten for pleasure, with no particular nutritional benefit. What should really worry consumers is the fact that today every aisle in the supermarket contains highly manipulated products that have all the qualities of candy. So how did our definitions of food and candy come to be so muddled? Candy tells the strange, fascinating story of how candy evolved in America and how it became a scapegoat for all our fears about the changing nature of food. Samira Kawash takes us from the moral crusaders at the turn of the century, who blamed candy for everything from poisoning to alcoholism to sexual depravity; to the reason why the government made candy an essential part of rations during World War I (and how the troops came back craving it like never before); to current worries about hyperactivity, cavities, and obesity. Candy is an essential, addictive read for anyone who loves lively cultural history, cares about food, and wouldn't mind feeling a bit better about eating candy.

The Beautiful and the Damned presents an affecting, incisive portrait of the vast, fascinating, and incongruent country that is globalized India. Siddhartha Deb grew up in a remote town in the northeastern hills of India and made his way to the United States via a fellowship at Columbia. Six years after leaving home, he returned as an undercover reporter for The Guardian, working at a call center in Delhi in 2004, a time when globalization was fast proceeding and Thomas L. Friedman declared the world flat. Deb's experience interviewing the call-center staff led him to undertake this book and travel throughout the subcontinent.The Beautiful and the Damned examines India's many contradictions through various individual and extraordinary perspectives. With lyrical and commanding prose, Deb introduces the reader to an unforgettable group of Indians, including a Gatsby-like mogul in Delhi whose hobby is producing big-budget gangster films that no one sees; a wiry, dusty farmer named Gopeti whose village is plagued by suicides and was the epicenter of a riot; and a sad-eyed waitress named Esther who has set aside her dual degrees in biochemistry and botany to serve Coca-Cola to arms dealers at an upscale hotel called Shangri La.Like no other writer, Deb humanizes the post-globalization experience-its advantages, failures, and absurdities. India is a country where you take a nap and someone has stolen your job, where you buy a BMW but still have to idle for cows crossing your path. A personal, narrative work of journalism and cultural analysis in the same vein as Adrian Nicole LeBlanc's Random Family and V. S. Naipaul's India series, The Beautiful and the Damned is an important and incisive work.A Publishers Weekly Best Nonfiction BookA Globe and Mail Best Books of the Year

This collection, which won the 2015 Costa Poetry Award, is an exhibition of the Dundee-born poet's stunningly accomplished adoption of the sonnet's ancient structureThis collection from Don Paterson, his first since the Forward Prize-winning Rain in 2009, is a series of forty luminous sonnets. Some take a traditional form, while others experiment with the reader's conception of the sonnet, but they all share the lyrical intelligence and musical gift that has made Paterson one of our most celebrated poets.Addressed to friends and enemies, the living and the dead, children, musicians, poets, and dogs, these poems are as ambitious in their scope and tonal range as in the breadth of their concerns. Here, voices call home from the blackout and the airlock, the storm cave and the séance, the coal shed, the war, the highway, the forest, and the sea. These are voices frustrated by distance and darkness, which ring with the "sound that fades up from the hiss, / like a glass some random downdraught had set ringing, / now full of its only note, its lonely call."In 40 Sonnets, Paterson returns to some of his central themes-contradiction and strangeness, tension and transformation, the dream world, and the divided self-in some of the most powerful and formally assured poems of his career.

Welcome to the House of Journalists. Who are you and what is your story?These are the questions that confront newcomers to the House of Journalists, the internationally renowned refuge for writers in exile at the center of this haunting Orwellian novel. Home to a select group of fellows, the House is located in a fashionable London terrace. But just how stable is this hallowed institution? Julian Snowman, the obsessive founder and chair, sees the threat of dissolution at every turn. Perhaps this explains why petty rules and restrictions abide: men live in one wing, women in the other; smoking is restricted to the central courtyard; tea is optional, but everyone attends.As the fellows strive to remake their lives, they are urged to share their tales. Epic and intimate by turns, these stories-of courage, tragedy, and shame-become a mesmerizing chorus of voices in search of home. Among the fellows are Mustapha, who yearns for the family he tore himself from when he resisted a coup; Agnes, a photojournalist implicated in a brutal civil war; Sonny, a slight figure with don't-mess-with-me hair, who describes a harrowing escape across continents; Edson, who perilously confides his story to his writing mentor; and Mr. Stan, who draws on the noxious cigarettes of his home island, despite having been tortured there.Only one man manages to guard his past: the mysterious new fellow AA, whose secrecy ratchets up Julian's paranoia. Julian suspects that AA is conspiring with a celebrated visiting writer to bring down the House. In fact, AA is planning something else entirely.A world as beguiling as it is disturbing, Tim Finch's The House of Journalists is a novel of heartbreak, humanity, and wit, and announces the arrival of a striking new voice in fiction.

Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself.In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts,Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a 'constellation of genius' of a kind that had never been known before, and has never since been rivaled."Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works-over the course of twelve months-brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.

