Bøger udgivet af Farrar, Strauss & Giroux-3pl

A probing look at one of the most incendiary subjects of our time-the relationship between the United States and IsraelThere has been more than half a century of raging conflict between Jews and Arabs-a violent, costly struggle that has had catastrophic repercussions in a critical region of the world. In Genesis, John B. Judis argues that, while Israelis and Palestinians must shoulder much of the blame, the United States has been the principal power outside the region since the end of World War II and as such must account for its repeated failed diplomacy efforts to resolve this enduring strife.The fatal flaw in American policy, Judis shows, can be traced back to the Truman years. What happened between 1945 and 1949 sealed the fate of the Middle East for the remainder of the century. As a result, understanding that period holds the key to explaining almost everything that follows-right down to George W. Bush's unsuccessful and ill-conceived effort to win peace through holding elections among the Palestinians, and Barack Obama's failed attempt to bring both parties to the negotiating table. A provocative narrative history animated by a strong analytical and moral perspective, and peopled by colorful and outsized personalities and politics, Genesis offers a fresh look at these critical postwar years, arguing that if we can understand how this stalemate originated, we will be better positioned to help end it.

All We Know is one of Publishers Weekly's Top 10 Best Books of 2012A revelatory biography of three glamorous, complex modern womenEsther Murphy was a brilliant New York intellectual who dazzled friends and strangers with an unstoppable flow of conversation. But she never finished the books she was contracted to write-a painful failure, and yet a kind of achievement.The quintessential fan, Mercedes de Acosta had intimate friendships with the legendary actresses and dancers of the twentieth century. Her ephemeral legacy is the thousands of objects she collected to preserve the memory of those performers and to document her own feelings.An icon of haute couture and an editor of British Vogue, Madge Garland held influential views on fashion that drew on her feminism, her ideas about modernity, and her love of women. Existing both vividly and invisibly at the center of culture, she-like Murphy and de Acosta-is now almost completely forgotten.In All We Know, Lisa Cohen describes these women's glamorous choices, complicated failures, and controversial personal lives with lyricism and empathy. At once a series of intimate portraits and a startling investigation into style, celebrity, sexuality, and the genre of biography itself, All We Know explores a hidden history of modernism and pays tribute to three compelling lives.

"Dreams and reality bleed into each other in this dangerous and edgy romance!" -Justine magazineFate has bound them together-and torn them apart. Now, in Horizon, Daire and Dace face one final fight that will seal their destiny forever.Daire Santos is the last of the Soul Seekers, and the only thing standing between the Richters and the destruction of everyone she loves. With her grandmother gone and Cade back in Enchantment, Daire must finally step into her destiny and lead the fight against the Richters. But what if that means sacrificing the person she loves most?Bound to the Richters by blood, Dace struggles against the darkness growing inside him that threatens to claim Daire too. Though Daire refuses to give up on him, the choice may not be hers. An epic battle is on the horizon and the end of the world looms near. With such insurmountable odds stacked against them, is their love really enough to conquer all? Also available: The Soul Seekers Books 1, 2 and 3 (Fated, Echo and Mystic) from bestselling author Alyson Noël.

"The literature of the twenty-first century will belong to Neuman." -Roberto BolañoSearching for an inn, the enigmatic traveler Hans stops in a small city on the border between Saxony and Prussia. The next morning, Hans meets an old organ-grinder in the market square and immediately finds himself enmeshed in an intense debate-on identity and what it is that defines us-from which he cannot break free. Indefinitely stuck in Wandernburg until his debate with the organ-grinder is concluded, he begins to meet the various characters who populate the town, including a young freethinker named Sophie. Though she is engaged to be married, Sophie and Hans begin a relationship that defies contemporary mores about female sexuality and what can and cannot be said about it. Traveler of the Century is a deeply intellectual novel, chock-full of discussions about philosophy, history, literature, love, and translation. It is a book that looks to the past in order to have us reconsider the conflicts of our present. The winner of Spain's prestigious Alfaguara Prize and the National Critics Prize, Traveler of the Century marks the English-language debut of Andrés Neuman, a writer described by Roberto Bolaño as being "touched by grace."

Until the end of World War II, East Prussia was the German empire's farthest eastern redoubt, a thriving and beautiful land on the southeastern coast of the Baltic Sea. Now it lives only in history and in myth. Since 1945, the territory has been divided between Poland and Russia, stretching from the border between Russia and Lithuania in the east and south, and through Poland in the west. In Forgotten Land, Max Egremont offers a vivid account of this region and its people through the stories of individuals who were intimately involved in and transformed by its tumultuous history, as well as accounts of his own travels and interviews he conducted along the way.Forgotten Land is a story of historical identity and character, told through intimate portraits of people and places. It is a unique examination of the layers of history, of the changing perceptions and myths of homeland, of virtue and of wickedness, and of how a place can still overwhelm those who left it years before.