The first collection from a Whiting Writers' Award winner whose work has become a fixture of The Paris Review and n+1Can civilization save us from ourselves? That is the question J. D. Daniels asks in his first book, a series of six letters written during dark nights of the soul. Working from his own highly varied experience-as a janitor, a night watchman, an adjunct professor, a drunk, an exterminator, a dutiful son-he considers how far books and learning and psychoanalysis can get us, and how much we're stuck in the mud.In prose wound as tight as a copper spring, Daniels takes us from the highways of his native Kentucky to the Balearic Islands and from the Pampas of Brazil to the rarefied precincts of Cambridge, Massachusetts. His traveling companions include psychotic kindergarten teachers, Israeli sailors, and Southern Baptists on fire for Christ. In each dispatch, Daniels takes risks-not just literary (voice, tone, form) but also more immediate, such as spending two years on a Brazilian jiu-jitsu team (he gets beaten to a pulp, repeatedly) or participating in group psychoanalysis (where he goes temporarily insane). Daniels is that rare thing, a writer completely in earnest whose wit never deserts him, even in extremis. Inventive, intimate, restless, streetwise, and erudite, The Correspondence introduces a brave and original observer of the inner life under pressure.

The Simpsons is one of the most successful shows to ever run on television. From its first moment on air, the series's rich characters, subversive themes, and layered humor resounded deeply with audiences both young and old who wanted more from their entertainment than what was being meted out at the time by the likes of Full House, Growing Pains, and Family Matters. Spawned as an animated short on The Tracy Ullman Show-mere filler on the way to commercial breaks-the series grew from a controversial cult favorite to a mainstream powerhouse, and after nineteen years the residents of Springfield no longer simply hold up a mirror to our way of life: they have ingrained themselves into it. John Ortved's oral history will be the first-ever look behind the scenes at the creation and day-to-day running of The Simpsons, as told by many of the people who made it: among them writers, animators, producers, and network executives. It's an intriguing yet hilarious tale, full of betrayal, ambition, and love. Like the family it depicts, the show's creative forces have been riven by dysfunction from the get-go-outsize egos clashing with studio executives and one another over credit for and control of a pop-culture institution. Contrary to popular belief, The Simpsons did not spring out of one man's brain, fully formed, like a hilarious Athena. Its inception was a process, with many parents, and this book tells the story.

Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W. H. Auden. During this imagined meeting, their first in twenty-five years, they are observed and interrupted by, among others, their future biographer and a young man from the local bus station. Alan Bennett's new play is as much about the theater as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art.

This short, charming little primer in wholegrain cookery was first published in 1947-long before healthy eating was a national obsession. Reprinted numerous times, it became a pioneer cookbook: one of the first to reintroduce the joys of wholegrain recipes to the American home cook. Vrest Orton and Mildred Ellen Orton, a husband-and-wife team who also operated a stone mill, a set of country stores, and a mail-order catalog, offer readers a simple, warm, and welcoming approach to such regional classics as Southern Johnnycake and Vermont Indian Pudding. Along the way, they offer an impassioned argument for wholegrains, as well as a witty critique of the refined, shelf-stable flours that had become so seductive to postwar cooks. Today, a new audience of readers is discovering that wholegrains are not only healthy, but tasty and comforting as well. The Ortons' delightful guide ranks as one of America's most important grain cookbooks; it both preceded the current health craze and remains true to its present concerns. Cooking with Wholegrains is sure to find a place in every natural-food kitchen. Mrs. Orton celebrated her 99th birthday in 2010 and still lives in Weston, Vermont on the Village Green.

Polish Wilno-now Vilnius, in Lithuania-was the city of Czeslaw Milosz's youth and adolescence. In this collection of essays and reminiscences, written over a span of three decades, the Nobel Prize-winning poet traces an informal autobiography against the street map of an extraordinary city-a crossroads of languages, cultures, and beliefs-that lies at the very heart of his internal geography.Beginning with My Streets, available for the first time in paperback, gathers portraits of the writers Aleksander Wat, Dwight MacDonald, and Fyodor Dostoevsky, as well as the great Swedish scientist Emanuel Swedenborg; an exchange of letters from the 1950s with the novelist and diarist Witold Gombrowicz; and a selection of speeches delivered between 1967 and 1987, including Milosz's Nobel Lecture. These diffuse reckonings, distinguished throughout by the flavor of personality and the aura of place, have a cumulative power-they are quintessential Milosz.

Jonathan Nossiter, award-winning filmmaker and former sommelier, had his first taste of wine at the age of three in Paris, from his father's fingertip. For him, wine is "memory in its most liquid and dynamic form," an essential art. In Liquid Memory, the American expatriate takes readers on a cheeky insider's investigation of the mysteries of terroir, the historical sense of place that makes wine unique.Nossiter, who already created an uproar in the world of wine with his film Mondovino, here reveals how the tyranny of snobs, critics, and charlatans prevents us all from taking part in what should be a gloriously democratic bacchanalia. From the sacred wineshops of Paris to film locations in Rio de Janeiro, this singular journey invites us to consider how power influences taste and how one's own taste might combat power in any sphere.Unabashedly controversial, Liquid Memory has already riled the establishment, and it will continue to stimulate wine lovers and convert the skeptics for many years to come.