Of Plan B, which included several of the poems in Maggot, Robert McCrum recently said in the London Observer that "Paul Muldoon, who has done so much to reimagine the poet's task, has surpassed himself with his latest collection." In his eleventh full-length book, Muldoon reminds us that he is a traditional poet who is steadfastly at odds with tradition. If the poetic sequence is the main mode of Maggot, it certainly isn't your father's poetic sequence. Taking as a starting point W. B. Yeats's remark that the only fit topics for a serious mood are "sex and the dead," Muldoon finds unexpected ways of thinking and feeling about what it means to come to terms with the early twenty-first century. It's no accident that the centerpiece of Maggot is an outlandish meditation on a failed poem that draws on the vocabulary of entomological forensics. The last series of linked lyrics, meanwhile, takes as its subject the urge to memorialize the scenes of fatal automobile accidents. The extravagant linkage of rot and the erotic is at the heart of not only the title sequence but also many of the round songs that characterize Maggot, and has led Angela Leighton, writing in The Times Literary Supplement, to see these new poems as giving readers "a thrilling, wild, fairground ride, with few let-ups for the squeamish."

A Boston Globe Best Poetry Book of 2011Winner of the 2011 Griffin Poetry PrizeWinner of the 2011 Poetry Now AwardSeamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present-the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, of lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems that stand at the crossroads of oral and written, and other "hermit songs" that weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled "Route 101" plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s childhood to the birth of a first grandchild. Other poems display a Virgilian pietas for the dead-friends, neighbors, family-that is yet wholly and movingly vernacular.Human Chain also includes a poetic "herbal" adapted from the Breton poet Guillevic-lyrics as delicate as ferns, which puzzle briefly over the world of things and landscapes that exclude human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included

The Spot is an old blacksmith shed in which three men tweeze apart the intricacies of a botched bank robbery. The Spot is a park on the Hudson River, where two lovers sense their affair is about to come to an end.The Spot is at the bottom of Niagara Falls, where the body of a young girl floats as if caught in the currents of her own tragic story. The Spot is in the ear of a Manhattan madman plagued by a noisy upstairs neighbor . The Spot is a suburban hospital room in which a young father confronts his son's potentially devastating diagnosis. The Spot is a dusty encampment in Nebraska where a gang of inept radicals plot a revolution.The Spot draws thirteen new stories together into a masterful collection that shows David Means at his finest: at once comically detached and wrenchingly affecting, expansive and concise, wildly inventive and firmly rooted in tradition. Means's work has earned him comparisons to Flannery O'Connor (London Review of Books), Alice Munro, Bob Dylan, Jack Kerouac (Newsday), Hemingway, Sherwood Anderson (Chicago Tribune/NPR), Denis Johnson (Entertainment Weekly), Poe, Chekhov, and Carver (Milwaukee Journal Sentinel), but the spot he has staked out in the American literary landscape is fully and originally his own.

WINNER OF THE NOBEL PRIZE IN LITERATURESpanning thirty years of writing, Making Waves traces the development of the Nobel Prize-winning author Mario Vargas Llosa's thinking on politics and culture, and shows the breadth of his interests and passions. Featured here are astute meditations on the Cuban Revolution, Latin American independence, and the terrorism of Peru's Shining Path; brilliant engagements with towering figures of literature such as Joyce, Faulkner, and Sartre; and observations about the dog cemetery where Rin Tin Tin is buried, Lorena Bobbitt's knife, and the failures of the English public-school system.

A COLLECTION OF UNPUBLISHED POEMS FROM ONE OF THE MOST DISTINCTIVE POETIC VOICES OF THE TWENTIETH CENTURY of an evening real as paint on canvas. The kind that makes me ache to have the gift for dusting off clichés: not, make it new, but, see it, hear it, freshly. The context (good morrow, haven't we met in this context before?) in which, squelch, a brush lifted a load of pigment from the thick glass palette, and, concentrated, as though he saw neither the work in hand nor the subject, the painter began. -from "A Blue Shadow Painting" Other Flowers brings together 165 unseen poems from James Schuyler, one of the twentieth century's most acclaimed writers. This carefully arranged edition presents a broad range of Schuyler's work, spanning from the early 1950s until his death in 1991. These poems exhibit Schuyler's virtuosity in drawing from real life, interpersonal history, nature, and pop culture to create reverberant portraits of the everyday. To read these poems is to rediscover the fresh clarity and grandeur of even the smallest things. Other Flowers confirms Schuyler's status as one of the most important figures in contemporary poetics.